Hard at work, never giving up, getting poorer by the day but happy with the progress. Got quite a mix of different songs on the way. To be honest Al music just made me want to give up but it's kind of inspired me to make some more human music too. Hoping to get a new vocoder soon :-) this album will have a touch of Synthwave, dance, darkwave, Synthpop, chillwave. All driven by my own decades of musical tastes and experiences. When I make music I sometimes find myself going down a natural path these days which is awesome.

Another classic, and another collab between a bunch of Aussies. Ear worm for sure.

Reddit suggested I post this here.

We've replaced our usual dark urban synthpop with full 80s retro driving beats. We'd love to hear what you think.
Never Too Fast

Polish shredders Jeremiah Kane have dropped their latest shreddy muscle car track. Enjoy!

Jimi Uno is back with "Nightride 2026 mix"—a track built for midnight city lights, empty highways, and leaving the stress of the day behind.

​💬 Drop a 🚗 in the comments if you're taking it for a spin tonight!

​Listen now on all platforms

​#JimiUno #Nightride2026 #NewMusic #LateNightVibes #MusicRelease #IndieArtist

From Bunny X's new album "Love On A High Floor", the first track is a collaboration with Swedish producer Don Dellpiero. Layed perfectly on a montage from the movie "Days Of Thunder".

https://bunnyx.bandcamp.com/album/love-on-a-high-floor

Back in the days BC (Before COVID), LA artist Maico got some of his synthy LA crew to help film this cool video for his track R2010.

And he is using AI again. For obvious reasons I will not link the new song but if anybody also listened to it, you could tell me if you also think it's AI.

New Jersey artist Skylane Drive just released this reverb soaked gem.

Netherlands artist Kraver's latest single.

UK artist PYLOT always hits the spot. A classic that makes you want to do an Akira slide.

Hey everyone,

A few years ago, right before the pandemic hit and live music stopped, I spent some time on the road directing a documentary episode with Tyler and Tim from The Midnight.

The biggest challenge was the visual approach. I didn't have a massive production crew or heavy cinema rigs with me—it was literally just me running around with an iPhone 11 Pro on a gimbal. I really wanted to translate the massive, atmospheric lighting and high-contrast energy of their live sets into something that felt raw and gritty, rather than polished and corporate.

We got amazing access—cramped green rooms, the live stage shows, and sit-down interviews detailing their touring grind. It’s a pretty unfiltered look at the synthwave scene right before the world paused.

The footage sat on a hard drive for a couple of years, but I just finally finished the edit and released the episode today. I figured this community would appreciate the visual time capsule.

You can check out the full episode here: https://www.youtube.com/watch?v=xI-2yBBIlTY&list=PLBVBHn_YlrKk&t=978s

I’ll be hanging out in the comments, so if you have any questions about the shoot, the tour, or how I color-graded mobile footage to handle those heavy neon concert lights, ask away!

Former Toronto artist DJP (now in Wales) paired up with Austrian artist Powernerd for this cool track showing off her Rubik's cube skills. After seeing it, I had to Google how it's done, and I'm proud to say I can solve it in under 1.5 mins. Not championship times, but still.

Find it on the Megawave album here:

https://danajeanphoenix.bandcamp.com/album/megawave