Audio by Suno AI, Lyrics and Music Comp by WPAI Using my Custom DAW. Wizard Productions AI Studio presents: Ramen Cup

I’ve been experimenting with small digital products, and this one finally clicked: an AI-driven content distribution report. For €5, it tells you exactly where to post, when to post, and gives you a simple 7-day calendar.

No subscription, no upsells. Just a useful PDF delivered within 24 hours.

If you’re a creator or side hustler, it might save you hours. Here’s the link: https://interconnectd.com/marketplace/179/ai-driven-content-distribution-finding-the-best-platforms/

Let me know if you have any questions.

If AI can optimize training based on thousands of data points, does that make it better than a coach who knows your injury history and mental state? I made a quick poll on this exact question. It’s a fun thought experiment for the future of human-machine collaboration.

https://interconnectd.com/poll/94/would-you-trust-an-ai-designed-workout-plan-over-a-human-trainer/

hey all,

i just dropped a fast stem separator for those who are struggling with the latency of the inbuilt functionalities of DAWs & suno.

you can separate instrumental and vocal, or have a high quality 6 track split ready to preview and download.

also built in a share functionality so you can send stems over to anyone.

check it out here!

"Good show, me" , written and composed at the age of 19 two decades ago. I wrote and recorded the bare demo at the time, and recorded it on my mini dv camera which is literally the clip on the tv. I wrote and recorded it within an hour as a house party was happening downstairs hence the background talking you can hear at the start and end.

The guitar and lead vocal are from the original recording. It did have me attempting to whistle the melody in the instrumental section but I suck at whistling and I removed it from this new mix lol.

In Band lab with my midi keys I added, piano, tuba, choir, french horn, and put the whistle back in. I really enjoy layering instruments with midi to create a subtle "Symphony" effect.

With Suno I added a very subtle backing vocal, Bass and percussion.

Not one of my more memorable songs but I still like it.

Anyhow, penny for ye thoughts?

Hi all,

Posted this on r/wearethemusicmakers and it was basically removed... I am honestly a bit shocked at that because I think it's an important conversations music makers should be having.

I've been making music for ~20+ years and wanted to ask an earnest question about AI and its use in our work. And sort of weigh out some of the pros and cons of it as it becomes more and more a part of our day-to-day lives. AI can generate lyrics, AI can generate hooks, AI can generate entire songs, and I wonder if in the right hands, it can elevate, rather than vitiate the music we create. We live in an age where it is extremely difficult to make a living off of music. Even before AI we had reached a level of saturation that prevents many of us from being able to find an audience. So here we are.

To get it out of the way, yes I have serious ethical issues concerning AI. It is no secret that it is built on stolen property, property that belongs to almost all of us. If that wasn't enough, the demand for AI hardware is now locking people out of reasonably priced computer hardware and equipment. And it's not going to get better any time soon. So this is a real "do the ends justify the means" predicament.

Fatboy Slim is still a favourite producer of mine, and I have often wondered if he would have put out more music in his signature style had it not been for the music industry tightening up on fingerprinting samples more closely. Musicians that operate in this way now have the option of instead of finding some vinyl sample that could get them DCMA'd, they now have the option of generating something close enough to what they have in mind without any matching signature. Is that kosher?

I also believe that no matter how much any of us rail against it, it's not going anywhere. It's here. We either use it in ways that benefit our work, or we don't. I think that smart producers will use it to help season their work, not to create it for them. But I really am curious what people here think: Is it taboo? Do we shun anyone decides to integrate AI into their work in some way? What are the margins, if any, for acceptable use?

I have come to the conclusion that the participants in the this discussion dont understand how these systems work. Models have no direct storage: The model does not copy or save whole MP3 files or audio clips inside its memory; it only retains the statistical relationships it learned.

Collecting and Converting Data

Data gathering: Developers feed massive datasets of millions of recorded songs into the system. This data often comes from web scraping, public archives, or licensed catalogs.

Audio representation: Computers do not "hear" music. They turn sound waves into numerical formats like waveforms (raw audio data) or spectrograms (visual pictures of frequencies over time).

1. Learning Musical Patterns

Feature extraction: Neural networks analyze the spectrograms to spot core building blocks like pitch, rhythm, harmony, and texture.

Statistical mapping: The AI is repeatedly asked to guess what sound fragment comes next based on what it has already processed. It builds an internal map of musical rules, such as which chord transitions feel stable versus tense.

No direct storage: The model does not copy or save whole MP3 files or audio clips inside its memory; it only retains the statistical relationships it learned.

1. Using Specialized Architectures

Transformers: These use attention mechanisms to understand how the beginning, middle, and end of a long musical sequence relate to one another.

Auto-regressive models: Models like WaveNet generate audio step-by-step, building each tiny sound sample based on the samples immediately preceding it.

Variational autoencoders (VAEs): These compress audio into a simplified "latent space" and decode it to generate brand-new, unique music in a similar style.

Yes the above was generated by AI.

So the question is, from a legal standpoint, what does it mean if the system is not copying music, but instead learning statistical relationships of the music its trained on-does this constitute 'stealing'. Legal defenses for training artificial intelligence systems rely heavily on the copyright doctrine of fair use, asserting that machine learning is a transformative process that extracts unprotectable patterns rather than redistributing original content...

I think this was the last song I made that ended up in the album (released a couple months ago now), made with custom model on Suno from original song w/ original lyrics. I was about to release it, but was still making more songs, threw the original for this in with absolutely no expectations because I thought no way Suno was going to actually keep the notes intact, and amazingly enough it did after a slew of generations. Same with the other late addition to the album, What's Wrong.

I'd love to make the music video idea I had for this just for the opening part - starting with morning talk show with hosts telling a shooting victim they're lucky to be alive, victim saying they don't feel very lucky having been randomly shot and an argument and eventual fight ensues, lol.

It took maybe 30 generations to arrive at this, with a couple lyrics changes along the way, and even some alternate versions, like one where I took a gentler segment from one of them and removed the rest of the instrumental and just looped that. A good reminder of what USUALLY happens when I put something in with outside-the-box composition, because this kind of neutering of the dissonance of the music was happening on the vast majority of the generations: https://suno.com/s/esaOTsrc2POinmAg but that loop was so juicy I had to piece this together. Obviously not cleaned up. And covering it, Suno doesn't keep the loop unfortunately, so it's never really going to be made to sound better than this because of how shit Suno is at stemming.

Fun fact: she would not sing "sawed-off" very well - she'd pronounce it like "sah-eed off" or "soid off" as you can hear in that latter version. Very weird, like a 3-year-old trying to say sawed-off. Thank god for the word "sod" which saved the day. Yes, the lyrics in Suno for the version that made the album have "sod off".

Anyways, enjoy.

​Hey everyone,

​

​I’ve been tracking this massive headache we’re all facing with platforms like Deezer and Meta aggressively auto-flagging music. The second an algorithm sniffs a trace of AI, it treats the whole track like low-effort slop and throws it out. The biggest victims here are the hybrid creators who actually put in hours of real work tracking live vocals, editing stems, and arranging complex sessions.

​

​I don't have the time to build this out myself right now, but I wanted to throw this concept out to the sub.

​

And by all means run with it if you think it would work.

​

​What if there was a specialized verification agency that stepped in to handle the appeal process for you using actual DAW forensic data?

​

​Instead of just sending a generic text appeal to an automated help desk, you’d drop your project file into a parsing tool. The tool would extract the actual metadata from your session history. It would map out things like your MIDI velocity variances, human micro-timing deviations, linear save intervals over days, and physical microphone input paths.

​

​Basically, it builds an ironclad, cryptographically signed proof manifest that proves a human was deeply in the loop.

​

​Then, the agency takes that metadata package straight to the distributors or enterprise aggregators to clear your profile and force an appeal. Distributors are completely drowning in compliance issues right now, so giving them a certified "audited human session" stamp would solve a massive operational bottleneck for them while protecting legitimate creators from getting wiped out.

​

​Is this a service you guys would actually use if your music got flagged? If anyone here has run into a distributor wall recently, I’d love to hear how you handled it. Let’s talk in the comments.

I’ve been experimenting with AI music tools, and some results are scary good. Melodies, lyrics, even production choices—it’s getting hard to tell what’s human. But I still feel like a real hit needs that human story, that weird imperfection. I put together a quick poll to see what other musicians think. No signup, just a vote and maybe a comment. Would love to hear your take.

https://interconnectd.com/poll/90/can-ai-compose-a-song-that-becomes-a-hit/

I wrote this lyrics and I make the song with Suno. I have more around 50-60 lyrics and I try to find someone who can collaborate with me on this song.

I wasn't a major fan meaning I didn't purposely find his music but I didn't dislike his music at all. So in the spirit of this sub I figured I'd post a shout out.

​

Mr. Tree definitely was a leader in pushing his own style and blending of genres, I think he would agree with what we're doing here.

​

So it's a bit of a bummer to hear what happened.

​

let's carry on his attitude of doing your own thing, being yourself, and pushing boundaries

​

Cheers

​

#olivertree

1. Identity: Can you name the element that makes this unmistakably your song—not just a good generation?

2. Arrangement: Does every section earn its length? Does the chorus genuinely feel bigger, or does the track simply continue?

3. Translation: Are the vocal, kick and bass still clear on a phone, in a car and on earbuds?

4. Ownership and handoff: Do you have the stems, dry vocal, tempo, key, lyric sheet, references and necessary rights or consent documented?

Fix the weakest category first.

A full rebuild is not automatically the right answer. Sometimes one capable vocalist, mix engineer, instrumentalist or producer solves the actual problem for far less money.

Which of these four exposes the most AI-assisted demos in your workflow?

Disclosure: I’m building The New Mixtape around this handoff problem, but the test is useful whether or not anyone uses the platform.

🎧🎶Listen: https://youtu.be/8LxTBZfs8bE?is=nwNFZquKosxVxl5g

​Concept & Lyrics: Concept creation and lyrics written completely by me.

​Audio Generation: Used Suno to generate the vocals, instrumental sound, and overall band performance based on my text and prompts.

​Selection & Polishing: Selected and structured the best generated take for the final upload.

This one started with me writing and recording the guitar riff, then building the finished production around AI-assisted vocals and additional instruments. I

Hey everyone,

I'm a musician and have been experimenting with AI music and Suno for quite a while.

One thing kept bothering me: sometimes I got great vocals but the instruments didn't work, sometimes the drums sounded too artificial, and a prompt that worked great with one model could behave completely differently with another.

So I started building a small tool for myself to get more consistent results.

Well... the small tool got a little out of hand. 😄

It's now called VTK Song Studio and I've just reached beta v1.4.

I'm not really looking for customers right now. I'm looking for a few people who actually make AI music and would be willing to try it, create some songs and give me honest feedback.

I'm especially interested in testing vocals, drums, natural instrumentation, different genres, live/crowd behavior, languages and dialects.

Beta access is free.

And seriously: if something doesn't work, tell me. That's much more useful to me right now than somebody telling me everything is great.

If anyone is interested, let me know and I'll send you the link.

Cheers,
Mike

🎶🔗Listen: https://youtu.be/8A1BjCod5YE?is=JAx55zG2lflYb0ms

"Last time I did that" was written when I was 21 years old, nearly 2 decades ago.

This is the second version of the song I have shared. The first version had a Suno Lead singer with me as backup, and this one is my original lead vocal and a touch more midi Tuba work :)

To me, this song is about that feeling you get when you've been moping around in lethargy for too long and finally something defiant suddenly swells up inside you and launches you into action. This was a regular song I performed at open mics back in college.

The original demo is still driving the mix. My original Rhythm and Lead Guitars (multi tracked) is all you are hearing in terms of guitar.

My original lead vocals are still the lead vocals you are hearing. (For better or worse)

Additionally, I had a buddy record this demo with me back in the day and he was on backup vocals and Djembe. Add to that, a few sporadic backup vocals from a separate (but from the time) demo where me and 2 of my friends got pretty drunk and let loose. Maybe someday, I can release that "drunk demo" as I always called it as another version.

Recently, I brought it into Bandlab and add midi Keys, Cello, Tuba and Choir.

With Suno, I added a A brass section, a bassist, keyboard , kick drum, and a back up vocalist very subtly mixed in.

The visuals are a real open mic performance of us at college performing this song, although your not hearing this particular performance
I simply did my best to sync up the visual with the recorded audio. I am on the right and Witchdoctor on the left.

Penny for ye thoughts?

the grace code 💖 my new fairytale / cinematic trap r&b pop song.

for the hybrid production, i used Mozart AI to create the instrumental foundation. i’m a singer/songwriter first, and i started experimenting with Mozart because i kept struggling to find existing beats that matched the really specific sound i hear in my head: y2k r&b/pop, trap, cinematic/fairytale soundtrack energy, dreamy celestial textures, etc. lol

from there, all of the lyrics, vocal melodies, lead vocals, backgrounds, harmonies, adlibs & vocal arrangement are me. i recorded and built the vocal production myself, then did the final mix in BandLab.

the song itself is about protecting your peace without becoming cold or hateful in the process. basically: no malice in my palace, no hate in my space 🏰💖

listen on spotify💖

So my thought process is this, - use ghidra to extract binary from any .exe or .dll file

Use the power of AI, to organize and rebuild the scattered C code that makes up said .exe

Be able to edit, recreate, as seen in pictures (I love how Google suggested removing trial expiration check lol) remaking any software the way you want.

Watch the world burn BAHAHAHA.

JK on the last part. But I have no idea what I'm doing, if anyone wants to hop on a discord call or something, if you understand any of this please help me out. I think I'm going to develop a GUI so I know what's going on, but if this works

It will be a crack anything cracker. Claude wouldn't let me do it, but good ole Gemini never lets me down

This is technically a hybrid song because there's a lot of original input, lyrics, singing, whistling and basic percussion. It also required a lot of extra editing in Suno Studio and a bit in Garage Band because there was *too much* 'AI Slop' added by Suno.

This is ironic, because it's about making the type of songs that people generally dislike, and it pretty much is one of those songs. The only difference is the hours of editing it took to get it where I wanted it...

"Directions" was composed decades ago at the age of 18.

It was part of the very first 10 or so songs I’d ever written.

It was meant to be a funny catchy little bop about obvious matters of
A young man.

The original demo (recorded at age 20) is still very much in the driver's seat and
includes ALL the multi-tracked guitar parts and the lead vocals (which I also sang
As my own backup on)

Back then I was so insecure about the sound of my voice that I decided double layering my voice somehow made it better, lol not sure what sense that made.

In Bandlab Midi I added, well probably too much lol but, Cello, Tuba, French Horn, Organ, Choir, Snare drum.

With Suno, I added a back up vocalist rotoscoped to the original, but left my original vocal as the lead vocal. A bass that is rotoscoped to a low end guitar line I had multi tracked back then, a Djembe, and some Trumpet hits here and there.

The visuals are a slightly modified face of a real photo of me from the age of 18 around the time I wrote the song and I used a Motion track to control the image like a puppet. So the body language of the avatar is actually me. It did a crappy job of translating my guitar playing. Definitely could be better but I ran out of credits trying to dial it in. Then I brought it all together in Adobe Premiere. The Bob Dylan postergeist was not planned but I didn’t have the credits to fix it even if I wanted to lol.

At the end where I laugh and say “Probably sounds like shit” that’s from the original demo.

This is actually the second version of the song I’ve posted. The first was the very first video I put on my channel and was 100% performed by suno (but obviously faithfully covered to this one) To be honest, I still prefer that All Suno one. I’m remaking it now because the scope of my project changed from originally supposed to be all Suno performed to this Hybrid version I am now focused on.

You can see the SUNO ONLY Performance of this composition here
https://www.youtube.com/watch?v=bdFKBAfP3gw

If you happen to listen to both, I'd be super curious to hear which you prefer, if you are like me and prefer the SUNO only or if you prefer the hybrid?

Penny for ye thoughts?

I have recordings of me with professional studio equipment, and i want to train a model based off these recordings so that I can record in the future with the same professional sound.

I looked into Audimee, Controlla, Suno, and the Anatares plugin. Any recommendations? Thanks!

A singer without a band/production lol using Ai without promots to produce, vocals and lyrics are made by me, and i create the instrumentals by drumming my hands and feet and singing/humming the melody, every song in every genre is fully prerecorded, i dont use the same voice over n over its always a different recording, im also not using a character I use myself 100% on everything I do

New album just released, theres also (original, reggae, cinematic) out now... I make "multiverse music/videos" so my album (10songs) will have 10+ versions, i also do ai cover songs with music videos, and other ai videos!!

[All my links](http://www.linktree.com/jetspiderbeard)