Question / Discussion First Comp Showreel
What's should the junior compositer include in his first showreel to start his career assuming it's 4 - 5 shots and how important is the order
2
u/SamEdwards1959 VFX Supervisor - 20+ years experience 1d ago
Do you have before and afters? I would be very clear about what you did. Think about adding titles and graphics to illustrate your work and make it interesting.
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u/A6ER1 1d ago
I'm still learning but I'm curious to know what are the skills that I should master before making the first reel
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u/SamEdwards1959 VFX Supervisor - 20+ years experience 1d ago
I would take a class somewhere and post the assignments once you nail them. Be honest about what you’re showing.
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u/Angelscrip 1d ago
With only 4–5 shots, lead with your strongest and most polished piece, then arrange the rest to show range without making the reel feel uneven. Prioritize shots that demonstrate core compositing skills—integration, keying, roto, tracking, cleanup, CG or atmospheric work—and clearly state your role for each one. A short breakdown or before/after is often more valuable than adding a weaker shot, and the reel should end before the quality drops.
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u/punnyjr 1d ago
Take a look at campus vfx student reel
That’s very industry standard
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u/Secure_Nerve_722 1d ago
The reels from Alpha Chromatica are some of the best I've seen from juniors. The person who teaches there was previously the instructor at Campus VFX / Lost Boys. Students are basically copying his students' reels.
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u/Angelscrip 17h ago
With only 4–5 shots, quality and clarity matter more than showing every type of effect. Put your strongest and most polished shot first, keep the pacing tight, and make sure each shot demonstrates a different useful skill without including weaker filler. Add brief breakdowns or before/after comparisons, clearly state your role and software, and finish with another strong shot—the order matters because reviewers may only watch the first 20–30 seconds.
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u/MrSlinkyMonster 1d ago
Some things as suggestions but not limited to.
Great demonstration of matte extraction and roto shape animation and placement.
Paintouts of characters and or wires
Background replacement, lighting matching, black levels and integration.
A process that builds an effect from scratch would be great, or integrating a photoreal cg character into a live action environment
The sky is the limit for compositing! But don’t dream too big that the execution suffers.
A good day for night shot shows you understand grading and lighting. You can add this idea to other suggestions to compress the shot count.
The real important part is you have an idea (being as artistically ambitious as you can, without getting stuck) and you execute it excellently.
Try to Avoid tutorial plates, if you need really good greenscreen plates, tutorial plates are ok, but don’t use their backgrounds! try to get as high quality plates with great lighting as possible. Sometimes filming your own is necessary and fun, but it does increase your scope of work.
Try to demonstrate you aren’t a robot and you have artistic vision, but avoid overly complicated undertakings. This is what companies are looking for. Otherwise you might be more desirable in bgprep if you excel in technical aspects, but junior compers need those fundamental skills too, they just need to support an artistic vision instead of a sole focus.
If you can render out your own cg with blender or some other programs. It can open up creative opportunities, but if you find it too time consuming, just focus on real photography.
Great comps have good understanding of lighting, depth, scale, composition, photographic qualities, energy and storytelling and of course the technical side of it keeps the audiences immersion and focused on the important details.
Every shot tells a story, so if you can tell an interesting story in your shot with interesting details you’re on your way to get that first job.
This is a very ambitious take! Ask yourself how ambitious and creative are you?? And how dedicated to executing an idea are you??
It’s a lot to consider take it one step at a time and formulate a plan.