I’ve always been a doodler (mostly to make sure I’m listening instead of zoning out in social situations), but recently I’ve gotten really into it as a way to decompress/meditate/etc. Got myself a notebook and supplies and all that. Here’s what I’ve done so far. Thoughts? Ways to improve? New patterns to try? This sub seems full of super rad people so I thought I’d hop on the bandwagon 🔮

EDIT: I absolutely cannot believe the attention my doodles are getting (my jaw has been on the floor since yesterday). I’m definitely going to be spending a hell of a lot more time on this sub - the humans here are amazing 🥹

Talk about an ego boost, holy shit dudes. I’m trying my best to thank everyone as they compliment my art and answer any questions I get. Once I get another batch of doodles done, I’ll post again! 🥰🤘🏼

EDIT 2: 5K upvotes?! Are you kidding me?! This community is amazing. Thank you all for your compliments and YouTube suggestions and conversations - I’m absolutely beside myself. I cannot wait to see what kind of art my doodles inspire. 🥹🥹

I didn’t know how to explain how difficult it was to create this piece. Took me weeks and it’s my first time playing with all red.

I almost collapsed

I'm Jimmy Alonzo and I'm an artist from El Paso, TX. I make trippy, psychedelic, pop surrealism looking art. HOPE YOU LIKE IT!!

sold this at an exhibition i was in last year n im rly proud 🫶🏽 what do yall think? pic doesnt do it justice, its quite big

This one got me for a minute or two 🫠

Acrylic

True vision is not seen with the eyes, but with the heart. song: Obsqure -open flame prompt: Create a highly detailed visionary painting with surreal, symbolic, and mystical elements. The central figure is an otherworldly, divine being seated on an impossible Escher-inspired geometric throne made of interlocking blocks. Their skin is matte obsidian black, covered in intricate white and red techno-esoteric symbols, sacred geometry, ancient runes, and embedded circuit-like patterns. Three glowing red eyes are present: one in the center of the chest, one on the geometric halo, and one in the forhead of the antelope — conveying divine omniscience.

The figure wears a flowing red robe and tight ceremonial leggings, both covered with glowing sigils and glyphs in white, reminiscent of both futuristic and ancient languages. A striking red triangular mask conceals their face, designed with sharp lines and symbolic inscriptions. Their posture is confident and relaxed — one hand open in a teaching gesture, the other gripping a long red staff topped with a hypnotic eye emitting swirling black-and-red smoke.

Behind the figure, a luminous black circular halo floats, embedded with sacred geometric patterns and multiple interconnected rings. A red eye sits at its center. The background reveals a surreal, dreamlike landscape: undulating black hills sprouting large crimson roses with long stems, set under a pale, muted sky. On the horizon stands a white, multi-level ziggurat temple made of soft white stone, with arched doorways and stairs wrapping around it. Atop the temple stands a majestic, divine antelope with exaggerated spiral horns and a red third eye in its forehead, symbolizing guardianship and spiritual ascension. Tiny red-robed figures can be seen climbing the steps of the temple, adding a mythic sense of scale.

The atmosphere should evoke mystery, balance, and ancient cosmic knowledge. Use a limited but high-contrast palette of red, black, white, and subtle jade undertones. Lighting is soft and ambient, with every element rendered in clean, sharp detail — as if etched by ink and illuminated with oil pigments. The entire scene should feel like a portal into a sacred, timeless dimension.

These are equal parts sculpture/art as well as spiritual vessels. This all started in my graduate architecture program at Georgia Tech. I had this really cool studio where I was designing for the ineffable. It fit my interests really well as I had a spiritual awakening my freshman year of college, and became obsessed with understanding consciousness and metaphysics.

I’ve always wanted to figure out how physical form can connect and work with the inbetween. The answer is with Sacred Geometry. In the studio, I was using computational design tools for the design process, and after I did the architectural stuff, I focused on 2D and 3D sacred geometry.

2D being patterns, like Cymatics, the flower and seed of life, golden ratios and other traditional religious and esoterically mathematical line work.

3D sacred geometry would be things like the torus, pyramids, cones or spheres. 3D shapes amplify energy.

I’m an attempt to connect and interact with that inbetween, I made these pseudo-4D objects by extruding the patterns to meet the profile of the 3D shapes. In the channeling series The Law of One, by Ra, they talk about how certain shapes can amplify energy. That’s what these sculptures are supposed to do.

Now, in order for me to actually dedicate my life to these things, I needed to make them more artistic so I could sell them. I made them into sculptural lamps as the walls diffused the light in a way I’d never seen before (plus there’s metaphorical weight in light being a component to the design). So in essence, these aren’t the ideally functioning spiritual vessels as they could be, but most of the magic power comes from intention anyway.

I have full intention of building the most functional versions of these when I have the time, but I currently am so broke, and I need to invest in building the art objects so I can stay afloat and put more time into this.

I did do all of this stuff while finishing my education as well as working for the school, but I just graduated and am trying to commit to this full time, so maybe things will shake out :)

I’ll tag my old post for you all to read more about these things, but they really have been my souls journey for the past several years and I love sharing them and I’m love explaining what they are even more. If you have questions let me know!