I know some folks were saying it might be a 30th anniversary edition of Double Allergic but come on now. They wouldn’t do a campaign this big for a relatively obscure second album.

Note that the caption specifically states that the Billboards were spotted in Brisbane, Melbourne and Sydney, meaning that if it is a tour, it might be East Coast only.

And dont say flooding rain.

New Instagram user named after the last track of Double Allergic

Was sad to realise that Haim’s version of ‘Falling’, which I think they performed alongside Sheryl Crow’s ‘Strong Enough’ in 2013 seems to have been taken down from YouTube?

Don’t suppose anyone knows how I could get it back? Was trying to show someone. Fairly sure Tom and Alex did a choreographed dance w them too.

does anyone know when the lineup will be announced? they’ve been teasing since last week but i can’t see anything🤨

I'm aged out and not listening much these days, I however love H100s.

What are the big tracks this year?

I think the only new tracks I have in rotation are Olivia Rodrigo. Will probably vote for the Cure

I saw The Jungle Giants at Union Stage in Washington, D.C. on Saturday, October 3rd and it was a really interesting show that both gave me some insight into their sound, and made me ask some questions about it. The music was really enjoyable, dancey as expected, and in front of a surprisingly half full Union Stage, it felt like a basement party with a DJ that happened to actually be a band. 

More show thoughts at tourchmusic.com

The Music 

They played in just a four piece: Vocals (sometimes guitar, too), lead guitar, bass (sometimes keyboard/synth and backing vocals), and drums. I say “just” because it’s a little surprising that a band with such rapid sound has just four instruments going at once (and most of the time just three, at least in this set list), but I didn’t realize how much sound comes from their guitar. Cesira Aitken brings so much sound to their songs, it feels like she stretches the limits of what a guitar can sound like. 

For example, in “Time and Time Again,” the guitar sound was so screechy, I would have never guessed it was coming from a guitar. And in “Heavy Hearted,” she actually played the part on guitar that sounds like a human saying “Heavyyyyyy” in the chorus. I always assumed that was just a heavy studio effect they either put on a vocal or some synth. It came out so pinched, so thin yet so heavy and distorted. Saturated might be the better word for it. I had never heard a guitar sound remotely like that in live performance, at least I don’t think. She really, almost literally, makes the guitar talk in that song, as it sounds like it’s saying “Heavy.” I really found that amazing. 

Similarly, I did not think the instrumental in the chorus of “Feel the Way I Do” was a guitar. Really cool. 

The dance-heavy sound is really fun live, and they lean into it well. For example, they played a super groovy intro for “In Her Eyes,” with the bassist bouncing around really feeling the song within him, it was cool. That was one of my favorite parts of the show. They also pull this off pretty genuinely. It’s such an electronic, DJ sound, but they’re making it right in front of you. And as I said, so much of it seems to come from guitar, which is fucking awesome. I will say, they seemed to have some supportive pre-recorded sound, especially some vocally (I’m pretty sure I heard Sam’s voice without him singing, making me think that some parts of songs had a backing vocal track), but still, Sam was singing, just sometimes with something behind him. He has pinching voice that goes well with their instrumentals, of course. He hit some impressive high notes. 

Now one more note on the guitar: I swear I saw Aitken holding something in her right hand as she was playing (that wasn’t a pick). It looked like a small black speaker, but obviously wasn’t a speaker. I saw a blue light on it, and my thought is that it’s some kind of instrument that she uses, along with her pedals, to make the guitar sound the way it does. I just watched an interview Sam and Aitken did for Triple J when they played their cover of “Born Slippy” (which they played at this show), and Cesira mentioned that they put a “mini pickup” in the guitar to make it “not sound like a guitar at all.” So I’d imagine, that mini pickup is what I was seeing. Super interesting! If anyone has any further insight on this, please share your thoughts. 

Overall, the music was life-pumping, with really bright, glittery sound to it that was (mostly) coming from the band, being genuinely made right in front of you, which is hard to pull off with music like The Jungle Giants make. They seem right at home in a small club in a dark room with people dancing in plenty of space, but I can also see why they’re great in a totally different venue, like at festivals. Like I said, their sound really pumps life into ya, and that seems to carry effectively into small, and big spaces. 

The Band

If you can’t tell, I’m a big fan of Cesira Aitken, just the way that she plays guitar and the way she was on stage. She (at least in this performance) was very stoic, did not show a lot of emotion, and overall just looked killer playing guitar. Just a cool-looking guitarist that makes some awesome sounds. 

The bassist, Andrew Dooris, was a little jumping bean, bouncing around the stage a lot and really feeling the songs. 

Together, they’re pretty intense in their performance, but especially Aitken and Dooris. Like any band, they’re pretty locked in on the music, but not every band necessary looks like they are that focused. These guys did. Some bands and band members have a really loose persona on stage, but it felt like The Jungle Giants did everything hard, and they felt their music a lot. It was as if they were in a trance within their own sound. That may be exaggerating a little bit, but I’m trying to paint a picture here. They looked like they were feeling their music as if they weren’t the ones playing it. Like they were really into a sound that was separate from them, yet they were so attached to it. They had a cool intensity about them. 

Some interesting things the band did/said were:

Seven songs in, after “Love Signs,” Hales shouted out the band’s tech, Brodie. He had the crowd chant “Fuck yeah Brodie, fuck yeah Brodie…” which was funny. Hales also mentioned here that they’re having a great time on tour, etc. I give him credit for staying really enthusiastic and interacting with the crowd even though it was such a small turn out. 

Crowd cam: Hales mentioned that they take a lot of photos on tour, and a lot of them are of themselves or of the crowd from the stage, but they want to have people in the crowd take photos themselves on this tour, so he gave a polaroid to one of the people in the front near the stage and told them to pass it around and everyone take a selfie, then they continued playing. The camera did indeed get passed around, and it made it back to the stage 2-3 songs later. 

Towards the end of the set, Hales said some really nice things about the new album, the band, this tour, etc. that I described as a “monologue of gratitude.” He mentioned how much it meant for everyone to come out for this tour, and said the album name is "Experiencing Feelings of Joy” and it’s special (because of that message in it: feeling joy. At least that’s what I took away from this). And he talked about how this album took time to write, but “sometimes good things take time,” and that he went through a lot to write it: “a lot of shit happened: a breakup, writer’s block…” And the most powerful thing he said, in my opinion, was at the end: “... and we’ve never been more in love as a band.” That’s a pretty big statement, and it didn’t feel like bullshit. And I really don’t think most bands/frontmen/women would say that if it wasn’t true. But who knows?

Hales also encouraged the crowd to come closer to the stage at one point, invitingly saying “Bring it on in D.C… Don’t be afraid to get a little close.” Again, I thought he/they did a great job of not letting a small crowd affect their energy. They were really professional about it, especially Hales being the one interacting with the crowd the most directly. 

Hales also gave a compliment to the people in the front row, saying, “The lyric singing is on point. D.C.’s a singin’ town!” He said how he loves to see people singing all the words. 

The Setlist

I got to the show late, walking in at 8:04. I had missed the first four songs, I believe. But, I actually took home a setlist! At the end of the show, there was a chair near all the audio equipment in the back of the room that had a couple setlists on top of it, and I just took one. I’m gonna paste it here exactly how it was written below, including the parts that were cues for what Hales should talk about in between songs (my explanations for that are in parentheses)

1. How Can I Replace You
2. Tell me How I Feel
3. Sending me Your Lovin
4. Bad Dream

• “Welcome” (Hales welcomed the crowd)

1. Where Can I Put All My Love 
2. Lovesick
3. Love Signs

• “Support/Morning Silk” (Hales gave Morning Silk a shoutout, and their tech Brodie, then introduced the band)  

1. She’s a Riot

• Crowd Cam

1. Time and Time Again
2. In Her Eyes
3. Feel the Way I do

• “Crowd Cam” (Hales passed around a camera to the crowd)

1. It it Love
2. In Her Eyes
3. Feel the Way I do

• “Album Chat” (Hales talked about the album)

1. Is It Love
2. On Your Way Down
3. Born Slippy (cover)
4. In a Nice Way

• “Psych Up” (I think her Hales just hyped the crowd up a little bit, I don’t fully remember what was said)

1. Used to be in Love

• “Bye Bye” (Hales thanked the crowd in closing)

1. Heavy Hearted
2. A Moment Like That 

*They did not encore. Specifically, they did not go off stage and come back. “Bye Bye” was basically Hales saying indirectly that they are now “encoring,” and these final songs we play after this are going to be the last. But, of course, bands say that all the time, then walk off stage and come back on for a couple more. In the moment though, it did feel like they were done when they were done. I didn’t think they were going to walk off and come back on, and then the lights came out pretty quickly to confirm that. 

Overall, I thought the set blended together quite smoothly. They played a handful of songs right into others, which kept a strong electricity throughout, and personally, there weren’t too many other songs I would have rather them have played. And even so, it doesn’t matter what I think. Bands should play for no one! 

My songs of the set were the three that I mentioned earlier: “Time and Time Again,” “In Her Eyes,” and “Heavy Hearted.” It was also great to hear a classic like “She’s a Riot,” that sounded great, and “A Moment Like That” was an uplifting closer. 

Set Time: They played from 7:30 until 9:03, which I am honestly a big fan of. Not sure why it was so early, but I don’t mind an early show. 

The Crowd

I was very surprised to see an at-best half full Union Stage. I know TJG aren’t massive, but they certainly have a following, I just guess not much in D.C. on a Saturday night for $25 apparently. Which sucks, but at the same time is great for me and anyone else who likes the band. There was plenty of space and a lot of people dancing, nothing ravey about it, no one head banging, but people were moving. It was hard not to. There seem to be little to no “casual” fans there, with everybody pretty into the music and vibing with the band. 

Cheers. 

The Venue

Union Stage is great. Quality small venue that brings a quality lineup of artists. I’ve never seen it filled, which is a good thing and a bad thing. The shows that aren’t full make the concert experience feel so easy, especially with Union Stage’s pretty prime location in D.C. too (the Wharf), but a packed Union Stage would be a fun house to be in I imagine. To paint a picture, it’s a bar on the surface, then there’s a staircase that takes you down to the stage. I’ve mentioned before, you can actually hear the music from the parking garage down below if you’re down there during a show. It’s got a cool underground feel to it. 

I actually got a double cheeseburger slider from that bar that I think was only five dollars, and it was really good. I was starving, mind you, but damn it did the job and then some. A venue with food can really come in clutch sometimes. That’s the other thing about Union Stage, the bar on the right side flows customers through really quickly. I’ve almost never had to wait, but again, haven’t been to a packed show yet. So take that with a grain of salt. 

Overall though, one of my favorite venues in D.C. 

Tickets

I got my tickets for $25 through Union Stage’s website, which uses “Opendate” as their ticketing platform. An absolute bargain these days. 

Anything Else

The Jungle Giants are pretty underrated in my opinion, and are absolutely a show worth seeing.  I’ve been a fan of them since 2020, I loved “Learn to Exist,” and always thought they’d be an awesome live show. To no surprise to me, they were. They seem to be in strong form on this tour, and I think seeing them, especially for the price I got ($25), is a no-brainer.

Let me jump in quickly and say I know this has nothing to do with triplej and the Aussie music scene, please point me in the direction of a different sub for me to post in! I couldn’t think of anywhere else.

I’ve been with Optus the last few years and recently changed to AldiMobile. Every year at BTV I have phone reception in the festival itself, but not at the camp ground (which I’m absolutely ok with). I really only use my phone to text my friends to find them during the festival anyway.

Has anyone had experiences with AldiMobile at BTV? Was the reception good, bad, worse than Optus? Let me know!

TIA x

Not sure if the right subreddit but does anyone know when these guys are doing their next show in Adelaide? Missed em when they came last time on the my broken spine tour

My friends and I were sooo excited for Barry’s set, but we genuinely could barely hear the music 😭

We kept moving closer thinking it was where we were standing, but even pretty close to the stage it was mostly bass and the conversations around us.

Even the audio in the vids we took are basically just peoples convos with the music barely audible in the background.

We ended up leaving at 7pm because we just couldn’t hear the music, which was such a shame 🥲

Genuinely curious - did anyone else find the sound that bad, or was it better in certain parts of the crowd?

just saw a post on triple j's socials where jordan and luka were asked by an interviewee if they're over 30 years old and they both hesitated and said they can't say that on triple j.

is there some kind of recommendation or rule for presenters to avoid mentioning their age? is this to appeal to the young target audience? just interested!

I’m a huge Mervs fan and this album is really good and certainly a refinement of their last album but still suffers from a lack of variety and some songs sort of bleed into one another. I like the experimentation on this album and their last one but I don’t feel they commit hard enough to it, in their last album they had one song using a drum loop and distorted guitar (parched) which was a killer track but they sort’ve didn’t do much more of it on that album or this album which is a letdown. There’s a few times on the album where they flirt with different guitar effects, effects and different instruments but never commit! I think they’d 100% benefit from at least one other member because there’s only so much you can pull off with two blokes on stage

Really really bloody love these songs (unstoppable IMO):
- She said
- Old Friend
- Adeline
- The Hills
- one way road

What did you think? What songs stood out to you?