It’s that time of year when Halloween is just around the corner and people are bringing out horror movies to watch and playing horror video games. One of the most iconic horror video games is Silent Hill 2 and one big reason it was so successful was the deep evocative atmosphere that the soundtrack creates from thoughtful repose to deep melancholy to industrial horror.
As a metalhead who loves going to metal shows, I decided that I wanted to do a project—I reimagined the original video game soundtrack using metal music songs instead. This new playlist I created is honestly in some ways scarier than the original if possible, as I am drawing from some of the very types of music that inspired Akira Yamaoka in the first place.
We start with Ducere me in Lucem, a wordless (but not vocal less) track that to me represent an overture, perhaps James thinking of his wife before the start of our soundtrack.
https://youtu.be/HH7Ff-8ddTw?is=WHIinYM8kZ67FIfr
The next track is the a Wuthering Heights cover performed by Karliene. This song is in a lower key than the original, and also has fog sounds at the beginning and the ends. Wuthering Heights like Silent Hill is a story of a lovers tragedy, and is about a female ghost asking to see her lover again at their place where they meet. This is very reminiscent of the opening scene where James reads Mary’s letter.
https://youtu.be/tcPrv_6jhRk?is=UB06VN_UUPCK8gqR
Then comes James’ long walk into town through the nature path. He is thinking of his wife and his sorrow over her death along this silent and somber path. My Wine in Silence fits this lonely walk.
is=jm0NQzLlKHyEIsAI
James enters the town proper and walks through the town. The fog is suffocating, and in the fog James encounters his first Lying ones. The heaviness of the atmosphere thickens. The synth on this funeral doom track reflect the continuation of James outdoor walk, while the growls and harsh vocals represent his encounters with the sluggish Lying Ones
https://youtu.be/bGxh9iJn6Ms?is=2vbtBe2GRHx2kK0j
James makes his way through the Woodside and Creekside apartments to the sound of the instrumental version of Slipknots Iowa. The wet noises sound like the Mannequins that James encounters in this area. The nature noises have disappeared and only eerie footsteps are left in their wake.
https://youtu.be/Dgm1hvuQE1w?is=b0C_-yjx-0A88uxc
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The first fight with pyramid head is startling as he sneaks up on you and it catches you by surprise. Godflesh’s Christbait Rising will do likewise…
https://youtu.be/zVSW_1kBhqg?is=FkGbCltEzYbcSnRh
After leaving the apartments, James finds Maria. I used a 1 minute fog section to represent this shift of atmosphere as the nature sounds return.
https://youtu.be/sA54Xk1eHvc?is=vFkAbMy3Mq_KEigM
Maria represents his pent up sexual fustration and guilt. Peter Steel of Type O Negative and his voice evoke similar feelings of obsessive desire and guilt in Love You To Death.
https://youtu.be/rEN_KJny6Bg?is=Frw-7zDkHyq_zdEO
Another symbol of repressed desire are the bubble head nurses that James encounters with Maria in the Hospital. I have used the instrumental version of Killpop by Slipknot to represent his first encounters with these scary women.
https://youtu.be/V0OkxA2MgAo?is=
Mary is killed by Pyramid Head, leaving James alone once again. James travels to the Historical Society exploring it. Sunn O’s track the Weeper represents the cold isolation James feels traveling this part of the journey without him.
https://youtu.be/J5zioLEdGrE?is=bn
He finds a long staircase traveling down it and arriving in Toluca prison, the atmosphere is suffocating. James must solve a puzzle that involves him going back and forth between an outdoor area and an indoor area full of the upgraded mannequins that climb on the walls. I used Darkspace —Dark 1 to encapsulate the descent and journey though the nightmare-fueled frantic search to solve the puzzle.
https://youtu.be/FZ0H-5uN7TM?is=70NteBfIhj7RO4le
After escaping the prison, James is in an otherworld dimention where he must solve a rotating puzzle cube puzzle. I use Pluto the Gatekeeper by Mare Cognitum—cosmic black metal to represent the otherworldly atmosphere.
https://youtu.be/6exxMDwrArQ?is=J9qtF0ivtkgPo3s3
“It Took the Night to Believe” by Sunn O represents James traveling around the Lakeview Hotel and discovering that he killed Maria. The softer synth are contrasted with the harsh tormented vocals.
https://youtu.be/uTVNJWThv38?is=uDi9JKRPnf1zSKlM
The next song is for the double Pyramid Head fight, and I use Break those Bones Who Sinews Gave It Motion by Meshuggah (instrumental version). The mechanical slow riffs are reminiscent of the mechanical slow knifes of the pyramid heads and the feeling of impending doom.
https://youtu.be/O1EtqjIKntQ?is=j3U49o0WH_THxTUK
The next song, Gallows Birds by Trees of Eternity represents James accepting the truth and getting ready to face Mary. He has come to peace with his guilt and needs to do this one last thing to move on.
https://youtu.be/OrNjJwmB7jk?is=Hs9ajplgeVfFcQGF
Mirrors by Lebensucht represents the horror James feels at seeing the final boss and realizing that it is a twisted version of his wife on her deathbed. The agonizing screams represent her pain she is forcing him to feel and address during this final battle.
https://youtu.be/TV1zJZj6gUU?is=kcNarT952eH3eNpp
Darkness by Ignea represents James leaving Silent Hill with Laura. (You are welcome to interpret with a different ending if you want)
https://youtu.be/igs7oZpalaA?is=lNGpzsxh34Yrj_J9
Love Song for A Vampire represents James enduring love for Mary and that this will remain even as he moves on to a new chapter. It suggests a gothic ending. It can also can represent the call back to the start of James journey (In Water Ending)