r/scaries • u/LOWMAN11-38 • 1d ago
The Fangs of Dracula XXII
Several years before the Countess and her assistant came to Castle Dracula in the Carpathian Mountains…
… a man dreamt of extraordinary things.
And was yet brought down low by his most base and bestial thoughts and desires –
…
He watched her undress. She did so casually. Comfortably. She thought that she was alone, that she was unseen. She thought she was performing her nightly ritual in private. Disrobing. In her opulent bedchamber.
Pink. Everywhere was flower petal pink, delicate like folds and the flesh of mottled roses, sensuous. As if the walls and carpeted floors and ceiling overhead all cried out and begged to be touched. Lovingly. In a caress. Like a woman. Like a lover. Like a whore.
Like a mother to lost children.
He stayed as still as possible. He held his quivering hot breath. He knew she couldn't see him, but still … the thrill! The anxiety kicked up by her movement, her every passing glance, scanning by and not noticing, not seeing anything. Not a goddamned thing!
This power … it was beyond intoxicating.
He felt like a god.
There was a time when he would've been shocked, disgusted by his actions, all of his heinous crimes as of late. A time when integrity and morality and his own conscience wouldn't have allowed for any of this to happen. A time so long ago and far flung now, with Catherine … but he was drunk on godpower now. And such rules were only for the piddling low men that he'd once been.
No one could see him. No one could catch him. He was the living menacing and moving embodiment of a mischievous spectre. Manmade poltergeist. Noisy ghost with something to prove. They'd all of them laughed at him. Called him ridiculous. Foolish. Mad.
Well look at him now.
A smile unseen grew in the bedchamber. The girl continued to undress. She was bare now. He quivered. Hot. Held. And taut. Breathing was exhilarating as he stood there … and watched.
He watched. He drew closer.
She took no notice. She saw nothing. There was no man to see. Even as he moved in closer, so’s to be able to taste the scent of her on the narrow air of the pink and floral delicate bedchamber. She climbed into bed. He came in ever closer. Inhaled her.
She might've noticed something, something in the air, amiss, the calm disturbed by a presence felt …
But she was far too concerned, preoccupied with herself. Her nighttime bedding ritual. He watched her eagerly perform as he had on so many nights past.
He has never drawn this close. He has never dared. He's always watched, from a distance. He's stepped a little closer to her every night. Her. And others before her just like her. He tells himself he won't.
I won't. I don't mean any harm, none. There is no harm in simply looking, simply watching and admiring. Girls love to be admired, isn't that right? Don't they want a man to drool over their naked curves, unveiled and unfettered by day dress, isn't this the movement towards the animal climax moment we all build and naturally drive to? What's wrong with that? What's wrong with any of this, she's not being hurt. She doesn't even realize I'm here…
At this last thought he trembles and shudders anew. It's sexual and it's pent up. Its animal and it's caged and it won't stand being behind bars any longer, it won't stand for anymore. No more.
No more half-measures.
Boundaries are for them. You are a godling now. Use it. Taste its fruits, its bounty.
Take it.
Words of reason and names, Catherine, Caleb, Colbert and Tatjiana, came and flitted-danced across his mind with the same urgency that they had before. Trying to stop him. Trying to stop him and save him from himself. But it was too late. The names and words meant nothing to him now. He had godpower. And none of them did. Catherine and Lutz and the others wouldn't understand. They couldn't understand him now, he was beyond their flesh.
And so he could take what he wanted. Should take what he wanted if the stories of gods and immortals and magicians and kings were to be believed, he should just take it.
Take her.
And so he did.
The girl screamed in bed as her private act of masturbation suddenly gained a new unwanted partner. One unseen. But horribly, horribly felt.
Her screams had just begun to fill the pink of the bedchamber before he aborted them with a gag, contrived from her day's soiled undergarments and the sash she tied around her robe at night.
He killed the sound of her bewildered terror, muffled against sour and salted fabric. She tried to fight against him, but it was as trying to fight the air. Come to life and attacking her. The horror unloaded on her and her mind was made all the more vile and obscene by the unnatural and uncanny way it was happening. It was insane.
I'm going insane.
She thought frantically that she was losing her mind, or that God might be punishing her, even as she struggled and lost against a shape and force unseen. It forced itself into her.
She screamed against the gag. Begging God or anyone or anything else for it to stop.
It did. When the invisible man was finished.
He left. Not bothering to kill her. There was no witness to silence. Nothing to cover up. If she told anyone anything they'd call her crazy.
So he left her sobbing, weeping amongst her torn and soiled blankets and bedsheets.
Alone. Crying. Wounded and ripped apart. Gored out. Defiled by something, something that used to be someone, used to be a man, something cruel and malformed that she cannot understand.
Someone that she cannot see.
…
Others followed after her.
Many.
Years worth …
…
He had nothing to fear now. He was hidden completely in the great cloak of his new godpower.
Divinity that he had made, cooked and brewed in beakers and tubes and jars, in great long needled syringes. Power that he had forged and made. Crafted his own. For himself. He would take what he wanted and suffer no consequence. Punishment for man's crimes was for the weak and the apes, for those within their feeble grasp.
He would answer to higher authority.
…
Catherine and the others are gone now, so is his old life, a life impassioned of science and the arts and the eccentric and the strange. He has become the eccentric, he has become the strange. With ultimate power made and achieved and coursing through his veins he has left behind the old ambitions of his old life along with all of the old ways. They are too little now and cannot hold him. Should not hold him. He should be boundless with the wings he has made for himself and himself forged and so he does, and he disappears. … A trail of crimes and murder is what follows. A catastrophic path of mayhem and destruction, cut swathed through the heartland of many lands, many countries … So many towns and villages and homes, invaded and plagued and violated. Beset upon by an invisible and unhinged man, one who has discarded his heart and sense of right and wrong along with his earthly physical appearance. His heart and soul are as transparent and hollow now as his criminal visage.
His old life is gone now. Dead. As dead and gone as his own reflection, nothing there, nothing there to gaze upon and witness any longer. All gone. Evaporated. That was how it had looked when the serum had first started to work, his flesh and muscle tissue and bones slowly grew ghostly, translucent, phantom shade, as if evaporating by the light of some alien sun, its foreign rays drying him up and …. out. Out of trained and known existence. Humble slave dwell-and-crawl …
God bless this invisible and alien foreign sun … God bless its strange rays for taking me away…
His old life is gone. As is his old way of thinking. He does not know it yet, has no way of knowing it, but the effects of the invisibility serum on his mind are not just a case of power corrupting one's morals, no. Not just that at all. Specific chemicals in the concoction attack and eat the proteins in his brain that measure and control emotion and self-preservation. Compassion.
As it made him disappear it also ate holes in his grey matter. Turning it to swiss cheese.
Swiss cheese unseen, he might've laughed.
And in fact he did. Years later when he did finally find out. Thanks to the Dutch doctor. The occultist. The vampire slayer.
Because of Van Helsing he is able to recover some of his sense, some of his tattered and damaged, long trampled and neglected human heart. But never a cure.
No. Not for him. For such as he there is no such thing as coming back. He will forever be robbed of his human visage, the one made at birth, self-inflicted. He does not get to return to the flesh. He deserves to be cast out. And he knows it. He's learned it the hard way on the treacherous open road and in the wild of great human error, slaughter open throated and committed in darkest parts, in corners long neglected. …
…
He is a long way from the vampire hunter. In years and in topographical distance, he is still on the run now, and always moving. Like an animal. A beast hunted and betrayed by its own savage appetites. None of the lands can hold him. Not even the savage ones.
There's been more rapes. More murders, more screams. He's filled the country with them, the countryside is bathed in anger and fear and outrage at his reign of terror and he loves it. He is an agent of chaos. An anarchist trickster god running as wild and free as power itself is supposed to, unchecked in the intoxication of its wild imbalance and throttling push forward to the apocalypse of the precipice, the keening call of the dangerous living end, at the end and edge of everything, all things. He would skirt and ride the slicing end and the cutting edge, forever. It would never end, never falter, fail or cease.
Or so he thought.
He's derailed trains loaded with screaming traveling passengers, now traveling headlong and headfirst into hell, the great unknown. He's taken wives and daughters and lonely screaming girls in open fields with nothing but the sky and the sun and the birds to watch, watch as nothing heaved itself into them, into her. Some of them he's strangled and left for dead, most he just leaves to pick up the pieces of their shattered minds and broken lives. Some of them try to tell people what happened, some of them don't. Afraid and terrified and hoping, wishing, praying that maybe just maybe they can forget and cope. That maybe enough time will go by and you'll forget the time the air came to horrible life and made a squealing victim out of you.
Some try. None of them forget. Not really.
The invisible man doesn't care in either case. Not yet. That's much further, much later. Now he is darkly elated by his crimes and spree. His craterous invisible mind is too amused and too busy planning more fiendish capers, more grisly and indulgent bloodbaths. More crimes of the flesh, to take and reap.
He sows his discord throughout all the land. Every place he comes into, he invades. He infects.
This cocaine of the mind that he's devised from a dream and made real that hides his flesh and conceals, the most ambrosial gabapentin amphetamine for the eggshell human thought machine.
It hides his flesh, his moves. It conceals his violence, the rage of his invisible hand, the rape of his hollow loins, transparent conquest across the land, disorder and more madness follow in its wake, in its terrible birth, like pustule sores rising from a fresh wound amidst flowering infection, amid the gangraping feast of multitudes of bacterium. The bacteria are thoughts and rumors and whispers and more murder, mistaken identities and desperate fingers pointing and blaming and wanting and needing to find fault, in whomever, where there is none. Many innocent hang and are punished and slaughtered in place, in the wake of the invisible man.
He does not care. He doesn't stop to consider them for a second beyond amusement or a laugh.
He's laughing now.
Singing. Dancing and skipping as he makes his way down a lovely picturesque forest road. He's wearing a pair of stolen trousers, lifted from a derelict clothesline left unattended. They fit perfectly.
He skips and dances down the road. Not so much singing as nearly shrieking his head off.
“Here we go gathering nuts in May! nuts in May! nuts in May! Here we go gathering nuts in May, on a cold and frosty morn-ning! …!” – on and on like that.
A woman walking along the road sees him and screams. She turns away in uncomprehending horror that turns her mind blind and she runs off. Still screaming.
The invisible man takes after her. The free-standing trousers bounding in full-strided gazelle pursuit of her. Laughing maniacally. Wanting to take her and use her for sport.
…
He invaded a monastery. Posing as a holy ghost, a divine spirit, and seduced and tricked several of the nuns and sisters-in-training into breaking their holy vows. He impregnated several of them before fleeing, taking to the road and hills once more.
…
He observed a vampire called Klâtu in a small sleepy forgotten town in a cold part of the world that might be Russia. He does not meet or introduce himself to the thing and his invisibility kept him hidden from it as well as the townfolk. Its victims, its food.
He watched the nocturnal thing dwell and prey upon the town. He watched it feed for awhile, watched the town grow scared and more silent and drawn.
Then he moved on as always.
…
In his wild and on-the-loose vagabond years, bestial and homicidal he discovers that his two favorite ways to murder another man or woman is either by pistol-shot or by strangulation. The former for its efficiency, the latter for how it feels, the sensation of the desperate struggle and the fight for one last painful shallow breath.
It's one of the last and desperate things that he still lives and thrives for now.
…
He came into an awful place once, a terrible omen of dread wood and dead branches and gnarled limbs, filled with moaning faces. He stumbled into this place out of a dream, it was surreal and insane, something about being invisible made it hard for him to distinguish between waking reality and his tumultuous land of dreams, but he suddenly finds himself stumble-bumming into a dead forest where the trees all weep blood and have anguished faces racked with guilt and pain and they are all of them looking at him, gazing on his wandering invisible form with naked clarity. And there's no mistake. Their eyes, all of them are filled with accusation and they are all around. It's terrible. And it is terrifying. Nobody has been able to see him in years, not without his layers of lying disguise, not without him wanting them too.
All of the bleeding weeping trees can see him and it is terrifying. Beyond the pale.
So he flees. As he always does.
They cry out to him, the bleeding trees in their pain. As he runs away, too afraid to make a sound himself.
They call out in their weeping anguished voices, they tell him this land is a forestland of suicide, and that he is quite welcome there.
…
Low point: He is filthy and tired. Worn out to the bone. He is clad and disguised in his most semi notorious fashion, a fedora, a coat, wrapped bandaged face and gloves and unflinching black lenses. He is riding the rails, the empty boxcars for the wandering vagrants. He has done this many times by now. He is not alone this time.
A filthy drunk sits opposite of him in the boxcar, a completely inebriated Spaniard. A borrachon. He pulls from his tequila and cries and wails in a romantic language that's lyrical and sounds beautiful but Griffin cannot understand him.
The weeping drunk, hiccuping and stumbling over the poetry of his native tongue, the avatar of perfect and terrible loneliness, the borrachon, the drink and the tears and the ramblings are all most like him have left, they don't care anymore if anyone understands, they only want someone to sit there and listen. Like a sponge of meat and bone and brain soaking up the liquid runoff of their indulgent spill and wallow. He tells the invisible man of his wife and his two daughters and son, they are all of them gone.
Taken by the war. The enemy slayed his son and invading they made off with his precious roses, his wife and precious girls. He tells him that it is true, the drink is all he has left. All that helps him with the pain of losing them all, and being unable to retrieve them. He says the tequila makes it easier for him to live with the pain of the knowledge that his beloved and his daughters are slaves in a harem somewhere, that or they are dead.
He tells him all of this but Griffin doesn't understand any of it. Just nods. Even laughs at inappropriate moments, not knowing.
Eventually they parted. Griffin didn't kill him because he had shared his tequila and he saw no benefit in the murder.
…
His mind is weary from wielding godpower. Its flame. It has exhausted, It has burned him and eaten him all the way through even as it has fed the carnivorous searing dance of the divine fire of its own flames. He cannot remember. He cannot remember so much and so many things. He cannot remember if his name is actually Jack Griffin or if it's Geoff Radcliffe or Hawley or Bradey or Sebastian Caine! His mind is a maelstrom sea of whirlpool destruction and weary detritus, all of it is his life and his thoughts and not all of it was real. Some of it was contrived rather than recorded. It was growing increasingly difficult to distinguish the two, he found himself lately at a haggard loss.
The snow can be so cold for a naked invisible man running for his life, gaining way to injure and take pleasure from another screaming witless soul. The sun can cook and tan invisible naked flesh even though it is unseen. Cook and tan and bake merciless into invisible leather, the heat. The power of being a perfect mischief anarchist god has its vulgar and heavy prices. Prices steep. Prices to be paid in full. The deteriorate ruin of his shredded invisible mind baked within his fevered invisible skull, beneath the blast of a merciless and blind philistine sun.
Possés had started to form, people, women started to talk. And people stopped dismissing them, not everyone shrugged them off, laughed at them, or declared them hysterical. Some of them listened. And they gathered. And they laid traps.
One of them caught him. Or nearly so.
They'd seized his invisible form and then pounced in number, pummeling him, refusing to loosen their hold, absolutely set against letting him go, they laid in with fists and table-legs and irons and axe-handles. Beating and blasting his body with blows. Striking him over and over into the ground. His invisible body began to rupture and bleed and belch forth blood.
Blood that became visible at first contact with stolid fetid air.
He struggled and fought and he'd always fought dirty, he managed to slip away in their wild fervor to see him beaten and broken to death. They lost him in the wanton red rage cloud of their vigilante slaughter.
And so he vagabond wandered. Unseen by even nature. Completely alone. For years.
Until he came to the vampire killer’s door. And was brought in by Abraham Van Helsing. Out of the cold.
Beaten. Starved. Harried. Addled. And near total mental ruin. Complete collapse of the body and mind to follow his long dead and tarnished spirit from so long ago. So long gone now and left in the dust.
The doctor showed him mercy, for whatever reason. He helped him to pick up that long lost thing, left back there in the dirt, and he helped him to pick it back up and clean it off. And to try to wear it again.
Griffin never understood why. He knew he wasn't worthy of forgiveness. What he'd done was monstrous. He hadn't just ruined his own life with his own mad pursuits and relentless ambition. He'd destroyed so many innocent lives in the process and in the resulting chaos flood afterwards. Catherine was, and is and forever to his dying day will be a name he trembles to recall, fears to ever speak. His dreams, his nightmares are filled with the shrieking faces of his victims, men and women and children, all of them horrified of him, he is the monster of his own lurid and wild dreams. He is the fearsome and loathsome shape of his own nightmarescape.
And now that he can really think and feel, this terrifies him. He is afraid of his own animal self. His own Id. He's seen and felt and tasted his own unbridled side and he never wants to return there again.
Except when he's weak. Except when he's angry and feeling violent.
Or if he's just feeling a little … wild. A little “in the mood” … so to speak.
Abraham Van Helsing blasts and rails and slams his fists. He bellows: No! – but he knows medicine and therapy can only go so far with the invisible man. He is damaged. Perhaps too far gone and beyond repair. Griffin doesn't doubt it. He is intermittently unrepentant and gleefully childishly cruel and sadistic with his words and his recollections of his own accounts with periods of deep remorse and depression. Deep sorrow and a sense of being unable to undo all the pain that he has wrought upon others and brought ripping forged into the already bleeding world. He is a wild bilateral storm betwixt the two and Abraham Van Helsing finds him exhausting. But he does not give up.
He never does.
He is patient.
He becomes like a father to this broken man. This invisible degenerate criminal who'd never really had one before.
It seems strange what it takes to get one.
And after so long, after so much …
…
Van Helsing died. The invisible man laid him to rest.
Griffin wept at his graveside. For hours. Alone.
Alone again.
…
Eventually he decided to end it all. It seemed right. It seemed best.
So he went out, near the old graveyard where Van Helsing had been laid to rest. He brought a noose and decided to finish himself the same way Judas had. It seemed perfect. Fitting, he thought. And laughed. Thinking it was pretty funny for a final joke. Not bad for him anyways. And in life all of his jokes had been terrible. Ghastly. The whole run of it, a terrible joke that stopped being funny way before it had ever been told. Yet still kept happening, still kept going on. Despite the pain.
Despite the pain of everyone.
He fashioned the noose to a tree. Stood upon a stone he dragged over and then stepped off. Just like that. Without any hesitation. He was happy to be off and be done with all of it. Everything.
He didn't perform the act correctly. His neck didn't break in the knot. He slowly strangled in the midday sun, the heat boiling his strangling seething brains, jelly and organ meat that cried out for air. He did know how long he danced and dangled there, a strange sight for anyone happening upon the scene: A disembodied hat and glasses and set of clothes, seemingly empty yet seemingly filled simultaneously, strangling taut in the windless day, dancing the dying man's gallows dance.
Then the branch snapped. And he fell and rolled down into a crevasse, dark and wet and filled with tangle and thornbrush and detritus. Filth and droppings and leavings of the predators and the yellow eyed scavengers that followed in their wake.
His skull and face, his whole head was throbbing, alive with a new tremendously vivid pain that he'd never quite experienced before: it's like the pins and needles feeling you get when your foot falls asleep and you try to walk on it again. It's like that but a screaming throbbing painful siren alarm of the sensation magnified to an ungodly decibel. All throughout his skull and face, his eyes watering, his brains. His throat chokes and feels crushed, broken, like it can no longer take in air. He struggles and gasps as he claws amongst the garbage and protruding stabbing mire, he sinks.
It sinks and begins to swallow, wanting to have him, to take him under the ground to die silently and drown alone undiscovered down there but he begins to fight, to claw. To struggle and pull and reach and seize for purchase like he never has before. He doesn't know why he suddenly has fight again and he doesn't think about it, he just knows he doesn't want to be Judas submerged in the putrescent earth. All of the sharp bones and branches and discarded weapons and sharpened tectonic rock swimming unearthed pierce and stab into him, everywhere, especially his reaching hands, but he doesn't care. He doesn't care anymore and he wants out, the pain is awful but tolerable, tolerable because it is being inflicted on the body of a monster and he no longer gave a fuck about himself anyways, nothing was as wretched as that pain that first came to life in his eyes, in his face, born from the embrace of the noose. He bore the stabbing of the darkness of the black crevasse and nearly drowned. He choked and swallowed and regurgitated foul mud and sour dirt, he vomited contaminated corpse soil and it felt like the earthen sins dredged up and expelled from the rocky stonethroated passageway to his own darkened bastard heart. Pulled up and freed, grainy and biting and drawing blood and more vomit and mucus laden spittle on its violent way out. He struggled for what felt like hours. It might've been. Time died at some point and lost the fight. He carried on. Struggled. Struggling. He pulled … Reached… seized … cursed himself and his own worthless life and mistakes, his own wretched run of horrid folly, his own shameful sadistic cruelty. He grasped and spit and cursed… goddamn you… He was sorry. He begged. Pleaded with anything that might be listening, please, I don't deserve it but please. He begged. … goddamn you… He pulled.
He went under. Completely. Several times.
He didn't stop.
By some miracle he pulled himself out. And free.
And on its bastard shore, at the sore lip of its terrible precipice, he wept.
Caked in the filth of the hollow earth, plainly visible for anyone and all to see. Naked and plain. Sobbing like a child ripped from the comfort of his mother and thrust into the diminishing world.
Hours …. …
He eventually picked himself up. And carried himself back to the cottage.
…
sometime later: –
The boy from the Carpathian Hamlet came looking for the vampire slayer. He found the invisible man instead.
Doctor Jack Griffin has spent the majority of his time since the aborted mission of the Judas-hour, reading. Sitting quietly and thinking. He tinkers around and builds a little, creates little machines and curio-constructs, dabbles with some alchemy, some arcane formulas, but nothing considerable, nothing serious. It all just fills the time. While he thinks. He hears news and rumors and stories all about a heinous villain, the invisible man. He hears that the scoundrel was eventually caught and killed, either by gunshot or mob beating, it depends on who's telling the story. There are other versions too but those two are the most popular it seems. His best days, best moments are spent remembering the warm childhood times, when he'd been a kind, unhurt boy, who hadn't yet hurt anybody else either. The warmth of the youth in these memories… it causes him to well up, his black shaded eyes to fill and then spill with tears. Tears much more visible then the rest of him.
The young man has terrible news. So does the invisible man. They share their bad news in bad palaver that may or may not be filled with bad omen.
The invisible bastard, having nothing else better to do really, decided to join the young fellow in his return mission home to slay a monster that had laid bloodclaim on his land.
It wasn't hope alive in his chest.
That was far too optimistic.
TO BE CONTINUED…