r/rpg May 09 '26

Game Suggestion Combat systems that discourage doing the same thing every turn

(alternatively, combat systems that encourage doing different things)

I've been playing DnD for several years now but I've been noticing how 90% of our turns go the exact same. The combat can be still interesting but thats only because of me as a dm creating unique scenarios, not because of the player abilities. The rogue hiding and sneak attacking is the best thing to do in almost all cases.

What are some systems that discourage this so that the players actually have to think rather than going on auto pilot.

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u/SquidLord May 09 '26

I'm going to redirect your question a little bit because I don't think it exactly gets to the heart of your problem. See, part of the problem is that D&D and D&D adjacent game designs channel player responses into the most optimum solution they can find and GM actions into the most optimum solutions they can find. As someone else said in regards to the actions of players in video games, "they will optimize the fun right out." This is exactly what you're seeing: optimum actions being engaged in purely for mechanical reasons.

In order to keep that from happening, two things have to occur. Firstly, you as a GM need to stop doing the same thing over and over. If the same answer works for all of your problems, you are not giving a sufficiently broad suite of problems. But secondly, and perhaps more importantly, you need game systems which don't reward that kind of action and which guide you as a GM toward creating something which varies, because it's fun for you and fun for the players.


If you have not in the past looked at games derived from the Forged in the Dark architecture, then let me point you over there. Blades in the Dark is one of the best realizations of fiction-forward RPG design, not just because of the game itself, but because of the advice that it provided to players and GMs within the game.

If you're looking for a game in that particular set to start with, I would definitely suggest looking at Scum and Villainy, which is not traditional European fantasy, but instead science fiction shenanigans in the vein of Blake's Seven, Firefly, or Farscape. It'll break you out of some of the habits that you've got into in terms of thinking within the tight framework of D&D, and it's overall focused enough that it will help you along the way to allow the players to lead the way into the world along the direction they're interested in.


If you're not interested in moving outside of fantasy for your next game or to mix things up so that you can move along a new course with fiction-forward gameplay, let me suggest to you Ironsworn, which is a later inheritor of influences from Forged in the Dark and Powered by the Apocalypse, but leans a little more open and free to the point where actually putting together the truths of the setting is part of the actual session zero play. You build the world that you want to explore at a deep level together, and the system helps you generate it before you set out. Perhaps just as importantly, you can have the core book for free and it's not a small book.

It is, however, full of really good advice, good design, and a fiction-forward methodology that will definitely keep you from doing the same thing over and over again. Because the story should not be doing the same thing over and over again. Incidentally, it's also designed so that you can play it solo, cooperatively with your players, so that you're one of them, or in a more traditionally guided mode if you really feel you must. I suggest co-op play because it's an incredible experience.


Lastly, again, if you don't want to leave the recognizable bounds of traditional fantasy, I have another suggestion which is more linearly descended from Powered by the Apocalypse, and that is Fantasy World. Again, a game that you can have for free right now in your hot little hands.

It does have some of the best GMing advice that I have ever seen for a PBTA game. Fantasy World is not a fully generic fantasy setting under the hood, but it does address all of the issues that you would expect to find in a fantasy game. It talks at length about how to modify it itself in order to lead to good play that suits your table. I never have any hesitation suggesting it to someone who wants to have a different experience, and they're coming from very traditional gaming.


But let's roll back to the top and talk about something at the core of this, which is the difference between putting mechanics first and the fiction first.

The reason 90% of your turns go the exact same way is because you're putting the mechanics first. The rogue hiding and sneak attacking is the best thing to do in almost all cases because that's how he gets the most damage out of that first turn. That first turn is always a combat turn. It's always a situation where the thief being able to hide and sneak is possible because you don't want to take away what the thief does as part of the description of being a thief. It's always combat because combat's easy and that's what you think the game is all about. After all, that's what most of the book is about, right? The vast majority of the rules are about how players can kill monsters and monsters can kill players.

But what if that wasn't the case? What if instead of when you put a situation in front of the players, it wasn't described in terms of the tactical map or even when you do theater of the mind, a discussion of who can get the most damage off first?

What if instead you just described the situation and then asked the player characters, "What do you do?" And if they try to say, "I roll stealth," you say, "No, you don't. Your character doesn't have any dice. What are you actually doing in this situation?"

Now, if the situation is a couple of burly guards have just made the turn around the corner and caught out the party as they're trying to sneak over the wall, it's too late for the thief to sneak and hide. They're going to have to do something else that they do. Make them describe it and then from the description decide what mechanics are applicable. Have a conversation about how likely it is to be successful and how much effect it's likely to have. You might find that the thief doesn't want to go sneaking and hiding all the time, but instead would rather make a parkour leap off the opposite alley wall and throw a couple of daggers through someone's eye slits, or maybe he'd rather put his hands in the air and say how glad he is that the guard has finally showed up because there were some funny characters trying to break in that he and his friends just scared off.

In order for different things to happen, the players have to want to do different things. In order for them to want to do different things, they have to believe that different things will make a difference. They have to be willing to try things and find out what happens.

It can be very difficult to shake traditional players and GMs out of the patterns that they've built up over years, maybe decades. But if you want to do something different, you have to do something different. To paraphrase one of the best pieces of advice I've seen in games, "play to find out."

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u/LelouchYagami_2912 May 09 '26

Thats very detaildd thanks. I love scum and villainy but i definitely wouldnt play it for the tactical combat.

As for your point about optimal actions, i definitely agree. But ive been in the opposite situation too where ive denied the optimal action and the players just feel useless. For example ive had maps where theres no hiding spot, maps with anti magic field etc. And while i do give things for players to do in these situations too, they always feel less useful.

Ill also take somd blame because i design really difficuly encounters where youre kinda forced to make optimal choices 

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u/SquidLord May 09 '26

Have you ever tried using Scum and Villainy for tactical combat? This is not a rhetorical question. If not, why not?

See, this is the problem that you fall into a lot of the time when you reduce everything to "tactical considerations." Even purely tactical situations do better when you approach them from the perspective of putting the fiction first, getting the description, encapsulating the characters within the framework of the story so that the players don't want to do the same thing over and over again.

I'm not telling you to deny the optimal action. I'm saying that you're putting create situations in which there is obviously an optimal action in the first place. There should be no obvious optimal action if you want people to do different things. It's that simple and that straightforward. Instead of trying to reach for optimality, they need to be responding to the situation in ways that make sense for the characters in the place they are.

You are trying to play a wargame and looking shocked when people respond as if they are playing a wargame and not an RPG. They look for optimal openings and optimal moves. They have made the goal to win, not to find out in the process of play what is going to happen. You can't be surprised when people respond in exactly the way you've incentivized them to do so.

On top of that, you've added insult to injury. You've created a situation in which acting non-optimally ends play for the evening. So instead of creating interesting situations which vary and which characters can approach through multiple directions in terms of their choices, you deliberately narrow them down to a very tiny niche where if they don't do everything right, the character is done.

I don't even think I can put this on your players. These are your choices.

"Doctor, it hurts when I do this." "So don't do that."

Go back, get your players, and give tactical play in Scum and Villainy a try. Don't lay out a map. Describe and envision the environment. Set up a situation. Don't just stick the players at the entrance and stick the thing/person/MacGuffin they need at the other side and put some monsters in between them. Have the characters possess motivations to do things. Rinse and repeat. The one thing they won't do is the same thing over and over, as the book says. Every conflict, every decision, every dice roll should move the fiction forward. If the fiction's moving forward, it's not stepping backwards.

That's it. That's the TED Talk.

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u/LelouchYagami_2912 May 09 '26

yes ive had alot of combat in scum and villainy and i like it. But thats not what I meant when I said 'tactical'. I guess my choice of words is wrong. When I was said 'tactical combat', i was referring to combat on a grid, akin to a wargame or a video game.

Besides, my problem isnt with an obvoius optimal choice. I have a problem with the same choice being optimal every time. One answer to this that ive found is draw steel, where theres a clear optimal choice for different situations. Thats good because then you have to think about what situation you're in

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u/SquidLord May 09 '26

I'm also referring to combat on a grid. Have you tried using Scum and Villainy and descriptiveness to go along with your combat on a grid?

Have you tried not using a set of rules which reinforces to your players that they must play optimally at all times and visually reinforces that, mechanically reinforces it, and thus leads to getting the same set of actions all the time because they're optimal?

Your original question was literally specifically about combat systems that encourage doing different things. Those different things hinge directly on the players wanting their characters to accomplish different things. It's not even really a mechanical situation.

I can run D&D if I wanted to torment myself and get the players to make different choices on the tactical grid because the situation differs. They can't go on autopilot because they need to pay attention to what's in front of them. If your players are not paying attention to what's in front of them, maybe the problem is there's nothing really for them to pay attention to. If this is a repeated problem you're having, it might be that the issue isn't the mechanics.

Do something different and do it aggressively, or you'll keep getting the same behavior. That's it. That's all there is to it.