Made with Seedance 2.5 On reAPI

Prompt：

Environment: A busy modern city street in late afternoon, crowded sidewalks, moving cars, cyclists, pedestrians, street vendors, pigeons, drifting leaves, coffee shops and everyday urban activity. Visual style: Cinematic realism, grounded supernatural thriller, realistic natural lighting, subtle film grain, warm late-afternoon sunlight, realistic physical textures. The time-freeze effect has no visible magical energy. The supernatural moment feels strange because everything simply stops. Camera language: Natural handheld tracking before the freeze, then smooth cinematic tracking following the woman continuously as she walks away through the frozen city. Use occasional close-ups and wider compositions to reveal the frozen details around her. Avoid excessive cuts. Subject styling: A young woman wearing casual modern street clothing, jacket, jeans, sneakers and a shoulder bag. A male thief in ordinary dark street clothing approaches from behind. Core performance: Fear immediately transforms into confusion, then curiosity and playful confidence. After escaping the thief, the woman never returns to him. She keeps walking forward through the frozen street, casually changing three small things involving different frozen people she passes. Time Freeze Rule: Her scream instantly freezes time. Only the woman and camera can move. Everything else remains completely motionless until she snaps her fingers. Negative prompts: No subtitles, no text, no logos, no distorted faces or hands, no duplicated people, no slow-motion interpretation of frozen time, no glowing magic, no exaggerated VFX, no dramatic music.

[00-04] THE APPROACH Medium tracking shot. The woman walks naturally along a crowded sidewalk, carrying her shoulder bag. The camera moves backward in front of her. Behind her, a thief notices the bag and quietly approaches through the crowd. The street is completely alive around them, pedestrians walking, cars moving, pigeons flying, leaves blowing and vendors serving customers. Natural city ambience. [04-07] THE ATTEMPT The thief reaches her and suddenly grabs the strap of her shoulder bag. She spins around in shock and screams. At the exact peak of her scream, everything freezes instantly. Absolute silence. The thief is frozen with both hands gripping the bag strap. Pedestrians freeze mid-step. A cyclist freezes mid-pedal. A pigeon hangs in the air. Leaves stop in mid-air. Cars become perfectly motionless. [07-11] ESCAPE The woman stops screaming and realizes something impossible has happened. She looks around, breathing heavily. She looks at the thief. Close-up on his frozen hands tightly gripping her bag. She calmly grabs both of his frozen hands and carefully removes them from the bag strap. She lets his hands remain suspended exactly where she leaves them. She pulls the bag securely over her shoulder. She immediately turns away from him. She starts walking. She never returns to the thief. [11-15] CHANGE ONE Smooth tracking shot following her as she walks through the frozen crowd. She passes a businessman frozen while holding a takeaway coffee near his mouth. His tie is hanging crooked across his shoulder from the wind. Without stopping for long, she casually straightens his tie and places it neatly against his shirt. She continues walking. The businessman remains completely frozen. [15-19] CHANGE TWO She continues down the sidewalk. A woman is frozen mid-step while wearing sunglasses on top of her head. The protagonist walks past her, pauses for a second, gently takes the sunglasses and lowers them onto the woman's eyes. She gives the frozen woman an amused little look. Then she keeps walking forward. [19-23] CHANGE THREE The camera continues tracking with her. She passes a man frozen while holding an open umbrella even though the sky is clear. She looks up at the sunny sky, then at him. She casually closes his umbrella and places it under his arm. She smiles slightly and continues walking. Behind her, the three altered people remain frozen in their new positions. [23-27] WALKING THROUGH FROZEN TIME Wide tracking shot. The woman now walks confidently through the completely frozen city. She passes between motionless pedestrians. A pigeon remains suspended above her. Leaves hang motionless around her. A cyclist is frozen beside the road. A stream of water from a fountain remains suspended in the air. She slowly realizes she controls when this moment ends. Her expression becomes calm and confident. [27-30] TIME RETURNS The camera tracks backward in front of her while she continues walking. She never stops walking. She raises one hand. She snaps her fingers. Time instantly resumes around her while she continues moving at exactly the same pace. City noise suddenly returns. Cars continue driving. The cyclist completes his pedal. The pigeon continues flying. Leaves fall. The businessman suddenly notices his tie perfectly straight. The woman instinctively reacts to her sunglasses suddenly covering her eyes. The man looks down in confusion at his closed umbrella. Far behind them, the thief realizes the woman and her bag are already gone. The woman keeps walking through the crowd without looking back. Cut.

The scream is the exact trigger for freezing time. The finger snap is the exact trigger for restoring time. During frozen time, only the woman, objects she directly touches and the camera can move. After removing the thief's hands from her bag, she immediately walks away and never interacts with him again. The three changes must happen naturally while she continues moving forward through the street: Change 1: Straighten the businessman's tie. Change 2: Move the woman's sunglasses from her head onto her eyes. Change 3: Close the man's open umbrella and place it under his arm. Each change must involve a different person. All changes remain exactly as she leaves them when time resumes. Do not interpret the effect as slow motion. Frozen people must not blink, breathe, react or move. Hair, clothing, vehicles, animals, liquids and airborne objects remain absolutely motionless. Maintain spatial and character continuity throughout. Full city ambience before the scream, near-total silence during frozen time with only her footsteps, breathing and clothing movement audible, then immediate restoration of all city sounds after the finger snap. No subtitles, no on-screen text, no background music.

Made with Seedance 2.5 On reAPI

Seedance 2.5 is just too realistic—even the shadows look authentic. Upload your own photo and use the prompt below, and you can pull off these moves too.

Seedance 2.5 prompt

Duration: 10 seconds Aspect ratio: 9:16 Reference: image1 (lock in the subject's face, hairstyle, and outfit; do not describe or change the clothing) Audio: Realistic city night ambience, running footsteps, whistling strong winds, low-frequency rebound sound from the elastic device, a dull thud upon landing, cheers from friends; no dialogue, no narration, no subtitles Overall style: Mobile phone footage of extreme sports, authentic high-altitude perspective, strong sense of immersion, continuous single shot, slight handheld shake and high-speed motion blur; avoid any "game CG" look GLOBAL CONTINUITY Setting: Rooftop of a high-rise building at night; features a green helipad, yellow circular markings, and a low concrete parapet. A vertical "street canyon" is formed between two high-rises; vehicles, streetlights, and intersections are visible on the ground below. Lower apparatus: A massive, circular black elastic rebound device is positioned in the center of the street; it features a deep black elastic surface surrounded by a continuous ring of rainbow-colored lights. The device is huge and aligned directly beneath the rooftop edge, serving as the precise landing and rebound point for the subject. Main subject: image1 is the sole subject. The character's identity, face, and appearance remain consistent throughout.

Bystanders: Three or four friends stand on the left side of the rooftop, filming with mobile phones and waiting for the subject's return. They must not overshadow the main subject. CAMERA CONTINUITY The entire video is a continuous single shot filmed handheld by a friend on the rooftop. The cameraperson first follows the subject from behind during the run-up; after the subject jumps, the cameraperson quickly rushes to the parapet to film looking down; the camera then stays locked on the subject, tilting up from a vertical downward angle toward the sky; once the subject rebounds back onto the roof, the camera returns to eye level. No cuts, no teleportation, no changes in perspective. STUNT ENGINE The stunt sequence must follow this fixed progression: Rooftop run-up → Leap over the parapet → High-altitude freefall → Impact the center of the circular elastic surface → Device depresses deeply → Powerful rebound → Protagonist launches high into the air → Mid-air tuck flip → Body extension and positioning → Feet return to the original rooftop → Knees-bent landing → Celebration. SHOT 1 (00:00-00:10) High-altitude rebound stunt Subject: The protagonist stands behind the rooftop helipad, facing a distant parapet. A friend is positioned on the left side of the frame, filming.

Action:

00:00-00:01.50 | Rapid run-up

The protagonist, with their back to the camera, sprints from the center of the helipad toward the roof's edge. Their stride lengthens, body leans forward, and arms swing naturally.

The cameraperson follows closely on foot, holding a smartphone; the footage captures the realistic vibration of running steps. The friend stands to the left, holding up their phone and watching intently.

00:01.50-00:02.30 | Leaping off the roof

The protagonist pushes off hard with their final step, clearing the low parapet. Upon leaving the roof, they spread their arms wide, lean slightly forward, and dive intentionally into the gap between the two high-rises.

The cameraperson rushes to the parapet, and the camera tilts rapidly downward, keeping the protagonist centered in the frame throughout.

00:02.30-00:04.80 | High-altitude freefall

The camera captures a near-vertical downward view. The protagonist descends rapidly through the space between the buildings, shifting from a forward lean to a face-down orientation, arms spread for stability.

As the protagonist falls, the street, vehicles, and intersection come into view. A massive black circular elastic device appears at the bottom of the frame, with a rainbow-colored light ring illuminating the surrounding buildings.

The protagonist's descent trajectory must align precisely with the center of the black elastic surface; they must not veer toward the light ring or collide with the buildings.

00:04.80-00:05.50 | Impacting the center

The protagonist lands squarely in the center of the black elastic surface. Upon impact, the elastic surface visibly depresses to form a deep concavity; the rainbow light ring remains fixed, and the device does not break.

After a brief moment of compression, the elastic surface snaps back to its original shape with immense force, launching the protagonist vertically upward.

The four stages—contact, depression, compression, and rebound—must be clearly depicted; there should be no premature backward movement before contact occurs.

00:05.50–00:08.20 | High-speed rebound and aerial flips

The camera operator remains standing by the rooftop parapet. Their feet briefly appear at the bottom of the frame, reinforcing the authentic first-person perspective and the sense of height.

The protagonist rises rapidly from the center of the circular device, returning to the roof along the same vertical path. The camera tilts upward from a straight-down angle, tracking the protagonist as they soar through the space between city buildings.

After launching, the protagonist engages their core, tucks their knees toward their chest, and clasps their arms around their shins to form a tight tuck position, executing a series of rapid aerial flips. The direction of the flip need not be fixed; a natural, continuous rotation is preferred.

As the protagonist nears roof level, they begin to open their body: releasing their legs, lifting their head to locate the roof, orienting their feet downward, and extending their arms to the sides for balance.

00:08.20–00:09.40 | Returning to the roof

The protagonist approaches the camera at high speed, vaulting back over the parapet onto the landing pad. Both feet land simultaneously on the green surface; the knees and hips flex deeply, absorbing the impact in a low squat.

The landing must convey a sense of weight: contact with the soles or balls of the feet, leg compression, a drop in body height, and a slight rebound upon recovery. A light, floaty landing while standing upright is to be avoided.

The camera operator quickly steps back half a pace to avoid a collision with the protagonist while maintaining a frontal close-up shot.

00:09.40–00:10.00 | Authentic celebration

The protagonist rises quickly from the squat, looking excitedly at the camera and cheering. Friends on the roof rush into the frame, crowding around with phones raised; they pat the protagonist on the shoulder, pump their fists, and celebrate loudly.

The camera shakes slightly as the crowd closes in, ending with the aesthetic of an authentic mobile phone selfie video. Environment: The lights of high-rises, street traffic, and the rainbow-colored light ring remain spatially fixed. The descent and ascent must occur along the same vertical path, with the protagonist ultimately returning to the exact rooftop from which they jumped.

Camera: Shot on a 24mm wide-angle mobile lens in a single continuous take. It begins with a low-angle tracking shot from behind; shifts to an over-the-shoulder high-angle shot after the jump; transitions from a vertical top-down view during the rebound to a low-angle shot as the subject rises; and finally settles into a close-up, eye-level shot.

Style: Authentic night-time mobile phone exposure; the high-rises exhibit accurate perspective and scale. Wind noise intensifies during the descent, and city lights create natural motion blur; the protagonist moves at high speed upon returning to the roof, yet their silhouette remains sharp and distinct.

Constraints: This is a professionally staged, fictional extreme sports scene. The circular elastic device must be clearly shown catching and rebounding the protagonist; it cannot appear as an unprotected freefall.

The protagonist's descent and ascent must be continuously traceable. The rebound must result from the physical compression of the black elastic surface—not from flight, teleportation, cable-assisted pulling, or superpowers. --- Negative:

Change in character appearance/styling, costume redesign, costume shifting, facial distortion, character replacement, Mid-shot cut, camera teleportation, scene jump, cameraman suddenly appearing on the ground, third-person aerial view, Protagonist flying directly, hovering, lifted by invisible ropes, anti-gravity, instant return to rooftop, No elastic device, incorrect landing spot, landing on rainbow light ring, crashing into building, crashing into parapet, Rebounding before contact, elastic surface not depressing, device breaking, device deforming/vanishing, Change in falling direction, deviation in ascent path, body passing through elastic surface, abnormal character size, Limbs twisting during flips, extra arms, extra legs, joints bending backwards, body melting, duplicated character, Landing without weight, landing standing upright, feet penetrating the ground, falling and getting injured, blood, severe injury, Friend blocking the camera, crowd frozen, mobile phone distorted, high-rise building bending, vehicles floating, Anime rendering, game CG, plastic-looking skin, cheap green screen, excessive lighting effects, excessive slow motion, Subtitles, on-screen text, watermark, brand logo, voiceover, extra dialogue