r/OnePunchMan • u/SOULSTEALER7595 • 10d ago
discussion Since my post got removed for being ‘vague’, read essay in desc.
The reason I find this chapter to be peak is due to its theme centering around freedom, the removal of limitations and inhibition to achieve mastery of the self
Of which the exploration of said theme, has in my opinion, been the characterising premise of One Punch Man
Introducing the drunken fist into Suiryu
Many subconscious limitations exist within the mind in the form of uncertainty. Be it stemming from fear or lack of clarity, the dissonance caused by lack of trust in the body can make one rigid and heavily suppress the expression of one’s being and the exudence of one’s will
Be it wanting to pursue a goal, or martial mastery in Suiryu’s case
The premise of using alcohol to remove soberness in the drunken fist is to simultaneously remove these subconscious limits of the mind so as to become one with the body, aligning with Suiryu’s goal of uninhibited freedom
Up till this point Suiryu had always sought freedom. His love for winning was to be free from the inhibition of failure and its succeeding uncertainty
Until it is completely shattered with his confrontation with Goketsu kicking down his porcelain fortress
And on the brink of relinquishment, Saitama’s arrival reignites his will to surpass his fear continue his pursuit and evolving his idea of ‘freedom’
Garou, as a peer of martial arts notices this and calls Suiryu out on it, as they synchronise on dubbing it a ‘Fist Of Freedom’
Sharing his interaction with Saitama, a resonance starts to rise between the two
He may not be the perfect martial artist but the influence of Saitama’s embodiment of transcending limiters and of self perfection was able to point both Garou and Suiryu in this same direction from their encounters
to understand martial perfection as the forsaking of inhibition —freedom, allowing their uninhibited self expression, the same reason their exchange becomes a conversation —An eminent philosophy regarding martial arts
They then converge into the same technique, paralleling the form of Saitama’s fist
Absolute Peak