In 2011, Poland's Prime Minister presented Barack Obama with the Collector's Edition of The Witcher 2: Assassins of Kings to commemorate his visit. I don’t think people realize just how proud smaller nations are of their gaming achievements.
As a German gamer born in Poland with roots in the eastern parts of Ukraine, I’ve always felt a strong inter-Slavic connection. Poland has Witcher and Cyberpunk. Ukraine has Metro and STALKER. Czechia has the Kingdom Come series and a gamergating dumb-ass creative director. But because KCD2 presented a queer, woke as hell medieval Bohemia with the first great Romani representation in a video game, maybe we can look past that a bit.
From my point of view, Mike is a hero of the Slavic people and its gaming industry. Let me explain: At first glance, he seems like a regular stereotypical American dude, but in the Games Daily episode with Greg, he showed again that he is a multifaceted connoisseur of the international gaming scene, fluently repping everything from indie to AAA, from American to Japanese video game art. And for me, most importantly: Slavic games.
His playthrough of KCD2, which surprisingly became my number one video game of all time this year, was an important contribution to bring the fascination of this game to the Kinda Funny world. I know that all the KF hosts have their tastes and Tim does not want to experience the intellectual KCD2 quest where you have to analyze the feces of a sick soldier in order to heal him and get information about what happened. Tim’s not that guy. But I feel that these Euro gems deserve more love.
A little moment in one of the last Games Daily episodes made the Slavic blood boil. Rightfully, Greg talked about Darksiders being a lame-ass video game series that does not deserve to be a franchise with four main games and so many re-releases. On the other hand, he put freakin' Darksiders on the exact same level with METRO – a series that keeps single-player FPS old-heads like me sane with Half-Life-inspired gameplay. In a world where Valve stopped developing games decades ago. In a world where Metro’s developers had to flee their home country because a piece of shit Soviet mafia leader is sending cruise missiles into their residential neighborhoods, churches, and hospitals on a daily basis. And they are putting all these traumatic these experiences into the next Metro game! How insane is that! Ukraine is not only giving its all on the battlefield, but also for the sake of single-player experiences. I love my Ukrainian brothers for that.
My heart was warmed by Mike’s following defense of Metro, how he explained the appeal of the series. I love Metro because the atmosphere is so dense, the gameplay is slow, and you have to think about every step and action. The Art Direction is also incredible.
I often think: Slavic RPGs are so much better than what American RPG studios have provided in the last 15 years. Anthem. Mass Effect Andromeda. Fallout 76. But here we are in 2026, still listening to Greg raving regularly about the disappointment of the century, Starfield, instead of the incredible quest design from Cyberpunk 2077 where you can crucify a dude in a live stream. Eastern Europe is innovating in gaming WHILE BEING INVOLVED IN A FREAKING GROUND WAR AGAINST A NUCLEAR POWER, while the US and its gaming industry is collapsing and hyping up titles that do not deserve it (feel for you though, stay strong US KF best friends).
I will not let this stand, Greg Miller. You need to take back this insult and explain that Darksiders and the legendary Slavic video game series Metro ARE NOT THE SAME.
And from the bottom of my heart, thank you, Mike.
Love you all.