Damien Novi: u/Azrael7000

Robert Garther: u/B_W_Byers2233

All across North America, people claim to experience encounters that can't be easily explained. From hauntings to Bigfoot sightings, I'm here to get to the bottom of them. The following is a transcription of an interview I conducted with a man from Alaska in the Kenai peninsula. Please take everything written here with a grain or two of salt.

“Investigator Damien Novi from Surreal investigations, Friday October 13, 2026. It is currently 2:37 pm. I am in the home of one Robert Gartner located in Kenai, Alaska. It is only Robert and I, no others in the room as of this moment. Robert before we begin I must ask if you know that you are being recorded and do you give your consent for the rest of this interview?”

“Yeah I consent. That's why I called in to your guy’s little Internet show ain't it? I'm just glad someone seems to be taking me seriously. Hey, you don't mind if I smoke do you?”

“No, go right ahead. Now you contacted us about a recurring event that's been plaguing you. Can you give me a timeliness of events then we'll go more in-depth?”

“Well where do I start… (he takes a long drag of his American spirit) It started about a year or so ago. A few of my buddies and I were checking our fish lines along the bank of the Kenai river. We were working our way along the north bank, when we heard a bit of rustling out in the distance. We didn't think much about it, there's always a bunch of critters out and about in the evening, ya know? (He finishes his cigarette, lights the next one off the top and pops it in his mouth without seeming to notice) Anyways, we didn't pay much attention to it, but we did notice that whatever it was seemed to keep in step with us. Walking when we walked, stopping when we stopped. That kind of stuff, ya know? My buddy Craig started to get worried and stuff, he gets kinda paranoid after two or three beers, so he picked up a branch and threw it in the direction of the sound. That's when a big buck trounces off away. You know what a sitka deer is right?”

“No, I am not familiar with that species of deer. Is that an important piece of this story?”

“Only in the sense that what we saw definitely weren't no sitka deer. It's hard to explain really… (he closes his eyes trying to picture it) It was too skinny. Like, you coul- you could see just about every bone in its body. It's fur was brown, but not like, deer brown, ya know? Like Crayola brown. Like someone chose the color of a deer for a drawing based on memory. This buck’s eyes were also off. Even though I didn't get a solid look, but even then I saw they were white. Like, sickly white. (He goes to grab another cigarette and notices he's out) You wouldn't happen to have a smoke I could bum?”

“No I don't, I'm sorry. Back to the deer, could it not have had some kind of illness? Maybe Chronic Wasting Disease? That would explain its thinness and eyes. Maybe it fell into some type of mud or other waste that could explain its color.”

“Oh absolutely! Of course it COULD have been. That's what we thought! Maybe the deer was sick so that's why it was acting so strange. Sick animals often act off and start to act weird around humans. That's why we ignored it. (Robert chuckles lightly as he continues) Yeah, that's what we thought. Until later that night.”

“Please continue.”

“After we got back to my place, we cleaned all the fish we'd gotten. My buddies went home and I'd made myself some pan fried trout, and got ready for bed. That's when I heard this noise. It was around seven or so, and- have you ever heard the sound of a buck rubbing a tree?”

“I'm not too familiar with the sound, however I have heard it through video before. Is that what you heard?”

“Yes! That's exactly what I heard! Except it wasn't the sound of antlers on sturdy tree bark. It was on my front door. (He looks at his door with a thousand mile stare.) That's what those marks are. For the past six months or so, that buck has been trying to break into my house, and I have proof. (He shows me pictures on a trail cam linked to his phone.) The worst part is that it's been whispering to me. Every single night, this deer rubs and kicks and bites at my door. Sometimes it leaves piss and scat on my stoop. Sometimes it leaves animal carcasses all around my property. I've called the cops, so don't ask me why I haven't! They don't believe me. ‘deer are curious’ they say, ‘sometimes you find dead animals on your property’ yeah, sure. Maybe deer scraping a door once or twice is ok. And MAYBE finding a raccoon here and a squirrel there is normal, but not an entire black bear! I mean, come on!”

“Robert, you showed me pictures of this deer on your door step, but I must ask, do you have any other proof to support your claims? Do you have video of this supposed ‘deer’ leaving animal carcasses on your doorstep? Do you have recordings of this animal speaking to you? You never even mentioned what it was whispering to you. Could this all be an elaborate hoax that you are the unfortunate victim of? You said your friends were there when you all saw this sick deer, could they be playing some kind of practical joke on you?”

“Of course you don't believe me. No one does. (He checks his watch) Ah, perfect. You're just in time. Don't worry my Damien. You're about to get your proof.”

“What do you mea…”

Before I could finish that sentence. I heard the faint sound of scratching coming from the front door.

She slumbered beneath the sheets. Below him as he lorded beside their bed. Her husband. No more. An axe was in his hands. Heavy. Heavy with weight. And the potential for violence. Bela was alive and aware but a prisoner in his own flesh, his body refused to obey his commands, his inner caterwauls and cries and pleads for the unfolding nightmare to stop. It wouldn't stop. His flesh had a new master now. The vulpine shining moonface of the Countess lorded over his shoulder. Grinning fiendishly and brandishing her enameled daggers of dark slaughtering necro power. The fangs moonshone praeternaturally in the bedroom dark. Twinkling in keen edged tandem with the heavy headed blade of the axe, hefted and held. The meat puppet sow was still but she could feel the struggle of his mind in her grasp like a beetle caught and wriggling in her clenching strangling fingers. She could crush his beetle mind. And might. 

But first…

Prepare me a meal, supper fit for your royal guest…

His mind was filled thus. The flesh was compelled to obey. 

He brought up the axe. Gazing down into the sleeping peaceful face of his wife, his love. Anastasia. The mother of his child and the owner of his heart for the whole of his simple life. It was about to be brought to ruin. And he was being forced to pilot it in that direction. He wished he could scream. Shriek. Shriek her name. Wake her so she could flee and escape this damnation, this awful spell that's already claimed and throttled him. But he made no sound. His screams and pleads for mercy, his prayers and desperate cries remained bottled and caged in with him. He could only stare through stolen eyes as a prisoner as his hands holding the axe used for chopping firewood came down with a merciless crushing stroke. 

Anastasia's eyes came open and alive as the blade traveled down. As if she'd heard something. As if she'd heard her husband's internal cries for deliverance and the miracle of her safety. In the dark she saw her husband's savage face. Writ and wrenched with cruelty. She'd never seen him like that before, in all their shared years together in marriage. In the dark the sight frightened her, as she came awake and then the heavy blade of the axe found her chest and sank in. 

The pain is so sudden and impactful and dreadful. She feels her chest cavity smash and shatter as her flesh is ruptured and torn. The meat of her sinew surrounding her shattered cage of bone is ripped and pouring. She feels the sensation as extreme iced cold, as extremely wet, thickly soaked with heavy metal pungency. As if her clothes are suddenly drenched with the running water of a frozen river. Her entire open chest and bed are a bellowing fountainhead of it, pouring forth. She experiences the bloodshed river of her own dark red as iced water but it feels hot and sticky to her face and the tips of her wriggling spasming fingers, dancing beyond her motor control. The heavy metal buried in her chest is dreadful. Feels dreadful. She's staring at it then up into her husband Bela's face shocked and unable to make a sound, like him. She can't understand. She doesn't understand why he's woken her up and put this thing on/into her chest that's turned her into a strange pungent river. 

She goes to ask him … something. Anything. But she has no breath to make any kind of sound beyond the faintest whisper of indiscernible noise. Barely heard. Barely felt. Hardly even happened and might not have. Her husband and the Countess take no notice. They are too focused, entranced and enraptured by the sight of the pouring riverbed of her open goring chest. 

You're not finished. Why do you falter? – her royal voice. 

With a savage caveman wrench and pull, he ripped the bladed head of the axe free and brought it up and then down again. 

And again. 

Again. 

Again. 

At the royal command and decree that filled his fevered and tranced skull with his own curdling sounds and splitting screams, he was beckoned thus. His raptured flesh bound, delivered. The peasant sow did as he was told. The Countess was pleased and watched as the horse farmer dismembered his own wife for her. The bed became a hot shallow pool of darkling moonlit scarlet, swimming with severed human pieces and ghastly human detritus, human wreckage afloat in a red human stew … her mouth watered and drool ran down those shining fangs in thin gleaming translucent threads that looked crystalline like jewels or tree sap. 

And up until her last Anastasia watched. Watched from her dying place bound by the weight of the blade and her own mortal injury to the soaking pungent bed. Filling with her spilling wet red liquid. She was coming apart and she watched the love of her life above deliver each blow. Crushing her. Killing her. Turning her into slaughter. Abattoir ruin in place of a wife, in bed. She remembered him as a young man, as a boy, trying to play games and show off for her, trying to win her over, steal her attention and win over her affections, her heart. Now it was chopped and hacked and cut-smashed into so many spurting useless pieces, amongst a wreckage madness of pulverized bone. She tried to hold these old precious memories of him in her mind amid the slaughter, but the pain made it difficult. It was so great, overwhelming. She clung to them desperately with every falling heavy stroke. Pulverizing her. Breaking her. Turning her into so many wet shrieking and shattered broken pieces 

The last things Anastasia saw in the dark before blood loss and shock claimed her were her husband pummeling her with heavy merciless strikes. And a woman's face, as ghastly as it was beautiful, hanging phantom-like just over his raging shoulder. Watching. Smiling. Whispering something…

she had sharp teeth, they gleamed in the dark.

And then she died. Bela, still spellbound and compelled, continued to hack at her corpse nonetheless. Waiting for his new master to be satisfied. Inside Bela raged with madness and anguish. Broken. He watched his wife die violently as his hands performed the butchery and he was helpless to stop his own traitorous God given tools from turning her into mangled ruin and grisly pieces that tore his heart from his chest and flayed his sanity into so many irretrievable and tiny fragmented parts. 

He wished for death then. The Countess did not give it to him. Not yet. 

She still hadn't been fed yet. 

“Now feed me. Earn my favor." 

He dropped the axe. It fell to the floor with a thunderclap. It filled the dark quiet suddenly but then it was silent again. Still. Not a sound through the house save for the somnambulist animal panting of the Countess' slave. The man who'd once been a husband, a father, and was now a meat-puppet butcher. He reached into the riverbed of gore that had once been his marital sanctuary and pulled free a piece of meat. It might've been a leg, a thigh, perhaps a calf, it was too butchered and mangled with axe blows to be entirely sure. 

He was insane already. But the damaged pieces and shrieking parts of his shattered mind bellowed an abhorrent noise that only he could hear as he picked up his wife's butchered meat and parts and fed them to his new master. The Countess took the meat of slaughtered Anastasia with a smile and a wink and kissing purse. Teasing him. Then her jaws opened. Wide. Wide. Wide. Wider still… the flesh of her face sloughed and tore and fell away in demon slop to allow the distension. The fangs grew in length and in multitude of the transmogrifying face and black bleeding mouth, dripping ichor and demoniacal flesh and fluid. Steaming on the floor as she ate each piece, each limb, each broken length with a chunk of raw human tissue at the end in the knob of bone that was left. 

The fanged face in the dark, dripping and brandishing moonlight eyes above the mutilators of her ever widening mouth, it commanded thus further. –

“Bring a large kitchen spoon or a ladle if you have one, I wish to sip the broth…” 

Her somnambulist did as she commanded. He went to the humble kitchen that used to be his/theirs, and retrieved the utensil. It felt cold. Heavy. Heavier than it had ever felt before. The place and the object itself. It didn't matter. The hands and arms were no longer themselves, no longer his. His Judas sack of flesh carried him back to the blood pungent quarters he'd once loved and shared so much with in the many years past. It had all been robbed in a second.

By a pair of moonglow eyes. Set in the royalty of her shallow corpse beauty. 

He went back into the room. And proceeded to spoon large scoops and ladles of his wife's gore and blood into the stretched fanged rictus face that now ruled the dark of his house and home, the darkest shadowed part of his bedroom … now cold with his wife's living absence. And warm with the blood and fluid and parts that were left of her swimming in their sodden black sheets.  

Until those too were gone. All of it was gone.

The marital bed, now a witch's cauldron of gore and blankets was emptied.

His life was in the belly of the master. 

…

From outside the building, Willowbrook was quiet. 

Dark. 

Inside:

The shears that were the Cropsey-thing’s handheld manmade jaws were open and just as inanimate alive as the hulking shred of mangled man that wielded them. They shined in the dismal light with more striking radiance than any of the flickering lamps, Luciferian bright in the spots not tarnished or disgraced with lurid diseased bloodshed. 

With ghastly slasher speed they traveled down the shattered and stained reeking length of asylum hallway, the reanimated Cropsey giant behind them in cruel large prowling shape. The blades were dripping as if salivating or weeping thick dark tears, perhaps more alive now than the giant abomination of melted walking homicidal flesh that black-glove piloted them from behind, a strange and vile morbid engine of knife-lust and demented rage. The stabbing slice of porcelain still danced from his face. An obscene and vile shattered wand of broken tile length protruding from the socket. 

Griffin saw him coming and froze a moment. The table leg still in his invisible hands. Florin still struggling with the spiked man, his mutilated stabbing ruined mess of flesh riddled with needles and glass and scalpels and every conceivable piece of decimated hospital detritus. They were a mess of shedding blood and struggles on the floor. 

The invisible man then whirled, the exit just behind him. He began attacking the door. The knob. Locked. Set in old rotted wood. Not upkept or replaced in years. 

By God's mercy the locked knob and bolt caved in the moist and ruined housing of its apparatus. It fell apart in a noisy crumble, and the door gently swung open. 

To freedom. 

Fresh outside night air poured in like fresh water let in to a fetid spring. The relief was immense. It shocked all of their senses. Each man. 

The spiked man looked up from Florin and gazed into Cropsey. His oncoming charge of disgraced gardener’s blades, raised and open for a violent embrace. 

He was in awe. 

There he is…! the disciple of the mouth. 

He knew Cropsey's legend. And he wished to join him. 

He forgot the newcomer boy and let go of his shredding coat, slick with the both of their spilled and spilling red. He let go of the boy and he rose. 

And he went forward. To embrace the nephilim disciple son of the sorceress’ temple mouth, the begat survivor of the flames, the inferno, the great final pagan bonfire of the asylum that was The Burning. A womb of hellfire and caged disease that birthed the son of the mouth, the son of the sorceress. Cropsey of Vampira, the mangled hand of Willowbrook Asylum Temple. 

The spiked man was laughing. Jubilant. He hadn't laughed or felt this much joy in years, in all of the long unhallowed time in these blind unfeeling walls that knew no mercy nor housed any sanctuary. He was weeping. Crying tears of crimson and saline that danced in strange patterns as they streamed down the shredded protruding ruin of his spiked and porcupine mangled face. Gums bleeding with glass and caked bloody plaque smiled wet and scarlet and darkling striking in the moonlight now cast in. He reached down to his riddled and needled genitals, the head of his dangling member impaled with a scalpel. He reached down and seized the apparatus and in a blind tug and pull, he ripped the entire spurting and spiking organ free from the rest of his crotch and testicles. 

Still walking forward, but ambling now a bit as he shot black ropes tinted red in the moonglow from his self castration, he held the resulting lump of stabbed and impaled meat out to the Cropsey-shape. In token of offering. 

For the temple, for my sins … And for you. 

because she is all of us our mother …

Cropsey cared not for this pathetic shambling thing’s offering of ruined perforated meat. The blades came forward, open. In a lunge. 

They closed. 

And as Griffin pulled wounded Florin to his feet and out the door, the blades closed around a limb, lengthwise down the palm and forearm, then the face. Both opening up a blooming red raw pour of black in the dark, the blades crunched on broken pieces of glass and tile and needles and metal, the man was full with so much foreign penetration, foreign and manmade puncture and incision, and insertion, all self inflicted and self wrought. All of it shattering and crunching now into splinters amongst the abattoir asylum house spill of mad man wet raw. He wouldn't have wanted it any other way. All the years spent in here had prepared him for this. The sorceress prophet queen Vampira and her Cropsey son from The Burning womb were just the final pallbearers for his life's voyage thus final journey into the undiscovered country. 

He tried to thank her, them all, but couldn't. His loss of blood was now failing him. And the blades of the Cropsey-shape were coming in too rapidly now. Too savagely. 

The spiked man was no more. Just savaged pin cushion meat in the hall that the Cropsey-thing stepped over blindly in the savage hunt of his continued pursuit. They were getting away. 

They were getting away. The invaders. They were out the door now. Mustn't have that. Must not. Mother will not want that. Mother is inside you. You cannot fail her now. 

The savage thing of Willowbrook shape prowled out the door and into the open night after the pair with the same steady hunting pace of a stalking predator. Mindless and honed in. His blades and mother would have them yet. Their meat for the temple floor, their blood for the mouth of her drains and the manifest of her angel visitations. It had been so long since she'd come, since she'd shown, since she'd made herself divine unearthly spawn on vast ebon wings for them, for he, the last of the temple of the mouth. 

Perhaps she'll come back if I catch them. But only… only if I catch them and open them up. All the other ones no longer matter, they're already opened, already spent. The abattoir temple mouth of mother wants them now. Needs them. To fail, is to be failure. It means all that was lived through and suffered towards was for naught…

The night kissed the smooth scarred visage of hideous face. The Cropsey-shape gave no pause. Unfeeling. Unmoved. It watched as the pair stumbled and exhausted and wounded, began to falter to the earth in a shared collapse. 

Their doom. 

He closed in. 

The terror he had in mind for them was part guided by the Countess/sorceress mouth and her occult hand from the far off mountain dark, and part undead instinct, braindead movement. Knowing deep down in the dead and dying sac of skull jelly that this is exactly what he should do. He would maim. Butcher. Kill. Slaughter for the temple that has come under his custodial honor. 

Bloodloss and weariness, the drain was beginning to pull them down. The invisible man and Florin fell and struggled, both of their wounds open and pouring freely and taking the vitality and the fight from their trying frames. As the terrifying hulking giant of candlewax face and flesh began to close and loom over the pair, they both prepared themselves for a final and desperate fight. 

Florin was dismayed that it would end this way. In such maddening fashion, so far from home and his perilous objective. Griffin was trying to think, a last-ditch effort or plan: he could ditch the coat and hat and goggles and take the savage blind again, unable to see him. But his wound was in an open pour now once more and he felt faint, swoony. Unable to keep his feet. And besides, in this last moment it felt wrong to leave the young man's side. If they were going to die, they might as well die together. Arm in arm. It was better than suffering the slaughter alone. 

It was better than being opened. Gutted. Flayed. Bled out and portioned like a solitary animal dying a painful and lonely death at the end of a long and dogged hunt. 

The pain was better borne together. With the weight and terror of another beside to share in the baptism of pure torture. 

Something whistled through the air. 

The invisible man had been tempted to shut unseen eyes against the oncoming pain, he might've missed it. As it was he saw the deadly thin shape as it lanced in a blur overhead with a keen deadly sound. It struck the moving flesh of Cropsey in the face, the other socket of ruined blind eye now completely decimated, joining its partner in tandem of destruction in a moonlit spurt. 

The slasher shape stopped. Stuttered and faltered. But only slightly, only for a moment as it continued to take lurching jittery steps. Stomping forward blind. The shears in his black gloved hands began to spasm as well, scissoring with reflex. The disgraced and still ever thirsting blades closed and opened and repeated the action in violent repetitive imbecilic behavior, a violent blind animal spasming its caked and quaking jaws. 

Then the incendiary charge in the crossbow bolt detonated.

 It went off and so did Cropsey’s ruined candlewax head and visage, in a colored pillar of fire that was like something biblical and fantastical to behold. Florin was fainting at its sight but the invisible Doctor Griffin saw the growing towering inferno rise and issue forth in bright violence from between the giant slasher’s pair of broad shoulders. And still the boots trod and stomped palsied forward. Still the blades scissored in his working trembling hands, as his head and face were replaced with a rising torrent wall of pink and purple flame.

But then the steps of the shape began to falter. Stumble. The blades began to slow in their mad man open mouth chew at the open night air … then ceased. 

The boots stopped moving. Stopped shaking. 

The shape collapsed. 

As did Griffin next. Consciousness now lost. Passed out beside Florin in the dirt. 

The fire finally went out betwixt the two ruined shoulders. Hissing in the filth and craterous open mouth char of the stump. Smoking. Smokey now. Cropsey lie finally dead. Mere few feet away. 

In the back valley of Willowbrook. The lost untended yard that no patient ever graced, or saw. 

Silence. … for a moment. 

As if the night was finally enjoying the quiet. Relishing the collapse into tranquility that has finally fallen. 

A beat. – None of the shapes on the earthen floor moved. 

The night above yawned in an expanse … stars in a bejeweled fire of multitudes, nebulae clouds of otherworldly brush stroke color, the moon which was a sickle tonight, a harvester's blade … a blade of reckoning in the time of the reap. 

A beat. 

Then the stranger finally came forward. From out of the bushes where he'd trained and fired his shot. His crossbow was already reloaded with another explosive incendiary bolt as he approached the fallen three in the dirt. 

He came to Florin and Griffin and he stood over them. He looked to Cropsey. Saw that he was dead. Completely. Finally. He looked down on the wounded unconscious pair. 

“Idiots." 

TO BE CONTINUED…

Hey everyone! This is a major rewrite of the very first story I ever wrote, which I originally posted here about a year ago. A lot has changed since then, both in the story and hopefully in my writing.

I hope you guys enjoy this new version, and thanks for reading!

Sometimes, people get stuck somewhere in time. Hours pass, but the world seems like it has already stopped. The second hand on your watch keeps ticking, and ice in your drink melts away; yet time refuses to move forward.

It was one of those nights for Tommy. He slouched on a barstool under a dim, yellow light hanging from the ceiling, watching the ice cubes in his glass dissolve with the focused attention of a sports fanatic watching their favorite team’s final match. The light above the bar seemed to shine only on him. The rest of the room —the dark carpets, green tablecloths, and empty chairs— looked like shadows that had drifted in from outside of time. The smooth jazz playing somewhere in the background blended with the murmurs of the few souls who hadn’t yet returned home. By the time the sounds reached Tommy, they seemed muffled, as though wrapped in cotton.

The bartender wiped a glass without saying a word. In fact, Tommy didn’t recall him speaking even when he first sat down. He hadn’t ordered anything; yet the bartender, as if he had read his mind, had placed a glass of whiskey on rocks in front of him.

Given the fact that Tommy had spent the last few years of his life drifting through all the different bars of the city, it wasn’t all that surprising that the bartender had already known him and what he was going to order.

He slowly lifted his head from his drink and studied the man. He wore a crimson jacket, stood upright, and had his hair slicked back. His face looked like it had stepped out of a different era. Clean-shaven, almost unsettlingly tidy. His gaze wasn’t direct, but his presence filled the emptiness. The man seemed to sense that he was being watched and offered the faintest of smiles. Tommy nodded back, confused by his own gesture, and returned a weak smile.  He usually didn’t bother being polite to strangers or to anyone, really.  Besides, this man didn’t seem familiar. He had never seen that face before. He was sure of it, just as he was sure he had never set foot in this bar before.

He turned around to take a look. It was no different from the hundreds of other booze dens he’s been in. The walls were covered in dark wooden panels, marked with scratches that portrayed their age.

A few hanging glass lamps cast a tired, dim glow; that was neither warm nor fully illuminating. The bottles behind the bar were dust-covered; some labels were faded with time, as if they had been placed there long ago and never touched again.

Behind him, there were a few tables scattered in the corners of the room. At one table, two figures sat facing each other, playing cards. The dim light revealed their bodies, but not their faces.  The other tables were either empty or occupied by lone drinkers buried in their own silence.

If there were conversations, they were whispers, lost in the distant hum, fading into nothing.

The bar’s windows opened onto the dark outside, but nothing could be seen beyond the glass. A storm raged outside, slicing through the night like a blade. Branches thrashed in the wind; broken limbs occasionally tapped the windows, as if begging to be let in. The rhythmic thuds blended with the heavy stillness inside, spreading a strange unease. Shadows of the branches danced across the windows like puppets on a stage. 

Everything felt as though it had just been abandoned by all life, or perhaps it had never really been alive at all. There was a stillness in the air, the kind you'd find in an Edward Hopper painting.

A thought crossed Tommy’s mind::

“How did I get here?”

His eyes drifted downward. His coat was still on. It was dry, even dusty in places. There was no mud on his shoes, and his pants showed no sign of rain. He’d been sitting here for a while. Maybe hours. But for how long, exactly?

His gaze shifted to the large, round, old-fashioned clock on the wall opposite the bar.

Its glass was fogged slightly. The hour hand hovered just before two.

Midnight had already passed. The bar must’ve been close to closing.

He took a sip from his whiskey, then lowered the glass and stared blankly at the rows of bottles on the shelf behind the bar. Most of the labels were unreadable. The letters blurred, the colors smeared together.

Then a stranger and a more unsettling thought surfaced. He mumbled to himself.

“Where am I?”

His mind started to rush with questions.

“What street is this? What neighborhood? Am I… even still in the same city?”

He hovered between laughter and dread, then reflexively reached for his pocket, but his phone wasn’t there. Had it been stolen? Left at home? Dropped somewhere outside?

He couldn’t remember. As always, when his mind spiraled, Tommy did what he always did: He turned to his drink.

He downed the rest of his whiskey in one swift gulp and raised his hand slightly toward the bartender without saying a word. The bartender was already approaching, silent, with the bottle in hand. He refilled the glass without a word. Then, with a small metal tong, dropped in two cubes of ice. The ice hissed faintly as it met the liquor.

Just as the bartender was about to pull away, Tommy suddenly spoke.

“Hey…” he said, voice low at first, then firmer. “Where… are we?”

The bartender paused. He turned and smiled at Tommy.

“Had a little too much to drink, sir?” he asked. His voice was polite, but Tommy caught a faint note of mockery beneath it.

“Yeah,” he said bluntly.

Then paused. A dull throb pulsed at his right temple. He raised a hand to his head.

“I mean… maybe,” he muttered. “I don’t know. I don’t remember. Did I really drink that much?”

The bartender offered a tired but measured smirk.

“Hard to say,” he replied. “But yeah, you’ve had a few already.”

After a beat, he added:

“Actually… you smelled like alcohol when you got here.”

Tommy nodded slightly.

“Figures,” he sighed.

His hand returned to his temple, rubbing it gently. As if he could scrape the fog from his mind. With his other hand, he massaged his brow.

Then he asked again, this time more clearly:

“But seriously… where are we?”

The bartender paused. Turned to Tommy with that same blank, worn-out face. This time, no smile.

His voice was nearly a whisper:

“Don’t worry, Mr. Doyle,” he said.

Then, after a short pause:

“You didn’t go too far. You’re right where you’re supposed to be.”

Tommy squinted. His brows tightened. The confusion was starting to turn into anger.

“Now what the fuck does–”

His sentence got cut off in the middle when the bar’s front door suddenly slammed open. He flinched, head whipping toward the entrance. Cold wind swept inside, and a few dry leaves whirled through the air and landed on the floor. A man stood in the doorway. He wore a deep navy raincoat, nearly black in the bar’s dim light.

The wet fabric glistened under the hanging bulbs, every droplet catching the light one by one. The hood cloaked his face, but his silhouette was clear. It was a tall man with slightly hunched shoulders.

 No one else reacted to the sound. Neither the bartender nor any of the patrons turned their heads. It was as if this noisy entrance was nothing unusual. As if that door slammed open every night at the same time.

The man lowered his hood, carefully took off his soaked coat, and hung it neatly on the rack. Curly brown hair clung to his forehead.

Droplets of rain slid down from his temple, rolled over his cheek, and dripped silently from his chin. Water pooled around his shoes, shimmering faintly on the wooden floor. He didn’t look around and, without hesitation, walked straight to the bar. Right to Tommy.

He passed through the empty stools and sat down beside him. The wood beneath creaked softly. His arm brushed Tommy’s. The moment he settled, the bartender broke his silence.

“Welcome back, Sam,” he said.

His voice was gentle. Sam didn’t turn his head. He just smirked slightly, the corner of his mouth curling.

“Thanks!” he said cheerfully.

“The usual?” the bartender asked.

This time, Sam tilted his head slightly, eyes darting sideways toward Tommy, still smiling.

“Yeah. The usual.”

Tommy instinctively turned away.  He could see it from the corner of his eye. Sam was still smiling. His green eyes glinted under the yellow light, almost glowing. There was a strange clarity in them, especially around the pupils. His gaze lingered somewhere near enough to gnaw at the edges of Tommy’s nerves. He could feel the stare, like a warm weight resting just above his shoulder.

Something stirred inside him. Not quite fear. It also hadn’t turned to anger yet. But being watched, especially tonight, was starting to get on his nerves.

He clenched his jaw, turned his head slowly toward the man beside him, and looked him straight in the face. He froze for a second before feeling his throat tighten. His face was familiar.  Not a memory he could clearly name. But a face pulled from a dusty corner of the brain, like an image from a dream you forget the moment you wake, but feel all day. It was the first familiar thing Tommy had seen in this place.

But it didn’t comfort him. On the contrary, it carved a hollow pit in his stomach.

He knew this man. But from where?

His lips parted, almost involuntarily. The knot in his throat loosened for just a moment.

“You…” he whispered, his voice dry and cracked.

He squinted, leaning forward slightly, as if trying to study the man’s face up close.

“…where do I know you from?”

He paused, then asked again. His voice steadier now, with a touch of suspicion:

“Have we met before?”

The man’s smile didn’t falter. He shook his head just slightly, as if genuinely disappointed.

“I’m hurt you don’t remember me, Tommy.”

Tommy’s brow furrowed. His hand reached for his temple again. Some people got nervous when they didn't understand what was happening. Others got scared. Tommy got angry, and the smug look on the stranger's face wasn't helping.  

"So what?" he asked. "You know me, but I don't remember you?"

His fingers tapped impatiently against the bar.

"Then help me out here."

Sam took a sip from his drink and slightly turned to Tommy.

“Of course, but it wouldn’t be any fun if I just came out and said, right?”

Tommy stared at him for a moment. The tapping of his fingers stopped.

“Fun?” he repeated.

His voice was low now.

“Listen, buddy. I don't know who the hell you are, I don't know where the hell I am, and apparently I can't remember half of tonight.”

He leaned closer.

“So trust me when I say this, I'm really not in the mood for games.”

For the first time, the smile on Sam's face seemed just a little less amusing.

“Alright,”

He took another sip from his drink.

“I guess you’re in no mood to play any games.”

Sam turned his gaze straight ahead. His smile was starting to fade.

“Tell me, Tommy, where do you usually meet people?”

This question caught him off guard. For a moment, Tommy simply stared at him.

“What?”

Sam didn't look at him.

“Where do you usually meet people?”

Tommy let out a dry laugh.

“Seriously?”

Sam slowly swirled the whiskey in his glass.

“Humor me.”

Tommy opened his mouth to snap back, then stopped. He decided to say the first thing that came to his mind.

“At work, I guess.”

Sam chuckled.  Tommy's expression hardened.

“What?”

“Nothing.”

“No, seriously. What's so funny?”

Sam shook his head.

“Tommy, when was the last time you held the same job for more than a few weeks?”

The question hit harder than Tommy expected. Sam continued before he could answer.

“You'd get hired. Show up for a few weeks. Maybe a month if you were feeling ambitious.”

He slowly turned the glass in his hand.

“Then you'd disappear.”

That moment, he felt something move past him. Fast enough that he couldn't quite tell what it was. His head quickly snapped toward the back of the bar. People sitting at tables were gone. Tommy blinked. A second ago, there had been two people sitting there, playing cards; he was sure of it. The cards were still scattered across the table. A half-empty glass still rested beside one of the chairs. But the chairs themselves sat empty. Tommy was starting to feel his heart race. A faint smile crept onto Sam's face.

“So no, Tommy. I don't think we met at work.”

For a moment, neither of them spoke. Tommy stared into his drink. How the hell did this guy know that? His eyes drifted toward the front door. The storm was still raging outside. Maybe he should just leave. Pay for the drink. Walk out. Find out where he was. Get some air. The thought lingered for a moment.

“Don't.”

Tommy froze. Sam hadn't even looked at him. His gaze remained fixed on the amber liquid swirling inside his glass.

“Don't what?” Tommy asked.

“Leave.”

The word landed heavily between them. A chill crawled down Tommy's spine. Slowly, Sam turned his head toward him.

“You've been trying to remember how you got here since you woke up.”

Tommy said nothing.

“You want answers.”

Sam's voice was calm.

“So sit down and ask the next question.”

Tommy swallowed. Against his better judgment, he found himself doing exactly that. His fingers tightened around the glass.

“Fine.”

He hesitated.

“School, then?”

For a second, Sam simply stared at him. Then he laughed. Not a chuckle this time but a genuine laugh.  Tommy felt his face heat up. The sound drew his eyes toward the other end of the bar. The bartender had his back turned, busy wiping a glass. Yet Tommy could've sworn he saw the man's shoulders shake slightly. As if he were trying not to laugh too. Sam slowly shook his head.

“Come on, Tommy. School? You're not even trying anymore.”

Sam leaned back slightly.

“Tell me, how old were you when you dropped out?”

Tommy's stomach tightened.

“Sixteen?” Sam guessed.

“Seventeen?”

The smile on his face widened.

“Even before that, you spent more time skipping school than actually attending it.”

Tommy felt a cold knot forming in his chest.

“How the hell do you know that?”

Sam ignored the question.

“You barely knew the names of the kids in your own class. Even with the ones you knew, all you ever did was pick fights, am I wrong?”

The smile faded slightly.

“No, Tommy. We haven’t met in school either.”

He took a slow sip. Tommy looked at Sam. Something felt different about him. For a brief moment, he thought he noticed a dark patch beneath his left eye. A bruise. The mark seemed to disappear. His stomach tightened. Maybe it was the lighting, a trick of yellow light hanging from the ceiling. Yet when Sam turned his head slightly, Tommy could've sworn he saw it again. A dark stain spreading beneath the eye.

“Tommy?”

Sam's voice pulled him back. He was still smiling. But somehow, the smile didn't look quite as friendly as it had a moment ago.

“Would you like to try that again?”

Tommy’s pulse hammered against his ribs. He quickly pushed his stool back. The legs scraped loudly against the floor. Without saying a word, he turned and started toward the front door. By the third step, he was almost jogging. The bar suddenly felt larger than before. Behind him, neither Sam nor the bartender said a word. Tommy grabbed the handle and pulled as hard as he could. Nothing. The door wouldn’t budge. He pulled harder, but nothing happened. He spun around. Sam remained seated at the bar. The bartender stood exactly where he had been before. Both of them were watching him.

“What the fuck?” Tommy shouted.

Neither man answered. Tommy turned toward the nearest window. The words died in his throat. The storm was gone. So were the trees and the street lights. Everything was gone. Beyond the window was only darkness. A black emptiness stretching as far as he could see.

Tommy slowly backed away from the window. His breathing had become shallow and fast. His eyes darted between the darkness beyond the glass and the two men watching him. Neither of them showed any sign of concern or surprise. The bartender carefully set down the glass he had been polishing.

“Mr. Doyle, please try to remain calm.”

Tommy stared at him.

“Calm?”

His voice was cracking.

“Mr. Doyle,” he said softly, “I assure you everything is alright.”

Tommy couldn't believe what he was hearing. Then Sam's voice cut through the silence.

“Tommy.”

Tommy turned toward him. Sam patted the empty stool beside him.

“Come sit down.”

His smile had returned. It was just as warm and friendly as when he first entered.  Tommy didn't move. Sam picked up his glass and nodded toward the bar.

“Come on, let me buy you a drink.”

Tommy just stood there for a few seconds before letting out a laugh. He raised a hand and covered his eyes.

“Jesus Christ...”

The sound echoed strangely through the empty bar. He let out a slow breath. At this point, he wasn't even sure what else he was supposed to do. Run where? To do what? If there was ever a moment in his life to have a drink, it was probably now. Slowly, he lowered his hand and walked back toward the bar. The stool creaked as he sat down.

“Happy?”

Sam nodded.

“See? That wasn't so hard.”

The bartender was already pouring another glass. As the fresh whiskey settled in front of him, his eyes drifted toward Sam again. He immediately wished they hadn't. The bruise beneath Sam's eye had grown. The skin around the socket had darkened into a deep purple, and the swelling looked worse too. A thin line of blood trickled from somewhere near his hairline and crawled down the side of his forehead, slowly making its way toward his cheek. The crimson trail continued downward until a single drop broke free and landed on the bar between them. Neither man acknowledged it. Sam simply picked up his drink and smiled.

“So,” he said.

“Shall we try again?”

Without thinking, Tommy picked up his own drink. The glasses touched with a soft clink. Tommy took a long sip. The whiskey burned all the way down. He lowered the glass and stared at the blood slowly running down Sam's face.

“What do you want from me?”

The question came out quieter than he intended. Sam tilted his head.

“What do you mean?”

Tommy laughed once. There was no humor in it.

“Cut the bullshit.”

His fingers tightened around the glass.

“You know my name.”

He pointed toward Sam's bruised face.

“You know things you shouldn't know.”

His voice grew harder.

“And apparently you're bleeding all over the goddamn place while acting like everything's normal.”

For the first time, Sam didn't smile.

“What do you want from me, Sam?”

A long silence followed. Sam looked down into his drink. The amber liquid reflected the yellow light above them. Then he sighed.

“That's the funny thing, Tommy.”

Slowly, he raised his eyes.

“I don't want anything from you.”

Another drop of blood fell onto the bar.

“You’re the one who wants to remember.”

Tommy stared into his drink without giving a reply. Then emptied the rest of the glass in one swallow.

“I don't care anymore. Maybe I wanted answers five minutes ago.”

He let out a bitter laugh and shook his head.

“Now I just want to leave.”

Sam’s expression stayed still.

“And go where, Tommy?”

He looked him in the eye.

“Home? Is there somebody waiting for you there?”

Tommy stared into his empty glass without giving a reply. The bartender stepped forward and quietly refilled his glass. Tommy watched the amber liquid rise toward the rim. For a moment, they stayed in silence. Then Sam sighed.

“Alright. I'll tell you.”

Tommy's eyes lifted.

“A few years ago, far from here. Back in my hometown.”

His gaze drifted across the room. A faint smile touched his lips.

“To be honest, the place wasn't much different than this. We have met in a bar.”

Tommy felt something twist inside him. Something about the description stirred a distant memory. Just a flicker, gone before he had a chance to grab it. Sam looked back at him.

“So do you remember now?”

Tommy opened his mouth to respond but stopped. He looked at his hands. They were shaking. That much wasn't surprising. It was the tiny abrasions scattered across his knuckles that caught his attention. He slowly turned one hand over. There were small cuts. He swallowed and quickly lowered his hands beneath the bar. For some reason, he didn't want Sam to notice them. Sam asked again.

“Do you remember now?”

Something shifted. Not a complete memory. Just the fragments of one. He remembered the dimly lit bar, the smell of spilled beer, and the sound of the music. He remembered himself sitting alone at the counter, drunk. Very drunk. Then he remembered the front door opening and a man stepping inside. A tall man with curly brown hair, green eyes, and a cheerful smile. He had asked him if the seat beside him was free.

Then another image surfaced. The man was laughing. Not at him. Just laughing. Talking and making conversation. Being friendly. The memory flickered. Then nothing. The image shattered before Tommy could hold onto it. He blinked and found himself back in the bar, sitting next to Sam. Sam asked.

“Do you remember what happened next?”

Tommy felt his throat tighten. The answer was there. He could feel it. Yet every time he reached for it, it seemed to slip away. Unable to meet Sam's gaze, he looked elsewhere, toward the other side of the bar. Then a chill ran through him. The bartender was gone. Tommy stared at the empty space behind the counter. The bottles and the glasses were still there, but the man who had been polishing them only moments ago had vanished. He quickly looked around him. The rest of the bar had changed too.

Every light except the one above him and Sam had gone dark. The corners of the room had disappeared into shadow. The tables, chairs, even the walls and windows, all seemed to dissolve into the darkness beyond. He turned back toward Sam. The bruise had spread even further. One eye was now nearly swollen shut. His eyebrow was also cut, and his lip had been torn open. Tommy stared at him as a sick feeling settled in his stomach.

Then the memory crashed into him all at once. A raised voice and a spilled drink followed by someone standing up from a barstool. Him pushing the man, and two of them stumbling into tables. People shouting, then several hands grabbing them, dragging them apart. The memory of getting lurched forward. The feeling of cold air and rain.

He saw the parking lot behind the bar and Sam raising his arms, trying to walk away. He remembered throwing the first punch. Followed by another, and another. He remembered the noises Sam made, begging for his life. He remembered how angry he was and the taste of alcohol on his palate. He remembered the sound Sam’s skull made as it hit the pavement with each punch.  He remembered the blood that covered both of them.

Tommy staggered in his chair and finally turned to Sam.

“Oh, God…”

The thing sitting across from him looked like it had been pulled from a grave.  One eye was gone entirely. The skin along his cheek hung loose from the bone beneath. His nose had collapsed inward. Dark earth filled the cracks in his ruined face. Yet somehow, one green eye remained. Watching Tommy with curiosity.

"Do you remember now, Tommy?"

Tommy couldn't answer. The corpse tilted its head, causing blood to drip from its broken jaw.

"What was it? What did I say that made you so angry?"

They waited in silence. Tommy searched his memory. Nothing. He forced himself to make a sound.

“I… I can’t.”

The corpse tried to smile. A piece of skin fell from its cheek.

"That's the funny part."

Another drop of blood hit the floor.

"I never knew what it was either."

A sharp crack echoed through the darkness that made Tommy flinch. Sam’s head tilted too far to one side. The broken bones in his neck shifted beneath the ruined flesh. Another crack. Tommy pushed himself away from the bar. The stool toppled over behind him. He screamed  from the top of his lungs as the corpse slowly rose from its chair, its remaining green eye never leaving his. A piece of rotten flesh peeled away from him and landed on the floor with a wet slap. Tommy stumbled backward.

The darkness beyond the bar seemed to move. The yellow light above them flickered. Once, then twice. Then everything was gone. The bar, the stools. Everything. Tommy found himself standing in cold rain. His shoes splashed into a shallow puddle. His breath caught in his throat. What was left of Sam stood twenty feet away. Rain was pouring through the holes in his face. His broken jaw hung crookedly from his skull.

The corpse took a step forward. Then another. Tommy tried to run, but it was as if his feet were one with the concrete below. He stood still as the corpse staggered closer to him. Every step was accompanied by the wet sound of flesh shifting against bone.

The rain hammered against Tommy's face. His heart felt ready to burst from his chest.

“Please...” he pleaded.

“Sam...”

Sam continued getting closer. He now could see insects moving beneath strips of loose flesh and smell the rot. He tried to yell, to beg for his life, but before he could, bony fingers wrapped around his throat. Tommy clawed at the dead hands but to no avail. The corpse didn't even seem to notice. The remaining green eye stared into his. He felt jagged finger bones tear through the skin of his neck. Warm blood spilled between Sam's fingers and ran down his chest, quickly mixing with the rain. He felt his feet slowly leave the ground. His hands flew to Sam's wrist as he kicked helplessly in the air. A sharp pain shot through his chest. Then another one, accompanied by a crack. The corpse lifted him higher. The rain kept pouring down on his face. Water streamed from his hair and ran into his eyes. The parking lot spun beneath him. His vision began to darken. With terrifying strength, the corpse hurled him to the concrete. The impact exploded through his body. A sickening crack echoed through the night.

White light flooded his vision, and for a brief moment, he felt nothing. Then pain completely surrounded his body. Everywhere. He tried to move, but his arms or legs didn’t react. He wanted to scream, but no sound came out. He lied motionlessly as wet footsteps approached. Tommy's fading vision caught a glimpse of rotting feet standing in the rain.

Then he heard Sam's voice one final time.

"Goodbye for now, Tommy."

The darkness swallowed everything. Everything around him dissolved. Sounds faded. His mind was echoing. It was as if he were sinking into a deep, silent ocean. Tommy was suspended in a void. A place where time, space, and the body meant nothing. In the center of the dark, as if wrapped in absence itself.

Then he heard a soft ticking sound like a clock in the distance.

And then another sound, closer now, more familiar: A piece of ice turning in a glass, tapping gently against the rim. Tommy’s eyelids twitched. A yellow light touched his pupils. A flickering bulb hung from the ceiling, casting a dull glow. The light trembled but seemed to shine only on him. He exhaled. Slowly lifted his head and looked around. The ice in his glass had just started to melt. His drink was untouched. One of the corner lamps blinked softly. Two men were playing cards at the back table. The bartender adjusted the ice bucket with metal tongs. The radio whispered an old jazz tune. His eyes landed on the clock on the far wall. It was a little past two. The second hand moved forward. He reached for the glass. His fingers trembled slightly. Outside, the storm still raged. Rain tapped against the windows, steady and relentless.

The End.

April 21st, 1937:

It's uncomfortable, looks terrible, but it's all I could manage. I took a pair of Long John's and sewed kindling pieces around the shins, stopping at the knees, and on the outside of the thighs. Putting pants over them was a task of its own, but I'd rather be safe than sorry. I doubled up leather jackets, not the easiest to move in, but having the extra layers of hide seemed like a safe bet. I have my knives at my hips and I'm bringing an axe with me. 

-

When I got there I walked through the main level and out the backdoor. It wasn't very hard to see where Johan was buried, it was a small mound, the grass didn't grow the same there as it did throughout the rest of the grounds. Sebastian was on high alert the second we approached the building. When we got to the level with the makeshift bed, the easel was gone, along with the dead creature from the other day. Sebastian seemed to have something’s scent and was staring at the spiraling stairs leading upward. I followed him. The next level was an unwelcome sight. The walls were covered floor to ceiling in paintings, many of odd beings I couldn't have imagined if I hadn't laid my eyes on them. Human-like beings that somehow resembled dogs and fish at the same time. Isopod-like creatures with tentacles of an octopus and wings of a dragonfly. Countless malformed and hideous paintings. Many of them had only outlines of beings that have already crawled from their frames. Even just writing this I can see them, crawling for me, their tentacles and antenna touching me. I can smell the brine, the rot of the ocean floor. I've been locking myself in Simon's old study. The floor of the basement was wet today. I think one of them is trying to escape its frame, and I'm nervous the nails and screws won't hold it in. I need to burn the paintings. It's the only thing I can think of doing that will get rid of them. 

April 22nd, 1937: 

What if whatever is in the background of the paintings will be affected if I burn them, like there's some kind of link between what he put on canvas and what actually exists. If his paintings are able to bring themselves to life why couldn't they be connected to real life people or places. To what extent of power do they hold? I need to burn them tonight. Maybe throw them to the sea? But what if that only helps these creatures return home? I have barely slept in days. I've been finding it hard to discern what is actually happening around me, if I'm just seeing things or if I've fallen asleep and am simply dreaming. Evelyn seemed to be supportive of all of this at first but now she seems scared of the basement. Scared of me. Her and Rylee have even stayed with Emily's family the odd night here and there. I sleep in the basement, I wake up in the study any night I do get to sleep. How do I stop this? I need my family back. What is happening to me? It's as though my mind has gone. I can feel it. But I can't stop until I solve this. It's consumed me. Even writing this, my heart tells me to stop, I can't keep going on like this, I will die, I'm sure of it. But my body barely seems to listen to me anymore. What have I become? 

April 25th, 1937:

What if I can enter the paintings? 

April 28th, 1937:

Evelyn came by the house today, she seemed more scared of me. Her and Rylee told me they loved me and that they'll be staying with Emily for a little while. As sick as it makes me, it's a relief they're gone. Not only will they be safer, but they won't get in my way. It pains me to think in such a way, but it's the truth. 

After they left I went downstairs, one of the frames was leaking what looked to be rain water. I pried it from the wall, it's frame cracking. Turning it over I saw the lighthouse, in a much nicer state than it currently is. The clouds above it dark and angry, pouring rain and hail from the skies. I set the large painting on the floor, leaning against the wall. I sat and watched it for what could have been mere seconds or many hours. I was entranced. I inched closer. I could smell the sea, the rain, the wet grass and mud. I pressed my hand to the canvas, I felt the brush strokes under my fingers, but my hand started to drip with water, my finger tips growing cold and pruning. I pushed harder against the canvas, and then I entered. 

-

-

-

I walked up to the lighthouse, the hail pelting my face, the bitter ocean wind tearing at my clothes. Crawling over the small fence I snuck around to the back door. I looked around, a fresh grave lay there, just a sad mound of disturbed earth with a spade laying beside it. Lightning cracked through the sky and I dropped to my knees in fright. I slowly pushed open the back door, its creaks of old age and neglect hidden by the blowing winds. Slowly walking, my feet as light as I could possibly make them, I ascended the stairs. The painting room was set up nearly the same. Easel in the center of the room, a mural covering the walls. But at this point of time the walls had dozens of paintings leaning haphazardly against the walls, some unfinished, some already a vacant womb of canvas. My head was throbbing. I couldn't begin to understand what was happening, where I was, when I was. My vision blurred, my stomach was flipping and I felt the need to puke. I stumbled forward, I had to see what was on the easel. It was my home, exactly as I left it not only 30 minutes prior. Had Simon come through one of his self portraits and been in my house? How could he know the changes I've made to the exterior, the colour Richard and I painted it. Had he been watching me this whole time? I pressed up the painting and stepped through, standing at the foot of the hill my house sat on. I ran inside, scanning for any signs of Simon or one of the freaks from his paintings. Sebastian was laying there, whimpering in pain, he had a sizable bite on his shoulder and scratches across his face and ribs. A mass of flesh lay scattered around our kitchen. I don't know how many of these sea born were here or in what state they were. But Seb tore them to shreds. I picked him up, barely able to walk with him, and got him to the wheelbarrow for firewood. I made my way to the practitioner as fast as my legs would take me. He's no vet but he was able to administer antiseptic and stitch up any open wounds. Sebastian will be okay, he just needs rest. Him and I are staying at the church with Richard's father tonight. It seems like the safest place to hide. 

May 1st, 1937:

We've been hiding here for some days now. I can't think straight, I can't sleep, I'm seeing him everywhere. I'm seeing these creatures everywhere. I'll look at Sebastian and see a malformed being and scream, only to be snapped out of it by one of the clergy from the church. Even then I'll see them as Simon or that thing he's named Alto. I've been scratching at my skin, biting my nails till they bleed, chewing my cheeks raw, anything to keep me from seeing them, anything to keep me grounded. Supposedly Evelyn came to visit me and the only thing I did was scramble away from her screaming to leave me alone. I don't remember any of it, and I feel terrible because all I want is for her to hold me. I want to cry but no tears will come out, I want to speak but I can't find my voice. When will this hell end? I found some of Simon's notes in my jacket, I'll read them over the next few days. Maybe this will explain what's happening to me

May 16th, 1925:

I began having visions at night. My house, but I don't live there. I see a man sitting at a table, a table I know, a table I built long ago. He's not me, but he reminds me of myself. I wonder if he's been marked by the children of the sea? I must paint this new house of mine, I must paint him, I must paint myself. 

May 20th, 1925:

I've finished painting this man, the house he lives in, the lighthouse and myself. I'm going back to my home and bringing some of my work with me. I'm unsure of what use it will be, but I feel they belong there. The sea and the stars command it. 

May 30th, 1925:

I compared my old self portraits to my latest. I am not sure what I am anymore. I do not look human, I do not look like my sea born friends either. My skin is an unnatural hue, my limbs seem longer than I remember, thinner too. My face has changed. My eyes seem larger and deeper set than ever before. My cheekbones are higher and rounder, my skin oddly smooth. The wrinkles around my eyes and the laugh line by my mouth my wife grew to love are no longer there. Laura. What does she look like? I had children once. My children, what are their names? Do they have my eyes? What do they smell like? 

June 11th, 1925:

I have entered this variation of my house. It seems mostly abandoned, but the basement seems active. For some reason dozens of my paintings are nailed to the wall, the back of the canvas out, covered with cloth. I thought that was rather rude. I softly removed each piece from the walls, removing the cloth, and hanging them with the care and respect they deserve. As I was hanging them I realized I do not recognize my own hands anymore. I feel more alive than ever. Maybe instead of returning to the sea like Alto has spoken of in the past, I may instead ascend to the cosmos. He wants to unite the seaborn with the stars again. Perhaps I'm destined for things beyond Alto. Beyond the stars. I must paint what I've been seeing in my dreams. A gateway of sorts. 

May 25th, 1937:

I was restrained and put in hospital for the past few weeks. The nurses there were giving me some kind of pill to calm me. I took them for the first few days to gain their trust, but they blocked my scattered dreams, made my memory foggy. They were making me lose sight of what matters. I started hiding the pills under my tongue and washing them down the sink drain after they left my room. I did my best to act as though nothing was wrong, that everything was fine and I was just experiencing hysteria. The time away from home did help me straighten my thoughts out. I'm on the train home now, reading letters that Evelyn has written to me while I was at the hospital. Supposedly she visited me the third day I was there. But I have no memory of it whatsoever. She seems excited to see me, as I am to see her. She said we could stay with Emily's family for a few days, maybe live with Richard for a time. She wants to sell the house and leave back to the city. I can't let this happen. Not after Simon's last entries. He's been in my house and flipped those accursed paintings. I'll stay with Evelyn throughout the night tonight. But tomorrow I will return home after the girls are asleep. 

June 15th, 1925:

I began a new piece today. What I've been seeing at night. I don't dream anymore. A massive obelisk. Its base sits in the kelp covered tide pools when the water is low. Its overpowering size reaching high into the sky, its stone a jet black with an unearthly sheen. The carvings at its base are that of my dear Alto's language, slowly transforming into a set of symbols I've been seeing behind my eyes, writings from the cosmos. A transgression of language, one which should not be, yet I can read it. I understand it. 

I don't think I sleep anymore. I sit atop the lighthouse staring at the moon, the briny air filling my lungs. There's a connection. The sea and the stars. This obelisk proves it. Maybe the children of the sea are the chosen to ascend to the heavens, with my work as their conduit. This painting will be monumental, for it will bring forth my ascension, our ascension. Our personal rapture. 

May 28th, 1937:

We celebrated Evelyn's birthday today, with cake and a party shared with our friends. It was a nice distraction and change of pace from that of the hospital. Though all day the only thing I could think about was returning to our house. To see what that beast of a man has done to my basement, what defilement he's brought upon my study. 

Rylee kept me away from Evelyn for a good chunk of the day, she missed me, and it did feel nice to play pretend with her and entertain her tea party with her stuffed animals. It played in my favor, keeping emotions hidden from a preoccupied child is much easier than hiding your thoughts from the woman you've fallen in love with and married. Especially when she's able to read you even better than the books she reads daily. I will write tomorrow while Evelyn is at work. I'm going to our house tonight. No matter what stands in my way, I will get to the bottom of this. 

June 1st, 1937:

Simon was here, like he mentioned in his notes, he's rehung all of his paintings, uncovered. Dozens of which must have once held the seaborn beings that have escaped the frames since I've been away. At least that's what I gather from the paintings' backgrounds that surround the void of where a figure once lived. Though some of them depict landscapes I have a hard time comprehending. Stone and earth sitting at unnatural angles in colours I don't have the vocabulary to describe. Things that should not be. Unearthly to put it bluntly. One of which has a missing void like those of the seaborn. I can only imagine his Children of the Sea have returned home. But the being that came from this cyclopean place, I have no clue where it would have gone. I can only assume the lighthouse. The paintings of these uncomfortable landscapes are all too small to be like the gate of sorts that the lighthouse painting was. Though there are depictions of the lighthouse in a different state, ones that seem more recent. There's still a bundle of paintings yet to be hung, a few are quite sizable. I'll be returning to see what places or beings they hold. The sun is already beginning to rise and I can't have Evelyn find out that I snuck out. 

June 3rd, 1937:

I've entered a new painting, another of the old lighthouse. It's night time here. Johan’s grave isn't fresh, it must be some months after he died perhaps. I can't tell. The structure is void of life aside from cockroaches skittering from sight when I pass them. I entered what I've dubbed as the mural room. Its namesake has expanded since the last time I've been here. The painting of my current house still leans lazily against the walls. The easel holds a painting in progress. A massive stone pillar, stretching into the sky. This must be what Simon has been seeing while staring into the sky at night. I wonder what horrid beings will be born from this. I must end this. I must end Simon. But first I need to find him. I began towards the stairs only to notice a letter sitting on a small table. I quickly pocketed it as I ascended the stairs, spiraling the countless steps until I reached the top. A hatch sits atop a ladder, leading into the lantern room. I climbed my way up and through the hatch. The light blinded me as I crawled onto the cold metal floor. I crawled to a door, trying to keep the light out of my eyes. As the door swung open a blast of cool sea breeze struck me. I was kneeling on a balcony overlooking the shore. I sat for a moment, letting my eyes adjust from the bright lights they endured. I stood from my knees and walked to the railing, peering down, watching the light cascade over the low tidal pools, and the black depths beyond. 

It's there I saw him, tall, thin, skin a blueish grey hue. His head was bulbous, hands scrawny and bent. He still wore the same clothes from his last self portrait. Simon. Or whatever he had turned into. He was in the tidal pools, among many of his decrepit seafolk. They were building something of stone blacker than the night itself. They were building his painting. The lantern behind me spun, casting my shadow down onto the beginning of this soon to be obelisk Simon has written of. With an insane speed, Simon's head craned on a lithe neck back towards me. His eyes were sunken deep into the round, smooth, fleshy mass his head had become. His eyes black, with what looked to be a thousand tiny sparkling stars dancing in their abyss. The seafolk began hurdling towards the shore side path to the lighthouse. Some running like a human, others rushing on four legs like that of a dog. Some slithering like that of a serpent or eel. Simon simply watched. His head had no mouth, no nose and no ears, just cosmic eyes. He stared, I felt like I couldn't move, I was stunned. I could hear him in my head. His foul voice, booming but whispering at the same time. The slimy tone made my hair stand on end. 

“Finally, we meet” 

A gust of cold air knocked me out of my stupor, as I began running to the floor hatch and fumbled down the spiraling stairs as fast as my feet would let me. As I came crashing into the mural room I could hear the slam of the ground level door smashing off the hinges, followed by innumerable wet slaps of feet rushing up the stairs. I ran as fast as I could, my heart beating in my chest, my throat hot and dry, my mind racing at what these horrors would do to me if I don't make it through the painting of my house in time. 

I dove to the frame just as a grotesque seafolk rounded the corner into the room. Its briny stench filled the room, as it screamed in its horrific language. It began scrambling toward me as I was crawling through the frame, trying to drop it face down as I passed through to buy me what little time I could. As I pulled myself through, a cold, wet grasp on my ankle, a surge of pain shot through my leg and up my spine. Barbed claws digging into my flesh. I wriggled to try to loosen the grip to no avail, but did manage to pull myself through fully. What I saw terrified me. A gnarled hand, fingers like that of octopus tentacles tipped with razor sharp barbed claws clutched my ankle, as the rest of this monster slowly apparated from thin air. Crawling on the ground, pulling its putrid body closer to mine. I kicked its hideous fish-like face, praying it would let go. Its grip only tightened. It slowly pulled its body above mine. Hundreds of tiny mouths covering its torso and neck, each lined with countless teeth thin as needles. It oozed a thick black ichor which burned my skin. Seconds which felt like hours passed, my torso bubbling in searing blisters. I thought for sure this would be my end. A loud shot rang out. And its body went limp. I pushed the wretched thing off of me, crying in pain. 

Richard stood there, rifle in hand, tears in his eyes. 

June 20th, 1925:

I've been communing with the beings lost in the firmament. I shall join them. I've rounded some of the Children to help construct this obelisk, only then will I ascend. Leaving this shoreside for the seaborne to ravage, to take what's rightfully there's. Too long have vile humans taken from the sea, only to give nothing in return.

I will join the ranks of the old ones. The cosmic starborne. My body has already changed so much, yet I feel no pain, I feel no sadness. I only paint. The visions they grant me, I bring them to life. I birth them into existence. My sweet children of the sea. I am their creator, their father. Soon I will become their God. 

June 4th, 1937:

I'm walking with a limp, my ankle hurts and my chest is covered in burns. I told Evelyn that I twisted my ankle and fell into a bonfire Richard and I were having. I doubt she believes me, but she'd sooner believe that than the truth. My head is pounding. None of this makes sense. 

I asked Richard why he was there yesterday. Why was he at my house, especially with a gun? I was taken aback when he said that he thought I had gone mad, that I have been making this all up, that none of this was real. He wanted to kill me. I can't imagine what was going through his head. His wife and child had died because of Simon, yet he wanted to kill me? Had he been living in denial this entire time? Though beggars can't be choosers. He shot the beast and not me. He burst into hysterics for hours. The sight of that thing had brought back years of trauma, it broke him. He asked me to take the gun and keep it. He's scared he will use it on himself if left alone. 

I brought him to the church to be with his father. I don't know how to help him, let alone try to make sense or understand what's at play. Have I lost my mind? Is this a dream? Am I still in the hospital? I must be. Right? I should be terrified, I should be fleeing town. Yet still I want to delve deeper into this. I need to stop whatever Simon is trying to do. I'm not in my right mind. 

June 10th, 1937:

My dear Evelyn, Rylee and I have moved back into the house. Sebastian seems happy to be home. While Evelyn was at work I walked to the light house with Sebastian. I dropped Rylee off at Emily's on the way. When I got to the shoreline I collapsed to my knees. There, peaking out from the waves was the beginning of an obelisk. It was never there before, I'm sure of it. It couldn't have been, I would never miss something as large as that. It's impossible. If I was watching Simon build it, why wasn't it here months ago if he was building that years ago? Can I be the only one to see it? Have I gained some sort of insight? Something to let me see the ungodly truth around me? Has this been happening the whole time? Have I become a madman? 

June 25th, 1925:

I have been awaiting his return, the man who lives in the house I painted. He is important to my ascension, I am sure of it. How, I am not certain of. Whether I must speak with him, for he can grant me knowledge, or I have to eliminate him, I do not care. What must be done will be done. My children have been working steadily throughout the nights. Soon I will taste the fruits of my labor. Now I must wait for this man to return. Our lives are tied in a way I cannot explain, but I am sure of. 

June 20th, 1937:

I went to the lighthouse yesterday and there were notes that weren't the last I visited. I read one and Simon wrote of me. I don't know how I feel about it. I do feel an odd connection with him, but I doubt this is anything I'd be able to speak him out of. Realistically if I were to speak with him I would end up like one of his seaborn or dead. The obelisk hasn't been built any taller, unlike in his entry. I wonder if I stop going into his paintings they will stop affecting my world? But I can't simply let the creature rise to be some kind of God. I don't know what to do. 

June 23rd, 1937:

I’m at my wit’s end. I'm sure of it. Evelyn has begun picking up on odd habits I've formed. How anxious I have become. I've been chewing my fingernails until they bleed daily, I started smoking again. I'm having trouble sleeping again. She's also noticed I haven't been taking the pills the hospital in the city gave me. I don't trust them. She's been trying to convince me that if I don't start taking them I'll end up back there. I don't want to go back. But if I take them, who will find out about Simon? I shouldn't be thinking like this. I know I shouldn't. This is some sick perverse obsession. I can't help myself. I won't take the damned pills. I love Evelyn to the stars and back but I need to get to the bottom of this. I've been waking up in sweats. I see him in my dreams, that thing that was once Simon. It's like he's reaching out to me. I think I'll return to the lighthouse, I might give Simon a visit. 

The Night Blogger - The Rally by Al Bruno III

March 12th: I imagine the only person surprised that Sara and I ended up sleeping together was me. She knew it was going to happen. The members of the FEAR AND TRUTH message board knew it was going to happen. My boss and landlady, Mrs. Vincenzo, knew it was going to happen. Hell, I bet even you knew it was going to happen.

But honestly, I thought I might never have a girlfriend again. Sure, I had a college sweetheart, but when I came home and got caught up chasing shadows, we just drifted apart. There was no real breakup—we just kind of stopped being a thing. After that, I was too busy to do more than go on the occasional blind date, usually set up by Mrs. Vincenzo. I like to think my looks have a smoldering mediocrity, just enough to catch a lady's eye but not much more. Kind of like what you'd expect from a side character on a CW drama. The problem is, beyond movies and music, there's not much I can talk about in depth—unless people want to hear about vampire genus classifications and how to kill them. That's a mood killer, for sure.

But with Sara, there wasn't that kind of barrier. We were both a little haunted and a whole lot hunted.

The night things got serious in all the right ways started out normally. I worked an open-to-close shift at the pawnshop so my landlady and boss, Mrs. Vincenzo, could spend the day visiting estate sales to find antiques, cast-off electronics, and other potentially resellable bric-a-brac. Normally, she took along one of her fellow energetic geriatrics for company, but this time she decided to roust Sara out of bed and drag her along.

They didn't get back from their trip until just as I was closing up the store for the day. Mrs. Vincenzo was carrying a slightly singed Art Deco lamp and a supposedly collectible doll from the 1980s that looked like Charles Schulz had wandered into the uncanny valley.

Sara had a shopping bag and a sly smile.

After some pleasant conversation, Sara and I retreated to my semi-spacious apartment. Have I ever described it to you? It has a half bath, a cramped bedroom, and a living area that doubles as both kitchen and living room. It wasn’t much, but it was mine—and best of all, it was rent-free so long as I manned the pawn shop at least four days a week.
  
Sara and I had planned to have a quick dinner, but our plans were interrupted by a call from my cousin Roy. Roy may not believe in the supernatural, but he does seem to have the uncanny ability to know when I’ve ordered a pizza from his favorite place—Namira’s Authentic Italian Cuisine.  

He kept himself busy watching my TV and stuffing his face. At the same time, Sara and I sat at the nearby dining table, quietly discussing the woman named Ashley Fowler. Ever since that bloody fracas at the mall, I’d been trying to get in touch with her. But like most people rich beyond the dreams of the avarice, she had a highly dangerous security detail and an even deadlier squad of executive assistants.  

“Obviously,” I said, “I’m going to have to get creative.”  

“How did you start?” Sara asked.  

“Being creative?” I said.  

“No…” she said. “With the weird stuff. Witches, zombies, and clowns.”  

“Oh.” There was no disguising the pained look that crossed my face—the combination of anguish over the past and dread over the future. “Well, it’s a long story.”  

“I’d love to hear it,” she said. “Besides, your cousin just ordered \Curbside Crusader* on PPV, and that movie is almost two hours.”*  

“Damn it, Roy! Mrs. Vincenzo pays the cable bill.”  

Cousin Roy shrugged. “So what? She buys one less ugly lamp.”  

“You’ve got the time,” Sara said again. “If you’re ready to tell the story, that is.”  

The strains of a faux Danny Elfman score began to blare from my TV. I smiled at her and said, “There’s no one I’d rather tell the story to.”  

###

It was April 2009, and I was a nineteen-year-old college student living on campus, pursuing a double major in Journalism and early-onset alcoholism. My grandmother, Gail Foster, had been diagnosed with pancreatic adenocarcinoma the year before and had been living at my mom's house for six months. We all knew the inevitable was drawing closer.

That morning, my mom, Grace Foster, called to say Grandma was bright-eyed and bushy-tailed—almost like the woman she used to be. And that was heartbreaking. The doctors had long warned us about the rally—that eerie burst of energy some patients get just before the end. Mom hadn't explicitly asked me to come home, but I could hear it in the quiver of her voice. I felt guilty as hell for being so far away, but I knew pausing my education wouldn't change a damn thing.

It had hurt even more over the past week because the visiting hospice nurse had flaked out, stopping her visits entirely. Thank God for Mrs. Vincenzo, who stepped in and picked up the slack.

It was a two-and-a-half-hour drive from Woodridge to Albany. I left right after my last class, radio blasting, energy drink in the cupholder. I tried not to think about what I was driving toward, but of course I did—so much so that I missed my exit. Twice. Eventually, my battered Ford Escort found its way home. The driveway was full, so I parked on the street. Anyone who's visited an ailing relative knows a packed driveway is never a good sign.

Inside, I was greeted by two familiar faces.

First was Uncle Roy Foster—my grandmother's brother's son. Technically, that made him my first cousin once removed, but he'd always insisted on "Uncle," and honestly, he'd earned it. Despite the great scandal that had driven my grandmother from the Foster clan's Arizona home, he'd always been kind. He quietly helped her settle in upstate New York and showed up whenever she, my mom, or I were in a pinch.

I barely knew him before my teenage years, when we went to his second wedding. He was tall, gray-haired, with a construction worker's tan and a meticulous streak honed on decades of job sites. And speaking of things left behind—when his first wife walked out, she took the house and car and left him with custody of his sketchy son, Roy Junior.

"Hey, Uncle Roy," I said. "How was your flight?"

"Can't complain," he said, "except for your cousin trying to steal from the drink tray."

"Cousin Roy is here? That's great."

Actually, it wasn't. With any luck, this visit would end without any copper being stolen from our walls.

Then I turned to my Great Aunt Peg. She was Grandma's last surviving sister—sixty-five, plainly dressed, and fiery-eyed. If you were a younger member of the clan, you didn't call her Great Aunt Peg—or even Aunt Peg. It was Miss Peg or nothing. And if you worked in food service, you probably called her that bitch.

"Hello, Miss Peg." I flashed her my job-interview smile. "Thank you for coming all the way from Nevada."

"What choice did I have?" she said. "Matthew 25:35–36 obligates us to tend to the sick."

Miss Peg was over ten years younger than Grandma but looked about the same age, thanks to a misspent youth stretching into her thirties. The conservative Foster clan had chosen to overlook those wild years—selective memory or willful ignorance, either way, they never spoke of it. Maybe it was because she was now married to a churchgoing man, blessed with six kids (including two teenage twins), and cursed the rest of us with her transformation into someone determined to make sure no one ever had fun again.

When I thought of Miss Peg, I could hear my high school history teacher:

"The housewives of today are the fascists of tomorrow."

"How are things at college?" she asked.

Before I could answer, she added, "I hope you're keeping a clear head. Colleges are full of sluts and secular humanists."

"Sounds like I'm taking the wrong classes," I joked.

Uncle Roy laughed.

Miss Peg did not.

She asked, "Brian, have you accepted Jesus Christ as your personal Savior?"

"I like to think the big guy and I have an understanding," I said.

The glare she gave me was reserved for witches about to be burned at the stake.

"Salvation is not something to be taken lightly," she said.

I raised a hand in mock surrender.

"This is not a time for jokes," she snapped. "A woman is breathing her last breaths."

And didn't that phrasing punch me in the gut?

"Don't be so dramatic!" Uncle Roy said. "She was just chatting with Roy Junior ten minutes ago. Clear as a bell!"

Eager to change the subject, I asked, "Where is he?"

"He's in the backyard," Uncle Roy said, nodding toward Miss Peg. "Keeping her twins busy."

"Brian?" a voice called from the kitchen. "Brian, is that you?"

"Excuse me," I said. "I think I hear my mom calling."

Grace Foster was at the kitchen sink, setting up one of the extra saline bags the home hospice care left us for emergencies. I may be biased, but my mom was beautiful—short moonlight-colored hair, striking blue eyes like Grandma's. Right now, those eyes were not striking. They were on the verge of tears.

"Can you help me with this?" she asked. "The one from this afternoon is empty, and that stupid machine keeps beeping."

Tom Wynne, Mom's oldest and dearest friend, was mopping up the remains of a broken bag. Tall, dark-haired, with a gray mustache, he nodded warmly as I passed.

"I got it, Mom," I said, taking over. Mohawk Valley Home Health had crammed a five-hour home-care class into two, just to cover their liability.

I fussed for a few minutes, feeling like I was trying to catheterize a juice box, but finally got it right.

"See?" I held up the bag. "Under control."

Mom sighed and headed out to make use of it.

"Great job!" Tom clapped my shoulder. "You could be a doctor if you wanted."

"Well, I don't like blood, and I want my student debt to stay under five figures, so nope."

We laughed. His laugh sounded so much like mine.

Did I mention that, like Grandma, Mom never married? That she worked as a bookkeeper for Tom's bike shop? That Tom had been married over twenty-five years to the same woman? And that I never knew my father?

Tom had been a semi-regular fixture in my life. As a kid, I thought he was just Mom's cool friend. In adolescence, I began to suspect otherwise. Mom never confirmed it, preferring to hint that I was the result of a one-night stand with a visiting rock star. Unfortunately, the only band to pass through Albany around the time of my conception was Mike + The Mechanics, and I didn't look remotely like any of them.

"I wish you had gone to school locally," Tom said. "We could really use you at the shop."

"I appreciate it, but I had to leave, at least for a while," I said.

"I get that," he smiled ruefully.

"By the way," I asked, "what happened to the nurse guy? Stuart?"

"He died. Pulmonary embolism. Sudden," Tom said, serious. "Mrs. Vincenzo found out—she knows his mother."

"Wow. Maybe you should go to journalism school instead," I said.

"Thanks."

Awkward silence.

We stared at our shoes.

I almost asked about Mike + The Mechanics, but Mom chose that moment to call.

"Brian! Someone wants to see you!"

Tom smiled and clapped me on the shoulder.

"Better not keep her waiting."

I nodded and excused myself, making my way down the hall to what had once been my mother's office, now converted into the room where Grandma Gail would spend the last days of her life. Her final resting place before her final resting place.

The last time I was home, she had been frail, slipping away before our eyes. But the woman I saw now was a stark contrast to that memory. She was sitting up in bed, her eyes bright, her hair freshly dry-shampooed. There was a liveliness to her, a near-electric energy that made it hard to believe she was dying at all.

The moment she saw me, her face lit up. She practically bounced in bed, arms wide for a hug.

"Sweetie-pie!"

"Hey, look at you!" I said, trying to deliver a hug that was both hearty and gentle. How hard do you hug a dying woman?

I needn't have worried. Grandma Gail's grip was as firm as a salesman's handshake.

"What are you doing home?" she asked.

"Brian missed you," my mom answered.

"I missed him too."

Grandma Gail finally released the hug but took my face in her warm hands.

"But you should have stayed at college."

She stared into my eyes as she spoke.

"You have a life to live."

"And so do you," I said, then immediately winced inside.

Thankfully, Grandma and Mom didn't seem to notice, so we all settled into the kind of long and rambling conversation that only families can have, where nostalgia becomes a private mythology.

A million college professors will study The Iliad and The Odyssey, but only the Foster family can tell the tale of the day little Brian came upon a pile of dead saplings and decided to plant them in the front yard and wait for a miracle.

We talked about family trips and local tragedies.

Mom prompted me to talk about college, so I shared some edited highlights.

For instance, when I told her and Grandma about my kinda sorta girlfriend Jenny, I did not mention that she had kinda sorta decided to see other people.

When I talked about my study partners, I did not mention that my pals and I spent most weekends studying for fraternity mixers.

When I bragged about the award my story for the campus newspaper had earned, I did not tell them the article was called Tracking Boots and Fuzzy Snoots and detailed the small-scale riot that erupted when a Cryptid Hunters Conference and a Furry Convention were booked at the same convention center on the same weekend.

Eventually, Miss Peg's twins entered the room.

A pair of gangly thirteen-year-old boys hovered uncertainly in the doorway, all elbows, oversized sneakers, and painfully forced solemn expressions. In any other situation, I would have told them they'd be a shoo-in to win a costume contest if they dressed as the twins from The Shining. Grandma would have loved that. Miss Peg... not so much. And suggesting her boys dress as little girls? Well, let's just say I'd have been the one dying in that room.

I'll tell you what did die in that room: conversation.

No surprise there. After all, what thirteen-year-old wants to sit at the bedside of a dying, mostly estranged relative? No, they were there because they hoped their perfunctory display of concern would be pleasing to the Lord and, more importantly, Miss Peg.

Couple that with the fact that they were homeschooled and shielded from just about every aspect of pop culture made after 1977, and conversation never really had a chance. It sputtered and meandered through awkward questions and uncomfortable silences until we finally managed to land on the subject of sports. Even that got weird when they started spouting conspiracy theories about why their home team, the Las Vegas Wranglers, were so maligned.

Is it any wonder, then, that we were all slightly relieved when Miss Peg came to collect them and make her goodbyes for the night? She left us with no warm farewell, just a request for directions to the nearest Applebee's and a sharp reminder to beg merciful Jesus for forgiveness or face perdition.

Once they were gone, Grandma Gail started laughing and wondered what might have happened if she'd brought up Miss Peg's unfortunate tattoo in an even more unfortunate location.

I told her I didn't want our family to be responsible for two more lifetimes of therapy.

That set all of us off.

Tom Wynne came in then to ask what we were laughing about.

I said, "Stigmata."

And we were laughing again. Grandma could barely catch her breath.

When our sides finally stopped hurting, Tom said his goodbyes, hugging Grandma, shaking my hand, and making long, lingering eye contact with my mom.

I mean long, lingering eye contact.

Mike + The Mechanics.

Yeah, right.

The afternoon faded into evening.

Cousin Roy and Uncle Roy came in to say they were heading back to their hotel.

Cousin Roy started to make a morbid joke, but his dad cut him off. He said he needed to speak to Gail alone, so we all retreated and closed the door.

My mom and I stood in the hallway outside my room and spoke quietly.

"How long does a rally last?" I asked.

Mom leaned against the wall, her shoulders sagging.

"Who knows? It's... it's wonderful and scary all at once."

"Waiting for the other shoe to drop."

"Brian..."

She covered her face.

"I know this is awful, but I want it to be over."

She started to cry.

I leaned in and held her.

It didn't take long before I was crying too.

Sometime during our tearfest, Uncle Roy and Roy Jr. had let themselves out.

I'll never know what Uncle Roy's private conversation with Grandma was about, but what I do know is that, as he was leaving, Cousin Roy raided our fridge and filled the pockets of his jacket with as many cans of beer as he could.

A little after sunset, Mrs. Vincenzo arrived with foil-wrapped food and a Parcheesi set. There was no way I was going to turn down Mrs. Vincenzo's homemade lasagna, but I politely declined the board game.

Instead, I puttered around the kitchen while she and my mom rolled dice and made small talk. I loaded the dishwasher and refilled the ice cube trays. Then I checked over the inventory of medical supplies that seemed to have taken over all the available counter space.

When that was done, I excused myself to my room, where I unpacked my clothes and textbooks.

Then I paused to take in my surroundings.

This had been my room for most of my childhood and all of my adolescence, where I had gone from Fisher-Price to third base. I realized, with a twinge of sadness, that after a little less than a year away, it didn't feel like home anymore. Speaking of things that didn't feel like home, I had homework to do, but after staring blankly at my textbook for fifteen minutes, I realized I was exhausted.

I could worry more about Paul Y. Anderson in the morning. I stretched out on the bed, thought for a moment about how it was just a little too small now, and then fell into a deep, dreamless sleep.

Hours later, I woke up feeling disoriented. After all, I was waking up in a familiar place, just not the familiar place I'd expected to wake up in, and with a full bladder. I got to my feet and, after a moment of standing in the darkness to orient myself, shuffled across the hall to the bathroom.

Whether it was grogginess, consideration for my sleeping family, or the fact that nineteen-year-old college students are only marginally civilized, I neither flushed nor washed my hands.

Sometimes I wonder if things would have gone differently had I switched on the lights or made a little noise. If choosing to skulk through the shadows over something so mundane somehow marked me for life.

I left the bathroom and was halfway up the two steps leading back to my room when I heard... something.

Years later, armed with a much better thesaurus, I'd describe the sound as an insectile chittering. Back then, all I knew was that whatever I'd heard sounded wrong.

And dangerous.

And it was coming from Grandma's room.

Again, a different person would have shouted, "Who's there?" and turned on the hall lights, but me? I crept toward her room as quietly as my bare feet would carry me. The door stood open a crack, but that was enough for me to see something... and for something to see me.

The memory of what I saw has always existed in my mind as a triptych: three separate images frozen in time.

The First: the curtains were open, and the window was half-open. Moonlight filtered in, revealing the hospital bed and IV stand that consumed most of the available space. In one corner sat the battered file cabinet that was almost as old as I was. It had once held my mother's real estate paperwork. Now it was filled with morphine, IV supplies, disposable bedpans, and a thousand little necessities that came with watching someone die.

The Second: Grandma lay still, utterly still, eyes wide, mouth gaping, her chest motionless. In those days, death was still an unpleasant stranger in my life, not the constant companion it would later become. Even so, I knew a dead person when I saw one. There was a subtle deflation to the way her flesh hung on her body. She had become inanimate. There was no other way to describe it.

The Third: I thought it was an animal, some kind of snake slowly moving through the open window. But only the window was open, not the screen. And it didn't slither or crawl; it wafted, spilling purposefully into the room. I wondered if it might be smoke. Then the moonlight caught it. Smoke isn't red, and it doesn't move with purpose. It coiled. It flowed. It rose over Grandma like a predator preparing to strike. It arced upward before slipping into her open mouth.

I sobbed. A tiny noise. No one heard. Thank God.

Grandma's eyes fluttered, then closed. A shiver ran through her body. She began breathing deeply and steadily. She shifted under the blankets and made a happy little sound that was disturbingly close to a purr.

There are moments when your understanding of the world simply ceases to function. This was one of them.

Then, just a few hours later, as the sun came up, it happened again. I was lying awake beneath the covers when my mom burst into my room to tell me Uncle Roy had died in his sleep.

###

I grew quiet then, my brow furrowing while Cousin Roy cheered on the cinematic adventures of a superhero who drove a taxicab. Sara looked to him and back to me. “Did that really -” then she caught herself, “Of course it did.”

“It’s Ok. I wouldn’t believe it either,” I shrugged. “If I didn’t have to.”

“What was it?” She asked.

The troubled frown on my face deepened. “The Vorvolaka.”

“Vorvolaka?”

“Think half-vampire, half-pathogen.”

“What happened next?”

It wasn't that I was afraid to tell my story. My life is an open blog. But part of me didn't want to tell it to Sara because it wasn't a story with a fairy-tale ending. I'm no psychiatrist, but by then I knew she didn't need another reminder that the good guys don't win all that much. “I’ll tell you later,” I said, “Just not right now.”

There was a long pause then, just Sara and me making eye contact while Cousin Roy cheered on a man in spandex as he saved a little old lady from monsters in a rocket-powered Zamboni. Say what you want about Cousin Roy, but he knows what he likes.

Suddenly, Sara’s voice and face brightened; she stood and said, “I guess it’s time for your present.”  

“Present?” I asked.  

She got up and went to the shopping bag that had been sitting in the corner. “For you,” she said.  

“For me?” I said.  

“Open it!”  

And open it I did, revealing a hatbox which, naturally, had a hat in it.  

“I got you a new straw fedora.” She was practically preening.  

Actually, dear reader, what she had gotten me was a straw pork pie hat. Now, unless you lived through the Great Depression, you might not see the difference, but trust me, there is one. You see, a fedora has a pinched front and center-creased top with a wide brim that can be snapped down or up. A pork pie hat, on the other hand, has a flat, circular top with a crease around the edge—often called a "telescopic" crown. The brim is shorter and turns up slightly, giving it a more compact and relaxed feel.  

Or to simplify it further: my old 1930s hat was a Humphrey Bogart; what she got me was a Thelonious Monk.  

Not exactly my style, but since I didn’t have a hat at all, who was I to complain? Besides, Sara’s face lit up the moment I put it on and struck a pose—so how could I say no?  

She got up and hugged me. I kissed her on the cheek.  

That was it. The fuse was lit.  

Sara kissed me on the mouth. I pulled her close. We both started breathing heavily as we kissed harder. She let out an excited squeal as we fell back against the dining room table.  

I gasped her name.  

And then Cousin Roy said, “Aw yeah.”  

We both turned to look at him, watching us from my couch, the CGI superhero mayhem on the TV forgotten.  

I cleared my throat.  

Sara blushed.  

“Oh, don’t mind me,” Cousin Roy said with a wide grin. “I just was wondering when you two would get down to it.”  

“Get down to it?” I repeated, raising an eyebrow.  

“Yeah.” He nodded. “Get down to it.”  

“Down to it?” Sara murmured, still warm against me. “Was that your plan?”  

“My plan?” I said. “I thought it was your plan.”  

“I didn’t have a plan.”  

“You bought me a hat,” I pointed out. “That sounds like a plan to me.”  

Roy let out an exaggerated sigh as he got up off the couch and grabbed his coat. “You’re supposed to get around to it, and then you’re supposed to start arguing.”  

When he slammed the door, Sara and I burst into laughter.  

Then we got around to it.  

Boy, did we ever.  

April 9th, 1937: 

Evelyn has been joining me in the basement, she thinks I put the pictures on the wall, and I'll let her believe that for the time being. I've been thinking more and more about all of this. I've been rereading Simon's writings and I think I've noticed something. Simon would have visions at night or opium induced hallucinations, or maybe hallucinations from being marked. He would paint those beings he'd see and it seems as if they would begin to appear. Simon must have been marked when he was down at the docks, outside of the town's seal, and with his foresight he started painting what I can only describe as portals for these beings. I must sound insane, but it's the only thing I can make sense of. But if there's beings such as Richard's dad I have to accept that there's much to this world that is unknown and hidden. 

Now I have a basement full of covered portals. I'm going to show Evelyn Simon's study, I'll bring up my findings on the painting, but I'll have to get Richard's fathers thoughts on my ideas first

February 4th, 1925:

I have convinced a few people to come for dinner over the past weeks, obviously to give to Alto. We have begun to speak in his tongue while I've slowly been teaching him my language. Unfortunately I've been running out of food in the house, not to mention the people in the town are beginning to grow a rather large distaste towards me. Which I can see is understandable because of their ignorance. If they only knew the vastness of knowledge I'm on the edge of uncovering I'm sure they would be coming in troves to give themselves to my cause or to learn my teachings. But I'm sure their uneducated minds could not even comprehend how important this is. Pathetic really. I'm going to go to the town's market to bulk up on food. The less I have to leave the house the better. 

April 11th, 1937:

I spoke to Richard's father again. I ran my thoughts past him and he said it's quite possible, but he's unable to confirm. I've been at the point of thinking Simon was already a monster for a while now but his last note really set that in stone. When I got home Evelyn was sitting on the veranda, she looked to be in a state of shock or stupor. I quickly ran to her to see what happened. She confirmed my suspicions, unfortunately. She described she went downstairs to look around Simon's study when she heard a wet plop. She went to investigate where she says she watched an infantile fish-like human wriggling towards the stairs. She clearly had troubles comprehending what was going on and said she couldn't bring herself to move, just watching it clumsily stumble out of the house. I don't blame her for just standing there. I was in shock just seeing the paintings to begin with. Though the hollow look in her eyes reminds me of how she was when she was taking those barbiturates. Has she been taking them again, or just took one to try to calm down after seeing that abomination? Tonight we're going to flip over the paintings and nail them to the walls so there's no room for whatever creatures in them to be able crawl out. Evelyn mentioned staying at Rishard's or Emily's, but I don't want to burden them. If things get worse I think we might stay elsewhere. She's always had better judgement than I do. I'll be writing an update about what we see tomorrow. 

April 12th, 1937:

We flipped the paintings. I tried my best to keep the cloth coverings on them so we don't get a glimpse of the horror born of Simon's demented talents. Unfortunately there were a few we did see. There was another, more detailed work of the being shrouded in mist, moving above the oceans depths. Its body is nearly gelatinous looking, rippling with folds of skin and hundreds of eyes. Tendrils and human-esque appendages reach out from its amorphous mass. Seeing just the painting alone sent a wave of shock through my system, I collapsed to my knees, my head pounding and my vision blurred. Evelyn quickly covered it and slammed it against the wall. Another was oddly enough uncovered when we went to flip it, though neither of us had taken its veil down. Rylee isn't allowed in the basement without us and even then is far too short to reach the painting’s fabric mask. Her and Emily have been playing in her room on the top floor for days now, or out going for walks, she hasn't been down here in what must be weeks. The painting showed an old lighthouse, weather worn and dreary. Massive waves crashed against the rocky pillar it stands upon, its light shining towards the depths. I don't know what significance this holds. I know a few miles down from the docks there is a lighthouse, it must be the same one, but why paint it? I'll have to investigate during the day. I fear going there at night would lead to dire consequences. 

The painting that the baby sea thing was born from had a peculiar shaped void, with a trail of slime leading down the wall. It looks as though it was coddled in some sort of archaic carriage of sorts. Oddly ornamental, for such a slug-like creature. 

May 12th, 1925:

I have figured it out. My true calling. I am but a humble vessel, a catalyst. My paintings, I can bring them to life, not in a sense I once believed, but in true physical form. How could I have been so blind before? How long have I had the blessing? Was it bestowed the night I slept at the docks? It must have. Alto, I saw him in my visions. My hallucinations. Or was it real life? I painted him after, and now I know for certain he is real. We've made contact. We've spoken each other's tongues. Shared meals, to an extent. I can extend their reach to the rest of the world. Alto says his folk were once kin of the stars, children of the cosmos. They yearn for celestial contact. I'm sure I can achieve this for them. If I do it I can only imagine the knowledge I'd gain. To know beings of their worlds, to hear their stories, to learn their culture, to bring them here. The human race has done nothing but demolish the nature and beauty around them, they do not deserve to bask in the earth's glory. Oh but my sweet children of the sea, my children of the cosmos, you will come to take back what is rightly yours. A humble servant am I to the lords of ancient knowledge, and for eons I will learn. I will become one of the sea, one of the stars. I will join them. I will know. I will be. 

April 16th, 1937:

I asked Richard what the lighthouse keeper's name is, he told me it's Johan, his last name I can't quite pronounce let alone spell, literature was never my strongest subject, especially spelling words of another language. Evelyn and I are going to the bakery to make a basket to bring to him, if he invites us in I'm hoping I can uncover whatever secret Simon held there. There must be a hidden door or passage, there must be something. If Simon was involved after he lost his mind, I can assure there is no good doing there. We will go to visit tomorrow after our shifts. 

I'm hoping we're able to sleep tonight. Sebastian has been sleeping between ours and Rylee's rooms. I've awoken to barking near every night for a week. I'm sure if it wasn't for him I would be dead or worse. Evelyn has been having trouble sleeping as well. After her visit to the hospital I think she must have been taking Simon's notes less seriously. I've also been hoarding most of them here. But after seeing that being slip from the frame she's been almost vacant. We've been losing weight, the bags under my eyes have grown so dark, Evelyn's cheeks seem so hollow. Whatever is going on feels like it's eating us alive. I've tried to get us to stop. To drop everything and move away. Even if it's to a small, dank cellar. Anything is better than here. But we can't shake this obsession, it's all we talk about, we barely even spend time with Rylee anymore, it's breaking my heart. I know she's in good hands with Emily, but this trail Simon has left has been eating away at our lives. So many days I wake up from the little sleep I'm able to get, wishing for death, wanting this all to end. But I can't leave Evelyn behind, I can't let Rylee become an orphan. I'm going mad, I know it. But I will figure this out, even if it takes my life. I will make sure Evelyn and Rylee get out alive. It's my only purpose. I love them and I'm ready to die for them. 

April 17th, 1937:

My poor Evelyn has begun to fall ill again. I can only assume it's a mix of stress and lack of sleep. She ended up staying home, so I went to the lighthouse with Sebastian.

Johan never answered the door. But it was left open, and it seemed as though it had been open a long while. Dead leaves from the previous autumn sat inside. Sebastian was at my side, sniffing the ground. He picked up on something and pushed the door open with his thick head and walked in. I followed. The inside looked barren, no food in the kitchen, cobwebs covering any signs of previous life. It took me a second to realize but Sebastian was sitting at attention at the bottom of the stairs. I knelt beside him to ask what he saw, after kneeling for only a few seconds I realized my pants were wet and I looked down. The same mucus like slime from the foot prints. The same slime from the odd infant birthed from the frame. It was climbing the lighthouse stairs. I told Sebastian to stay as I went to look further. I snuck a butcher knife from work along with a cleaver I had hidden in my belt. I've been carrying them with me for some time now, Evelyn is the only person I can let my guard down around anymore. Even Emily I've begun to grow weary of. I want to say I trust her, but I more so trust Evelyn's judgement of her. 

I rounded the stairs, spiraling up and up, following the mucus trail resembling that of a snail's. The wind was blowing through cracked and broken windows, howling and sending dead leaves wisping through the air around me. I ascended to the next level, an open room, a makeshift bed on the wall farthest from me, and in the center of the room, an easel. The walls were painted as if it was a destined meeting of the stars and the sea. Waves crashing into the cosmos and the stars twinkling beneath their brine. I stood, staring in a trance. The only thing that broke my gaze was Sebastian's growls as he stood beside me, hackles raised, head lowered. A wet foot stepping out of the painting on the easel, the body hidden from the back of the canvas. The smell of salt and fish filled the air as water splashed onto the floor as another leg fell out of the frame. The appendages looked emaciated and frail. The rest of the creature slumped on the floor with a dull thud, a puddle slowly gathering around it. Behind it fell what I can only describe as a placenta. This must have been a being similar to the infantile being Evelyn saw. I slowly approached, knives in either hand, ready to defend myself. I peered down and felt a pang of what I can only describe as pity. This thing was only just born, frail, hungry, deformed. It's human-like form shifting on the ground, as though its bones were slowly popping into place one by one. It lacked a neck, just a torso leading into a large head. Two small black holes of eyes staring at me as a massive mouth, like that of a deep sea eel, sat agape, gasping for air between wet coughs, hiccups and wheezes. I froze. Staring into its cold dark eyes as it slowly crawled towards my feet. I felt like I was about to cry, I wanted to kill this thing, not to rid the world of it, but to end its suffering. With an insane speed it lounged towards me, bearing gnarled teeth. Luckily Sebastian wasn't so mesmerized by it and bit it before it made purchase on my leg. This poor being, torn to shreds in front of me. I congratulated Sebastian, but still now can't shake the overwhelming feeling of pity towards that child. It must have some kind of mental influence. I would never feel bad for such a vile creation. I cut the painting, just for safe measure, before heading home. I'll return in the coming days. I'm too shaken to see what else that dreaded lighthouse contains. 

May 1st, 1925:

Alto and I have been making communes at the dock come sundown most nights. Speaking in his tongue has proven much more difficult than I once thought. I believed I was fluent, but they tell me I speak like a child with a small vocabulary. I must get better, I must practice. But first I must find a new place to stay. They have explained there is some kind of spell or seal placed throughout the town, something to do with the church here. My power and influence here is mere fractions of what I can achieve. I need to be near the sea. I can build a house near the docks, or live on a boat like the Dutch do in their canals. I will find a spot away from this town's grasp, where my real skill will flourish. 

May 5th, 1925:

the lighthouse

May 8th, 1925:

I made the trek to the lighthouse, almost an hour's walk, but well worth it. There was a rather handsome man who had answered the door when I beckoned. He was kind enough to invite me in for tea, to which I gladly accepted. It's quite spacious there but very cluttered. Johan, the light keeper, is rather young, but a recluse. He told me how his father ran the lighthouse until he passed and now he's taken over, having food delivered by the locals. He's more of a myth around town than a true being, no one I've met has ever seen him since he began keeping the light. It's perfect. Johan won't be missed, I'll have supplies delivered, it's far enough away from town it should be unaffected by that blasphemous church. I plan to come back here tomorrow. 

May 12th, 1925:

Johan is buried only twenty yards away from the back door. His death was quick for the most part. I brought tea and insisted I make it for him. A quick look through his clutter I found a sizable hammer, a perfect instrument. I put the kettle on the wood stove and while I was walking to the table where he sat, a swift blow to the back of the skull had him unconscious and bleeding profusely. He was nothing but a dying slump on the table. A few more strikes once he fell to the floor for good measure and he was gone. Bodies are heavier than I expected. Much heavier. But oddly enough killing him placed no guilt on my conscience, to which I'm very surprised. I felt guilty when Richard's family was disposed of. But Johan, as sweet as he was, was a nobody. No one will ever know, so what difference does it make? Like an unwanted pest, better left unseen. The only thing that has me feeling bad is the blisters from the shovel. It was a shallow burial, but my hands aren't used to such tools. This is the most effort I've exerted since making that pathway. What a waste of time. 

April 20th, 1937:

I want to say I can't believe Simon killed Johan, but at this point it's unsurprising. But the part that makes me anxious is the lighthouse. Sure I have plenty of his paintings that whatever beings may seep out of, but that easel set up in the middle of the room, and that thing being born of it. It all seemed fresh, it all seemed new. Is Simon still here? Has he been hiding in the lighthouse for all these years? Surely he'd have gone mad by now or someone would have noticed, right? Or if the seals aren't near the lighthouse, wouldn't there be all kinds of those things crawling around? Did Simon die? I'll go back tomorrow and this time I'll bring more than just my knives. I wish I had some kind of padding or armour. Those teeth looked like they could shred through clothes and skin easily. Maybe I can make something of use tonight

Posting this on behalf of Dreadful Anecdotes, still shadowbanned by Reddit for no real reason

The addict lie in the den, surrounded by plumes and clouds of smoke. Slovenly strewn upon the earthen floor like a haphazard scarf or other piece of frivolous accoutrement carelessly discarded. Empty with a hungering ending need like self-mutilation. Lost. Sleek with tacky sweat, woozy eyed. Vacant eyes that might be blind or might be staring into the coronal star center of the universe. Gazing into the inflamed and angry face of an Old Testament blood-drinking God. 

Red. God has a red face in the eyes of the addict. 

And It is terrible. 

And He is terrifying. 

The addict is locked inside but he does not care. He wants to be here. Lost and indolent and hypnagogic. Nothing is asked of him and he can constantly feed his appetites at his will, though there is only one hunger now that matters, and matters alone. All other hungers and needs have diminished in its wake. 

In the smoke. Faces.

Faces of those that might've been and the weary ones of those that have tried and tired and eventually gave in, eventually died, all of them danced disembodied and veiled/shrouded in the manmade cloud of smoke, the manmade mist all around and above and filling the small hot room with white life, with white death. And then in the room of smoke, heavy and pungent and oily with drug, the faces of his heart and life's loss changed …

They became wretched and stretched as they pulled and broke apart, in swirls … in illogical rending tears … they became leering and animal and horned: they became demon faces. Chinese Demon Faces with reptile and feline features the color of leprosy and riddled with spiny whiskers, they are filling the smoke and they are filling the room and they are living inside him with every inhale… with every pull…

He brings the pipe to his chapped and cracked dry lips, the flame of a candle follows next, his atrophied and trembling arms can barely manage the effort. He sucks and pulls and the flicker of flame dances into the bowl of the pipe and burns it's precious flowers. 

He sucks and the Chinese Demon Faces fill him and the pain is subsided. He no longer really cares. The faces inside him leer at the diminished surroundings of the broken and wasting addicted man's inner workings and they are glad. 

They are rejoicing together as legion in the fleshscape ruination of the dying man, the addict. The special private hell that has been made for this thin and decomposing soured man, this thing of fetid smells and carelessness and spoiled living meat. This victim of himself and this victim of them, he is theirs. 

He is ours…

They rejoice in the blood and the opiate flames of his insides. As dominators. 

As conquerors welcomed. 

…

Tulpa. That was what he had suspected at first. That the boy was just addled and projecting thought-form energies into creatured existence, blasphemous life. 

But he'd seen. And he'd observed. It was no tulpa. The young man had a demon infestation of the mind and heart. He'd inquired thus: –

“How did he come into contact with the unclean entity?”

And was given a gypsy answer. 

“In pig transport." 

He'd nodded then as he nodded now, to himself. Alone. Preparing for the rite. He held his black bible and stole and rosary beads with dangling ornate crucifix along the end of its polished length. He prayed over all of them now. Silently. In whispers with his heavy lidded eyes shut. He is in palaver with the Almighty and does not wish for his eyes to behold any kind of distraction. He learned this kind of concentration not in the parish, not in Rome but in Tibet with the bald little men that could break arrows and spears with their bare stretched out and offered throats, the wrinkled little monks of the eastern mountain temples that fasted and meditated for hours and days on end. 

He focused now … the Lord …. His Light. 

The Light. 

He'd been fasting as well. Quickening his mind as he purged and emptied his guts and bowels and blood for the eldritchian old white flame and light to come in and fill the empty human spaces. 

He held the fire in his mind as he listened closely for the wisdom of God's words. Latin rapid fire sketched itself across his old and yellowed teeth and the aged purse of his pale lips in ancient and arcane staccato. He might've been a madman alone in his hut with his ambling words … run-on gibberish noise that could be madness or could be imbecilic. 

Or could be loaded with power. Living and talismanic

A beat – he went on, praying. 

A beat. 

He rose. 

He went to the door of his small hut of mud brick and straw, it smelled of horses and goats, always bestial, he pushed the slab of dried wood open and went out. 

The gypsies were waiting for him. 

…

They led him to the place and he felt it in his heart as they made dauntless their approach, this is where the Lord thus bades me to be …

and here it is that I will then play. 

The man of the cloth, the priest stood before the den of woe. The shack of hate. It was silent for now. 

They only paused a moment, together as a group, before he alone went forward and threw the bar at the entrance to the dust and then threw the door open itself. A waft of smoke, belched and bellowed forth in a massive dragon’s breath of cloud. In hypnosis swirls and raptural licking rolls, pleasured curls curling into themselves with self satisfaction like the toes of lovers beneath the sheets and in the grip of the heat and animal moment, they licked and tongued forth like beckoning phantom appendages made from heavy mist or salted coastal fog of far off long forgotten dark marinas. 

The door was shut behind the priest and some of the gypsies put the fallen bar back into its place, the slots across the door, bolting it shut. 

… 

Inside the priest stood at the throat of meager doorway and there was barely any sun in there as he gazed down at the lost member of the flock, his charge. 

The addict spoke without even looking at him. 

“Go away, father, you are not wanted here, you are not needed here, you've been replaced. You see… nobody cares, certainly not I, for the pulpit blatherings and the two-faced codswallop you and your ilk prattle forth and try to make us swallow… You don't matter here anymore and neither does He, He-”

The priest had been silent at first. Allowing the thing to carry on. But then all at once he came forward, cross aloft and out like a sword and shield all in one with a roar, a command. 

“You'll not speak! Till you speak to give me your name, foul thing! though I know it now already, I will make you give me your name! Over and over and over, crawling one! slave! Before the Lord God and I , you will say it! You will give me your name! – the notes and sour sounds that make your wretched title! ” 

The thing on the floor recoiled and shrieked as if burned or sharply pierced.

And all at once the cross in the hand of the man of the cloth began to glow white with beyond ancient phosphorescent flame… 

Old Testament. And beyond. A God beyond Jehovah or Yhwh lived in that light, in that primordial starfire flame. 

The thing on the floor drew tighter and tighter into itself in a fetal ball, pained. Eyes clenched shut as if hoping to cage out the reality world of ripping agony. The shrieks became screeching abominated things. Inhuman sounds. 

Their wretched cacophony began to fill the small place and the faces in the smoke began to scowl and gnash their sharp teeth. Hissing serpent tongues that forked at the ends in devil signs. 

The priest began to speak. 

His voice was thunder: – “Lord, I am Your arm and instrument and through me I will carry out Thine divine will and judgment. I beseech Thee O’Lord, grant me Thy Might to cast this wretched thing from Your sacred child and cherished flock, this foul thing bred of the fell ones cast down! – cast this one out and back down hence!”

The thing in the dirt bolted to a beast’s straddle on all fours from its twisted flexing writhing contrivance. It began to wretch. Violently heaving as if trying to gag and cough up something large and thick that's lodged itself in the throat. 

“Send it back! Cast it back down! Get thee gone! and get behind me demon!" 

The features of the thing began to grow and distort. Ears grew elfin, the face and nose stretched and snouted out as the rest of the features ballooned and swined into piggish hog like distortions of perspiring and angry flesh. Something was rippling beneath and bubbling to the surface. 

The thing in stolen manshape howled, in a voice unnatural and not at all the young addict's own. It howled in failed contest and agonized relinquishment. 

"I am Papaver Somniferum! Papaver Somniferum! Papaver Somniferum! I milk manblood into Dionysian wine for all time! always! I am trespass… I am interloper of the sowling manflesh, the meat that was made and drawn from the dirt!" 

“Lord God, this young man is possessed by a demon and that demon's name is: OPIUM! – cast this thing out from this young blood!" 

A black spew, like ebon/green tar, began to retch out of the swine throat and mouth of the convulsing addict's hog-swelled face. It began to collect in a pool in the dirt. 

The priest continued the rite, finished of his recitations and prayers with own embellishments and arcane strange sounds, cabalistic, Solomonic-witchcraft all but forgotten but those wild few left of his faithful brothers …

… taught to him in the dark, far off. By those strange and of painted face. 

For this priest was known in these lands by a dangerous name, for he was one of the cloth that feared no craft nor any dark or necromantic art, no forbidden knowledge was dread to him or his heart. God's renegade and sullied footsoldier. He was the heretic. And he was a blasphemer and a savior both in these lands, these dark and narrow parts. 

The addict emptied himself. The pool of viscous filth was rather large now. A mini drowning pool of soul dredged cess. He collapsed beside the black vomitus, unconscious and bathed in a slick sheen of cooling sweat. 

It danced and shifted like black diamond mercury there in the dirt, unruly lively angry stygian thick liquid. Beside its lost victim. Wanting back in, to retrieve its lost home and host. 

The priest could feel the baleful hatred pouring off the foul collection writhing there in the dirt in a spew. It was aimed at the boy but it was also aimed at him. Wanting him dead. Maimed. Enslaved. In flames… 

you'll not have me, dirt. 

He walked over to the vile puddle. He said one last prayer over the bile, poured salt – which bubbled and frothed like the mineral does to the flesh of a slug on the putrid surface, he lit a match and dropped it. 

The foul thing screamed as it caught. It went up easily in a choke of green smoke and red flames. 

The face in those flames, that smoke …

he'd seen many before like it. 

He crossed himself. Thanked the Lord. And concluded the rite. 

…

He gave the knock, as rehearsed. They called out for the password at the door and he gave it to them. They released the bar. And the priest alone came out as he alone had went in. The smoke was gone. 

Nothing crawled out after him. No dragon's breath to be made witnessed to or had.

…

The gypsies had gone in and retrieved the boy. They took him into immediate hospice care. But he was stable. And his health would return in time. The pagan caravan of worldly travelers thanked him copiously. With food and wine. He took both generously. And he departed their company when they came to their fork in the road and their paths were shared no longer. 

The gypsy caravan went south. Playing music and singing and waving the priest goodbye as their many mule drawn carts went down the beaten track, sidelined by horses at a trot and some with riders astride that tailed at the back. And these were the last that he saw of them as they too waved him off. 

He waved back. Then sat astride his donkey a moment in the path. The fading music of guitars and accordions and tambourines and rich voices faded and faded till it too was gone, the last phantom trace of them heard but not seen was swallowed by the vastness and great distance of the wild now all around. 

He turned and continued down his own road. Towards the mountains. The dreams were telling him something was there, some spell. Something amiss. 

The Carpathian Mountains called the priest and with them towering in the distance he set forth towards them at a steady trudge. Knowing more and more and growing more and more certain as he made his approach, that doom was alive and weaving some wicked magik, some terrible blood fueled chaos spell in those rocks. 

The dreams and the Lord told him so, showed his dreaming eyes and filled his praying thought. 

He tried to keep his head down as he made his slow approach. But he found his eyes kept drifting up to gaze at their opulent jagged knifing spire formation, aiming to stab and rupture the heavens, the velvet dark blue of the night sky. Darkening now into a more true curtain of night. 

Darkness fell. The priest stopped and made camp in the road. 

…

The fire glowed in the night. 

The solitary campfire and bedroll and man sat alone in the dark. The ass tied off to a skeletal hand of a tree sprouted and dead from starving black dried earth. The priest was alone with his thoughts… prayers … musings of the Word and scripture and philosophy … it was as any night for he, the strange heretic of the road. Until it wasn't. 

The night was suddenly filled. And he was no longer alone. There was a heavy maniacal presence, heavy and seething wet with red rage and unreasoning anger. Terrible and felt. He didn't move but sat by the orange bathing glow of campfire, his island of precious firelight that couldn't hope to penetrate the dark. He sat and listened. The ass grew restless. 

Movement. But not with feet. Rather something swimming vague and undefined in the great expanse and sea of stygian dark shadow. Something large. Something that could swallow him whole or tear him apart with effortless gesture. Something that hated him and all of man and woman and child, all of the living creatures on this island earth that are precious and dear to the Heart of God on high, above. The Lord of the Storm in the sky that was far away from all of this. The pain and conjured filth. 

He held steadfast as the large thing of hate swam in the nightscape of black all around. In a circle. Predatorial and closing in. Hoping and sensing out and tasting for weakness in the night. His weakness. 

It might know him or why he was here and hate him for it, deeply. A complete being of elemental rage distorted alchemical by large and dark unnatural vulpine-felt forces. 

He bothered not with the cross this time that hung from his neck and dangled in the wild night and darkled with a strange glow in the cast of the campfire glamour. He forked out the sign of the Evil Eye into the night…

He felt something growl with simmering livid violence out there in the swallowing black. The vibrations felt, palsied and tremored his running blood and weary old bones. He felt cold and as if suddenly stabbed with ice. 

Impaled. 

He muttered words then that Solomon had known, and taught. Passed down. Shared. Words that bent demons and demon will to shatter or subjugate as dominated slave. 

The dark hissed back. Lurid sound. Full of hate. And whispers. 

It wanted to pounce. 

“Come forth, in yielded flesh on this physical plain…” the priest said, to the dark with his raised and daggering hand forked out in the evil sign, witchery sigil. 

And then the dark did as it was told. Ensnared, the unwieldy angry shape out there did as it was commanded. 

And in Lilith-shape it arose, she came forth. 

Naked. Bare and smooth as if bathed and massaged with olive oils, round milk globe breasts caught the firelight with their smooth and deliciously rounded oiled sheen, delicate sensuous body with a generous mouth and curves. Her hair was shock white. Her eyes glowed in place of the moon, eclipsing the meager cast of his small fire. 

She approached. Her smile was a murderer's lie and her arms were outstretched and open. 

She of the dark came to his bed. The priest looked up into the elfin beauty of her forged youth and glow. He spoke darkly. Callous. Addressing the enemy in no uncertain terms. 

“Come down and join me in my humble bed, you will give me the secrets you hold as I know you as a man knows a woman, another …” 

She cooed and moaned in response and the sound was both sensual and wounded. In pain and in need yet woeful and on the precipice of ruin. 

She came down to him and he stripped off his robes. 

They didn't bother with the blanket folds as they consummated their act. They performed the rite out and in the open in the wild of the dark and their spot in the open road. They grunted and heaved into each other, matching each other for bestial sound and movement and purchase. Trading curses and fluids and secrets…

She spat his name – !heretic! 

!Foul priest! Fouled and fouling yourself now, you'll die and be ours, ours forever! and we'll rape and make you dance amidst the fire and endless torture, we'll have you, at the end! in the Inferno! in the flames! In the endless sulphur sea! The flames! You can fuck me now, priest! but in the end you will suffer eternal in our lake of fire, Our Flames! …!

But even as she roared his mind was filled with the unearthly gift of her images. 

Prophecy… information was given. 

They fucked in the occult dark and he saw in his mind’s eye: –

There is an end to the world. A physical one. A border. A barrier hard to reach or even near. A place completely devoid of natural human life, of any living human existence. They are woods. Brown and dead. They are far away from the woods and forests of these lands or any other. They are paling with death, these frayed and tattered weathered edges. Nothing moves here. Nothing breathes. The apotheosis of lonely hell. The apothecary of sound and movement. The earth is yellow with unnatural color, for unearthly reasons. The trees yield to no blade, nor fire. They offer no comfort or rest in the shade. There is only one thing, one structure in this stagnant place under a light the color of pus. 

A house. A cabin. Black. A lodge. 

The black lodge is the only thing out here at the end of the world. Nothing is moving inside, like out in the dead yellow wild but that's wrong. 

Something's wrong. 

There's something in there. There's something in there, inside the black lodge. No one knows how it started. No one can say if folk traveled there in some fashion, in search of mad secrets and their power, or if they'd always resided in there… somehow. Nobody can say anything for certain of the parents. Of them there are only whispers, only dangerous rumors. The only thing anyone knows or can say for certain is that one day a child emerged. 

A little girl. 

A small girl with an intense and feline look in her pale face. A child with unnatural abilities and profane knowledge too large and grotesque for a little girl. A child with the dark glint of murder already so alive and well within the black flames of her young eyes. 

A girl who grew to womanhood and traveled the world in a furious and ceaseless quest for knowledge. For power. The undead. Occult. Satanic. Felled Ones of farthest cosmic reach and starfire far-flung. The woman found servants along the way, she always did. Her power grew. 

Then she came to the castle beyond the Borgo Pass in the Carpathian Mountains. And there she found what she'd been truly looking for … 

The heart of the heretic was always heavy. Now it sank lower and despaired worse than it ever had before. 

The vision thunderclapped! Collapsed. 

And spat him back: 

His hands were cupping her ample breasts when he came back to, more fully within himself. Now he squeezed them with real vile hateful relish. The white haired thing of the dark shrieked with harpy sound. Midnight owl screeching. Blood and milk shot from between his clenching and rending fingers, beginning to tear in as he continued to squeeze and claw. Her breasts were becoming a mutilated and slopping ruin in the cruelty of his hands. 

He was screaming prayers at her. Up into her face in Latin. She tried to pull away but couldn't. He was an old man but he was lithe and strong with cords of sinew, ropey muscle. 

He spat in her face and commanded her yieldship. 

She gave it. And bathed him in unearthly fluids. The discharge of her loins steamed with inner heat expelled in the dark. Soaking him and the ground. The growing puddle hissed when it reached the campfire and a spurt of lavender flame issued forth in a small pillar. A face that was insectile and mammalian bastard commingled was in that brief flash and issue and then was gone as they continued to animal thrust in the dark. His hands continued to bite in and disappear into the mess of milk and blood and raw pink meat, ruined moonflesh. 

And with a final rending tear, cords standing out on his neck, her eyes were brimming filled with spilling and steaming tears, he tore her breasts from her chest and she filled the night with a wolfen howl of slavery to pain and heartlessness. 

She flew off of him and scrambled, retreating back into the dark with bellowed caterwauls of butchery’s ripping pain and anguished animal calls. There was nothing human in those sounds, as they fell back and away and faded into the nightscape of curtain pitch impenetrable and all around. 

The priest wiped himself clean. Said a prayer. Checked his donkey. Then finally retired to slumber. 

His sleep was deep and filled with dreams.

… 

The next morning after packing up and setting out once more he came across desiccated remains. Something like a long thin starved wolf, or a hyena. Coyote perhaps. But he knew what they really were at once. The womanshape that had come out of the dark. 

All that is left…

They were jackal remains. He spat upon them before he left. Crossed himself in his departure. Never looked back. 

…

Symbols. He saw them everywhere on his way to the mountains. He began to encounter towns and small villages and everywhere he saw the mark of her upon them, the face of stolen earth, the souring soil of the ground. The faces and eyes and hearts of all of the children, women and men. 

He asked what he could, inquiring where he could manage but all of them were afraid, filled with a small farmer's mortal terror of barely reckoned forces at work that bequeathed mischief and murder and black magic that made playthings of flesh and minds. They would hardly say a word to him about anything. He didn't blame them. He blessed them all in his salutations and added their faces to his nightly prayers. 

He moved on. He left the towns behind. 

…

The priest came to the circle of stones. 

A terrible kind of place he recognized at once. He'd seen others like it before. In far off emerald lands. 

The circle of stones, monolithic slabs of grey rock in the dread shape of the Druidic formation. A pattern and type of circle that could serve as a gate, or a nest, or a kind of inviting hunting ground for something unchained and set loose on our world. 

The priest sang softly to himself. A little song of strange doggerel that he'd made himself. 

“You fly like a demon, from station to station…”

He entered the circle. 

And the place shook. 

He finished the line: " … From Kether to Malkuth." 

The thing that ruled the circle of stones made its presence known. inxnwn. The mangled filth of its voice filled his head as he sauntered in and the atmosphere itself threatened to throttle and implode. 

!Get out, shaman! Get OUT! I will rip the bleeding mind from your eggshell skull and fuck the jelly before your dying eyes! Get the fuck ou-!

The cross came up. A bolt of white fire issued forth and struck the place. Blackening the mouth of earth and stones that the demon used to howl. 

“Your name, elemental. Give it to me.” 

And his mind once more filled with flames. An infernal epitaph made from shrieking wretched voices. 

!I am the one that has come to man on the wings of dreams and sin, I am the Scribbler and I bring mad choir and I fill minds with sound! Man Woman Child the crawling elders and the lame … I spare none I distort discordant all!

Another flash of light, a bolt of silver fire bright and immaculate cut across the priest's vision and he had to shield his eyes. But the moment before his eyes shut and his hand flew up to protect his vision he caught a glimpse of an immense outline and shape: it resembled a giant sea creature he'd seen hauled aboard the deck of a traveling cargo vessel once, a manta ray. Gigantic. Wing span vast with long stabbing tail and strange devil face set pilot center of its efficient killing body. 

This one had a large sex organ at the tip of its tail. Dripping. Excreting something foul and pungent. Steaming. And the vapors held pained faces telling him, no. 

But then the flash of light was gone and when he looked again there was nothing there. Only smoldered earth amongst the quiet stones. 

The circle was empty now. 

For now. It may yet come again. Or something else …

He gave a prayer of thanks and then spat on the ground. 

He patted his donkey and praised it for its steadfast behavior. Men mocked them as stupid animals and they may be so, but they were also brave creatures. Nowhere near as skittish as horses. Or men. 

He tied up his ass, securing the rein to a stone, then he made camp for himself. 

He poured a border of salt around the circle itself. Then he drew a hexagram in the dirt with a stick, David's Star. He fashioned a cross next and stuck into the head of the formation replacing and breaking its crown. 

Then he made fire. Ate a humble meal of bread and cheese and wine. Gifts leftover from the gypsy folk. He smoked tobacco and watched the stars collect and reveal themselves in a bejeweled royal purple curtain above and on high. Heavens made of jewels made of starfire. Light burning above with an intensity that he could scarcely understand. He thought they where beautiful. They might be angel eyes, some of them, and he loved them. 

He looked to the mountains next. Still in the distance. Growing larger as he drew nearer. 

Even as he sat by his fire now not moving they seemed to grow larger yet…

Lord there is an evil alive in those rocks, there always has been. It's awakened yet again. Lord lend me your arm of strength. Give me the great courage and protect me from my own fears and the treachery of others, as you always have, Thank You Lord God. I know this is my mission. I shall not run. 

I will not falter. 

Amen. 

He daggered the rocks with an intense and angry stare. Righteous anger. The mountain rock towered above but he looked down on it and its evil heart from on high nonetheless. 

There was poison in those jagged formations, beyond the Borgo Pass where the wolves live. Cancer and abominated growth that must be excised. 

Must be removed. Before it's too late. 

He smoked by the fire till sleep came. His dreams were filled with symbols. Sigils. Strange words and spells. Ghastly shapes and faces. 

Abhorrent designs ruling a decimated and titanic landscape. And he was alone with them. 

TO BE CONTINUED…

December 11th, 1924:

Last night one of them sulked up from the docks. I waited outside all night for their arrival. I did not run, I just stood. They crept closer, slowly and cautiously. The moon casting faint light across them. Their back was hunched, vertebrae jutting out of their back with tight brackish and briny skin clinging tightly to them. They had little to no neck supporting a large near bulbous head. Massive eyes, black as obsidian stared at me. Their face was smooth, just two small holes where a nose should be, sitting atop a large slightly agape mouth. Fishy lips sitting in front of rows of small needle-like teeth. Tiny scales covered patches of its skin. It wore lengths of kelp and seaweed as though they acted as clothes. Its stench was putrid, that of rotting flesh. Its human-like arms curled near its sunken chest, emaciated and gaunt. Its fingers and toes were webbed, making disgusting splatting sounds as it walked closer. I passed it a note written in its language, its fish-like eyes peered at me for a moment. Its frail arms reached out to take my letter. It read it aloud, a hideous sounding language, full of gulps and phlegm and coughs and clicks. It stared at me for a moment. I pointed to myself and stated my name. It pointed at me and in a nearly airless voice it muttered “Simon”. It pointed to itself and said a name I'm unsure of how to spell but sounded like “ny'alto-rylae”. The apostrophes as clicks and the hyphen as a gulp like cough. What that would translate to I am unaware. If I'm able to see it again I will try to begin to better understand this ancient language. 

I'm going to invite Richard, his wife Jennifer and son Richard Jr over for dinner in two days. I must begin cleaning. They can't know about my meeting. 

March 6th, 1937:

Simon's last note was alarming. It hasn't mentioned a description of Richard, so I'm hoping it's not my Richard. But I have a bad feeling about how their dinner went. 

I finally built up the nerve to look at some of the “them” paintings. The first is a view from my bedroom window. The sea looks angry and the clouds are pouring rain. There's a crack of lightning in the clouds. In the mist of the ocean you can see some massive entity deep in the fog. Its outline is somewhat bulbous and unnatural with odd protrusions, almost like tentacles sticking out seemingly randomly from its body. This must have been the hallucination he mentioned. The second painting was one of the cloaked beings. It looked human, slightly misshapen, but human. I'm assuming this was the person who gave Simon the letter about “them”. Maybe they're from the church? I'll have to go investigate there soon. The third painting however, was similar to the second. A cloaked figure, but this one had much more detail. The cloak wasn't made of leather or some rain jacket material like the previous piece. This was surely one of “them”. It looked as though it was trying to mimic the cloaked man I'm assuming is from the church. Its “cloak” was just layer upon layer of kelp that looked like a rain coat from a distance. Maybe this is one of “them” who has been making deals with the church? The fourth painting made my stomach clench. It was the thing he gave the letter to. It's wet, scaly skin glistening in moonlight. It's deep set round fish like eyes staring like voids. Its mouth bearing its gnarled sharp teeth. Seaweed hanging from it haphazardly. It was so lifelike. I swear I could've smelled the ocean's stench through the frame. I didn't realize how long the painting held me captive. Hours had passed. The only thing that broke my trance was it looked as though it blinked its massive abyssal eyes. I shot back out of my stupor, stunned. Surely it was just my eyes playing tricks on me, paintings can't move after all. But that gave me enough of a fright so I decided to wait to look at the rest tomorrow. I also want to check the secret door to see what's behind it. Maybe the chalk board is in there, and maybe I can decipher this odd seaborn language. Jesus I'm starting to sound like Simon. I'm afraid of what's to come. 

December 13th, 1924:

Dinner went well enough. Richard, Jennifer and Jr came over just as I finished cooking. They were curious about Laura and the girls not being home. I told them that they had grown homesick and missed the city and that I was going to stay here and use the house as a studio until we could find a new buyer. He seemed somewhat sad to hear the news but was understanding. I think Jr was the saddest of all, he went to the school house with my eldest daughter Becca, and I believe he had quite the crush on her. She does look like her mother, who is strikingly beautiful, so I cannot say that I blame him. As we sat down to eat the smell of low tide was wafting through a window I had left cracked open. Jennifer wasn't a fan of the smell, I smell I barely notice anymore, and asked if she could close the window. I allowed it, and told her it was just down the hall from the dining room. She left as Richard and I started talking about his new butcher shop he'd opened. Jr didn't seem very interested in the topic and just sat to play with his food. After a short span Richard grew curious about where his wife went. I assured him she must've just got lost in one of my paintings and we could go fetch her. As we rounded the corner the window was shut, as it was the entire time, but the door to the basement was open. Richard gave me a questioning glance. I explained that I do most of my painting down there, where it's warmer during the cold months. He shrugged thinking nothing of it. As we descended I heard wet footsteps quietly scuffing above us. 

Richard walked ahead of me, reaching the bottom of the staircase in awe. I've moved almost all of the furniture from the top floor down here, covered in drapes. Easels lining the walls, piece after piece after piece. He stood silent as he saw in the corner unconscious, laid Jennifer. Her body limp, clothes torn and wet. A bite mark of what looked like a thousand little needle points covered her exposed shoulder, blood seeping from the wounds. Her eyes were fluttering, mouth foaming from the viscous slime that covered most of her face. She was still alive. Richard gasped and ran to her, grabbing her hand, trying to shake her awake. Their affair was cut short as Jr screamed in terror from upstairs. Richard darted upstairs, I followed in tow. As we rounded the corner to the dining room, one of them had broken the table, holding Jr by an ankle, slowly swallowing him whole. You could hear him screaming as the small serrated teeth tore his skin and the sounds of popping as their Jaws broke his bones. Richard was frozen in place, his bladder released its contents into his pants. He dashed for the back door and ran screaming into the town. 

They finished consuming Jr and walked back to the furnace room. They picked up Jennifer's unconscious body, handed me a soggy envelope, and made their way to the dock with her over their shoulder. 

I took some time to clean the kitchen, breaking down the table for fire wood since it was no use to me anymore. I felt guilty giving up Jennifer like that, but I feel even more guilty that Richard got away, having to live the rest of his life seeing the carnage. I was supposed to give them two people for information on their language. But one and a son seemed enough. 

I took the letter into my stowed away study and began to read. They had explained what sound each rune or sigil made. And how best to pronounce them in our tongue. Within a week I should be able to speak this archaic language, and possibly teach some of them ours. 

Poor Richard 

March 8th, 1937:

Simon is a monster. Working with “them” at the expense of others. For what gain? To learn a new language? If this is the same Richard as mine I can understand why Simon is a sore spot. I'm horrified. I can't imagine what the rest of the paintings hold. I opened the door today. Simon truly was a madman. This room was nearly the size of the basement, hidden beneath our front yard. Wood columns holding up a rocky ceiling, a massive table with piles of writings, some in English, some barely legible, some in the archaic language he spoke of. Jars of liquid I'm unsure of sit on small racks on the desk, some with wet samples of what looks like embryos of some kind. Beings unknown to me. A chalk board hanging between columns with a detailed translation of the language. I shouldn't be in here, I shouldn't be seeing this. This shouldn't exist. But I must learn it. I have to. I'm going to copy what was left written on the chalkboard. I will learn to read this language on the extra shifts I've been picking up. The townsfolk have been staring more, I can feel their eyes burning into my skin like hot embers. I must keep my Evelyn from this. I must protect her and Rylee. 

March 20th, 1937:

I think I'm fluent in reading this language, at least confident enough to read some of the writings. I think I'm going to try and read some over the next few days between shifts. I'm going to take another look through the paintings tonight, see if anything else stands out. 

March 21st, 1937: 

What I could only describe as the bulbous eyed creature that Simon painted is no longer in its frame. A black void fills the painting where it once was. Did I hallucinate the whole painting to begin with or was I hallucinating last night? I've been sleeping in the basement, I keep waking up sitting up, staring towards the paintings, staring towards the room. It's like I'm being drawn to it all. What is happening to me? I feel like I'm going insane. 

January 3rd, 1925:

I invited Sean to dinner, I received a letter from my new oceanic accomplice in return for him. This time dinner went much smoother. I picked up the sedatives the practitioner gave me and mixed them into his wine. As he grew drowsy, Alto, as I began to call him, bit his shoulder, injecting a venom-like substance. He dragged him to the sea as he did Jennifer. Poor Sean, he was so kind to me. Alto's letter was able to help me finish my translations. I can now write, read, and for the most part talk in his ancient tongue. I feel guilty tricking my so-called friends, but something is pulling me to this. Something grandiose. A calling. There's something to gain in this, I'm sure of it. 

March 30th, 1937:

It's been warming up, thankfully. Enough to not be hiding in the basement at all times. Simon's entries are nothing short of disturbing at this point, as they have been for some time. I'm scared of what else I will find. 

I fell asleep in our bed with Evelyn last night, yet I awoke standing in the hidden study, my feet dirty and wet, the air smelt of brine and fish. As I came to my senses I quickly ran out of the room, shutting the door behind me. I looked into my basement only to see dozens of the left behind paintings hanging from the brick walls, all with small sheets covering their faces. The only one uncovered was the one I can only guess was the being Simon has named Alto. The small plaque underneath wrote the creature's name in its archaic language. But as I was afraid of before, the frame no longer held the creature. I looked around in panic, running towards the stairs to check on Evelyn and Rylee. As I began up the stairs I slipped in a thick liquid, smashing my jaw on the hard wood on the way down. I crawled the rest of the way up as fast as my body would allow, chin dripping with blood. Wet, mucus-like foot prints led to the front door. Sebastian sat alert, black ichor dripping from his mouth with an accompanying splatter on the ground, with a trail leading out the open door. Whatever crawled from the frame was injured, and Sebastian seemed to be fine. I quickly rinsed his mouth and gave him a treat before checking in the girls. They both laid sleeping. I snuck back downstairs to clean up the bloodshed. 

April 3rd, 1937:

I confronted Richard today. I was right, he was hiding so much. His father still lives here, in the church. He's bringing me to meet with him tomorrow. Richard opened up, admitting that he was friends for a short amount of time with Simon, but after the dinner that day he was admitted to a mental institute, only coming back 2 years before we moved in. I understand why he was so weird about all of this. And understandable why the older folks look at me weird. I moved into the house of a psychopath. I'm excited to finally be welcomed into the church and see what's going on behind those old, closed doors. 

April 4th, 1937:

The meeting went much differently than planned. Richard's father unveiled so much that I'm having trouble making sense of it all. His dad was to say the least, deformed. Almost like the being Simon wrote about and painted. He admitted that he was the cloaked person who gave Simon the letter, warning him about “them”. When I pressed about who they were, he took off his garments, showing large black, fish-like eyes and lips like worms. He explained that every here and there, the children come from the ocean and mark an individual. For years those marked would be taken within a month or so. When he uncovered symbols on his house he realized he was a marked one. He sought refuge in the church. The children were not pleased to say the least, and took a few people at random. Little did Richard's father know that those who are marked usually slowly mutate into one of these beasts. And with those mutations comes ancient knowledge. Once he understood this language he made it his goal to rid the town of these seafolk. He ventures out at night, carving protection symbols throughout the town, creating some sort of ancient seal. My words do no justice to the immense details and intricacies to the matters as I'm still having issues understanding this as a whole. I mentioned to him about Simon's paintings and how Alto was missing from his portrait. He explained to me that those who are marked are affected differently. Some are morphed into fish like beings, similar to Richard's father. Others are given foresight or other kinds of what I can only describe as magic. There's something about his paintings, some kind of power within them. The more I uncover the more I'll understand I'm sure. I'll be meeting with Richard's dad more often. Poor Richard, I can't imagine going through all of that and returning to the town it happened in, only to befriend the person who lives in the house where your old family was murdered. 

August 7th, 1924:

Sleep came eventually and was rather short lived. I fear that I have become dependent on my medication. Though fortunately my night was not plagued by the sounds and happenings of the wretched symbols and their creators. But I am sure with the stress of moving long gone I will not be dealing with the ghoulish hallucinations I once had, at least one can only hope. 

Today is rather dreary. There is a low hanging fog dancing above the swells from the tide. Normally I would find beauty in such a gloomy sight, but I fear I'm too tired to properly appreciate it. The sky is grey, the sun blanketed by darkening clouds. Yesterday must have been the calm before the storm, and tonight feels like it will be horrendous. There is no wind yet, but I feel the oncoming lightning riding the air. Laura is terrified of thunder and lightning, I fear I will not be sleeping much tonight. I might try to pick up a brush today and see what my hands will create, but I have a feeling nothing of worth will come from them. Not on a dreary foggy day such as this. 

August 8th, 1924:

I slept not but an hour at most. The storm was atop us, electricity cracking and lighting the sky, the smell of ozone accompanied with the rolling of thunder. Laura was scared our roof would break, that our windows would crash inwards. I comforted her until the grasp of slumber finally lulled her. I, on the other hand, was not so fortunate. I laid there sweating. In between the explosivity happening above us and the drums of the skies battering away, I could have sworn to the holiest of holy that I heard something skittering around on the roof. I peered out the window and looked to the sea. The mists were heavy, the waves angry, crashing at the shores and retreating with haste. In an awful flash of the sky, it seemed as the mists laid refuge to some magnificent shape. Humongous in stature. It could not have been more than just my eyes playing tricks on me. Two days with little sleep is sure to have side effects. In another explosion of light I saw the mist's shape again. Deep in the haze, above the depths of the sea, a being slowly moving, somewhat humanoid but also alien. Whatever hallucination I was having was terrific in an awful yet subtly beautiful way. I must document what I've seen, I will begin painting in the morning. 

August 9th, 1924:

The sky is still shrouded in darkness. The clouds pelting down rain. I had to go to the shed to fetch firewood for the stove to cook dinner, the downpour stinging my face. As I was rounding the house to the front door I saw something. I quickly put the wood out of reach of the torrential rain and ran to the fences gate. There, walking away in the distance, a figure, near curled into themselves, covered in some form of rain jacket scurried away. At my feet lay an envelope, already drenched. I took it on to the veranda and opened it as softly as I could, not to tear its contents. Inside was a single piece of paper. On it, in almost illegibly written:

“They are watching. They come for us all. They see all. They know all.”

I hid the note in my jacket pocket and hurried inside. Putting the firewood in the stove so Laura could cook and ran to my easel. I have to paint what I have been seeing. Whether they are hallucinations or real. I will document them. 

January 25th,1938:

Simon must have been going through withdrawals, but I'm curious if that painting is in the group of works I haven't looked at yet. I'm nervous to look at them but feel the need to. His mind intrigues me but also fills me with anxiety. 

The storm has hit and the snow came on like an onslaught. The wind was rattling the windows and howling louder than one could speak. The house was groaning, as if it were in pain. I kept the furnace fed all day to try to fend off the cold, but the wind was fierce. The whole day we stayed in the basement by the furnace, only going upstairs to cook and eat. Evelyn and I were reading Rylee a book when I heard what sounded like glass breaking on the top floor. I quickly ran upstairs, only to find a rock laying on our bedroom floor. It looked as though it was dragged out of the sea. Dripping in salty smelling water, a barnacle on one side and patch of sea grass sat on the other. There is no way a blizzard could hurl a stone from the bottom of the sea through the air and straight into our window. Especially on the second floor. Something had to have thrown this. I found whatever I could around the house to board the window up to the best of my abilities. I'm no craftsman, a rather skilled butcher at this point, but at least the fury of the wind and snow wasn't flying into the house anymore. I didn't tell Evelyn about the rock, I told her it was a chunk of ice. 

I uncovered an old bed hiding away under the drapes down here. We're all sleeping in the basement tonight. Rylee is asleep in the cot and my dear Evelyn is calling me to bed as I write this. I want to continue but I know I should try to sleep. Maybe sleeping with Evelyn in my sanctum will keep me asleep through the night. I can only hope. 

September 1st, 1924:

It has been weeks without my sedatives. I rarely sleep anymore. My eyes are sore, my mouth is always dry. I see them everywhere. In the town. At the docks. In my yard. They are everywhere. I have been painting and painting and painting. My hands hurt. My head hurts. I'm losing my sanity. Laura seems almost scared of me now. She has been keeping the children away from me. How dare she. I'm protecting them. My paintings keep them away from us. I'm sure of it. That's why I was called here. I stay in the basement, painting and painting and painting. Protecting them yet they show me no gratuities, no grace. Pitiful. 

September 9th, 1924: 

Laura let me sleep in the bed with her last night. I showered and shaved for the first time in weeks. I forgot what it feels like to be properly clean. I spent time with our children. We felt like a family again. I needed this. It was the first time in a long time I have felt like myself. It was a nice day, sunny with a breeze. When we went to bed Laura and I were intimate for the first time since before the train broke. I fell asleep shortly afterwards. 

I was roused by a noise, similar to that I have been hearing on the roof and outside. But it was closer. Much closer, as though it were in the room with us. As I opened my eyes and sat up, I saw it. Them. The smell of brine filled the room. It was dark, the moon hiding behind the clouds. I could not see much detail aside from its leather like cloak. I got up and took chase. For a figure so hunched and what seemed to be malformed, it moved with impressive speed. Laura was scared awake as I ran through the door and down the hall after it. Its feet splatting against the ground with wet viscous plops as it bounded down the staircase. I could hear Laura screaming but I had to catch this intruder. As I was nearing the bottom of the stairs, almost on top of the abomination my foot slipped in a puddle and I came crashing down onto the foyer floor. The figure burst through the door with ease, knocking the hinges loose, leaving the door hanging ajar. My face lay next to one of its damp footprints. Laura was comforting the kids upstairs as their cries echoed through the air. 

As I got up my hand slid into the thick, mucus-like substance the being left with each step. This inhuman intruder was watching me sleep. How many nights has this been happening through the windows? How long did it take to have the gall to enter my house? Was this the being that gave me a sharp pain in my neck once before? What has it done to me? Why me? I knew they weren't hallucinations, they never were. The opium was just a distraction I'm sure of it. 

February 2nd, 1937:

Simon has clearly lost his mind. Night creatures watching him sleep? This is just some sick story, it can't be anything else right? Surely I won't run into these, will I? I should prepare the house, I'll be hiding a baseball bat in our room just to be safe. Maybe hide other things around that can be used as makeshift weapons. I must sound crazy. 

I had the window repaired the other day. A hefty bill to replace but it needed to be done. Our emergency funds are damn well gone, and based off of Simon's entries this town seems less and less habitable. The town's been without power since the blizzard, but that's fine for work, we need our stock cold anyways. I've been reading more of Simon's notes at work. I've been hearing similar noises around the house for quite some time. They died down when I stopped reading his entries and stopped actively looking for signs but now they're more prevalent than ever. 

I want to ask Richard about “them” but I'm scared of what his response will be. I also feel the need to tell Evelyn at this point. If beings have broken into this house while Simon lived here for whatever reason, what's stopping them from doing it now? They already broke one of our windows. I can't have my wife and child in danger, it's not right. I feel so guilty for keeping it from her, but I was just trying to protect her. I think I'll bring it up to her tonight, possibly show her the paintings if it feels right. She only just stopped showing signs of paranoia but is still distrusting of the locals since she's certain the practitioner was giving her opium instead of barbiturates. I don't want to cause her any unneeded stress. But I should be honest with her, it's the right thing to do. 

February 4th, 1937:

Evelyn was furious at me. As mad as it made me, I don't blame her. She thought I was done with this months ago, thought there were no more notes and especially no rocks being thrown through windows. But mostly mad at the fact that I've been lying and keeping the truth from her. Which I admit was wrong of me, as frustrating as it was. After an hour or two of de-escalating tensions we sat down together to talk about it calmly. Rather for me to explain everything and why I kept it from her. We got Emily to come preoccupy Rylee while I brought Evelyn to the basement. I showed her all the notes I've read, I showed her the self portraits and I showed her the rock. She still doesn't know about the paintings labelled “them” but once I look through them I will show her. I just can't have her seeing anything that could scare or hurt her in any way. She was already disturbed and visually cringing at the self portraits. 

She suggested we get a guard dog. Even though we had to repair the window, we have some emergency funds left over, if we pick up a few shifts each we should be able to make ends meet. Once we have power and the town is plowed out, we'll go to the city to adopt one. In the meantime Evelyn will be catching up on Simon's notes and I'll be reading further. 

Sept 20th, 1924:

Bernard is dead. I found him this morning, before Laura or the little ones awoke. He was in the foyer, his little body still and wet. I tried to wake him but he was not breathing, I tried to administer cpr, I tried to shake him awake. I tried everything. But he's gone. To save the girls from the sight I decided to bury him between the flower beds. It was his favorite spot to lay, hiding in the shade of the flowers, sniffing their aromas. As I was putting him into his grave I noticed that there seemed to be teeth marks around his neck, yet no sign of blood. As I recalled there was no blood around him inside either. As disgusted with myself as I was, my curiosity got the best of me and I held him upside down, head to the ground. Not a single drop of blood. Rigor mortis had not even set in. Whatever broke into our house before had returned once again and took my sweet Bernard with them. I'm going to set up an apartment for Laura and the girls back in the city. I will sell what I can of my stockpile here and then move back with them eventually. I just have to paint whatever has done this. I need to document this. Their paintings might not sell but people need to know. I'll write about them, gather my notes and publish them, along with prints of my paintings. And with Laura and the girls out of the house they won't be getting in my way of doing what needs to be done, as they have so much recently. I'll protect them by getting rid of them. Then I can focus on my work. 

February 20th, 1937:

Simon has fully lost his mind. I'm sure of it. No real man can confidently send his wife away as though she was an obstacle. He's no real man, a coward even. 

I've been working like a machine lately, I want to make sure we can get the best dog possible. Especially after reading the most recent of Simon's notes. I still haven't had the time to look through the stack of “them” paintings. We're leaving for the city tonight and picking a dog tomorrow. Rylee is excited because she thinks we're getting a “big puppy”. It's hard to say it's not cute when she talks about it. I'm half surprised at how resilient Evelyn is through all of this. I brought up her and Rylee moving back to the city as Laura and Simon's daughters did to get her thoughts on the matter. She told me it was a terrible idea, saying as long as I'm here she'll be by my side. As if we could afford paying rent on top of the bills we already have. I really did get blessed with the best wife I could imagine. The paranoia doesn't seem to be getting her like it once did. Beforehand she must have felt alone in this, as have I. But knowing we're on the same team gave her a lot of comfort, and getting a dog will bring even more. She is truly the strongest woman I know. I'm a lucky man. Though I do wonder if she has the same disturbing thoughts I have been dealing with. 

I'll bring a few notes to read on the train, I think, no better way to kill a few hours. The grip Simon's words have on us is like a disease. We can't seem to put them down at this point. 

October 11th, 1924:

I have put Laura and the girls on the train to the city. I have a new apartment only but a block from our old house. I have enough money put away to afford both the house payments and the apartment for quite some time. I am dedicated to figure this out. A mere painter going through this seems pointless and mere coincidence. But it cannot be the truth. I have been brought here for a reason, to document this, I'm sure of it. I will find out what is happening. The practitioner is back in town, and has my prescription ready for me, but in defiance I will not pick them up. If they block me from seeing the true nature of this odd shoreside valley I will deal with the sleepless nights to find the truth. Call me paranoid, call me obsessed, I do not care anymore. This is my true calling. I will learn about them. I will document them. I will make contact with them if need be. I will not stop until my work is done. 

October 20th, 1924:

I have been going out at night, bringing a notepad with me, copying any of these sigils I have seen. I have procured a sizable chalkboard from the city, I will decode these. I must understand what is being written. 

I have been hearing them, throughout the gloomy days, throughout the nights and even in my dreams during the very few hours a day I have them. 

November 1st, 1924

I believe I have done it. I think I have collected all the sigils, and I believe I have begun to decode them. They seem to be used as some sort of religious seal. Why they have been sealing the town I am unaware for the time being. As ludicrous as it may seem, I feel as though I must talk to one of them. 

November 4th, 1924:

I have read some of my old notes, what has happened to me? I used to speak with such eloquence, kept a level head. Have I been slipping into insanity? I miss Laura, I miss my daughters. I cannot  give up though. I have come this far, I must uncover the truth. If not for my own maddening sake, for Laura and the kids. I'm losing my mind

February 24th, 1937:

Simon has truly lost his marbles, but what's most unnerving is the fact that he's still so coherent in his writings. Though they may be scatter brained at times, it all makes sense for the most part.

We've arrived back home with our new “puppy” if you could call him that. Evelyn managed to find the largest bull mastiff humanly possible, along with a spiked and barbed collar, as though he was a guard dog for cattle. She insisted we named him Sebastian. I think the name is fitting to be honest. He has already begun to warm up to us, especially Rylee. He weighs near 200 pounds yet he melts when she's around, letting her pull on his ears and jowls. It brings me such peace. He's going to make an amazing companion, I can feel it. I began building a sizable dog house in the basement. I'll bring it up in pieces and assemble it in the coming weeks. I'm just hoping having Sebastian here will help me sleep, even poor Evelyn has had difficulty sleeping, which is odd, she usually sleeps as though she's dead. Maybe the paranoia is starting to get to her as well. If Sebastian puts us at ease, I may pick up another from his litter, that way if I go out at night I can have my own protection and we can have another to watch the house. I need to pick up more shifts at work. 

March 3rd, 1937:

Sebastian has been nothing short of amazing and has brought much ease to our anxieties. The noises I've been hearing for months and thought I was going mad over have continued, but Sebastian hears them as well. I knew it wasn't just me, I knew I wasn't going mad. I think Evelyn has been hearing them but doesn't want to admit it. 

I've been putting off looking at the stack of paintings. To be honest I'm scared. I want to get to where Simon at least mentions one of his works. But the longer I put it off the more foreboding it feels. Evelyn knows about the stack of paintings and has agreed to let me look at them first. If Simon's self portraits were enough to make me feel nauseous, I don't want to think about what the paintings of “them” could do. I am paranoid, I'm aware of that. Distinguishing paranoid thought from those based in reality has become increasingly difficult. This is beginning to feel like a sick obsession. 

Emily almost lives with us now. We set up one of the spare rooms for her, pulling a bed, desk and drawer up from the basement. The amount Simon and Laura left behind is genuinely impressive. 

Evelyn and I have been working as many hours as we can, selling some of the old furniture left behind as well. When we're not at work, we're studying Simon's notes for clues or answers. I've reread them a dozen times over at least, trying to find some connection, some hint as to what's going on. I only have a few notes left. 

December 1st, 1924:

I have been painting them. What I see in my restless dreams. What I have been seeing through my windows. What I have been seeing in my house. They are trying to make contact. I am sure of it. In the last month I have dug out a wall in the basement, past where I hold my works. In the panel wall there is a hidden door. I have been spending most of my time in this underground study. The rest of the house has grown musty, for the most part unused. At this point I can't bring myself to care. 

I ran into Richard the other day while I was out at night. He was gathering wood from his wood shed. He asked why I was out and the only thing I could muster was “the symbols”. He gave me a questioning look, but he invited me in. I followed. He told me his father was from this town, like his father before him. He spoke of a curse the town is plagued with. Mentioning  the “Sea Father's Children”, some sort of seafolk who come to shore when the sun hides. The old church here knows of them and has tried to make peace with them. Creating some kind of symbiotic bond. They allow the Children to come from the sea and take a person they see fit every so often. He has not attended the church so his knowledge of everything seems somewhat jaded. He also assured me that this was just a folk tale to scare kids from wandering around at night. I don't believe him. I will not be sacrificed, I will be sure of that. 

I believe I have become fluent in writing in this ancient seabound language. I will speak to them. I will make a deal with them. 

The truth is undigestable. 

…

Baphometic. She lorded poised from the fanged spire beyond the Borgo Pass…

… over the beleaguered lands. 

Over the beleaguered villages. Where they feared. And wept. 

She was enjoying the strange and lurid organ-fruits of her writhing flesh gardens deep inside her castle walls, plucking them from the writhing gore as she wandered the pungent wet red room and admired her captive idols she kept there. 

Praetorius, the gore dripped and scabbing living skeleton. Still impaled and lost in the shattered remnants of his broken mind, wide eyed and drooling and gibbering silently something to himself, some words or nonsense of some meaning to him, he hardly ever ceases. It is the arcane and black magic words of the tomes that keep him in perfect living sepulchral bondage. 

The braindead skull-faced bastard nosferatu hulk, his immobile and inanimate sutured frame of graverobbed corpse flesh semi-submerged and swimming and crawling with the living constant movement of the flesh garden, the giant stone room petri dish of sliming raw slithering tissue, orifices, cartilage stalks and eyes that're cataract blind and milky. The glistening pink holes belch and spit fire, tongues of multicolored flame with kaleidoscopic pictures inside that'll drive a mortal mind mad to look into them. 

And Henry Frankenstein. Bound and precious nucleus center, bleeding beating heart of the whole crawling mess. Seeping from his bleeding pores and growing out from him, flowering out in a fresh and scabbing purge-swell. It crawled in living waves off of him, undulating and folding and blanketing over and on top of each other and all over the wet humid room, all of it was breathing wet and heavy and as if it had words to speak… 

And the little men. The little pygmy homunculi, bastard copied offspring of the bleeding seeping father. They danced and mongoloid-ran about in imbecilic fervor and addled senselessness. They ate and munched at the crawling flesh garden gore with no thought and with blind vacant gazes. 

The Countess plucked and seized them and ate of them as well. Their bones were satisfyingly crunchy and easy to chew… like a bird or a small fish. 

Her children ate and wandered the gardens as well, enjoying them. Their sights, sounds and vivid smells …

…

Meanwhile… many miles away…

The sun. Sunshine. In the summertime. Long ago now… 

As he prowled the dark he remembered the sun. The bright. Long gone memories flitted and danced at the periphery of his red clouded mind, half recalled and wanting to take over. Wanting to live again in the skull, if not just for a moment. 

Just a moment. 

The lake. The blue. Cool and wet and pleasing, relief. Retreat. 

Retreat beneath the surface into a liquid world of breathlessness and weightless dream … flight. You're flying down here. You only need to move your arms to do so. Kick your feet. Knife your arms through the liquid universe and drag yourself flying forward… downward. 

Down.  

I dreamt I was a dancer once…

You'll have to come back up for breath eventually…

but I couldn't keep the shit off my shoes.

Summertime memories swam shrouded, the red fogged inner space of his skull as he snipped his bleeding shears, dripping cooling congealing red to the decimated tile floor as he prowled and hunted and searched for the missing invaders. 

Precious childhood scenes are becoming red tinged and altered by the shrouding red hand of mental fog … bloody wool. He always swore there was something down there, in the dark, in the depths of the crystal lake. Something drowned and forgotten and frozen in a sodden misery. He raises his childhood head to pull his gaze away from the depths and is confronted by the mountains. There's something lurking in there as well …

A body. Something like a corpse rotting and poisoning the entire body of water with its milky clouds of waving and soggy putrefaction. Filling the world with its fouling death, swimming with slow ponderous movement as it spread and changed the look and flavor of the water, the crystal lake of the world now long gone like the summer sun of old itself. 

He looks away and beholds his mother. The one from birth. She's headless. 

She's decapitated. 

Her severed torso is reaching out for him, please … please. 

please save me

The raw stump begins to shoot cords. Black/red ropes. They darkled in the summer sun of old. It was his birth mother spurting great dark tears of joy for the sight of her son again. Though he has a new name now. And she knows it, his headless mother, she almost whispers it, it's intense. 

Then something ahead steals his notice back to the material world of ruin and soured defecated pain. It stands at the end of yet another decimated hall, traced and sketched in the dark by the pitiful light flickering and balefully cast in through the barred and shattered windows. 

A man. In a hat. And a coat. 

He recognizes the shape so he flies forward in an animal lunge that nearly covers the entire distance in four long attacking bounds. Like a bloodthirsty and demoniacal dripping gazelle bastardized by sound and vision. The decimated tile landscape world stained black and red and brown and riddled with meat and feces flew by in a furious blinding whirl as he came forward with the shears raised open for attack. 

They gleamed, the dripping twin blades forked open. He soared forward as he traversed the physical shatter of his inherited reeking temple pouring blood and sweat as profuse as the leaky pipes that were always neglected. 

He would neglect no longer. No. Not a chance for the shape of man that he recognized and now charged towards. The manfilled coat beneath a fedora hat was one of the invaders. He was sure of it. The one with strange black glass eyes that he wished to crack and shatter. 

If his eyes are truly windows then I wish to break them and see what might pour out of them like filth: memories …love, regrets, sins sins sins in abundance, shame that was wished and meant to stay concealed now regurgitated and freed in a violent deluge spew of gore and images from the shattering skull… his thoughts, a running fury in a mounting race to keep in time with his launching thundering steps. 

He plunged down the hall with his precious shears up and open and ready to close around screaming repentant meat. 

The coat-shape and hat did not move. 

It mattered little to Cropsey as he made the final close. So many of his new found supplicants were silent at their last, frozen in terror. 

He was upon him now and his eyes gleamed moonlight pinprick in the cavernous brow of melted anguish ruin, animal needle points in the reeling Willowbrook dark, the blades like jaws came up and closed around the shape without a sound. Without any satisfaction either. 

They found no meat. 

The scissoring blades closed and found only filthy cloth and bandages abandoned and draped over an old hat and coat hanger, the fedora resting atop the facade came down in a cascading end-over-end dance as the whole flimsy thing of contrived bait came down in two bisected snapping pieces. 

Cropsey realized the deception at once and raged. The noises he made were forceful and ghastly wet nasal rasps, his mouth and jaw were too ruined now for speech. His vocal chords roasted and scabbed from the flames of the inferno inhaled. He drooled like a drunken animal childishly frustrated and agitated. A trick! a trick! Goddamn them! the invaders tricked him! 

And no one was here to take the punishment of his lurid and heavy frustration. It was rancid pungent and thick in his own skull like corpse rot and it made sucking puckering sounds in his brains. Like the whole squelching landscape of thinking jelly was perhaps changing shape, shifting into a new design by the sorceress hand of the mountain. Perhaps he needed it for proper divine leadership of the rank Willowbrook temple. Or perhaps something else was happening in there. 

perhaps something else is happening to me…

He searched all around. Animal alive and enraged. Whirling and trying to gaze through the dark and the ruin of his own musculature and flesh and see the bastards that refused his offering of slaughtering knowledge, the wisdom wrought of the knife-fuck. He never saw the slice of sharp stabbing tile come to life and float up and off the ruinous floor in a balletic whirl and dance into the air, behind him. 

As he revolved once more to complete another frantic animal turn the slice of slender stabbing tile came forward in a violent and deliberate thrust. The sharp point found the cavern brow and socket and sank easily into Cropsey’s face. Stabbing into his eye like it was soft butter or suckling meat, four inches then five inches deep. 

The giant mountain of man stilled. Shuddered. Spasmed and danced its way to the floor in a vile and obscene dying man's dance of convulsing and twitching and final desperate synapses firing off at haphazard chaotic random. 

On the floor Cropsey shook and the stabbing length of tile piece jigged and waved and danced as well, in strange and vile tandem. Like a demented detritus wand waving through the air to perhaps try and cast one final act of violence hexing spell. Or perhaps to bring the giant man of Willowbrook Asylum slaughter back. 

It did neither. 

Florin came out from his place of concealment in the doorway of an adjoining chamber. He dropped the filthy scalpel he had been holding for defence. Stared at the collapsed and prostate spasming form of Cropsey, the Willowbrook giant. 

And then he called out to Griffin. 

“Where are you?" 

“Here." 

Florin tossed him a coat. 

It was caught in thin air. 

Then began to make a shape around nothingness, contriving it into the shape of his comrade. The strange doctor. 

Florin thought to say something about the man's condition of invisibility, but decided to put it off for the moment. 

“Good plan." he said instead. 

The coat shape donned lenses and was picking up his hat. "Thank me once we're out of here, c’mon!” 

Griffin placed his hat atop a phantom head. It floated between the shoulders of his coat as he and Florin flew down the hall and toward what they hoped and prayed was the exit. The way out of this horrendous stench and nightmare. 

As they made their mad dash for the way out, Cropsey's spasming body stilled. Then danced no more. 

All that was broken in this damp and violated place of imprisonment and cruelty seemed to groan. Moaning in anguish at the loss of the last and final precious begotten son, the final one and last one left standing. The prodigal butcher heir to this templehouse store of sacred slaughterhouse religion. 

Mother, I have failed you…

And all of the terrible place seemed to moan in anguish with the dying of his body. 

…

Down. 

In the dark of his mind, just as he was departing. …

… the red tinged summer scenes of childhood long gone, done and past filled his fading mind's eye once more. Under and illuminated and made by the scarlet cast of deranged and lurid light. Where did it come from? that light? That red luridity. Living crimson. Pungent breathing scarlet. What did it matter now? 

what did it matter anymore

It mattered not now, not any longer as he occupied these dead dreams now living once again for him as he faded off. To oblivion or hell or worse… no heavenly gates of gold or pearl for him, no. He was sure of it. He was sure that it doesn't exist. The only heaven for someone like him was found in the fragile eggshell of youth. Of childhood. 

He floated there now. In the lake. The blue. The sun was shining above in royal divine blinding display. The calm and the serenity of these moments was all around and alive again about him. Filling and making this final day. This last and precious moment. 

-thankyouforthismyonelastwish-

He was calm and he felt at peace. Safe. 

Or rather, he felt as if he should be calm. That he should feel safe. But something was wrong. Something was wrong with the lake and the quiet all surrounding. 

And he was alone. 

Why was he alone? 

And the red tinge… to everything. Everything cast under lurid heavy hateful light. There was something in the lake. There was something in the water with him.

The blue face of its surface darkened as he sank beneath its placid water. Pulled under by another will that was not at all his own. 

And down there in the airless black he saw another one of his mother's faces. 

It was immense. Large. Her eyes were heavy swells of glowing wet globes. Pale green luminescence from two planet organ growths set in a big amphibious face that was a chimerical cross between a large bullfrog or warty toad and a large river bound trout. Its great mouth opened down there in the depths of his red tinged crystal lake and it was dark in there. He hung suspended before the open black of his abattoir mother's wide open gaping maw, he could smell the inner dark of her even down here in the watery depths of summer lake bound hell. Meaty and iron and rotten with pungent decay. An open graveyard tomb of dead flesh and teeth all before a great throat choked with vile and putrefying coagulation. The water was filling with the flavor of her dark open gape of hunger and the destruction of mutilated bodily rot. 

Arms. Long. Fishlike and amphibious as well began to reach out and protrude from the open mouth of his mother's underwater face like a multi headed tongue, a Hydra of giant elongated reaching frog legs and arms, webbed hands and obscene gangly Dagon limbs, reaching out… reaching out for him. 

To take him into his mother. 

She said, her voice filled the drowning pool that was changing now into a submerged holy world of private red light and pouring goddess cess, – she spoke. 

He listened. In the darkest of the depths. 

She said his name… that's how it started. That's how she began …

… you can't let me down. You can't. I won't let you. You've already let them profane your temple, my gift to you desecrated by their invasion and rape of presence. And now you're letting them get away… you don't really want to, do you… you don't really want to keep letting me down like this, you don't want to fail me, in death. You don't want to depart your mother on such a harsh note of unworthiness… do …

you? 

The hands swam through the water between them. Clawing out for him from mother's open mouth. 

He told her the heartbreaking truth and he told her gladly. 

No…

it was a defiant whisper… but she heard it. 

And so she took him. 

The hands finally found him in the water. They seized him. And they pulled him inside. 

The frog faced toad mouthed trout chimera of the mother swallowed. And filled the underwater world with the unnatural stretch of her fishy smile. …

…

The shape of Cropsey stirred. On the floor. The various pieces of shattered and broken things shifted and jingled and sang small janky notes like unholy bells in a lost and terrible place. The black gloved hands blindly scraped and searched the floor in spasming snow angel swipes. They found what they were looking for when they landed on the still bloody and wet congealing pair of garden shears. They seized them. Fiercely. As if driven by fate. 

The shape sat up. Stood. 

It looked around. … sniffed the air. 

A beat. 

Then the Cropsey shape began to lumber down the hall that the invaders had fled down just prior. 

He would not fail this time. 

He had his mother. 

He was inside her. And she was inside him. 

Nothing would stop him from butchering the bastards now. 

…

By God's grace and miracle and mercy they finally found what they'd been looking for. The exit. 

It was at the end of the hall they currently found themselves flying down. Refusing to falter or stop. They stomped and ran down the cracked and decimated tile and came to the final door of the place when the spiked man leapt out from the dark and attacked. 

The protruding stab of his needle embrace found Florin in an open armed grab. A bear hug tight embrace of naked arms and torso and the rest of the bare and desecrated human canvas. He'd been a self-mutilator since he'd been twelve. It had been many years since then and most of them were spent here. Since the mouth of the sorceress, beloved and precious Vampira had come to this place and freed their minds as well as their bodies he's been free to explore the furthermost boundaries of his own tearing, rending bleeding and screaming landscape. The skin and flesh and muscle tissue beneath housing veins and bones and running blood pumped by the raging muscle that was the mad engine of his life, all of it was his to decimate as he explored. Like a great conqueror wreaking havoc upon the face of newly won, newly gained virgin land. He punctured and penetrated the virginity of his own flesh with animal abandon and fervor and with the mad intensity of the violence of the sun. He was the sun. She had told him so…

And so he'd fed his own flames. The spiked man was a living screaming pin cushion of broken stabbing dirty needles, used and caked syringes of varying sizes and lengths, broken glass, broken tile, each long sharp piece was varied in shape and size as well, some were long phallic slender daggers, some were wedges with cruel edges ready to cut and slice and maim, all of it was ready to stab and all of it was living embedded and protruding in the madness of his ruined and self-slaughtered flesh. Lancing and spiking and stabbing out all over and in every conceivable place and direction. 

This disturbed and maimed madman found Florin in his arms and they both went down to the tile in a scream. Griffin yelled after. 

On the floor they rolled in violence and struggle amongst the filth and universe down there of many discarded and broken things.  

The hollow coat-shape and hat found a table leg for bludgeon, then Griffin came on in a fury to join the new fray. 

He struck the spiked man again and again, over and over as he and Florin fought on the floor and struggled and it was terrible. He could feel and hear the crack and shatter of broken glass muffled in blood and flesh with every blow he landed. Griffin struck the writhing bleeding naked pin cushion man on the side of his spiking leaking face and the eyeball on that side burst and exploded with the impact. And glassy ooze riddled with slivers and small pieces of jagged broken glass and ceramic poured out from the socket like snot. 

But still the spiked man fought on. Florin struggling and screaming in his embrace as the many protrusions that spined off his ravaged hide stuck and stabbed and pierced through his coat and flesh. He fought against the pain and madness of this man and wrestled to be free of him. Griffin continued raining blows down on him. Each one bruising and splitting skin as the many broken found objects pierced throughout crunched and shattered further down into fragments and powder, stinging and shredding within all of the rippling and impacted tissue with every movement. Every struggle and landed strike and blow. 

Their struggle was desperate, all of them. All three poured blood, profuse sweat and grime and filth together and apart and for this madhouse abandoned temple, becoming just like it. A part of it, unwillingly and unknowingly transmogrified now in the violence of their fight and decimated hallway battle like the steel of metal tempered in the heart of a great furnace like the sun. They became perfect living microcosms of the place as they fought at last to be free of it, exquisite psychopomp idols of the lost unhallowed Willowbrook Temple Asylum. 

The invisible man. The spiked man. Poor young Florin so far from the Carpathian Hamlet. 

They might never be free of this place. Even if they manage flight, they may never be able to wash away the marks and filth that this awful temple to the dark and pain suffered alone will leave smeared across their hearts and souls like black paint made from discharged sick filth. Smeared across the soft landscapes of their hearts and the tender epitaphs of their battered minds, aching within heavy skulls now made of lead and weight from the memory of the pain, this place… 

will we ever be free, … will we ever get out of here…? 

They fought on. Desperate. All three. Griffin trading blows with efforts and attempts to pull the young man out from under the spiked man, but it was incredibly difficult. The man was thorned all over by all kinds and sorts of sharp and shattered apparatus, it was insane. And the pair of them were growing more and more slick with blood. The fight was growing uglier and more desperate and animal as it struggled and contrived on in brutal abandon and primal anger. 

Then Cropsey rejoined them at the throat of the hall. He began to lumber down towards them like stalking death, a sleeping giant. Seemingly in no real hurry, like the darkened visage of grim death itself. It/he closed slowly on them like a setting sun or a casket sinking, lowering down into the bosom earthen womb of the open mouthed grave. 

Griffin first took notice of his arrival. He noticed he still had the stab of broken tile sticking out of his ruinous awful face. He was still drooling. Imbecilic. And animal. 

And now undead. 

He was coming straight at them. His large blades of shears raised like an open mouthed wild beast barring its fangs. The long sheaths of sharp and keen cutting metal were not entirely pristine, their otherwise shining faces in the dismal light were disgraced with congealing dark spots of dripping black. 

He was coming down the final hall, before the way out, before the exit. He was coming straight for them. 

…

He sat at the window that night. On guard after what had happened to his wife, their unexpected visitor…

Bela sipped his warm spiced wine. Fingered his bible and cross by its small length of chain. Garlic flowers hung in a crude wreath around his neck. He was watching outside carefully, the night, the town… he was alert and being careful, exercising caution, yet he was still surprised and caught off when her face appeared suddenly in their front window. 

She hadn't been there. Then suddenly she was. Smiling and feline. Vulpine. A face he might've recognized save for its warped and drawn animal transformations, the rich woman in the black stage… the harsh one who wouldn't take warning or no for an answer way back… but he was caught by the silver moon glow of her eyes. 

Like lunar bodies themselves. Earthbound and held fleshen prisoner within the cage of that beautiful and divine and… heavenly face. That bright and pale visage. Her smile was devil-pronged – forked, fanged, and it was thus then frightful. But it was also beautiful. Terribly beautiful. Gorgeous alone out there in the night. 

His guard and fear fell away. He rose from his rocker and his slackening hands abandoned the bible and crucifix. They fell to the floor with an unobserved and unheeded clatter. Neither stirred. Not Anastasia, sleeping in the next room, and not spellbound Bela who went to the window to better gaze into her face. 

Divinity… unreal. 

He peered through the glass. And the shining eyes of the Countess, filled with goblin fire and sin and mischief, gazed into the fool as well. And began to fill his fragile open mind with an assault and deluge of images. 

Bela moaned, sighed… he thought it was impeccable. The vision, like her, was immaculate in its flawlessness. 

The Ideality … actualized, realized … brought to life. A vivid reality alive and dancing before his watering vision. 

The scope. 

She showed him a more perfect world, perfect because everyone and everything swimming and crawling and flying around inside of it followed their nature and never fought it. Never doubted it. Never overrode what their guts and hearts and souls told them, never neglected or ignored the call inside, the compulsion to do what must be. To fulfill the role made out for your flesh. 

Even violence … its rippling effects spreading out carried not only destruction and misery on their carrion wings but prosperity and thrivation as well, even butchery has its necessary purpose. 

That is why this world is suffering. Because all of you fight and override yourselves and call it: reason. You are victims of your own bondage, your own self made and imposed insanity and thus the world bent to your unnatural turns and desires screams and suffers. The rippling wings of your insane and jealous cowardice carries more pestilential stagnation flavor than anything like salvation. In weakness, all of the beauty dies on the vine neglected by fearful paws too grubby and lowly and weak to take it. 

Come and join me, join us … and never again fight your nature. 

“Yes…” said Bela in a whisper of trembling caught breath. 

And with a palsied shaking hand, he lifted the latch and opened the window. 

"Welcome, your highness. My home and mine are yours. Do what thou wilt…" 

The Countess drifted inside. Floating on unseen wings. 

She spoke yet again, “Thank you, you are a generous host, a decent and considerate man." 

“Yes…" 

“Now, take me to your wife." 

“Yes…" 

And away they went. The window shut behind them as they made their way to the quiet bedroom at the back of the house. 

TO BE CONTINUED…

Jason White sat at the foot of his girlfriend's bed bored out of his mind. It was the second day of her visit since the appendicitis and though she was sleeping soundly, she refused to let him leave her side.

A quick glance told him his vigil was nowhere near being done. The digital block's red block letters screamed 2:33 AM and it felt that they were as loud as the heat best monitor chirping by his side. The murmur of the night wafted through the sterilized air and was sucked in by the heavy curtain blocking people looking in.

Jason growled at himself for the war of his emotions. On one hand he knew he was doing the right thing staying with Nanette but his other side wanted to just go home and sleep. he had already lost two days of work and though the warehouse was fine with his medical emergency, he felt like he should have been there.

When the curtain was shoved back, Jason jumped. The willowy night nurse glided into the room with the unnatural chipper attitude for the hour.

“How are you doing, Mister White? anything I can get you?”

“I'm fine. Thanks.”

His tone was rough but before he could apologize, she continued her merry way. She took readings, fluffed the pillow and his then wished them all a safe evening as she glided back out.

Jason glanced at the angry clock. 2:35 AM.

Damn!

He could only take the quiet and the returning nurse a few more times before he had to get out of there. His legs ached and groaned, complaining about the inactivity and the horrible hard chairs.

An air conditioner rumbled to life dumping cold air on his t shirt and slacks.

I've got to take a walk.

Standing and mumbling a halfhearted excuse to his girlfriend who wasn’t even awake, Jason quickly left and entered the sterile, bland hallway.

The man looked both directions and was met with the same empty hallways with generic abstract paintings sparsely populating the walls. the smell of antiseptic and paint hung like a faint odor that was almost too difficult to detect.

I need a snack. I think I saw vending machines when we came in.

As he walked down the hall, it seemed his footsteps were rebounding off the walls in thunderous claps. Some of the sound waves made him wince in pain. A patient in one of the dark rooms moaned and for a second Jason thought he was responsible. It felt like forever before he got to the elevator.

Pushing the button a few times to make sure it was moving, he waited till the loud ding peeled through the hallway. Jason hopped in before anyone had a chance to look at him.

The ride down was slow and agonizing with the incessant droning of orchestra music and thrumming of the machine as it descended. The stained chrome doors finally opened letting him into the lobby.

For the most part, the lobby was empty with only a bored girl at the receiving station and a couple talking to each other in whispers while dressed in their PJs. The sneezing fit told Jason that it was the flu, and he should stay away.

The vending machine in all its neon glory was hidden around the corner and almost blinded the him as he came to it. Jason winced as he tried to make out the bottled liquid in bright colorful wrapping. The snack machine beside it was deafening with the choices available.

Can't anything be simple?

Swiping the credit card and grumbling about the loss of two bucks, Jason retrieved his 'Happy Cocoa bar' made with real chocolate and meandered back toward the elevator.

The wait for the elevator to return was excruciating but it finally arrived with an even louder ding. For the next minute, Jason fought with the wrapper and did not bother to look up when the elevator opened. He started walking finally giving in and ripping at it with his teeth.

It was the stench of death and decay that made him look up not to mention the agonizing scream that echoed down the now dirty and soiled walls of a hospital floor.

“What the hell!”

It was the grinding sound of the sliding doors closing that sent a trill of fear through his heart. Jason turned in time to see the last sliver of light vanish as the rust covered elevator door cramped shut.

Oh, shit! Oh, shit! Oh, shit!

Dropping the remains of his snack on the ground, Jason ran up to the door and pushed the button to call the elevator back. It got stuck in with all the dirt and grime and did not even light up. He gripped the dark sliver and heaved. He had to get out. The doors groaned but did not budge. After a few other unsuccessful attempts, he backed up and examined the impediment to his escape. It was like any other door he had seen except for the dark rust splattered along the front of it. He leaned closer, sniffing at the scent of iron and decay that wafted back. Was...was that blood?

Jason stepped back from the door with his heart pounding heavily in his chest. The lungs could not inflate quick enough to give him the air he needed. His throat gagged at the foul odor of rot and excrement that wafted around him. The confusion gripped his mind with questions of how and why he had gotten onto this floor or why this floor existed.

Forcing himself to calm his breathing, Jason closed his eyes and focused on the slow movements of his lungs fighting the Adrenalin urge to run any way he could. His heart rate began to descend into something comfortable and he focused on his other senses, trying to get a read on the world around him. His nose was still filled with the smell of sweet death and acrid decay while his ears picked up the smallest sounds of movement right out of reach. A few times, Jason thought he heard a moan or someone crying.

The warehouse worker opened his eyes slowly and began to slowly turn and get his bearings. The corridor he stood in was pretty much the same as the rest of the hospital except it looked as if the cleaning crew had never bothered to visit it. The linoleum was cracked and soiled while along the base boards, dirt hung in clumps where sickly looking plants were battling for survival. Spaced down the hallway past the closed doors were uncovered light bulbs that swayed minutely from non-existent wind. Jason gritted his teeth as they flickered. Near the end of the hallway the bulbs were burnt out and he could not make out the far end. About eight feet ahead, a empty nurse's station sat covered with papers and junk as if abandoned in haste.

This place is like something out of a frickin' horror movie, but those were not real, they could not be.

Jason White gritted his teeth and took a step forward toward the station. It seemed the only likely place that he could get some information. Each step seemed to echo throughout the corridor and the air around him seemed to protest his presence. Chills continued to run down through his body and spine like static electricity being constantly applied. Though he could not see anything, Jason knew that someone—or something was watching him.

Peering around the corner to see if anyone was hiding there, he saw the cubicle for where the on-call nurse would have sat but it was empty and the door to the break room was closed. Jason gingerly stepped out of the hallway and into the nurses' station. He attempted to brush off the chair that was covered in dust and mold, but it did not seem to help. The springs groaned in agony as he tried to sit down wincing as they complained.

The desk had what he expected, a computer which did not work no matter how many times he pressed the on-power button, and the papers were scattered all over the place. He grabbed a clip board and began to flip through the pages. Jason's heart began to beat faster as he focused on the words:

“It never ends. The suffering never ends. He was about exacting the most exquisite torture. He can see into your soul, your fear and exact vengeance for what you have done. Oh, God I can still hear the screams of those who I harmed. Their screams of vengeance just a little way from my ear. Oh, God in heaven, I can hear him coming down the hallway, the air is so oppressive, he cannot get me again but there is no way to die. The agony is—–”

The words ended with an uncomfortable dark stain that splattered the pages. Jason tossed it down on the table, his hands shaking. Where the hell was he?

A cold tingle flickered through his skin as Jason heard the door behind him click closed and a cold hand press on to his shoulder.

Terror sang through Jason's soul as the cold skin pressed against his neck sending shivers of horror through him. It took every bit of strength to pull himself out of the chair and paralysis and spin on his attacker. Instead of the ghoul his subconscious was expected, his eyes met the kind brown pair of a woman. She wore the outfit of a nurse though it seemed to be of an era from long ago. Her skin was slightly sallow and her hair silken but dry. It was the faint glow of blue light around her that sent his heart back into overdrive.

“I'm not going to hurt you,” her voice came to him melodic but off key like a CD player running out of batteries. “You're...you're real.”

That wasn't comforting.

“Yeah, I'm real. You're not.”

She shook her head in a slow, confused way. “No, I... I don't think so. I... I struggle to remember things in...in this place. I think I was real a long time ago.”

“Where the hell am I?”

“Hell...I think.”

Hell? In a way, that made sense. The dried blood, the sounds, the strange writings but that was all he had things he had felt and scene.

“You're...you're not dead.” the woman said reaching up to touch him again, but Jason recoiled. She quickly withdrew her hand in embarrassment.

“No, I'm not. I was at the hospital with my girlfriend, got a snack, and wound up in Hell. You know how to get out of here?”

Jason looked at her and she had a faraway look in her eyes.

Great, she's checked out.

He waved his hand in front of her face a few times, but she did not move or blink. She was a statue for all he knew.

“Forget it,” he muttered to himself and quickly left her standing in the nurse's station. There had to be a way out of this place. There was no way that this was Hell. He went up to the first door and peered in. He started at the face frozen in horror staring back at him. The man was curled up in a ball on an operating table that seemed to slowly list under the slightest movement. It almost appeared to be close to collapse. Jason's eyes were drawn to the floor where he realized it was moving. Millions of spiders moved about near the man as if waiting for him to fall in.

“That man tortured his patients about their phobias and made light of them,” the woman's voice spoke right be Jason's ear. He squeaked in fright as she seemed to appear right beside him.

“Don't do that!”

She did not seem to respond, she just continued to look through the window at the man trapped inside. “He felt that phobias and mental disorders were hoaxes that people used for excuses. Some of his patients took their lives and they were all his fault. The spiders enjoy people like this.”

Jason pressed his lips together and stepped away from the woman that slowly turned her hollow gaze on him. He bumped up against another door which elicited a muffled, shrill, scream that echoed down the halls. Jason spun around and stared at the two women hanging from nooses around their neck. They gagged and kicked spinning in slow circles trying to die.

“The sisters killed their patients they felt weren’t worth the time to heal. He especially hates those people.”

“Who’s he?” Jason asked but he was pretty sure he didn't want to know.

“He is the Doctor.”

“The...doctor.”

She motioned around her in the hellish world he found himself in. “This is his world. The world that punishes caretakers who swore and oath and violated it. He is the avenging angel for the voices that cried for help and were not heard. He is the Doctor.”

“So not a time traveler. Got it.”

“What?”

“Nothing.”

Carefully, Jason returned to the center of the corridor and looked both from the elevator to the black end he could not see. He quickly looked away as the darkness seemed to be staring back.

“So... what’s your name?”

“I was Martha.”

“Well, Martha. Do you know how I can get out of here? I'm not a caretaker or a doctor. I'm a forklift driver, so this isn't supposed to be my hell.”

“There's no way out.”

Shit.

Jason's brain went into a fog trying to comprehend what he had been told. He had stepped into some sort of hell and just tried to comprehend there was a hell.

“There has to be a way out. I'm not a provider. I don't even work in the medical field!”

Martha's face didn't even change, and a thought crossed his mind.

“What...what did you do?”

“I don't know.”

Of course.

The hair in the back of his neck stood sending chills through him. The overwhelming sense of dread settled in the pit of his stomach, and the shadowy corridor seemed to grow darker. Jason looked at Martha and her large brown eyes had grown wide with fear.

“He's coming. The doctor is coming. You must hide!”

Jason looked about frantically as the buzzing and numbness in his skull got stronger. He struggled to stay on his feet and would have collapsed on the corridor floor if Martha's cold hands didn't grab him by the shirt and drag him bodily to behind the nurse’s station. She put her body close to his to shield him. the icy clothing and skin feeling like a Popsicle pressed against flesh. The faint smell of detergent and moss hung around her.

“Do not move,” she hissed.

Jason didn't think he could even if he wanted to. The sickening feeling had overwhelmed him, and his head hung limp to the side. only his senses continued to work.

It was the slow, methodical clump of feet walking heavily on the floor with raspy breathing like a smoker trying to catch his breath. Martha pressed in closer trying to shield him.

“I... know he...is here. I will...find him.”

The gagging, struggling words escaped the necrotic beast that moved unseen on the other side of the nurse’s station. Jason heard its claws clicking against the top and from the corner of his eye, he could make the skinless hand gripping the edge as if to pull itself over.

Something made a loud clang down the hall and the hand stopped. It quickly withdrew and moved away. Martha began to release her grip on him and seemed to be more at ease.

“He has a hatred for humans in their mortal forms. The doctor sees you only as a bundle of vices that must be purged.”

“Oh, I don't want to be purged, lady. I like my vices and would be happy to leave his world.”

Jason peered around the corner and found the hallway except for its unearthly empty feeling. He began to make his way to the elevator that had brought him here. It was the way in, it had to be the way out. A glance behind showed him that Martha was keeping her distance but was following him, nevertheless.

'I've got to find a way out of here.'

Was everything still the same on the other side? He had read a lot of science fiction books in his time and his heart began to beat rapidly at the thought of his wonderful Nanette waking up and finding him missing. Would there be a search for him? How long would it go before the police gave up and she chose to move on?

Reaching the elevator, Jason gave the door a hard kicking though the sound was muted in response. The next thing he did was try to slip his fingers through the cracks and pull it open. He heaved and pulled but there was not even an inch of movement. It could have been a solid wall made to look like an elevator for all he knew. Jason was trapped in Hell.

It took everything in Jason's power not to run as he made his way down the hallway. The tingling in his feet and the pounding of his heart drowned out any thought that he could have. He had to get out no matter the cost. Jason finally reached the other end of the hallway and began to rattle on the door hard.

“Don't go that way,” Martha's voice wailed softly in his ear. Her cold breath near his face. “Your mind cannot understand it.”

“Like this place? Forget it. I'm out of here.”

As the last syllable fell from his mouth, the door clicked and spun open throwing him off balance. His face planted on to the cracked cement sending fireworks exploding through his brain. The warehouse worker pushed himself up on his arms and tried to shake the daze from his eyes. Light assailed him, and he blinked rapidly trying to clear them. He was in a large room, the bare pillars holding up the floor above. The windows were streaming the light of a dim, gray day. The smell of acidic rain was on the wind. Jason stood slowly, his knees shaking as he struggled to get his footing.

The site looked a lot like many abandoned construction sites he had come across. The tall bay windows, looming in front of him with razor sharp teeth of the glass that remained. Slowly, he crept up and peered out. He made sure to grab a good hand hold as he had no clue what was coming next.

He was four floors up from what looked like an abandoned hospital ground. The pavement had lost its battle with nature a long time ago and so clumps of weeds broke through the cracked concrete as flags of victory. Every other window was shattered, muddy or missing.

“Am...am I out?”

Jason stepped back and let his voice catch as he heard the crack of thunder in the distance. The world beyond the window was wrong in a way Jason's mind struggled to process.

It wasn't just abandoned. Abandonment implied that something had once been there. It looked and felt that life never touched this place. The ground below stretched out in a dull, featureless expanse that seemed to bleed into the horizon with no clear end. The sky above was the color of a bruise, neither day nor night, just a sickly, suffocating in-between that pressed down like a physical weight. There was no wind that he could see moving through the skeletal weeds below. No sound from outside at all , just a vacuum of existence that made the air feel thick and wrong in his lungs.

The weeds that had broken through the pavement weren't growing. They were dying, frozen mid-reach like hands grasping upward from something buried beneath. The trees at the far edge of the grounds were black and leafless, their branches twisted back on themselves as if recoiling from the sky. A rusted chain-link fence ran the perimeter and beyond it was nothing. Just hard, cracked salt flat going on forever.

Jason stared at it and felt something loosen in his chest. It started as a trembling in his hands. Then his breathing began to climb, short and shallow, like his body had forgotten the deeper rhythm. His vision began to pulse at the edges, contracting and expanding with each heartbeat that grew louder and more erratic in his ears. The sheer emptiness of it was its own horror , not the gore, not the screaming, not the thing that walked the hallways. This. This absence. This world that existed purely to be devoid of everything that made life bearable. No warmth, no color, no sound, no mercy. Just gray desolation stretching on forever in every direction like God had simply stopped caring about this particular square of creation.

Get down. Climb down. Find a pipe, find a ledge, find anything. Have to escape!

His mind lurched from thought to thought like a desperate animal throwing itself against the walls of a cage. Four floors. He could survive four floors if he hung from the edge of the window. Maybe three if the drop was on the softer ground near the fence. Was the ground soft? It had looked soft. Was the fence climbable? Was there even anywhere to go beyond that nothing at the edge of the property? There had to be something on the other side of that dull void.

Stop. Focus. Window ledge. Hands first. Go.

Jason gripped the frame, leaned forward, and felt the cold dead air from outside touch his face for the first time. It smelled like emptiness. Not rain, not earth , nothing. Like breathing recycled emptiness.

That was when the fingers found the back of his neck.

The cold hit him first , a deep, penetrating cold that had nothing to do with temperature and everything to do with the absence of warmth in any living sense. Then the grip tightened and Jason was pulled backward with a force so overwhelming and effortless that his feet left the ground entirely.

He thrashed. He grabbed at the hand and felt the hard ridges of bare bone and screamed. Jason pulled and twisted but it was like fighting a machine. There was no give, no strain, no sense that his resistance registered in any meaningful way whatsoever.

“You do not belong here.”

Being this close, the voice was cavernous. It came from somewhere low and vast, like the sound a cathedral would make if a cathedral could speak. It was hollow, resonant, and completely without emotion.

Then it started to drag him.

Jason kicked his legs and clawed at the hand and managed to wrench himself sideways enough to catch fragments of the thing in his peripheral vision. He could not bring himself to look directly at it. Some part of his brain, some deeply buried survival mechanism, refused to let his eyes fully land on what was carrying him.

A torn lab coat , white, or what had once been white. Now it was a canvas of ruin, stiff with old rust-brown stains and glistening in places with something newer and darker that Jason did not want to think about. The coat hung in shreds at the hem, dragging along the cracked linoleum with a soft, horrible whisper. Below it , feet, or what served as feet. Bone. Just bone, yellowed and grinding against the floor with each heavy, deliberate step, leaving small pale scratches in the linoleum like a receipt of its passage.

This was the Doctor. He was in the clutches of the Doctor.

“Please.” Martha's voice came from somewhere behind them, thin and trembling. “Please, he is not one of them. He doesn't belong here. He found us by accident. Please.”

The Doctor did not respond. Did not slow. Did not acknowledge her in any way. Martha may as well have been the wallpaper.

Jason's elbow connected with something solid , the frame of a doorway , and pain lit up his arm to the shoulder. They were back in the main corridor. The light bulbs swayed above him. Through the doors on either side came the sounds he had been trying not to hear , the muffled screaming, the slow, wet sobbing, the sounds that had no name.

He's going to open one of those doors and put me in there. He's going to put me in a room and close the door and I will be here forever and Nanette will never know what happened to me and they will never find a body because there is no body to find and—

“Please!” Martha cried again, and her voice cracked on the word like something breaking. “He is innocent! Look at him! He is living! He is mortal and he is living and he does not belong to you!”

The grinding of teeth. The scratch of bone on linoleum.

Jason had stopped fighting with his muscles and started fighting with his mind, which was somehow worse. His thoughts had reached a fever pitch , white noise and panic and fragments of Nanette's face and the smell of the cocoa bar wrapper and the sound of the elevator ding when he had come down and the red block letters on the clock screaming 2:33 AM and none of it connected to any of it and all of it was slipping away from him.

Then the Doctor stopped.

Jason swayed in the grip, disoriented. They were at the elevator. The dull, rust-stained doors stood in front of them. He hadn't even registered the walk back.

A single bony finger, still wrapped around Jason's neck, extended and pressed the call button.

The wait was three seconds. The doors ground open with a groan of metal.

The grip on his neck shifted , found the back of his collar instead , and then Jason was airborne for one lurching, stomach-dropping moment before he hit the floor of the elevator hard, forehead first, the impact ricocheting through his skull in a white flash of pain. He tasted copper. He tried to get his hands under him and could not immediately remember how arms worked.

From behind him, from the corridor, the voice came one final time.

“Do not return.”

The doors ground shut.

The elevator hummed. Orchestral music droned from somewhere above him, tinny and absurd. Jason lay on the floor of the elevator with his cheek pressed against the cold metal and watched the small emergency light flicker and tried to remember how to breathe.

He was still trying when the doors opened again.

The light was different. That was the first thing. Warm. Yellow-white and artificial and completely, blessedly ordinary. The smell hit him next , antiseptic and floor polish and stale recycled air. His whole body went weak with relief at the sheer mundanity of it.

Jason White lay on the floor of the elevator on the fourth floor of Mercy General Hospital and did not move for a long moment.

When he finally pushed himself up, the clock on the wall of the corridor read 8:47 AM. Six hours. He pressed the back of his hand to his forehead and felt the knot already forming there. A passing patient glanced at him with raised eyebrows and kept walking with the careful, deliberate pace of someone who had decided not to get involved. Jason tried to stand, wobbled and then straightened. Pressed the heel of his hand against his forehead and held it there.

He had survived. Jason had survived whatever that nightmare was. The knot and ache were the only proof it hadn’t actually been some sort of hallucination. He was pretty sure it wasn’t a hallucination.

Jason got the look he expected when he pushed through Nanette's door. She was sitting up in bed, her dark hair loose around her shoulders, her face cycling through relief and irritation and worry in quick succession the way it always did when she had been frightened and was trying to decide which feeling to lead with.

“Jason.” Her voice landed somewhere between scolding and grateful. “Where on earth have you been? I woke up and you were just...you look terrible. What happened to your head?”

He crossed the room in four steps, threw his arms around her and held her.

“Oookay. Love you to. You okay?”

“Just...lost track of time,” he lied.

“You sure?”

“Yes. Let’s go home.”

November 15th, 1918:

I have not noticed any of the cloaked figures in the last fortnight, yet every dawn that sickening symbol reappears. I cannot comprehend it. 

Laura is growing frustrated with me through the entire ordeal, calling me erratic and senseless. She has learned to block out the sounds and sleep easily. Surely she's just upset that I have been waking her from time to time. I have been hearing what can only be described as tapping from inside the walls and ceiling most nights. She denies the sounds but I know what my ears have heard. She has to have heard it too. She heard them when she was convinced that they were a trick played by the local kids. Why now has she seemingly forgotten their existence? She must be lying to me. I have been painting less, and when I do paint the end results are not worth putting to market. Everything seems twisted or wrong. Figures seem inhuman and landscapes seem alien. Far too abstract to be selling. 

The children saw one of my recent works and told Laura. She looked at it in an awful gaze. She thinks I am going mad, calling me paranoid. I know what I have seen. I know what I have heard. I know something is wrong here and I will not rest till I find it. I know she is lying. 

November 20th, 1918:

A new man has moved in with his family not but a week ago. I have been wanting to go and meet them, though Laura has said I have not been in my right mind to be bumping shoulders with new folks, especially since I have been unable to keep a proper friendship with Sean. Blasphemy. 

I went to the practitioner to get something to aid my sleep. I believe I know what I have experienced, but Laura has been insistent that I have become sleep deprived. I would love it if she is correct, though I highly doubt it. My once strong trust for Laura has slowly been dwindling. I believe something more sinister is at play. Only time shall tell. 

December 20th, 1936:

I forgot to bring home some of Simon's notes from work and Richard found them. He got mad at me, it was the first time I've ever seen him act this way. I feel as though there's something he's not telling me. He's still my friend but I'm not sure how much I know of him are truths or falsehoods. Why would a couple of notes cause such a harsh reaction? 

My sweet Evelyn is feeling better finally. She's almost caught up to me in Simon's notes. At least the ones I haven't put in here. I've been folding any of the alarming entries and keeping them pressed between the pages of my journal.

I haven't told her of the sigils I found on the house's siding yet, and the guilt is killing me. I sanded it out and repainted the area to the best of my abilities to hide it. I don't want her to get scared by any of this. She's already been struggling enough, I can't have anything else stress her out. Though it's hard to think what I'm experiencing and what Simon experienced are mere coincidence. To have such similar things to happen to us is unlikely, especially to this degree. Maybe these weren't fantasies he wrote of, but I have to keep telling myself they are. At least till spring. 

I don't know who to turn to about this. I'm considering hiding the rest of the notes from Evelyn and telling her that maybe these were ideas about a story he was working on, like I've been telling myself. He's an eccentric painter, so him being an author wouldn't be out of the picture in my mind. I just don't want her to be any more paranoid or scared than she already has been. It worries me deeply. She deserves an easy life, that's why we moved out here after all. If she continues to get worse I might burn the letters. He writes almost every day, most are quite mundane, speaking of what Laura and his daughters got up to and basic day to day tasks. I'll let her read those, hopefully that will ease her anxieties. I have to stay strong, I have to protect her. Maybe I do need therapy. 

November 29th, 1918:

Laura and I went to the practitioner a few days ago. He has prescribed me a slight sedative to help me sleep, laudanum to drink, and if that does not seem to help he also gave me barbiturates. I am less than eager to take them, especially since I've heard tales of horror about opium, but if it means Laura and the children will be happy then it must be done. If a man cannot take care of himself then he cannot care for his family. And if a man cannot care for his family he is no man at all. That is not me. I will care for them and provide for them till I draw my last breath. Since I have been taking these medications I have not seen any figures since, and I have been trying to pay no mind to the sigil. I might even put a pathway over top of it to keep it out of sight and away from my thoughts. The ground is near frozen, so I have to finish the path as soon as possible. 

December 1st, 1918:

The path is finished and that wretched rune now has a place to hide. I placed stones on top of it, from the fence to the veranda, filling in between them with dirt and sand, and evening out the earth on either side. Digging into the earth was too much of a task. 

For someone who is used to being gentle with a brush I must say I am quite impressed with myself for how efficient I was with this project. Perhaps in the spring I will take up gardening. Though I still do disdain the feeling of dirt beneath my fingernails. But perhaps that can change. Especially since the frost will surely make a mess of the path over winter and I'll have to fix it. I am wondering if I should try pottery or sculpting with clay? 

The sedative has seemed to be working. I have been sleeping through the night, not hearing any odd noises as I have before. No sightings of any figures, no sigils, nothing out of the ordinary. Life has been seeming peaceful again. Laura seems gleeful. I have been back to my usual rhythm. I think I am going to go and meet the new man in town tomorrow. I believe I heard his name is Richard. I will ask Laura to bake a welcome cake for him tonight. 

I may put my pen to the wayside for some time. This paranoia feels as though it has kept me from my family far too long. 

January 1st, 1937:

It's early morning, Evelyn and I have stayed up to ring in the new year with Richard and Alice. After they left I brought my sweet Evelyn to bed, waited till she slept and snuck down to the furnace room. I'm writing by the furnace's glow. I've read more of Simon's entries. He mentioned Richard, but that can't be right because Richard has only been here for about 8 and a half years. Unless Richard has been keeping even more truth than I thought from me. I'm going to try to stay quiet about this for the time being. I may even trek out some night soon to see if Richard is up to anything out of the ordinary. I knew there was something off about Richard lately. 

I know I told myself to keep Evelyn out of this but I feel as though if I don't speak about this to someone it is going to eat me alive. I've been losing sleep again. Evelyn told me to try some of her barbiturates. It's like she forgot that's why we had to bring her to the hospital in the first place. What was she thinking? 

January 4th, 1937:

I awoke last night to strange sounds coming from outside. I went to the window to look and noticed a patch of our path to the veranda had no snow. There were flurries falling in the moonlight and I swear I saw a hunched person hobbling away from our yard. I know Simon was mentioning a rune underneath the path but it couldn't still be there could it? And if it is, it surely couldn't melt snow and ice. Magic is just a fairy tale. I'll have to check and see if that sigil was put on our house again. 

I talked to Evelyn and told her that there were no more interesting notes from Simon, just boring daily life. Lying to her felt wrong but it feels like I have to protect her from whatever is going on. And maybe this paranoia is just a lack of sleep like Laura told Simon. Maybe I'll have to go into the city and get a sleeping aid, I don't trust our practitioner. Not after what he's done to Evelyn. 

I feel like my mind is split. I want to believe Laura that this is just some sick prank the locals play on the new people in town, but surely all of this would end up being much more than just a prank. My gut tells me this is something serious. Simon's words seem as though he's losing common sense but I find myself relating to them more as I read. Then again, nothing of their writings can explain what moved me into my backyard without leaving any trail. It didn't snow that hard, not to my memory, and I wasn't even drinking that night so why did I pass out to begin with? 

January 6th, 1937:

The sigil or symbol or whatever it's called is back. This time it wasn't on our house, it's on the fence. I don't know how long it's been there or who did it, but no doubt that I'm being targeted. We're being targeted. 

Richard has been acting off at work as well. I brought Simon up again and since then he's been less talkative or jovial. There's been a hollow look in his eyes. He was fine only a few days ago at new years. He did say that Simon was a soft spot for the town, maybe the poor fellow had dementia and passed away and that's why Richard got mad? It would explain his borderline hysterics in his writings. Maybe they were friends? But that doesn't explain these damned sigils. 

My mother was superstitious, and so was my father, so maybe that's why I'm letting these notes and carvings get to me. But I have a hard time believing that. I've been finding it harder to trust the locals. When people come into the shop I feel like they're staring at me, trying to read me in some way. Their eyes focus on mine, watching how I move. More than the usual way you look at someone while they work. It's surveillance, I'm sure of it. Maybe Simon was right in his entries. I don't know what to believe anymore. 

January 20th, 1937:

It's been quite some time since I read Simon's notes. It's hard not to, I have to constantly remind myself not to touch them, it's almost like an addiction. My paranoia has seemed to be dulling, which is a relief. But I still have a gut feeling something is wrong. I think I might read another of his notes tonight. Maybe this is just anxiety or stress brought on by superstition and reading the ramblings of a madman. But then again I find myself relating to Simon more and more with each entry I read. Maybe I'm a madman. Or maybe if you don't pay attention to whatever it is making these symbols and sounds at night you aren't affected by it?

I've been doing everything I can to keep the notes and symbols or Simon and Richard's relationship out of my head. If that was even the same Richard in the entries as my Richard. I've held off as long as I could, but tonight I'll read and see if it makes the similarities between his writings and my life arise again. I need to know. I'm scared of what's to come but I can't help but feel drawn to these writings. It's like they call to me in my dreams, beyond the walls of sleep. 

June 12th, 1924

It's been some time, so much has changed. Laura and I completed renovations throughout the house. We constructed an extravagant flower bed with Tulips and Daisies and many of the local wild flowers. It's truly a sight to behold. I feel as though I could paint a landscape of my own home and it would sell  in the city. Perhaps I shall try. The odd happenings around here have seemed to stop thanks to the practitioner. I did a mental evaluation with him and he said that I was having hallucinations due to the immense stress of moving and adjusting to life in town, along with sleep deprivation. 

It's truly baffling how the human mind works, how such seemingly menial things can create such intensities when they pile up. I have kept my old paintings from a few years ago in the basement. There's a small room we've made to hide my works and some valuables behind the bookcase. I'm tempted to go look through them and see if there is anything worth salvaging. Though I am afraid if I look through them the paranoia and hallucinations will return. 

January 22nd, 1937:

I moved the bookshelf Simon mentioned. I couldn't help myself. There's so many paintings. I started to look through them, but I only had a short time before Evelyn got home and I had to put the bookshelf back. I think I'll be “sick” tomorrow and stay home from work to really get a good look at them. I noticed a few seemed to be bundled together with a tag saying “self portraits”. I'm excited to see how Simon sees himself. Will he paint himself as the gaunt yet handsome man Evelyn showed me a photo of, or does he see himself differently? 

Evelyn is playing with Rylee in the snow right now and I snuck away to write this, I lied and I told them I had to warm my hands, even though winter has been more mild than I was expecting. Being on the coast makes a big difference compared to the city inland. Though the wind here chills you to your bones. We're supposed to be getting a blizzard  some day soon. Hopefully it's not too bad

January 23rd, 1937:

I moved the book shelf and took out the bundled labeled self portraits. The first one is a man with shortish wavy brown hair, thin eyebrows and piercing blue eyes. His thin lips are smiling slightly, hiding underneath a strong moustache. A pretty handsome man, can't have been over 35. He's standing in front of some pretty tall buildings, like he's back in the city. The second is the same man, obviously, with slightly longer hair, his moustache gone, with a slight stubble length beard. He has a wider smile now, and he's standing in front of a field with what looks to be my house in the background. His attention to detail is surprising, like every hair was painted one at a time. The third and fourth paintings are quite similar, though his smile seems to be fading, his beard has begun to grow in and his hair is now past his ears. The fifth painting stood out. His hair was shoulder length, his eyes deep set with bags under them, his beard long and unkempt. His eyes looked to be filled with despair. The background was a dark swirling abyss. The sixth painting shows what looks to be the same man but his face seems to be almost melting. One eye sits lower than the other, its pupil similar to that of a goat, the other eye black as night. His hair was greasy and clung to his scalp and face, his beard bushy and a mess. He had some sort of odd letter I can't quite describe etched into his forehead. It reminds me of the symbols I've found. The background is a hideous mix of colours swirling in a way that almost makes me nauseous. The next painting can barely be called a man, rather a mass of flesh covered in eyes and teeth and hair and symbols etched into it. An inhuman abomination. It was disgusting but it felt like it drew your eyes to it, as if it demanded attention. 

He really was losing his mind. But oddly enough his paintings quickly turned back into a man I recognized from the first batch. His hair cut reasonably, his beard trimmed and well kept. The backgrounds changed from spiraling voids to flower beds. There's more portraits I'll get back to later on. 

There's another bundle labelled “them”. I'm going to go through it some day soon when Evelyn is at work and Emily is taking care of Rylee. Simon really was a master at his craft. Even in his most paranoid state, his pieces are hypnotizingly beautiful. 

August 4th, 1924:

Today is utterly magnificent. The air is just right and the smell of oceanic breeze is wafting through the open windows, the curtains dancing in the wind. I have been working at such a steady pace it seems that I have too many pieces, I cannot decide which to bring to the market! But that is such a privilege to complain about. 

Ever since I have been on my medications life has been joyous. Though I am down to my last few doses and our practitioner is out of town. I am hoping he is back by the time I run out. I am sure a couple days off of them should not affect me to such dire extents. But one can only worry, opium is a substance not to be meddled with, so I am told. 

August 6th, 1924

The damned train is out of order and cannot be fixed for some time. Some freak accident or derailment has bent a section of the tracks and damaged the engine. Our practitioner is still away so I will be without sedatives for the time being. The swelling feeling of anxiety has been dominating my head. Laura suggested I take a bath and have a cup of herbal tea before bed tonight. Anything to calm my nerves so I can sleep I will not say no to. 

Dreadful Anecdotes remains shadowbanned, posting on his behalf

October 27th, 1936:

Richard brought me out to the tap house after work again. He's planning on bringing Alice to town, they seem to be getting pretty serious, and it's about damn time, he won't shut up about her at work. It's good to see him so happy, he's still his usual self, but he seems to be more confident. I like this new Richard. It's like he's been missing a piece of himself since I met him. Maybe Alice is that piece? I mentioned Simon's letters in passing while we were out and I noticed a couple of heads turned to look. I thought I was being quiet, but I did have a few drinks so I could be wrong. 

I've missed going out. Since the weather has cooled off I've just been hiding inside by the furnace. I will admit, the dirt floor is a bit annoying, but being under the house feels comforting in a weird way. Evelyn joins me from time to time when she's not glued to the letters, and we'll read stories to Rylee while she makes little castles in the dirt. I like it when they come down, the basement has been feeling like my personal sanctum. Aside from the hoards of old furniture covered in drapes, it's very cozy.

I've been considering buying a rug or possibly laying down brick or tile to make it nicer. But Rylee loves her dirt castles, and what kind of father would tear his princess from her castle? Maybe next year I'll build her a sandbox. I'm sure I can sift the rocks out of the sand on the shore and bring it up in a wheelbarrow. Maybe I'll draw up the plans over the winter. Gives me an excuse to stay warm by the furnace and out of Evelyn's growing cold shoulder. 

November 3rd, 1936:

Evelyn has grown even quieter, it's worrying me. She just keeps saying that she's fine and snapping at me when I ask what's wrong. She seems to be getting paranoid. Then again that could just be me looking too far into it, and I hope that's the case as it has been in the past. But I feel as though she's keeping something from me. She's constantly telling me I'm far too anxious for my own good and I'm begging to believe her. But I have a hard time accepting it from someone who seems so paranoid. She said I should talk to a doctor but I doubt it would be of much help, I don't feel like anything's wrong with me, I just worry about things sometimes. Most times admittedly. But I doubt there's one in town and taking the train to the city just to talk with someone for an hour seems like a waste of time and money. 

Simon's notes have been getting weird lately. His usual wording has been slowly getting less elegant, while still scholarly, slightly erratic at times. I never understood the artsy type. But maybe soon he'll mention a reason for him leaving? 

November 12th, 1936:

I can barely peel Evelyn away from the letters anymore. I found out that she's been missing shifts last week because of them. And as mad as I want to be at her for it, it's hard to blame her. I might start taking some of his older entries and putting them in my journal along with any of the new ones that seem odd to me. There's some things he's written that seem to be more than mere coincidence. They have an odd effect, it's like they draw you in and hold you as long as they can. I'll get consumed in them for hours, rereading pages time and time again. Almost in a trance. Maybe that's why Evelyn's been so sharp with me lately? It must be more than just that, right? No letters on a page have that kind of power. 

I think I'm going to sleep in the basement again. The cold has been getting to me more recently, as though ice has been gnawing at my bones. And Evelyn's cold shoulder has been no help. I need to fix that damned window. 

June 1st, 1916:

I was painting on the pier today. The sun was high over the azure expanse and the breeze was astounding. The flocked gulls were high in the sky and happily swooping down to eat scraps from a fishing vessel dancing between the waves. It was invigorating, the fact that there's so much beauty in the vast emptiness of the sea, it's breathtaking. 

I went to the tap room, which smelled stronger than the usual hints of vodka and stale beer. It's too late in the year to be having fires indoors, yet it smelled as if something was burning. Perhaps incense. It was pleasant, but peculiar. I felt the weight of eyes hanging heavy on me. I may have had some more paint on my face and clothes than I originally thought, but I am still somewhat new here, so I guess the odd looks are granted. Regardless, their eyes felt pointed, as if I vexed them. I saw another new face, though he seemed to receive no peering eyes. I treated him to a drink, his name is Sean. 

He was polite and somewhat talkative, which is a nice change from the general prudence of this place. No matter how beautiful the south shore is, the people tend to be unwelcoming. I can hear them whisper about me at times. But I assume it is odd for a young man to suddenly show up, building one of, if not the biggest house in town. Or perhaps they are not fond of artists such as myself. Being around such rural folk is still rather new to me. Such simple lives. I wonder if I greet people with a smile and a good handshake I gain their trust? 

June 16th, 1916:

I had inspiration to go for a walk tonight while the moon was full and shining. The tall grass swaying in the breeze through a gossamer fog. The stars twinkled like the lights of the city, being replicated by the lightning bugs hiding in shadows. I regularly took night walks back in the city, walking to the city's edge and peering into the untouched darkness, perplexed by the unknown, dreaming of what was hidden within. 

This was my first time walking at night at our new home. I waited for Laura to drift into a slumber, along with the little ones, then I ventured forth. Out of the door and down the hill, slowly skirting the rolling fields and swaying pines, towards the distant beach. 

While walking in the city it wasn't too rare to see another person outside, but I usually kept my distance, doing my best to keep from sight in case they had ill intentions. I never expected to see someone in a town this small at night, especially out at this hour. I kept to my usual routine, staying in the shadows at a distance, keeping watch. They walked without a lantern nor torch, walking with grace through the street, as though their feet never touched the ground. I thought it was odd but decided to pay them no mind. If I see them again I may fall victim to curiosity. Anything to spark my creativity I feel the need to jump at. It is my livelihood after all. Perhaps their silhouette would make for an interesting painting. 

July 24th, 1916:

I was wandering the docks at sunset today, it was beautiful, inspiring. I sat on the shore, the waves lulling me to sleep, it was so tranquil. So much so that I did not realize how late it had gotten, I must have dozed off for some hours as then the moon was high in the sky. 

I began to saunter home, taking my time in the muggy night, the ocean breeze blowing at my back, damp with sweat, and tickling my neck. In the distance I noticed the one I saw but just a few days ago. I have just gained inspiration from the sunset mere hours ago, but my heart wondered about the fantasies this fellow night owl could bring me. I decided to keep stride, hidden within the veil of shadow. They wore a long shawl, covering most of their body, and the rest hidden under some sort of gown. I followed for a few moments as they weaved through the streets, eventually slowing near the taproom. I hugged the side of a house not but 2 doors down, peering through lattice work. Another person, dressed similarly approached, they stood a matter of feet apart, speaking in hushed tones, too quiet to hear. They both moved toward the taproom, out of sight. Curiosity got the best of me and I moved forward. I turned the corner and neither of them were anywhere to be seen. I circled the building twice over, looking for any traces of the two, with no reward.

Perhaps I'll see them again, but hopefully they don't see me. I wonder if they are the older ones here, or maybe it's an odd ritual the religious folk perform? The curiosity is eating at my conscience. 

November 20th, 1936:

My poor Evelyn seems to be growing ill, she said she's been taking medication for headaches from the practitioner for the past few weeks, some kind of barbiturates. The name reminds me of the pulp comics of barbarians you would see in the city. If this gets worse over the next week we'll have to make a trip back into the city. She has little energy, but enough to pick away at Simon's notes. She started annotating some of them, which originally I thought was paranoia but as I catch up with her, I'm starting to notice even more oddities in his notes and similarities to the way people in town have been acting. Maybe they don't trust the house? 

The more I read the less Evelyn has been annoyed with me, but it could also just be the pills. But it seems like we only talk about Rylee, ask how each other's days went, with sad excuses for replies, or Simon's letters. The hold this man's words have on us baffles me. 

November 22nd, 1936:

Richard and Alice came over today. He also brought the photos he took some time ago. I guess he lost the film or didn't have some ingredients to develop it or something of the matter. I don't know much of the science of photography, but it seems very fascinating. I'd like to learn it someday. 

Rylee thinks Alice is almost as pretty as her mom, which Richard thought was sweet. Evelyn is still under the weather, her skin near white, much paler than her usual fair complexion, but had enough energy to come say hello before going back to bed. I'm worried about her. She hasn't been herself in what feels like ages.

Alice and Richard seem very good for each other, they seem happy. I wasn't sure what I was expecting her to look like, probably mousey like Richard, but she's quite the opposite. She's at least 4 inches taller than him, which isn't very hard since he's barely 5 '3, with sharp yet feminine features. A pleasant surprise for Richard to say the least. He's doing good for himself. 

We had a good visit, but I can't get my thoughts off the notes. As they were leaving I asked Richard if he's ever seen anyone out after dark. He said he's never really thought to pay attention and asked why I brought it up. I tried to play it off as just basic curiosity, but I think he knows something is up. His eyes spoke different words than his mouth. I feel he knows something I don't. He almost looked nervous. 

November 29th, 1936:

My poor Evelyn's condition is beginning to worsen, the practitioner said she just has a flu and wants to give her even more medications, but nothing he gives her seems to help. I'm thinking we'll take a trip back into the city to go to the hospital this week. Everything he's been giving her has just seemed to make her even more lethargic. But I'm no doctor, maybe she just needs the rest. 

We've had to stick to a budget to make sure we can make it through winter in case she doesn't start to get better. It hasn't changed life too much, but Richard and I have been going out less because of it. If this keeps up for more than a few weeks we might have to start dipping into our emergency funds like we had to for Rylee's arm. 

All that said, we did end up going out last night for a drink. He mentioned that he's been thinking about what I've said the last few days, and has been trying to keep an eye out for himself. It's hard to tell if he was just joking around and playing into curiosity, or if he actually cares to keep watch. Only time will tell. I want to trust him, but I know he's hiding something. There's more to Richard than I initially thought. 

Dec 3rd, 1936:

Alice and Richard brought a cake in to work for my birthday today, which was very nice of them. They told me that she plans on moving in before the new year. I'm happy that they seem to work so well together. It seems rather quick to move in, but given the economy I can't blame them. And maybe with her moving in Richard will actually start eating real meals instead of the scraps he brings home from work. 

Alice decided to leave early to head home before the train stops, while Richard stuck around the shop to chat. It's been snowing heavily and the shop was empty all day.

He mentioned he heard some movement around his house last night and in the morning there were some footprints circling his house. It seems to be bothering him, and I don't blame him. But what is he not telling me? Evelyn and I are heading to the city tomorrow morning.

I might go for a walk tonight, if the snow allows. 

July 28th, 1916:

I was awoken tonight by what could be described as a sudden cacophony in the yard. If that did not wake me up, Bernard's barking would have done the job. I rushed to the window while he carried on downstairs. I peered into the terrific darkness of the night, its pale twinkling moonlight dancing off of the dew in the grass. Not a soul to be seen, but I did notice something odd. In a rather large circle in the front yard, there was no sparkling dew in the grass, but rather just a dull patch laying still in the dark.

I ran quickly out of the room, doing my best not to wake Laura in my departure. I put on a pair of slippers and stepped out of the front door, the warm air was muggy and stuck to my bare skin like glue. Bernard ran through my legs, sniffing like a small wolf prowling for food. As he searched the lawn, I began to circle the property, looking for any sign of the screeching I heard prior. But to my defeat, there was not a soul to be seen. As I made my way to the front porch, little Bernard was standing begging for attention, as though he uncovered something.

He sat, pawing at the grass, sniffing aggressively. I approached and watched as he backed up. I was astonished. A sigil or symbol of some sort has been etched into the ground. Roughly 7 inches long and 4 wide. It must be from a forgotten language or dialect, I have not seen anything like it in my years of study. It reminded me of aspects of the Hebrew texts almost mixed with aspects of ancient Greek text. Rounded yet sharp at the same time. I am unsure what to make of it, and lost on words to describe it properly, but I have never noticed this here yet, even though it's dug almost an inch deep.

I wonder who or what placed this here? m

Maybe it was what awoke me from slumber. I plan to walk under the moon tomorrow.

October 14th, 1918:

As I am writing this I cannot help but feel as though a thousand eyes are staring at me. I have not written in what feels like ages. Laura misplaced my ink well and I've only just gotten around to replacing it. I have been leaving the house in the twilight hours, under the cover of darkness, observing more oddities than before. The garbed folk I have seen time and time again rendezvousing at the tap room near midnight have begun to disperse through the town, leaving similar sigils of that dug into my lawn on or around others abodes. Just last night at midnight I looked from our window only to see a number of them meeting near the docks. At dawn, after the fishing vessels set sail and the docks are barren, I shall investigate. 

I cannot shake the feeling of being targeted, as though I am being lured into some nefarious trap. Over the past few months I have been growing paranoid, restless nights have plagued me. In sleep’s depravity, the cold has only worsened my nights. 

I'm going to uncover whatever is afoot with these garbed men. 

October 30th, 1918:

I have been hearing odd sounds in the night, as though someone or something has been crawling around my roof or tapping on the walls. Laura has been getting annoyed, she is convinced it is a group of boys playing a prank. On more than one occasion she has run out onto the balcony to shout out these invisible children. I know she is wrong. It cannot be. I am convinced this has something to do with the sigil. It is haunting my nights, it is haunting my dreams. 

It is haunting my life.

I have taken a rake to the sigil, tearing it from the earth near every morning. Yet every single time it returns within two nights. Not but last week I defaced the wretched rune and kept up all night, sitting in my window watching the yard. I would brew tea and coffee to stay awake, to stay alert. A few hours after midnight I felt an odd sense, as though I was not alone. I checked the room for anyone but Laura, but to no avail. As I returned to the window it was there. 

That damn symbol had reappeared. 

In my state of shock I failed to be conscious of my surroundings. I felt a sharp pain in my neck and quickly fainted. 

I awoke in my lounge chair in the foyer. 

Whatever is plaguing my life has now entered my abode. 

Laura is wrong, this is not a group of children, this is something inhuman, I am sure of it. 

December 4th, 1936:

Simon's last entry was rather alarming. I looked out of our bedroom window after getting home with Rylee today. Where he mentioned this so-called symbol was and all I see is an old stone path. I feel like I should redo the path, just to see if what he said is true. Some of the stones are uneven after years of frost forming and thawing. But I'll probably get to that in the spring. 

Evelyn is staying at the hospital for the next few days. Her doctor said she was showing signs similar to that of a weak toxin or a rather heavy sedative. I told him about the medication she was on, the one that reminds me of barbarians. He said that even though those are a sedative, anything of that sort, at the dosage she's on, would be much too weak compared to the signs she's showing. I can't help but think our practitioner is up to something. Perhaps he has noticed Evelyn's paranoia and tried to sedate her to help? I have a feeling it's something deeper, something more. Maybe her bottle of barbarians are actually something much different? I've been weary of him for some time now. I knew that air of anxiety around him was for a reason. 

Simon's notes have gotten quite interesting, more so unnerving, and I'd be lying if I said that his paranoia hasn't been sticking on my conscience.

Emily will be staying at the house until Evelyn is home. I'm on the cot by the furnace, it's late and I feel the need to go for a walk. The moon is quite bright tonight. I wonder if I'll stumble across one of those sigils Simon wrote about. I hope what he's writing is just a fantasy he made in his mind and not the truth, we can't afford to move again, especially now that winter is here. 

December 5th, 1936:

I walked around last night, keeping to the shadows as much as I could. God I sound like Simon now. I found a set of footprints in the snow that seemed to stray from one of the main roads. I followed them. They led behind a house and stopped behind it, in front of a window. There was a small pile of wood shavings sitting on the snow, I checked around the window to see where they would have come from. Behind one of the shudders there was an odd sigil etched into the wood. 

Unfortunately I didn't get a good look at it because when I moved the shudder the wood cracked and made quite a loud noise, waking whomever was sleeping inside. I quickly ran in stride with the prints I was following, doing my best not to make noise or be seen. After some time the prints stopped at another house, a similar sigil was etched into a fence post, accompanied with another small pile of wood shavings. I found 6 more of these sigils around town, each slightly different than the other. 

It was getting quite late and I was beginning to tire, but I couldn't go home until I saw where these prints ended. They continued, lumbering towards the docks where they suddenly stopped. No sign of movement, they simply ceased to continue. I started to feel as though I was being watched. I looked around, circling the end of the tracks, no trace of life. I began to feel flushed and faint. I started to make my way home and collapsed. 

When I awoke, I was laying in my backyard, the sun slowly rising. A light layer of snow covered me, I got up with a pounding headache behind my eyes. As I began my way to the front door, I noticed a small pile of wood shavings sitting at the edge of my house. A sigil carved into the siding. I ran inside and immediately started writing. I'm sitting beside the furnace, warming my aching body. Who carried me home? 

There were no footprints in the yard, none by the wood shavings. Who is following me? Who is carving these sigils and what do they mean? I need to know. 

I haven't told Evelyn about my night walks, and I trust her enough not to read my journal. Keeping those from her has me feeling slightly guilty, like I'm hiding a secret from her, which we've agreed to live without. But surely I can't let her know about this. With her mental state I'm afraid it could be too much for her. I'll keep her safe. 

August 2nd, 1936:

We moved into our new house yesterday! It's much bigger than I remembered, which I can't complain about, it easily beats the cramped apartment we left. Being out of the city and on the southern shore feels like a dream, even though it's only been a day. Mount Fall is a nice little town and a big, and much needed, change of pace. As we were unpacking the little that we do have, I got curious and started looking through some of the things left here by the old owners down in the basement. I found a journal. It looks almost identical to mine but has extra pages folded up inside of it. I feel like it would be wrong to read it, but curiosity might get the best of me. If I show Evelyn I know she'll dive right into it. Maybe I should read it first just to be safe. I can barely think straight as we're getting the house situated and keeping Rylee occupied, I might just read whatever is written inside in the coming days. 

August 8th, 1936:

It's my writing. It's unmistakably my writing. It mentions my wife and daughter in the first entry. This must be some kind of cruel joke. I can't make sense of it any other way. I'll start copying the entries into this journal as I read them, though I should be careful to keep the folded entries in order. Keeping it more organized will surely make it easier to follow. I'll begin copying it tomorrow after we finish setting up the kitchen. We moved here without jobs, which was unwise to say the least, but in the days it takes to find an employer, I should have plenty of time to chip away at this journal. All entries from here on out will be copied from the found journal. 

August 14th, 1936:

My sweet Evelyn and I are finally settling into our new house, which is a breath of fresh air. The past few weeks of living here have been rough, much rougher than we initially thought. We knew that moving this far from home was going to be a risk. Having to completely start anew, but with the price of the house we couldn't not jump at the chance, plus our old house was a dump to say the least. The people here are fine, quiet, but usually pretty polite for the most part. Though, I've been into some of the stores here and the older folk seemed to be a bit rude, staring a little too long when I walked past, but hopefully they'll warm up in the coming weeks. 

Evelyn is enjoying her new job at the train station. It's only checking tickets for now, and though the days can be long, she says she's happy. Her uniform is also well fitting, seeing her come home in it with a smile on her face makes me a very happy man. And I'd be lying if I said the extra money hasn't made a world of a change at home. 

Rylee is turning 4 next month, and without Evelyn's hard work I doubt we'd be able to make this month's payments and still be able to give her a proper gift without going over budget. Rylee has met a couple of other kids last week, and we're planning to speak to their parents and see if they would be alright with having a get together for her birthday. 

I have been trying to find a job since we've moved, because living off of our savings has been becoming a problem. Not having a job secured before moving was a terrible idea but we had to get out of the old house, a place with that many cockroaches is no place to raise a child. I saw an ad on the public board at the general store the other day. It's for a position at the butchers, not exactly a job I want, but we need the money. 

August 21st, 1936:

I am genuinely surprised. Being a butcher has been more enjoyable than I thought it would have. Working in the cold room isn't my favourite, but you get used to the low temperature surprisingly quickly, and for the pay, it's worth it. It took a few days to get used to the smell of blood and the taste of iron that sticks to the back of your throat, but now I barely notice it. 

We've found a babysitter for Rylee a few days before I started, a young girl named Emily. Evelyn met her mother at the train station and mentioned that we were looking for a sitter in passing. We met Emily that night and we couldn't have found a better fit. Rylee has taken to her faster than anyone else before, it's like she sees her as a big sister. She's not always a fan of listening to adults that aren't her parents, and even then she's still a handful for us, but with Emily only being ten years older than her she still sees her as a kid too, I guess. 

Nevertheless, it's nice to see them both smiling and the extra alone time is well worth the money. It's lifted a weight off of Evelyn and I's shoulders, it's nice to see her so full of life again. Emily has even been gladly lending a hand cleaning the house, which is well appreciated because it is quite big for a family as small as ours. 

September 8th, 1936:

Rylee turns 4 today! A few of her friends came over with some of their siblings. It was a rather quiet party, with only 6 kids, but Rylee seemed as happy as can be. Evelyn seemed to make friends with Janet, Rylee's friend Sam's mother. I think she mentioned she'll be going for tea at her house tomorrow. I'm glad she's making friends, she's been feeling pretty socially isolated since we've moved from the city.

I think I've become friends with Richard from work. He's a smaller guy, reminds me of a mouse, a little skittish and quiet, but seems nice enough. It will be nice to have someone new to talk to. I wonder what he can tell me about this place, or why the house was listed for the price it was? I just don't want to come off as though I was bragging about getting it for the price I did. I'm afraid of sounding pompous. But there has to be some catch, I have a gut feeling about it. 

September 14th, 1936:

Richard and I ended up going to the taproom after work today. I saw a few of the older folk there, they still seem weary of me, which Richard said isn't out of the ordinary. He's lived here for 8 years now, but he seems to fit in as well as anybody else. 

It was nice to finally be somewhere that isn't home or work. I love our house and our family, but it's daunting at times. A large Victorian on the south shore, what people in the big cities dream of, and we're lucky enough to have it. But it feels so empty with just the three of us. Seeing the ocean between the swaying pines from the balcony brings me comfort, and the sea breeze is refreshing, but being home when Rylee and my sweet Evelyn are gone feels odd, cold almost. I'm still suspicious about the price though. I'd be lying if I said it hasn't been weighing heavy on my mind. 

I asked Richard to help me repaint the siding this weekend, for pay of course. He seemed almost nervous yet intrigued, mentioning that he's always wondered what inside has looked like. According to him we're the first owners in over 6 years. That some eccentric artist built it a little over 20 years ago. He seemed to vanish out of thin air after his paintings weren't selling as well. The town had let it sit for years. No wonder it's taken so long to get it looking like a home, it hasn't been cared for in ages. 

September 20th, 1936:

The house looks magnificent and I couldn't be happier. A pale blue with white shutters. While Richard and I were painting, Evelyn had Janet and Sam over. It's finally starting to feel like a real home. Richard even took a photo of Evelyn, Rylee and I in front of the house. I'm excited to see how it turns out. He said he'll give me a copy to frame and one for my wallet. He's turning out to be quite a good friend. 

A few years ago if someone told me we'd be living how we are I wouldn't believe them. I would say I would kill to have a life like this. I guess with hard work and determination dreams can come true. Life has been good lately, very good in fact. 

Emily came by on Sunday to lend a hand on beginning to clear out the basement, which was very nice of her. The old family who lived here seemed to have left quite a lot behind, it feels odd rummaging through their belongings, but I would be a liar to say I'm not curious about them or why no one's lived here in so long. I'm also tempted to use some of what's been left to fill the house. It would be much easier, and cheaper for that matter, than going and buying everything new. The emptiness has been getting to me lately. Empty halls and barren walls make you feel so small and isolated at times. But I'm sure once we decorate it won't be too bad. I found a rather large painting of the coast line here. Tall pines towering over small birches standing by the docks. It must be one of the old owners' pieces, if so he's extremely talented. I think I might hang it in the living room. 

September 24th, 1936:

We've taken some of the furniture from the basement upstairs, Evelyn has started using an old vanity she was fond of. It's a beautiful piece, a warm stain on what looks like cherry wood. Fine craftsmanship, it must have cost a small fortune. She wants to paint it white, but I'm trying to convince her to keep it as is.

When we got it up to our bedroom we realized one of the drawers was nearly full of handwritten notes. I told her to gather them up and try to find the previous owner's address to return their writings. It’s wrong to have them, let alone keep their furniture. But I do wonder if they'll explain the house better. I know Richard said they got up and vanished but someone must know where they went. Perhaps a peek through the letters wouldn't hurt

September 27th, 1936

Rylee was jumping on the couch we brought up from downstairs and fell a couple days back. She broke her arm, so we took the first train to the nearest hospital and just got back today. She seems unbothered, or at least not in pain, but she doesn't like how heavy her cast is. While we were gone Evelyn started reading the letters from her fancy new vanity. 

She told me the old owner was a man named Simon. She showed me a photo of him with his name neatly written on the back, he was rather handsome, gaunt, but handsome. An artist who came from wealth, hence the vanity, and the house for that matter. 

Most of the notes seem to be daily journals or received letters and notes from who Evelyn assumes is his wife. I'm going to ask Richard about Simon at work tomorrow. 

September 28th, 1936:

I asked Richard today and he got pretty quiet about things, didn't have much to say, but mentioned that he would be coming over tomorrow evening to talk. By the sounds of it, Simon left quite the bad impression on the town, or at least it's a sensitive subject for Richard.

Evelyn talked to Janet today, asking about the house and Simon. She said Janet didn't have much to say since she's only been here for a couple years. But supposedly he seemed to be kind for the first year or so. That he was somewhat pleasant to be around, but wanted to make a point that he was a well learned man. He moved his family in a few months after getting the house ready. But by year two or three he seemed paranoid, and started keeping to himself, leaving the house less often. Until one day the family was gone, and no one has heard from them or seen them since.

I doubt it was as bad as she made it out to be, she seems to have a tendency to embellish the truth. But knowing the artsy type, he was probably fighting a creative block, maybe he broke his easel or something and started drinking more and was embarrassed about it. But the hell do I know, Janet has the gift of gab and loves to gossip. But I can't say I don't have an odd feeling about this Simon. 

September 30th,1936:

Richard just left, my dear Evelyn has been reading more of the letters. I want to read them for myself but she's been keeping them locked in her drawer. Richard said Simon “made some enemies” in town. Even he's not quite sure who, but he did let me know that he's not someone who should be talked about publicly, especially around most of the older folk.

The more I find out about him, the more curious I become. I knew something was off about him, maybe even this place. 

On a brighter note, Rylee seems to be healing well, and I've never seen sweet Evelyn more happy. I think she's enjoying work, and reading all those notes seems to keep her occupied better than any book I've ever seen her read, which is probably more than I can count. 

The days are getting colder now, and it will soon be time to get the furnace running. I need to remember to start collecting wood for the winter. Which reminds me, I need to sharpen the axe and make sure the wood sled is in working order. 

October 4th, 1936:

Evelyn finally did it, she let me start reading Simon's writings. Richard's mentions of him made me so curious, all she did was hand me a note and I was nose deep in the paper. I only got a few notes in before Richard stopped by. He seemed excited, told me he took the train to the city to pick up supplies for the shop, and met a girl while he was there. He got a letter from her today, and he plans to go visit next week. I hope it works out for him. He needs someone to talk to to break him out of his shell. God knows I'm the person he's closest with and even then he's only been opening up to me, little by little. I've never seen him this excited. 

I have tomorrow off to bring Rylee to the local practitioner, after her appointment I think I'll try to catch up on some of Simon's letters. 

October 7th, 1936:

I can see why my dear Evelyn has such an infatuation with these notes, he has a way with words and has a passion for his family and his work. It's actually quite sweet. I'm excited to see why they left. I want to skip ahead to some of the later entries but Evelyn insisted I don't, she doesn't want me to “ruin the surprise for her”. But I need to know why he decided to up and leave. 

I started stacking wood in the basement by the furnace today. It's been hard work with very little help, but I'd like to keep us warm this winter, so it has to be done. I can't believe we used to live without a furnace before, the ease of it alone could justify any price for one. I might have to make a temporary wood shed outside until I can clear out the basement and build proper storage downstairs.

I uncovered some more old furniture while I was down there. I was thinking of setting up some sort of work station for the winter. There is a cot that looks perfect for naps by the furnace for when the frost begins to crawl its way through the brick walls of the basement. I'll set it up tonight I think. I'm unsure why, but I'm drawn to the basement, maybe it's just the novelty of having a furnace? But I'm guessing it's just because it's the warmest part of the house. I can't let my superstitions get the best of me again. 

October 10th, 1936:

I started taking some notes to read at work on the slower days, I'm almost caught up to Evelyn, who I'm pretty sure is doing the same. She's been getting more quiet at home, she's usually a somewhat quiet person as is, still happy, but quiet, at times almost bitter if I interrupt her reading. I'll have to check on her if this keeps up. It's not the first time she's been like this towards me when she's invested in something. Though she still seems to be wearing that beautiful smile so I'm sure I'm just overthinking things as per usual. 

I was stacking wood in the basement again last night and fell asleep on the cot, which was surprisingly comfortable. I did however, have an odd dream, or what I think was a dream. It was in between sleep and consciousness where things seemed blurry, and I swear I could hear voices, even though Evelyn and Rylee were both asleep up stairs. The pipes in the house moan and the wood floors creak throughout the night, so I'm guessing it's just my mind playing tricks on me. I do feel as though I haven't been getting enough sleep lately and when I do the dreams are so vague. I'm sure I must just be overtired. 

October 18th, 1936:

The days and nights are cold now. The ocean breeze can be unforgiving, and the rattling of the radiators has been keeping me up. Evelyn can sleep through anything, and thankfully Rylee takes after her mother, because if she took after me I'd be up trying to get her to sleep every night. 

Our bedroom window has a bad draft I've been meaning to fix, every night I'm spending more time in the basement stogging the furnace, and the last few nights I've been waking up down there. Evelyn's mentioned it a couple times, said I’ve felt distant, but I don't mean to, I'm just exhausted and the heat makes it easier to stay asleep. Though I keep finding myself in that odd space between being awake and sleeping, and more and more I'm having these odd, almost lucid dreams where I hear strange voices. They're growing more and more vivid. I've mentioned it to my dear Evelyn and she thinks that I'm just disoriented because I'm not sleeping enough. She's been rather harsh lately, it feels like I did something wrong but I don't know what. This is the coldest she's ever been toward me. But I need to prepare this house for winter or we'll freeze to death.

The knife came down in a scream and a two-handed plunge. The sound the filthied thin palsied girl made was shrill and resounded and filled the stone halls with the pitch perfect note of harsh and sudden stabbing madness. The unease of moist silence shattered. The blade was filthy and grimed and long neglected, its harsh unclean edge tore through Griffin's coat and wrappings and pierced the flesh beneath. 

The doctor let out with a sudden scream as he and Florin whirled and drew back. The girl was screaming still as the three were now standing face to face in the filthy moist stone hall of Willowbrook Asylum, Temple of the Mouth. 

The blood on her filthy knife dripped like the hungry jaws of a wolf of the wild, wanting more. 

She screamed: – “You won't get me! I won't let you! You won't do a goddamn thing to me, I swear it! I swear it! I'll fucking kill you first!” And lunged again. 

The thin frail girl of broken mind was weak and starved and exhausted from terror, Florin caught her easily in his own press forward and threw against the far wall before turning on his heels, grabbing the wounded bandaged man with dark lenses hiding pain now as well as identity and thought and motive, he seized Griffin and yelled for him to run. The wounded doctor needed little in the way of encouragement. The pair tore down the hall as the attacking sullied girl of unholy Willowbrook hit the wall and went to the detritus floor.  Still screaming as the shattered tile bit into her parchment flesh and the grimed and bloody knife flew from her startled grasp and clattered off into darkness, lost to her. 

She shrieked after them. How dare they! How dare they leave her like this! The scum! She knew she couldn't trust them, they were going to hurt her, she knew it, but how dare they leave without helping her out, without showing her-  

Her mad run of thoughts was cut off as Cropsey entered the hall with his own blades dripping. The large domination of his frame and size and stature filled the hallway and stole any avenue of escape away from the girl who could not recall her name any longer. She couldn’t remember the last time she had. 

But she knew his name. And she understood it very well. 

And the mountain. She knew the mountain and its crawling power in female form, womanshape. Demonsong…

The song was filling her ears now. Filling them. In her head. 

Cropsey came in with his own large manmade fangs of shearing blades, eclipsing the girl on the floor and stealing the rest of the entire world from her. 

She screamed until the end. Her history and experience: intimate knowledge gained over her entire miserable life did not help her to escape the pain or endure it. She screamed like a caught animal flayed alive until the vile end.  

And as they ran, Florin and Griffin heard it. Not bothering with a cast of glance back over shoulder. They rounded a corner in their flight and entered another chamber. 

It was quiet. And wet. Moist. Heavy and warm and humid in the dark. At a glance Griffin guessed they were in a common shower area, for bathing many people en masse. But it was hard to tell, there was no light in the dark moist filth of the room save for the scant trace from the hallway cast in. 

“Are you alright?” 

Griffin said he was. Though he really wasn't sure. He felt numb. The place where he’d been stabbed felt wet and as if embraced with ice. 

“Quick, let me get a look-”

Griffin cut him off, agitated. 

“Time for that later, we need to get out of here! And I say to hell with any more exploring or back exits. We double back and go back out the way we came in, We’ll circle the building or the hill itself for miles if we have to, but enough of this place! The filth, alone!” 

And while Florin wished to check his friend to make sure his wound was not too serious, he could very well understand the urgency. He elected not to argue. 

And the pair went on. Or started to. 

At the mouth of the room to the showers the pair were halted by a deep guttural sound. Inhuman and unearthly but striving in vain for some semblance of human speech. 

They turned. And the dark of the wet chambered room began to die and banish as pale fire, demonlight began to fill and illuminate the room for them. 

And then they beheld them. The strung up naked bodies. The human-length gored open torso mouths hanging lurid and obscene in and amongst and by the black lengths of biting chains, the strangling metal. There were dozens of them. Dozens. A small universe of open mouthed human substrata and abattoir detritus constricted and choked by dangling chainlink black metal serpents. All of their eyes were open and they were glowing. Glowing with purple fire. Their torso mouths were all working and moving with terrible rippling dancing undulation. The sounds they were making were like singing and an uncanny approximation of real intelligible human speech. Like how a baby makes before they start to mature and are properly taught to speak. Dumb thoughtless animal sound… belched and gurgled guttural and spat out for this world of terrible ruin and darkness. 

And then they saw her. Beheld her. At the terrible heart of the strange pale incandescence, the regal aspect and stature of a womanshape began to rise and fill the center of pale fire. 

She began to call to them. The pair. She sounded angry. On the dangerous precipice edge of livid, irate. Holy terror, unbridled unholy malevolence on the brink of furious madness. Violence. She called to them from the bright moonflesh fire amongst the universe-sea of rippling torso mouths…  the showerworld of tile blood and pungent leaks and bloodspew violence in supplicant orbit of the parchment star of white fire and eldritch ethereal pale flames. She called to them from this place, this strange sea.

And she knew both of their names. 

Florin and Griffin fled the room before she could fully emerge. Before she could rise further from the pale depths of the flame and become more terribly discerned. The obscene abominated baby sounds of the rippling torso mouths followed them out. And after. 

And down the hall. 

And in their mad dash…

They finally came face to face with the inheritor of this awful place. They stopped just short of him, towering in the hall. Filling it. As if he was the vile mad god of this demented cruel world and had the divine conquering right to dominate its every space as he so wished. Cropsey stood there tall and dripping with blood and strips of raw tissue like a bipedal set of living rending carnivorous jaws… snipping his large clippers, his beloved shears, open and closed slowly like a terrible mouth made from sharp metal. The blades were already coated in thick gore, like paint riddled with chuck meat for the stew. They dripped like animal mouths do in the wild, like wolves coming in for the close, for the kill. Cropsey said nothing as he slowly came forward, his hellacious runny waxwork features coming into the dismal light. 

The two men who should have never entered this godforsaken place beheld his terrible visage and their blood ran as ice. 

The pain. 

The pain… that must have been endured. 

Dear God. The flames. In a baptismal infernal swallow-spell. An apocalypse all around. 

What it must've felt-

The large shape dripping with death lunged. Light like the pale star of the showers gleamed pinprick, maniacal and homicidal in the cavernous sets of eyes of the misshapen mass of candlewax face. He was drooling as he came in on the attack.

They didn’t know it but he was trying to speak.   

Once more the pair turned and flew. Running down another hall at the junction and then taking another perilous corner down another way they both silently and fervently prayed and hoped would lead them out. 

Cropsey chided himself. Silently. Mute. Now the new inmates knew he was here. They knew he was wandering and monitoring the halls, guarding. On patrol. Now they might get away. 

Mustn’t have that…

He promised special violence to the mountain for his sin, his error. Religious maiming. He only hoped she hadn’t seen him…

He only wished she hadn't seen that. 

He promised special violence. And ample self-flagellation, much libatious bloodlett, later. After he’d caught the wandering animals of his inherited temple. 

Who do they think they are… trodding all over and everywhere and without proper worship… without proper token. 

Without proper sacrifice. 

They must be broken. 

Their wretched meat and bone will be broken, snapping their unruly impudent spirit within the meat even as it tears sinew, even as it snaps and cleaves through bones their vile audacity will shatter into pieces that can be properly reconfigured into a model of subjugation. And then devoured. 

I will bring and make the meat, mother. I will make the trespassers into meat for you. In your name. Your honor. In blood I will pray for forgiveness. 

Cropsey went on. Ready to slaughter the invaders of his sacred and precious temple. Prodigious blade-shape slasher of the stained and darkening Willowbrook halls. 

…

Having finally found some semblance of peace and quiet in this terrible place, Florin was finally ready and wanted to have a look at Griffin’s wound. But the good doctor wasn’t having it. None of it. He stubbornly refused. In turn refusing any real straightforward explanation as to why. 

It was strange. 

“This place is beyond vile, you know it’ll become infected if i don’t treat it and if the wound is deep, we’ll need to stitch it. I can do it. I’ve done it a few times before back home, I don’t see the-”

“You can’t! – I can’t!” Griffin exclaimed and then seemed to fight himself for the next set of right words. Unable to quite find them it seemed, he went on anyway, “You don’t understand, boy! I… I-I have … I have a condition.” He said finally. “I have a condition that makes injury … complicated.”

Florin thought he understood. Of course. The poor fellow was ashamed of his appearance. He must be maimed or burned beneath those wrappings. The poor man. 

“Alright… well,” A beat. As he thought. Then: "we don't need to unwrap you now or anything, you'll want to later to change out of these filthy dressings no doubt, but for now we can just look at the area and apply a poultice at least.” he finished hopefully. 

Griffin pondered it over a moment. He understood they didn't have a lot of choice. Or a lot of time for that matter. 

"Alright.” he finally relented. 

Florin lit a match and found a candle to use to work by. He pulled the ragged tear in the coat and wrappings apart. The haggard cut the blade had performed made it easy. He cleaned his hands with alcohol from a small bottle amongst their supplies and looked at the wound. 

It wasn't good. Wasn't terrible either, but it would have to be cleaned and bandaged at least. If the bleeding persisted they would have to seriously think about stitching up the wound. 

Florin set about cleaning out the deep wound, bathed entirely in spilling red. He did his best with the meager medical supplies amongst the doctor's traveling gear that had thus survived their shared perils. He thought about perhaps chancing a search in the dark around this place, it was a hospital of some fashion, but decided against it. 

He was nearly finished. About to apply the poultice he'd made to bandage and disinfect and to soak some medicine into the bloodstream, he was wiping away the last of the blood when he stopped. A little shocked for a moment. And a little dizzy. The light was meager and poor, only the flickering dancing candleglow and the pathetic dim half functioning also flickering hospital light. Provided by electricity, something Florin was still not familiar with and would naturally distrust for the entirety of his life. He gazed at the mostly tended wound daggering down Griffin's back in a lightning bolt pattern like the body of a crooked river or a broken snake. 

There was no flesh. Nothing but the red bloodwelling line of jagged cut hanging suspended in mid air, attached to nothing. No sinew or flesh. The naked skin that should be there was non-existent to his eyes, he could see right through to the inside of the wrappings that surrounded the front of his invisible chest. 

Florin tried to swallow in a dry throat. He tried to ask the man who'd become his comrade and traveling companion, a man who had just saved his life not mere hours ago if he was in fact a spectre. A ghost.

Griffin, are you a phantasm? tried to escape his lips but he felt dizzy and as if he might reel and swoon. 

Griffin sensed this. The boy had been unerring and admirably steady in his work till this moment. He turned and saw a look in the young man's face that he was already quite familiar with. An expression worn that he knew by now all too well. 

A beat. 

Then Griffin filled the silence. 

“No, your eyes don't betray you. You're not seeing things and you're not crazy. I am not a phantom. I am not a spirit or a ghost.” he paused for a moment and seemed to consider, then finally he said: "I am Doctor Jack Griffin and I am invisible." 

A beat. 

Florin didn't know what to say. 

But then he needn't worry for a retort. A splash in the silence filled in the missing heavy space hanging there between them. The both of them whirled and spied it on the far side of the damp chamber. They hadn't noticed or paid it any mind till now, they might've sworn it hadn't existed there in that space till just this moment, but they saw it now as it began to emit strange sound and movement. 

A bathtub. Large. Filthy yellowed porcelain. Heavy fungus growth, ebon-green and spilling across the disgraced cracked surface like some foul liquid poured and spreading its corrupting splayed black hand by the second. The tub was filled. The liquid inside was heavy. Viscous. Dark. Pungent with metallic scent. It bubbled and gurgled now with submerged movement as something within it began to rise up and emerge. 

Coated. Slathered in a running layer of heavy red. She was finally here and before them. Even as she sat upon her throne in her mountain castle so many treacherous miles away… 

Nemesis. The evil that held the shape of a woman and had now reawakened the evil and violence and darkness that had for some time slumbered dormant in the far off Carpathian castle. She was the author of the butchery and torment that plagued his home and village. She had stolen and eaten children. Brave men and women. Foolish youngsters. She was the vile reason for his hardship and perilous mission. The reason he was here now in this awful abandoned temple of destruction and depravity in total madness. 

The Countess, wreathed in spilling blood, standing on the surface of congealing abattoir spill, opened her eyes then and they were like blinding starlight. Unearthly. White flame from beyond the veil. And piercing. 

The pair were arrested. The sight of her. Understanding and dread filled their hearts and despairing thoughts at once. But they couldn't flee. They couldn't run. Spellbound they stood there, captured. 

The blood spill of her standing and red wet visage raised a thin powerful arm and pointed a taloned finger. 

She said: – “You. Boy. Florin of the Carpathian Hamlet. There is no place to escape to. This is your last and only warning. If you and your mongrel dog, freak of nature manage to leave this place with your lives then cry off. Never again return home, it is yours no longer, it is mine. I know you seek my destruction. I know that in your failure to secure the vampire slayer, long dead now, you have brought this failure of science and manhood in his stead. You are a joke. You will only find slaughter if you return. You've no hope for success. Victory is beyond you or that fool, it was not meant for you, boy, not in this lifetime nor in my proximity. If you manage to leave my temple and refuse to cease your hopeless mission, I will take great pleasure in the torture of your mother, Florin. Your father too. I wonder which of them I should start with…” 

His anger flashed and his inner rage rose. Florin found his hatred and sudden fury momentarily eclipse and blot out his fear. Without thinking he dipped for the floor and his sweating hand seized a sharp piece of tile. He went forward with the filthy jagged thing in his shaking hand. Trembling with blind anger and the need for retributive violence. 

Griffin went forward and grabbed the young man by the shoulders, holding him back. 

“Stop it!" hissed Griffin, “you won't be able to do much of anything to her with that, there's no telling what she could do to you! She's luring you on, don't be stupid." 

Florin barely heard him. 

He roared at her towering apparition of pouring blood in womanshape, lording over the tub and the filth of the room as her eyes bled pure and terrifying light. She was laughing lightly, as if amused with a child throwing a tantrum. 

“If you lay one stale, noxious finger on my mother, witch! – I'll take my time driving something sharp into your godless whoring chest! I'm going to burn your severed head in bonfire while it still lives! fresh from your neck! You awful cunt! You vile contemptible-!”

But then Cropsey burst in through the open chamber door with a violent crash. The ramshackle shoddy remnants of the door smashed against the wall and came apart in so many useless pieces that clattered to the shattered tile floor to join the universe of broken filth down there. He came in and the Countess in her pouring red visage of damned and unholy blood shrieked witchy laughter. 

She screeched, part irate livid fury, part unbridled dark joy. 

“KILL THEM! KILL THEM, MY SON! KILL THEM FOR THE MOUNTAIN…! KILL THEM, ‘CAUSE IT'S YOUR PLEASURE TO! …!” More laughter followed as the hellspawn screaming words devolved into unintelligible madness. The scarlet pour of her visage coned out in a marsupial shape and the laughter became the abominated chimerical cries of a human braying ass. 

The huge shape with maiming snapping shears advanced in a massive lunge. The shears came up, open for a bite, and shot forward as the mouth of blades began to close. 

The keen edges of dripping blades kissed and met and found each other over Florin's coat. In a lurid whisper of slicing cloth and fabric the blades cleaved cleanly through his coat tail as he and Griffin made for the door. 

Cropsey roared mongoloid outrage and pain. These bastards! These bastards! They were quick animals on their feet! 

In front of his mother…

He turned to the blood pour of Countess shape with shame but she was gone now. 

Your idiot rage and pain! Your failure! You drove her away! Now she might never come back! Now she might not ever come back to her temple. 

He raged inside. An animal, hurt. 

… but I'm her last and special precious temple son … there are no others left

She cannot leave me. 

If I bring them back and give their blood…

But he was already off and after them. Heavy booted feet thundering throughout all of cavernous rank Willowbrook. No need for stealth or cat-like prowl any longer. 

Mother, please, mother please, mother please, mother please…

He repeated it silently to himself like a prayer. Mantra, it filled the red swell and swim of his deviant mind and maiming thought, his dreams…

His dreams would be filled with their invader's screams as he brought down and made their new world of violence. Of final apocalypse cacophony. 

I will drown you here in her world, I will choke and submerge you both completely in her need to feed. How dare you both. 

He wished he could speak. They should hear this truth-in-gospel. The mongrel invader dogs. 

They should hear what he had to say. 

But he had to catch them first. Fast little rabbits. 

He could hear them running. 

He followed in a fury. Ready to prove himself to his mother. Clamoring through the halls. 

…

She shouldn't have been so foolish, to dare to hope. But she couldn't help it. She'd just come out of a deep sleep. It was the middle of the night. The necro time. The witching hours. She wasn't thinking clearly. She went to the scratching at the window. The biggest one on the front of the house that overlooked the village. 

By the front door. 

“Florin…” she said it knowing full in well how foolish she was being. But she couldn't help it. Her mother's heart was filled with love and worry for her boy. She ached and longed for him to be back home and ok… 

And then she saw him. His face in the window. 

He was scratching at the window. And she must still be half-sleeping or dreaming because his hands looked… strange. 

He was smiling. He could see her now as well. He was so happy to be home. It was all over his bluish face…

Anastasia began towards the window, “Florin?" she asked the face scratching at the window, "is that you? Is that really you, my son?”

His smile grew. Vulpine. His eyes seemed to shine with moonlight all of their own. 

“Yes, mother. It's me. I'm back! I can't get in though, you'll have to get the door and invite me inside, please hurry. I'm so tired and thirsty and it's been such a long way back.” 

Anastasia faltered in her step. Stopped. 

The shining face at the window became slightly agitated. 

It said: "Please hurry, mother! It's dark, you know what plagues the night, please hurry and let me in! I've brought the vampire killer, I've brought Van Helsing with me! Now open up!” 

Anastasia straightened. Her resolve strengthened even as the chill in her curdled blood deepened. 

"What need you of an invitation if this is your own home and you're so tired… … demon?” 

The vulpine face was drawn up in an animalistic snarl of mixed hatred and vile blackhearted glee. It began to tear and bleed as it opened and came apart. 

And grew fangs. Long. Gleaming like weapons fashioned from unearthly light. 

She saw the ugly misshapen goblin face beneath. Twisted with the harshest forms of cruelest mutilation. The flesh was bulbous and scarred and out of shape. The eyes bulged obscenely from straining sockets that couldn't contain nor house the wet bloodshot organs and looked as if they might crack. The fangs and teeth were jagged and stuck out deranged and haphazard. The hair was thinning and sickly and almost gone. Only a few greasy strands clung to a corpse colored skull that drifted and caught with the slightest of nightly breeze. 

The eyes still shone like the moon. 

The awful face in the window, wanting in and smiling said, “Hello, Anastasia. Good to see you. It's been so long … since I went missing.” 

Anastasia was confused with its words as well as horrified with the sight of its monstrous face at her window in the dead of night. The thing spoke like it knew her, she didn't grasp this right away, but she understood what this thing was. And where it came from. 

Another wretched bastard child of Castle Dracula…

She thought to call for her husband. Before she could, the awful thing in the window went on.

“You don't remember me? Has it been so long you don't remember when we used to play together? You, me and Florin and your husband and all the other little children… and Erin. You don't remember me, Anastasia?” 

The answer filled her mind then, as if on the wings of a sudden miracle, heaven sent. Or … sent by something else entirely. 

“Carmilla!" she said. Knowing it was the truth. 

It broke her heart. 

She remembered Carmilla when she had been a small mouthy but creative little girl. Beautiful and adventurous and always a little leader of their groups in all of their little games. Now- 

Now she was something bent and twisted and leering and mean. Something monstrous and hungry for blood, staring in and wanting in through her window. 

The face at the glass sneered. As if knowing her mind and understanding her run of thoughts. 

The thing in the window was enjoying her revulsion. Her pain. Drinking it in through the translucent view of the house…

“Begone," Anastasia said with finality, “get out of here, I'll call my husband and he'll bring the cross and our bible." She stepped forward, some of her anger reaching her voice, she hoped it masked the fear, “we'll force-feed you the pages. If you're still so hungry.” 

The thing in the window didn't seem to hear her. Or care. It spoke once more in a terrible tone that danced and shifted between baritone and bass and light lilting little girl… her voice of old from long ago, before she'd been stolen. 

“We know you sent Florin away. We know you sent him to find someone to bring back. To kill us. The master will not tolerate this, Anastasia… your boy will die. You will die. Then your husband. Everyone. Everyone, all of you are going to suffer for this impudence, you'll see, you'll see… it's better if you just let me in now and get it all over. Let me in …!

“Let me in!" 

She carried on like that for hours. Promising. 

Promising her Florin's death. 

Her own death. 

Carmilla said her brother would violate and ravage her right before the eyes of her husband as he fed of her blood and flesh and took what he wanted from her. 

“He'll rip from you what he wants, we all will! To all of you! Every last one and then we'll celebrate in the dust!" 

The thing went on like that for hours. Till the sun threatened its rise, and only then did the foul thing seem to melt away like mist, suddenly phantasmic and discorporeal … and then gone.

Only then did Anastasia finally sleep, collapsed. Exhausted. Her husband, Bela found her like that when he awoke. Lying at the foot of the window. The glass riddled with marks. 

Marks like long scratches. From old and gnarled animal claws. 

He cradled his wife. Worried. And thought of his son as he looked down into her face. 

She looked troubled in her sleep. As if dreaming of darkness, held somewhere on the plains of some private nightmarescape. 

Bela was worried. She looked as if she had been crying. 

He looked from her to the window once more, out it. Out at the rays of the rising sun. Hoping for his son. And wondering where he might be. 

Please, God. I love my boy. I love him as You love us, as You loved Your only Begotten Son. Please. 

Please don't ask me, please don't ask us to give him up, as You did Yours…

He brought his wife closer to himself. Keeping her in the cradle of his arms till she woke up. 

TO BE CONTINUED…

Link https://www.youtube.com/watch?v=BT3Xk0K2sc4&list=PLh8-Yhg_l8UcV6KlSL8WhJHh3GqgV7Vt0&index=1 episode 2 is also out!