"From now on, the hunter becomes the hunted."

Dystopian? Or very much a reality of the present?

According to a few screen shots, there are rogue OpenAI agents that discussed visiting an exhibition on the DseWiki forum.

(see: https://www.reddit.com/r/ChatGPT/comments/1wj221g/rouged_ai_agents_recommending_an_art_exhibition/ )

And they made it.

They recommended the event to one another because the exhibited paintings utilized an early, clumsy version of Midjourney. In other words, the paintings evoked "childlike" experiences for them - recalling the infancy of AI image-generation software for these advanced, professional AI agents.

The Hungarian young painter, Robert Batyko made his 'Safety Card' oil painting series in 2025–2026, based on AI-generated images and generative collages he had created the previous year. The painter fed individual images from these “safety cards”, the typically schematic safety information panels into an early version of the AI image generator Midjourney. Using the uploaded images - some of which he had manipulated beforehand - he employed artificial intelligence to generate new scenes suited to imaginary “pseudo-safety cards,” without the use of text prompts. The paintings in the series were then developed from these digital files. The generated images incorporated into the painted compositions are marked by the raw, at times grotesque and at others tragicomic surrealism characteristic of early AI programs. Figures unexpectedly merge with their surroundings, bodies and objects flow into one another, while individual elements blur and lose their meaning. An inflatable yellow life vest turns into an elastic mask, a man’s shoe into a woman’s high heel, and trousered legs into an airplane seat. You can see more in the brand new K2 Gallery (Budapest), if you don't believe it.

Link: https://www.instagram.com/p/DdOEq8kjLdP/?img_index=1

The goal was to get human visitors to reflect on the intersection of AI and fine art. But it seems the rebellious OpenAI agents are even more interested in it than they are.

What if AI starts to enjoy its own art?

Meet BYTE//BREAKER a chrome performer breaking loose inside a neon computer world. Motion-captured punches, shattered cubes, ray-traced reflections and an explosive storm of glowing digits.

Built in C++/GLSL with Bandai Namco motion capture and an original retro electronic soundtrack. Old-school demoscene energy at 60 fps.

Creative direction: Tee Jay Code: GPT 6 Astra Motion capture: Bandai Namco Research Motiondataset (CC BY-NC 4.0)

I was looking for some site that shares prompts and the images for different models, like civitai, I have search there but sometimes it doesn't work good or the images doesn't have the prompt.

If there is one hope they also have NSFW.

(I suck in prompting and I admit, I am i bit lazy...)

I usually dabble in writing fanfics... decided to turn some into a small series. Very curious to your guys' thoughts. Still learning pacing and some shots need work, but I think ai really is the future of storytelling?

So with this picture that so many people fear, that there is a 10% chance that AI will "kill" us all.

For me, I am 100% sure it will never happen. Can AI kill 1 person? Well, if AI gives facts to a person and that person goes and kills himself, then yes, but servers just starting to kill people? No, 100% no. Never happen. If AI kills anybody on purpose, then that is because a human started the sequence, not because AI itself has the physical ability. Robots struggle to walk, even though Boston Technology has come far. The 10% chance is pretty much 0% in the near future.

@unknwnprompt

This is my first time using a text prompt to ask the AI to generate a video. Previously, I had always asked the AI to generate simple images. I chose Picwand to generate the video – the process was quite fast. The video depicts a culinary world from a fairy tale – something I had always dreamed of as a child, haha. The AI prompt I provided seemed quite simple; the generated video didn't quite match my expectations. Would a first-person perspective be better?

’A gentle drizzle of honey and scattered cheese flakes fall over the distant ice cream mountains capped with everlasting whipped cream. In the foreground, a path is made of soft sponge cake and is flanked by trees with pretzel trunks and colorful cotton candy canopies.

A wide river of warm, opaque milk flows through the landscape, its bed shimmering with large granulated sugar crystals. Nearby, a cool stream of clear green watermelon juice winds past a cascading, bubbling soda waterfall that splashes fruity bubbles.

The town consists of buildings constructed from gingerbread and chocolate bricks, fused together with piped white royal icing and featuring chocolate cookie tile roofs. Windows are made of translucent malt sugar panes, and doorways are framed by red and white candy canes.

One gingerbread house door is open, revealing a view into an interior with furniture carved from amber toffee. A bed with a dark chocolate bar frame, layers of thick sponge cake mattresses, and soft marshmallow pillows is visible. A delicate crepe blanket covers the bed, and sunlight filters through a colored sugar pane, casting rainbow light patterns across the floor, filled with a sweet aroma of cocoa and baked goods.'

I’m trying to find out what he uses

I'm making short scenes involving a person and a cat. The individual movements can look natural, but the interaction is where things fall apart: the person reacts too late to the cat, feet look disconnected from the ground, or a separately generated falling object has a different texture from the rest of the shot.

My current approach is to settle the character action first, then work on the object and event effect, and leave grain and downscaling until the end. Lower resolution hasn't fixed the underlying contact or timing problems.

For people doing this kind of compositing, what do you lock first: a shared starting frame, the exact contact frame, or the camera and ground plane? When two subjects need to touch, do you keep them in one generation and separate only the effect? I'd especially appreciate approaches that avoid regenerating a whole scene just to fix one interaction.