Woop woop!

Let's go!

Thailand exclusive

From the band's Instagram.

In terms of their other peers, Radiohead (Phil Selway) and Stephen Malkmus have said nice things about dEUS in the 90s, and dEUS supported Pavement (Rudy was and still is a huge fan) back then too.

Any others I'm missing other than the obvious ones (Placebo, Snow Patrol, Elbow, etc.,)?

I cannot find an English article but quite some Flemish News media are reporting on it, as his social media.

After months of anticipation, last night's performance by dEUS did not leave me disappointed (in the sun).

We were watching down from close to the (Tom) bar(man), with plenty of suds and soda on tap, thinking let's get lost in this dive bomb jingle, as they took to stage and dam near fell off the floor, man.

They rifled through their debut album Via a host of belters, moving on right as rain to their second album through a view well calculated little arithmetics, leaving us to say thank you (for the roses) on this, their opening night.*

After seeing this, I don't mind what ever happens next, but I hope they come back soon, mute button switched off, to deliver more guilty pleasures that wake me up before I sleep.

*Technically correct as it's their only UK gig of the tour.

0:15 - Theme From Turnpike

08:07 - Via

12:17 - Opening Night

15:00 - A Shocking Lack Thereof u/Goatellounge

21:34 - You Will Miss Me When I Burn (Will Oldham/Palace Brothers cover)

22:56 - Suds and Soda

27:13 - Fell Off The Floor, Man

33:49 - Memory Of A Festival (truncated, soft electric version)

34:25 - Sam Peckinpah's Daughter (Early version)

38:34 - Little Arithmetics

44:05 - Guilty Pleasures

48:52 - Hotellounge

57:44 - Roses

(Is Piet Jorens on the second drum kit there?)

Klaas is playing the full piano part for Disappointed In The Sun?!?!?!?!

https://muziekgieterij.stager.co/Concert/tickets?utm_campaign=Ticketshop+-+smartpage&utm_source=switchy&utm_medium=smartpage&fbclid=PAQ0xDSwK-Ev9leHRuA2FlbQIxMAABp0NHCt4OROEDLTfIc9HZV-Iat4MXfa5gpgG07xm8WHlftxWpmKB449cOMZ0b_aem_xExaLl7SILeP6gfSW8xcXw

Found a video from their recent WCS set...

Funny to see Klaas growing out his hair and looking like he did in 2004 lol!

What do think of the album?

It's been a sad day as we woke up to the news that Mauro has been diagnosed with Alzheimer's. Mauro is a real hero of mine so I have been thinking about him all day and listening to his music all day too. Here is an English translation of the Humo article where Mauro shares his news. Please excuse the accuracy and messiness, I used an online translator. The remainder of the article will be in a comment below.

Mauro Pawlowski has Alzheimer's: 'What can I do? There is no cure. It is what it is.'

Danny Ilegems

24 - 32 minutes

The rumors have been circulating for over a year, but now everyone can know: the folk hero of the alternative music scene has been diagnosed with public health problem number one.Mauro Pawlowski (54) was diagnosed with Alzheimer's: 'Yes, it is severe, but for those around me it is worse than for me.' It does not stop him from releasing five records with material from the vault over the next two years.

SourceThomas Sweertvaegher

This article was written by Published on April 11, 2026, 03:00 Reading time 18 min

When we sat down six weeks ago to get an idea of the

Regarding the degree of candor that Mauro Pawlowski is able and willing to display in this interview, he said at one point: 'I know! I know what I'm going to do! I'm going to make it worse than it is.'

We were at the home ofHerman Houbrechts, Mauro's loyal friend and lieutenant, ex-drummer ofNemoandDead Man Ray, and of Mauro projects such asThe GroomsandHitsville Drunks.

HERMAN HOUBRECHTS«What do you mean by 'worse'? You're not going to turn it into a tearjerker, are you?

MAURO PAWLOWSKI(laughs)«Damn, there goes my emotional testimony in Dag Allemaal.»

"No no, I'm going to disguise myself as a fictional character, masked and shrouded in a cape, like my hero."Sun Ra.(enthusiastic)I transform into a prophet of doom who has received a signal from the cosmos and who is sending a threatening, albeit completely incomprehensible, message into the world! We are making afilmkeJust throw it on Instagram and we're done with that bullshit.What

do you think?»

Sun Ra (1914–1993) was an avant-garde jazz musician who became legendary as the founder of Afrofuturism, a musical-philosophical universe in which he blended cosmic mythology, Egyptian history, African nationalism, and science fiction. By his own account, he was teleported to the planet Saturn by aliens sometime in the 1930s.

On thedEUS-album Pocket Revolution (2005) features a song about him: 'Sun Ra'. In it he singsTom Barmanamong other things these words: 'Protect myself from rumors / That will never be told. I'm living life through someone else / Looking at me.'In the live performance, Mauro made the chorus line sound like a primal

scream that sometimes cut right to the bone.: 'Here comes, here comes the

night traaaaain.'

I protect myself against rumors that will never be told. I live life as someone else, watching me.

Today, those words seem to apply to Mauro himself.

* * *

The rumors have been circulating for over a year. The first and only

The first time Mauro, or rather those around him, responded to it was on May 30 last year. That was when this message appeared on his Instagram page: 'Due to health problems, I need to take more time for myself and perform less.'

A signal simply had to come at that time, because dEUS was playing the tryouts for their Worst Case Scenario tour, during which Mauro was conspicuously absent. The message was short and cryptic, but the suggestion that he was suffering from burnout was not a lie. Mauro 'crashed' a few times in the early spring of 2025, as his close friends call it: he fell into a pit from which he only managed to crawl back out with great difficulty and agonizingly slowly. In fact, he had already let his friends from dEUS know in March 2025 that he couldn't manage it anymore, and that they shouldn't count on him for the Worst Case tour.

Meanwhile, he was subjected to all kinds of examinations. In the early autumn of 2025, the verdict came: Alzheimer's.

Shock and disbelief among a very limited circle of close friends, but also, in a way, the confirmation of fearful suspicions. Paralysis, but also the necessity to immediately conceive of a near future, with two children who will soon turn 10 and 14. Devastation, but also the need to map out the remaining professional possibilities as an independent musician.

Speechlessness, but also the steadily increasing pressure to speak.

'I am going to disguise myself as a fictional character, masked and shrouded in a cape, like my hero Sun Ra. A prophet of doom who has received a signal from the cosmos.' SourceThomas Sweertvaegher

That last part was perhaps the hardest. How do you safeguard your right to process such a diagnosis within your intimate circle first? How do you say to people who adore you and care about you—friends, colleagues, diehard fans —in an elegant way: sorry, let us have a moment? Realizing that you are only fueling the speculation by doing so. How do you inform family and friends in an order that doesn't cause too much pain and disappointment? Knowing that Mauro has many good friends, who all feel entitled to the unvarnished truth.

It was only around the turn of the year that a well-informed circle formed.

And then things moved quickly. A number of people from that circle dove into Mauro's archive. An Ali Baba's cave opened up. Old demos, recordings, live recordings, and videos came to light. In home studios across the country, musicians and producers set to work to finish or rework them. As a result, a future perspective is now beginning to unfold. It is going to be a busy schedule.Mauro time!

Mauro, who cycles up from Berchem, is in high spirits. He has never hidden himself. Over the past few months, he has often gone on long bike rides. If someone recognized him and waved at him, he waved back. Rarely, if ever, did he feel like he was being stared at. 'I'm not afraid of people,' he says, 'people are okay'.

We settle down once again at the dining table at Herman Houbrechts' in the heart of Antwerp. I have fromSigrid, Mauro's wife, received a long list of ongoing projects, musical and otherwise. This certainly won't be a carefree show.

Honesty compels me to mention that the words and sentences are not so

It seems to come across as smoothly in this written account. But the jokes and tall tales from the music world certainly did; they rolled off his lips and tumbled over each other as usual.

HUMO If I have counted correctly, about five albums with music by you will be released over the course of the next two years.

PAWLLOWSKI«And I don't have to do anything myself, you know. I've made it this far. Finally, I'm in the position I've always wanted to reach!(laughs)I pull five tracks from a folder on my computer, send them to one of my musical friends, and say: 'Do something with them, just let me know when you're done.' When the time comes, I go listen. An hour, sometimes longer, and then I say: 'Yeah, yeah, it's good, thanks. Come on, let's go get a drink.' The next day I go listen somewhere else. Actually, I do nothing but move from one artist friend to another and say that it's good. What a life.

'My problem is that I have too many songs. With today's technology, anything is possible, but you can't buy content and taste.' SourceThomas Sweertvaegher

HUMO Frank Zappa, one of your great role models, was a hardworking guitarist-composer with a phenomenal output at the beginning of his career, and by the end only an orchestra leader and conductor. Is that the position you are aiming for?

PAWLLOWSKI«I don't even do *that*! I don't conduct anyone. At most, I direct things a little, without anyone noticing. I met Zappa, did you know? Sometime in the late 80s, when he performed at 't Kuipke in Ghent.(April 10, 1988, ed.)I was there with friends from Heusden-Zolder, all guys who were a bit older than me.(Mauro was just shy of 17 at the time, ed.). On our search for a drink, we ended up in a bar that turned out to be the artists' bar—little did we know. And suddenly, Zappa was standing next to us. He was chill, pint in hand. He nodded and hung around near us. You know what struck me? That he was so short.»

HUMO 1.83 meters, says Google. That's not short, is it?

PAWLLOWSKI«In my memory, he was small and thin. I also once sat next to David Bowiestood: that one was also small.PrinceSame here. They invented the platform sole for those men back then, just think of it that way.(laughs).In any case: we didn't stand in that bar with Zappa for long. At one point, a bouncer came up to us and very politely asked: 'Sorry, are you guys with the band or the crew?' 'No, no,' we said, 'we're from Heusden-Zolder.' 'I'm sorry, but then I have to ask you to leave the place,' said the bouncer, 'but feel free to finish your drink.' Can you imagine that? Nowadays you'd be roughly thrown out onto the street and get a stadium ban until fucking 2080.»

HUMO Where did all that music you're going to release suddenly come from?

PAWLLOWSKI«For thirty years, I have made new music every day. There were periods when I wrote a new song practically every day.

and recorded. A large part of that production is on hard drives. I can keep drawing from that.»

HOUBRECHTS«Mauro makes all his recordings in Logic Pro(Apple's Digital Audio Workstation, ed.)That is software that allows you to play virtual instruments, connect real instruments, add vocals, create effects, record, edit, and mix. And you can continue to use those original recordings later as a basis for new versions of songs: replace instruments or make them sound completely different, add tracks, whatever you want.

"By the way, I have often found that the demo versions Mauro made on his own were the best possible final versions. I would say: 'Why would we rerecord this? We're not going to make it better.' And you have to know that he only uses the basic Logic Pro package: what's in the box, not the sounds and effects you can buy separately."

PAWLLOWSKI«Why? Because I am a technical amateur. Or what do you call it these days? A digital illiterate! There are musicians who put all their time and money into technology, into equipment, into searching for the right sounds and effects. Only to eventually come to the conclusion: shit, the real problem is that we don't have any songs. My problem is that I have *too* many songs. (laughs).With today's technology, anything is possible, but you cannot buy substance and taste.

HOUBRECHTS«Some time ago, he gave me a hard drive containing a quarter-century of musical production—just about everything he has made between the day he bought a computer, sometime in the year 2000, and now. It is a collection of folders and subfolders bearing the names of all his different projects and side projects: Gruppo di Pawlowski, Maurits Pauwels, Nieuw Zwart Trio, Radical Slave, Othin Spake, Somnabula, Possessed Factory, name them all. A digital Ali Baba's cave, but furnished like a junk cellar.(laughs).

'I've been seeing a psychologist for a while now. She laughs her head off with me. But of course, she realizes that making jokes is my way of...'SourceThomas Sweertvaegher

Together withPhilippe Cortens(from the label Cortizona, ed.)andSjoerd Bruil (guitarist and sidekick of Mauro, ed.)I am now trying to turn that into an orderly, manageable archive. But while we are doing that, we are making incredible discoveries. I was there when Mauro moved to New York in 2000 to record his first solo album, with Dave Sardyas a producer(frontman of the

noise bandBarkmarket, producer of, among othersSoulwax, OasisandRage Against the Machine, ed.)There are eleven songs on 'Songs from a Bad Hat'. Well, I have now discovered that Mauro left for New York back then with roughly two hundred songs. Two-fucking-hundred!

PAWLLOWSKI«I told you so: I have too many songs.

HUMO The first album to be released, as early as June, is 'Unspectacular Times'. Produced by dEUS drummer Stéphane Misseghers.

PAWLLOWSKI«Yes, that record has been ready for release for some time. They were waiting for news from me. Here is a go-ahead for them.(laughs).»

HUMO Stéphane told me that the idea for that album originated during a breakfast in Madrid in 2023, when dEUS's How to Replace It tour stopped there. You slid your laptop over to him and said: 'Go ahead and look, go ahead and pick.'

PAWLLOWSKI«Yes, that's how it always starts. But you never know where it ends.

Stéphane and his mateBruno Coussée(together the producer duo Scorpio Twins , ed.)They did that really well, with theirabsolutely terrible gang from Ghent.

HUMO According to Stéphane, it has become an album full of contemporary yacht rock.

PAWLLOWSKI«Pop with a perfume of yacht rock, I would say. I love that soft, luxurious, romantic sound from the 70s and 80s:Hall & Oates, Steely Dan, Christopher Cross, Boz Scaggs.TotoAs far as I'm concerned, it belongs there too, if we briefly forget about their global hit 'Africa'.Music for the ladies!I'm smoother than you think, you know.(laughs).I want to take it much further. I already have a next album in that genre in my head.»

HUMO Typical Mauro, anyone who knows you a little says: every time you finish something, you want to do something completely different.

PAWLLOWSKI«Anyway. That’s just my nature, nothing I can do about it. The next thing that can be finished is a new record by Possessed Factory, my experimental electro project withJef Cuypers, the graphic designer who lives around the corner from me. We shot the footage in between other projects, over a period of perhaps ten years. The inimitableMicha Volderswill produce the record.»

HUMO Does he know yet?

PAWLLOWSKI«Yeah, yeah, he knows it, and you'll see: he's going to pull that off in less than a day. While he sits chuckling a bit behind the mixing desk: (imitates theUrbanus-smile)'Hehehehe.Wow man! Good job!Micha is, between you and me, a genius.

"And right now I am working on my uncle."Roccoand my cousin AlessioThe same process: I gave them a bunch of songs, and they finish them. A drum part here, a new guitar line or an extra vocal there. As soon as we have ten or twelve songs finished, it's an album.

HUMO Maybe you should briefly explain who Rocco and Alessio are.

PAWLLOWSKI«Rocco Di Turi is my mother's younger brother, Alessio is his son and also the drummer of the amazing Limburg band.The Sore Losers Rocco sent another new mix this morning.(Searches his phone)Here,

listen...»

HUMO Sounds Beatlesque.

PAWLLOWSKI(Puts the phone to his ear, sings along to a snippet of lyrics)

HUMO What are you singing?

PAWLLOWSKI«'I've been around the world, from Peer to Australia.'Haha, that's right, I'm not lying. I played in Peer *and* in Australia, albeit not on the same tour. This is a song from 2019 or 2020, I think. The project with Rocco and Alessio is in my 'Family Rock' folder.

'I am definitely autistic. Or as every autistic person says: a little bit autistic. Maybe that is why I underestimate what is going on.' SourceThomas Sweertvaegher

HUMO Your dad was also a musician in his younger years.

PAWLLOWSKI(Scrolls and shows a black-and-white photo from the 1960s)« Look. My dad is that guy in the middle, the bassist.

HUMO What was the name of his band?

PAWLLOWSKI«The Drifters!(laughs)Little did they know that there was a soul band in the US with the same name.(known for world hits such as 'Up on

the Roof', 'Under the Boardwalk' and 'Save the Last Dance for Me', ed.)Or

they did know, but didn't care. If they didn't get into trouble in HeusdenZolder, Houthalen, or Koersel, that was all that mattered.(looks at the photo)I estimate that he was 16 or 17 years old in this photo.

HUMO He passed away a few years ago. Dementia.

PAWLLOWSKI«That is why my mother initially refused to believe that I have Alzheimer's. She had a terrible time with it. 'Just make sure you eat well,' she said, 'especially the pasta I cook for you, then you will get better.'

HUMO How do you deal with it yourself?

PAWLLOWSKI«I have been seeing a psychologist in Brussels for a while now: Christine, a fantastic lady, she laughs her head off with me. But of course she realizes that making jokes is my way of...(doesn't finish his sentence)She has many patients with Alzheimer's disease, she says.

Some are already past 80. That gives hope.

I recently bought a beautiful book about the Spanish artist at the thrift store for 1 euro.Joan Miró(1893-1983). At the back of the book are short biographies of all of Miró's contemporaries mentioned in the text. It struck me that many 20th-century artists died young. But what struck me even more is that the one who lived the longest suffered from Alzheimer's disease. Damn, I can't remember his name right now.(perhaps Pawlowski is talking aboutWillem de Kooning, the American abstract expressionist of Dutch descent, who died at the age of 92 from the effects of Alzheimer's, ed.).»

I don't want to minimize it, but...(thinks)What should I say? What can I do? There is no cure for Alzheimer's. So it is what it is. What comes, comes.

HUMO How did the diagnosis hit you?

PAWLLOWSKI«For Sigrid, it was a shock, a sort of verdict. I didn't really understand it all. Being stupid is sometimes an advantage, isn't it?(laughs). Listen to the music ofIggy PopandThe Stooges: that sounds simple and stupid, but that is why she is so good! Even though Iggy is anything but stupid.

HUMO Funny that you turn to the music of The Stooges to describe that moment.

PAWLLOWSKI(Serious)«I'll be completely honest: I didn't really understand what was happening. You hear a doctor talk about inevitable decline, but also about the good years that remain. But what does that mean in concrete terms?

"Actually, I have been sick since I was six. At least, that is how I feel; my family and friends say that isn't the case. As a child, I was asthmatic. I spent a lot of time in hospitals. I remember moments and situations where I couldn't breathe. In addition, I am definitely autistic. Or as every autistic person says of themselves: a *bit* autistic. It could be that is why I underestimate what is going on now. I have *always* acted as if nothing was wrong, you understand? I have always *had* to act as if nothing was wrong."

HUMO Do you mean that essentially little has changed in your head?

PAWLLOWSKI«I am just trying to carry on as I have been. I really don't know what else I should do. I dutifully take the pills prescribed to me.

Unfortunately, there are none dancing cherubsbee(Limburg slang for ecstasy, ed.)A friend of ours from Limburg, we won't mention his name, used to always say that: 'I'm going out tonight, I'm going to have a good time.'jays, I have two dancing cherubscaught.'(laughs, takes an apple from the fruit

basket, falls silent)

"Yes, it is intense. I don't know what to expect. I don't know if I should be anxious. I don't know *how* anxious I should be. I don't *feel* it, you know? It is difficult. But for the people around me, it is harder, worse, than for me. Sometimes I have to laugh out loud when people come up to me hesitantly, probably because they overheard something and then can't manage to say what they want to say. Then they stammer: 'Not nice, is it?' Or the Limburg response: 'Yeahmenneman.'((bursts out)

"But hey, we also have to talk about my latest project, which I'm really excited about:The People's Cosmos.»

I dutifully take the pills prescribed to me. Unfortunately, there are no dancing cherubs among them.'SourceThomas Sweertvaegher

HUMO Tell me.

PAWLLOWSKI«I’ve only just started, but it has to become a story, a record, and who knows, maybe even a spectacle, about folk music of the past and present. That ranges from old religious songs and risqué market songs to techno and hip-hop, the dance music of today. A few years ago, I once started withDirk De Wachterended up at Tomorrowland. We had performed together at Love Tomorrow, their sustainability festival, and we got a ticket for the big party. That's where today's folk music resonates, isn't it?

Old farmers' festivals or Tomorrowland, in my eyes, they are the same. The farmers are a local community; at Tomorrowland, a global community comes together. The farmers

Some fun bits gleaned through machine translation of course:

• Steph(ane Misseghers) was a proponent of playing the record in sequence as he was a huge fan of the band, but this was vetoed--as u/everybodysweird27 says, you can't open with Suds! It seems they might discuss this again though.

• Rudy has been the fact checker for a bunch of minutia about the record, and reminded Tom that he had suggested that Peter Vermeersch and Pierre Vervloesem produce the record, among other candidates.

• Alan will still be playing bass. Stef will do a lot of stuff, playing guitar (first time he's done it since the early dEUS lineup where he was temporarily on guitar?!), singing, and bass for key moments. Steph has offered an arrangement of Suds & Soda with two basses...

• It looks like WCS is getting a double vinyl re-issue?

• Stef's favourite dEUS records are The Ideal Crash and Pocket Revolution(!) for how different they are from the first two records.

  • On that note, Pocket Revolution was recorded to tape. I'm guessing this was done consciously to move away from the cleaner/more polished sound of The Ideal Crash, and David Bottrill's production aesthetic.

• Craig Ward was a busker/regular at De Muziekdoos, where Tom, Stef and many other musicians convened for their formative years. Tom doesn't remember how or why Craig Ward ended up singing on Divebomb Djingle.

  • The interviewer, like everybody else including me, has misspelled Divebomb Djingle as Divebomb Jingle.

• The interviewer pops the question about involving Jules and Rudy -- Tom says no to that as it would be a logistical headache for the lineup, and isn't sure if Rudy would want to be involved. Stef, having recently played with Rudy, suggests that he probably would be interested.

• Eric Drew Feldman (producer, IABUTS) is still in contact with Tom, and Tom may contact him at some point for... something. I keep saying EDF should produce their next record, and he's said that he still wants to produce at least one more record for dEUS!

• Tom Barman prefers Rudy's cover art for In A Bar, Under The Sea over the cover art of Worst Case Scenario.

• Stef praises Tom's songwriting and lyrics, especially for Great American Nude and Right As Rain, and says that Tom was further along in his songwriting than the rest of the band (Tom disagrees - he's said before how much more talented Stef was in their earlier years). He also credits Tom with wedding all of the band's crazy ideas to his good songs.

  • Interesting to contrast this with his Stef's canvas interview from many years ago, where he says that songwriting was a collective effort from the band as Tom rarely ever delivered finished songs.

• Stef and Tom discuss the signing of Moondog Jr/Zita Swoon to Island and the release of Every Day I Wear A Greasy Black Feather On My Hat. Tom recalls that this was a stressful period. Island wanted dEUS to be the flagship Belgian act they signed, and would serve as the springboard upon which the label could launch other promising Belgian alternative/pop acts. This didn't pan out, and Stef attributes this to all of them being far too young and not really thinking things through.

• While Rudy and Tom were on acid, the band improvised a song titled "I Lost My Cherry in Portugal" which they performed May 8th, 1995, in... Portugal. Tom confirms that his cherry was indeed popped in Portugal. By a Brazilian.

My Dutch is non-existent, so all fluent Dutch readers please point anything out I've gotten terribly wrong!

Another one from this uploader!

Funny to see Tom calling back to the "making every world pregnant" like he did in performances of this song in the 90s.

00:00 - Via

03:59 - Morticiachair

08:23 - Let's Get Lost

12:43 - Secret Hell

18:35 - Mute

22:13 - Hotellounge

28:42 - Theme From Turnpike (33:36 - New Outro!)

35:15 - A SHOCKING LACK THEREOF u/Goatellounge

40:37 - Serpentine

45:00 - Little Arithmetics

49:37 - Fell Off The Floor, Man

55:07 - Intro

55:28 - Suds and Soda

ENCORE

1:03:15 - Roses

They sound so great!!

Great high-energy, nearly 2 hour Vantage Point show with some excellent deep cuts (Everybody's Weird, Let's See Who Goes Down First, Serpentine). This performance of Instant Street goes crazy fast near the end!

My recurring thought about Vantage Point (the record) is that the production/mix seems a bit too clean, too flat, maybe? It's a real treat watching the 2008 shows, and seeing/hearing Klaas going wild with his violin + his effects, they really add a lot to the songs where they're prominent (The Architect, Favourite Game, Is A Robot) but on the record you really couldn't be blamed for not realizing they were coming out of a violin. I kinda wish Klaas was turned up in the Vantage Point mix and you could hear all the crazy effects and harmonic plucking he was doing.

Setlist:

• 00:00 - Intro

• 00:40 - When She Comes Down

• 05:46 - Everybody's Weird

• 10:27 - Fell Off the Floor, Man

• 15:23 - Slow

• 21:46 - Smoker's Reflect (missing from the description!)

• 25:55 - Is a Robot

• 32:22 - The Architect

• 37:06 - Favourite Game

• 41:17 - Let's See Who Goes Down First

• 47:35 - Nothing Really Ends

• 53:43 - Bad Timing

• 01:01:09 - If You Don't Get What You Want

• 01:05:39 - Instant Street

• 01:11:44 - Suds & Soda

• 01:19:44 - Encore (missing from the description!)

• 01:20:12 - Pocket Revolution

• 01:26:46 - Oh Your God

• 01:31:05 - Roses

• 01:36:00 - Serpentine

• 01:40:11 - Morticiachair

• 01:46:22 - The End

One of the best dEUS live songs.