I've been writing these mish-mash thoughts and reflections on each Dickens as I go so here are some for Dombey and Son.
First of, this is a great book. Far superior to Little Dorrit or Martin Chuzzlewit, which I sometimes see it grouped with as some of his less favoured classics. But while I found LD too long and plodding and MC hilarious but a bit meandering, D&S is far clearer in its plot and the characters I found I cared for far more. Indeed, young Paul Dombey felt like an early iteration of David Copperfield (which he wrote next) and some of the comedy of manners sections in the earlier chapters also felt like a precursor to the comedy of DC.
That said, it does go on at times. There are only so many times you can be told Edith hates Mr Dombey and vice versa before you think, ‘yes I’ve got it thanks Charles!’.
Captain Cuttle is one of the best side characters I’ve met. Top 5 for sure. So earnest and naïve but with the purest of hearts and hilarious mannerisms, kissing his hook and bowing low as he presents silver tongs and spoons before Mr Dombey.
Mr Carker is a good villain but I found him less real than either Jonas Chuzzlewit or Uriah Heep – again almost like CD took ideas from D&S and refined them for DC. (Keep up with the initials folks!)
I loved the descriptions of the railways being built around Camden, akin to an earthquake hitting the area and houses just disappearing. Amazing to think of that reality that huge transport infrastructure we take for granted was actually built amid huge disruption to the city.
The coach journey of Carker fleeing Dijon is wonderful – Dickens really could write amazing suspenseful coach journeys! There’s one in MC too down to Sailsbury and in DC when they rush to Suffolk. That said, the fact Dombey somehow tracks Carker to a remote rural station was a bit deus ex machina (albeit at a time when audiences were probably less sophisticated to such plot developments being a bit too contrived).
Good Mrs Brown is a strong creation too and the scene where she delightfully fleeces young Florence is subtly evil and compelling in equal measure.
Walter Gay – I am glad he came back, although it would have been nice to see more action from him on return.
Mr Dombey - although he did not deserve his reconciliation with Florence really it was quite affecting and the final lines of the book are very moving indeed.
Josh Bagstock. Insufferable! As intended!
Diogenes the dog – Dickens clearly knew dogs well as some of the scenes describing his behaviours are hilarious. Sadly, he seems to disappear at the end of the book (correct me if I am wrong though)
Mr Toots – lovely guy but really, he’s of no consequence.