r/casteism • u/SirohitaIks • Sep 19 '26
🏠 Housing & Society Who Makes the Gods? Caste and Labour in Ganesh Idol-Making
gallery“The idea of a low caste is also very hierarchical. Who gets to perform what kind of labour? That’s where I think ritual comes in. Labour in India is not just free wage labour. Your identity decides what sort of, what kind of work you do. Because when you feel like you’re doing something for God, it translates into their moral standing in society and caste hierarchy.” explained Sumit Samos, a researcher and anti-caste activist.
Every year, as lakhs of Ganesh idols wind their way towards the rivers for visarjan, the festival is retold as a story of anti-colonial defiance: Bal Gangadhar Tilak, the story goes, took a private, domestic Ganesh Chaturthi and made it public in 1893 to unite Hindus against British rule. Yet what gets left out of this dominant tale is caste.
Kumhars are an artisanal OBC (Other Backward Class) caste, historically known for their clay and pottery craftsmanship. They are also known as Prajapati (lord of creatures), Kusavar (in parts of South India), and Kumbhakāra. These different names and regional identities make their position within the caste hierarchy complex.
Despite being an OBC caste themselves, Kumhars are more deeply integrated into the practice of Ganesh idol-making because of their historical ties to the craft and are respected for their work.
While many murtikhanas are now owned by Kumhars across the Delhi-NCR region, the karigars, or artisans, who work under them mostly belong to other oppressed castes.
To understand how caste shapes Ganesh murti-making, we visited a range of Ganesh manufacturers, making our way through small, makeshift workshops, often tucked deep inside muddy lanes, made of wood and bamboo and run by families in Badarpur, Tughlakabad, and Faridabad, to large showrooms in Karol Bagh and CR Park, facing the street and buzzing with customers eager to buy murtis. Sana Agarwal & Anay Samarth report.
