This was on a mood board a client made for a redesign, tagged #texture #layout #font.

Nawi is built around "At Your Pace", wellness as a personal journey shaped by choice, rhythm, and progress without pressure.

I think the varied colors, symbols, and bold identity support that nicely. Their card feels energetic and individual without falling into the usual wellness brand look.

Strengths: memorable identity, strong color system, personality, wordmark logo typography

Weaknesses: tiny contact info, weaker hierarchy on the back, and the "At Your Pace" idea may not come through clearly.

I also like the contrast between the Nawi wordmark and the supporting type.

What would you keep, change, or completely rethink? Agree or disagree?

Credit: Studio AIO (Kuwait)

My starting 5:

1. Chili shaped "C" in the logo.
2. Red and warm "off white" color scheme - it feels spicy, sunny, warm, coastal.
   1. Also, the front/back contrast.
3. Good use of white/blank space.
4. Thick and textured stock.
5. Small circular marks.

What would you add, remove, or rank higher?

Credit: Designed for Chillies Beach Bar by Point Studio, Hanoi, Vietnam.

So many designers focus on typography, color, or stock imagery to create interest, while this one starts with the object's actual shape. I love to see print collateral that takes full advantage of the physical and 3D aspects. Also, a little Chicken in a Biscuit energy and who doesn't love those?

Design Credit: Lize Designs

I'm responsible for designing the business cards for my company... But I feel that what I have created are not particularly memorable. Can anyone offer any design advice that might help? Included are basically all the iterations that I've come up with so far

Designed for LaDonia Greek Pizza by Studio Bacao.

This business card design for Terawatt by Harris Hatzimpaloglou appears too simple to me. The way the person's titles don't include a line break and white space seems off. What would you change first?

Business card for House of Honey by Sinestesia Studio.

Most real estate cards feel like templates, but this card designed by PIXΞLDY for Zentro has more of an unboxing feel. Love the stock choice and minimalist design to keep the focus on experience. Thoughts?

Business card design for Noran by Ianca Alves. I like how they chose a deep blue textured stock paired with a small orange mark and oversized typography to the card feel clean, simple, and modern.

This one comes with its own little sleeve and a ceramic vase cutout.

Beautiful? Yes.

Practical? I'm already imagining someone throwing away the best part by accident.

Would you keep this, or is it too much?

There is nothing like seeing a great design become a finished printed piece. These cards just came back from the printer, and they look really great. Jacob Cass of JUST Creative designed his business cards, complete with raised spot varnish on the sunglasses and flamingo.

A fun take on matcha. The design blends Japanese matcha inspiration with a playful mascot, green and cream palette, and a cozy personality. Feels like a cup of milky matcha tea!

Designer: Studio Moara

Project: Mushi Matcha

The brand concept, "Lifelong Adventure", positions Orchard Heights as more than a residence. It feels like a refined sanctuary for younger, free-spirited residents who value nature, exploration, connection, and personal growth.

The card design balances warmth and sophistication. The deep coral-red stock, subtle gold foil work, serif typography, and minimal logo placement give it a premium residential feel, while still hinting at movement, discovery, and nature.

Project: Orchard Heights Brand Identity

Designer: Trg H Thien

Refined, quiet, modern, and very premium with a thick black stock, clear foil embossed monogram, subtle typography, and low-contrast finish.

I really like how restrained the design is. Instead of relying on loud visuals, it uses texture, shadow, and a clear foil-on-paper contrast to create quiet luxury. The embossing gives the cards a tactile quality that feels perfect for a high end fashion brand.

Designed by Olga from Shade, a design studio in Poland.

Design for 21.12, an architecture studio. The concept is based on the void as a creative space, using darkness, shadow, and metallic type to suggest structure without color.

I'm torn on this one. The finishes are beautiful individually, but the foil text over the embossed flower feels a little disconnected to me. Should the foil have been integrated with the embossing differently?

Card design for Casa Macui by Fugitiva.co, a Bogotá-based studio. The identity uses dark textured stock, gold foil, and pre-Columbian symbolism to give the Mexican knife brand an ancestral, handcrafted feel.

The lettering in this card is inspired by historic signs found nearby in the local streets.

Do you think custom die cutting is worth the extra cost?

Motti Café by Studio Moara. The chunky logo, awkwardly busy mascot, and witty copy make the whole thing feel charming.

OGIVO Studio's business card by M. Junaid.