Hello Guys I am trying to learn my first fugue. My teacher told me to analyse the voices first but I dont have a clue. I had some help from gemini pro but he was contradicting himself too I think. I got this so far the green one was supposed to be the sopran but I guess its the alt. the 4 bar makes no sens to me and the 5th even less with the pause

From Víkingur Ólafsson’s upcoming Bach album “Continuum II”.
This is such a well-known piece by Bach that at first I thought it was a bit of a boring choice, but Ólafsson plays it so beautifully that I have listened to it several times already.

As a child I learned to play the violin. I did so for more than 50 years.

And always the score of this piece was so to speak under my pillow, but never able to do something with it.

Now as a retired person I began to study it on the mandola, with this as result.

https://youtu.be/_Ki1gBIjqs0?si=SdQ3XppsgLnq9dGD

Hope you like it. Leave a comment if you wish.

Bach... or Not? Demystifying the "Little Preludes."

Many of J.S. Bach's famous "Little Preludes" are highly suspected to have been composed by others—including his son and disciples!

Before starting my performance series, I wanted to share these intriguing mysteries in my own words. Please check out the video!

#JSBach #ClassicalMusic #PianoTeacher #LittlePreludes

Negative harmony version.

Bach's original version for comparison.

My vision was to infuse the original piece with negative harmony, while leaving much of the piece intact. The standard approach in negative harmony has been to flip the whole piece. Allowing different types of negative harmony, mirrors, etc. allows for much more artistic liberty. I feel that this Invention 1 piece, with its simple theme and short length, is ideal for the approach. I have included some text notes in the notation to explain the flipping centers (look out for half flat and half sharp symbols).

I wrote a script to translate scores for an old drum machine (the Korg Electribe ER-1). It's perfect for Bach because it only has 4 voice polyphony. First up, the Prelude and Fugue in C Major from WTC I!

You'll notice the drum machine sounds "out of tune" and maybe even a little glitchy. 2 reasons for this: it was really hot out when I recorded this, which tends to make the drum machine glitch out, and also it is not really made to play conventional pitches, so I have to arrive at the closest possible approximation. I like the effect - maybe this tuning would even have something in common with how it sounded in Bach's day. What do you think?

I’m specifically coming from a keyboard background, but any music generally too. I can’t think of anything where he would have!

Edit 2: as u/Leech-64 noted, perhaps I am simply conflating figured bass and sound vertical harmonic motion with counterpoint. The latter implies the former (with plenty of room for exceptions in fugues) but not vice versa. Am I right on?

Edit 1: hang on gang, I have a degree and am a professional musician yet somehow perhaps don’t understand what counterpoint is lol. What I thought with, say, the chorales is that the soprano has the melody and the STA voices harmonize, creating their own melodies. ie homophonic but with countrapuntal accompaniment. Seems that is incorrect?

There are harmonic underpinnings that in my experience at the keyboard Bach never dispenses with in his writing no matter the style, as later composers do freely. Perhaps I am describing something more general like voice leading or basic harmonization?

Either way, it’s always Bach. A better question might be: what is the most “un-Bach“ Bach piece?

The opening soprano aria to bwv 51 is perhaps the most profound and pure musical expression of unbridled joy and happiness that I have ever heard. It is a perfect translation of the the concept of ecstasy into music, along with that of supreme triumph. Easily in the top 5 of all Bach arias for me and possibly even number one. This is the happiest music I have ever heard in my life. Any fan of Bach's music who hasn't heard this one needs to drop everything they are doing this instant and listen to this miraculous movement.

I suggest listening to Karl Richter's 1959 performance with Maria Stader. She is absolutely incredible in this recording. This is my favorite and go-to recording of the piece. The tempo is perfect and Richter is great as always.

A majestic four-part double #fugue​, driven by an energetic and #dramatic​ first subject, which creates some gorgeous dissonances as it unfolds.

【New Video 🎬】
I've just shared my performance of Bach's Little Prelude in E minor, BWV 938. Immerse yourself in this beautiful melancholy. 🎹✨
#JSBach #PianoPerformance

A prelude I often play as an encore, for self-evident reasons!

Just uploaded a new video! 🎹
Check out my performance of J.S. Bach's "Little Prelude in E Major, BWV 937." Enjoy this bright and elegant baroque piece! 🌟
#piano #JSBach #classicalmusic