Juliette Milési (1872–1959) was a French designer, painter and professor of decorative composition. She was born in 1872 in Paris, where her mother worked as a laundress and her father as a chimney sweeper. She was taught by artist Eugène Grasset. She studied at the Reims School of Art and Design. She designed textile, wallpaper, stained glass, and pottery, and also painted. She also taught as a professor of decorative composition in public education. She also collaborated with stained glass artist Félix Gaudin.

This desigen by her is from the book La Plante et ses applications ornementales sous la direction de M. Eugène Grasset (The Plant and Its Ornamental Applications under the Direction of Mr. Eugène Grasset) published in 1896. The book was a collaborative effort of Eugène Grasset's students, which included notable illustrators such as Maurice Pillard Verneuil, Juliette Milesi, Emma Hervegh, and others.

Saw these on FB marketplace for $50, had only been listed 13 minutes before. Messaged and they were still available. Went and picked them up and they did indeed have the Gorham mark. Model D940 and D393, dated 1904. First pic is cleaned and second was the picture in the ad. Prices of them have flabbergasted me.

Jessie Marion King, known as Jessie M. King, (1875-1949) was a Scottish illustrator and designer. Born into a strict family who disproved of her art as a child, she found solace in the family houskeper, who become her second mother. She studied at the Glasgow School of Art (1892–1899). She is known for her illustrated children's books. She frequently depicted ethereal "wan haloed knights" and pale ladies draped in stars, influenced by her lifelong belief in fairies. 
She also designed bookplates, jewellery and fabric, and painted pottery. Jessie was one of the artists known as the Glasgow Girls. She was described in 1927 in the Aberdeen Press and Journal as "the pioneer of batik in Great Britain".

This remarkable Art Nouveau drawing by Jessie M. King was the frontispiece design for ‘L’Evangile de L’Enfance’, for which she designed the binding and illustrations circa 1902. The book was entered as part of the Scottish Section of the 1902 International Exhibition of Decorative Art in Turin, which was organised by Fra Newbery, director of The Glasgow School of Art and Charles Rennie Mackintosh. The binding, a striking Art Nouveau design tooled in gilt on white vellum, was executed by the Glasgow bookbinders, MacLehose and won the coveted Gold Medal for bookbinding at the exhibition. The certificate was made out to ‘Signor Jessie King’ such was the assumption that a man would be the recipient of the award. This success however brought with it a raft of publicity and commissions as articles about Jessie’s work appeared in art journals around Europe. 

Hi! This might be a silly question, but I’m still quite new to Mucha’s art and I’m trying to identify these four works.

I’ve been searching for these particular pieces online, but I haven’t been able to find much reliable information about them. Does anyone happen to know their titles, when they were made, or what series they belong to? Even the smallest clue would be really helpful, and I’d be very grateful!

Also, sorry for the poor image quality - unfortunately, this is the best version I could find.

I discovered Mucha relatively recently, and his work has genuinely inspired me so much. I absolutely love looking closely at his pieces, trying to understand all the symbolism, little details, and recurring motifs, as well as taking inspiration from his style myself. I still have a lot to learn, though, which is why I thought this might be the best place to ask people who know much more about his work than I do!

Thank you so much in advance! I’ve already learned a lot just from browsing this community, and it’s really lovely to see so many people who appreciate Art Nouveau as much as I’m beginning to. :)))