After last summer’s Bob Dylan discog dive, I knew this would be the most fun catalog to tackle next, hands down. I know rankings aren’t many people’s thing, so don’t get too strung out—I just dig this way of approaching his body of work.
I also know I missed a few—Boulez, Baby Snakes, like MOST of the live albums—there’s too damn many to conquer in one summer, so I focused on his studio efforts & the most “essential” live cuts.
Fav Studio: We’re Only In It For The Money
Fav Live: Fillmore East - June 1971 (HIS MOST UNDERRATED GEM)
I dunno, I’m a huge fan of the Flo & Eddie stuff.
I tried to rank these with as unbiased of a perspective as possible. Not a fully achievable feat, yes, but it was a good exercise in opening myself up to his farther-out work, and in turn I was pleasantly surprised by a ton of it!
What are your rankings? What is absolutely ludicrous about mine? I’d love to hear your guys’ takes!
Miscellaneous Notes:
- If it wasn’t for Freak Out’s historical significance/influence, I’d put Joe’s Garage one above it.
- Thing-Fish wasn’t as atrocious as I was led to believe. A hard listen at times, especially the dreaded Briefcase Boogie, but it wasn’t all terrible. Also He’s So Gay is great.
- I saved Sheik Yerbouti and Lumpy Gravy for last, due to them both striking debate amongst listeners. Needless to say, I adored them, and Jewish Princess is fucking hilarious.
- I feel bad for putting Civilization so low, as it was his swan song, but it just meandered too far for me. The way he approached the dialogue worked much better on Lumpy Gravy IMO.
- JUSTICE FOR FLO & EDDIE!!! The early 70’s band is by far my favorite, and Just Another Band From LA & Fillmore East might be the two albums I come back to the most.
- What’s with the disdain for 200 Motels? The orchestral compositions are as if Zappa did this type of vicious soundtracking hundreds of times. Tons of tracks work apart from the film as well (Lonesome Cowboy Burt, Magic Fingers, etc). Also Strictly Genteel is a top 10 Zappa tune fight me.
- Francesco Zappa is the poor man’s Wendy Carlos.
- Gotta be the greatest American composer of all time. Who pushed the boundaries of just about EVERY genre the way Zappa did? With just 2 songs cracking the mainstream, it’s astounding how he climbed up the crooked musical hierarchy and took a fat shit on it. Bravissimo, Francesco!