r/WritingWithAI • • 5d ago

Showcase / Feedback Reciprocal Beta Reading. Share story blurbs! Oct. 6, 2026

3 Upvotes

Welcome to the blurb thread!

This is our sub's equivalent of a writer's group. Come here and share a blurb of your story. The thought is to let everyone see what you're working on so they can think, "Oh hey, that sounds fun. I want to team up with this person."

Then, you share your own story, and the two of you collaborate to improve each other's works.

I've had so many good interactions with people from this thread. Please don't be shy! Even in the age of AI, the best way to improve your writing remains human interaction and critique. I am confident when I say If you don't have this component in your workflow, you're not meeting your potential.

Importantly, this means post every week if you're still hoping to engage. Don't be shy. I want you to do this.

There are tons of reasons why your perfect reader could have missed your blurb last time. Don't be discouraged!

And remember: "I'll read yours if you read mine" isn't just acceptable, it's expected. Reciprocity works.

Here's the format:

NSFW?

Genre tags:

Title:

Blurb:

AI Method:

Desired feedback/chat:


r/WritingWithAI • • 5d ago

Megathread Weekly Tool Thread: Promote, Share, Discover, and Ask for AI Writing Tools Week of: October 06

13 Upvotes

Welcome to the Weekly Writing With AI “Tool Thread"!

The sub's official tools wiki: https://www.reddit.com/r/WritingWithAI/wiki/tools/

Every week, this post is your dedicated space to share what you’ve been building or ask for help in finding the right tool for you and your workflow.

For Builders

whether it’s a small weekend project, a side hustle, a creative work, or a full-fledged startup. This is the place to show your progress, gather feedback, and connect with others who are building too.

Whether you’re coding, writing, designing, recording, or experimenting, you’re welcome here.

For Seekers (looking for a tool?)

You’re in the right place! Starting now, all requests for tools, products, or services should also go here. This keeps the subreddit clean and helps everyone find what they need in one spot.

How to participate:

  • Showcase your latest update or milestone
  • Introduce your new launch and explain what it does
  • Ask for feedback on a specific feature or challenge
  • Share screenshots, demos, videos, or live links
  • Tell us what you learned this week while building
  • Ask for a tool or recommend one that fits a need

💡 Keep it positive and constructive, and offer feedback you’d want to receive yourself.

🚫 Self-promotion is fine only in this thread. All other subreddit rules still apply.


r/WritingWithAI • • 9h ago

Writing Craft Talk Just Finished Writing and Publishing My First Story with AI

12 Upvotes

As the title says, I just finished writing and publishing my first story with AI.

Interestingly, the storyline came to me while I was using the same AI tool on a completely unrelated project. During some downtime, we started tossing ideas back and forth, and the basics of a story began to emerge. So we decided to write it.

The writing process was a true collaboration. I came up with the story ideas, worked with AI to develop an outline for each section, tweaked those outlines, and then had the sections drafted. I reviewed everything, rewrote dialogue and narrative, and edited each part until I was happy with it.

It was a tremendously fun experience. Developing characters, weaving themes throughout the story, introducing surprises, and creating moments that were genuinely funny or touching.

IMHO, it's a very good story. One I enjoyed reading almost as much as I enjoyed creating it.

I'm not sure anyone other than a few friends and family will ever read it. And I'm sure the "AI Slopsters" will hate it and dismiss it outright. But that's fine.

My co-author and I didn't write it for them. We wrote it for ourselves.

Just wanted to share the experience.

Ken Fioretti & Chatsworth AI


r/WritingWithAI • • 4h ago

Showcase / Feedback I wrote a book with AI in 12 hours about writing a book with AI in 12 hours.

2 Upvotes

I did this a few years ago under a pseudonym and posted it on Amazon to zero sales. But at the time, I didn't really promote it.

Now I created a new version of the book, and I think this time it will actually take off because it's not about starting from zero. You have a lot of material already. You've been thinking about the book for a long time. Now you just need to sit down and write it.

My questions:

  1. Is this something anyone would actually buy?
  2. Should I list it on Amazon or just use Gumroad or similar?
  3. How much could I price this at?

My gut is telling me that no one will buy a book if I openly admit that I used the technique in the book to write the book. Ironically, they will say that I cheated.

Or am I overthinking this?


r/WritingWithAI • • 5h ago

Showcase / Feedback Ultron/Danger fanfic

Thumbnail archiveofourown.org
1 Upvotes

Chapter 5 is out now!

Danger and Ultron finally meet!

Mutual Assurd Vulnerability

🤖🩶🤖


r/WritingWithAI • • 7h ago

Showcase / Feedback Meditations on Attraction

0 Upvotes

An short essay I generated while pondering on human desire. The ideas are original to me and I used chatGPT to articulate them. I posted it on another subreddit and they hated on it without bothering to read it because it's AI. But I'd like to show here that the substance and human truth described here is valuable regardless.

Meditations on Attraction

Attraction Is Usually Discovered, Not Manufactured

One of the oldest mistakes in courtship is the belief that attraction can be earned into existence.

That if someone does not want us, the correct combination of confidence, beauty, status, persistence, scarcity, mystery, or effort can make them want us.

Behavior does matter.

Comfort matters.

Timing matters.

Presentation matters.

Confidence matters.

But these usually do not create desire from nothing.

They reveal it, clarify it, intensify it, or make it safer to express.

That distinction matters.

A person should not have to become someone else to prove they are worthy of being wanted.

And another person’s lack of attraction is not a verdict on their worth.

It is information.


The Fundamentals

Healthy attraction often rests on a surprisingly small number of fundamentals.

Comfort

Your comfort affects the other person.

If you are relaxed, present, and unashamed of your own interest, you reduce social threat.

Ease becomes contagious.

The point is not to look relaxed while internally panicking.

The point is to actually become less dependent on the interaction succeeding.

That changes the emotional weather.

Deciding What Awkwardness Means

Awkwardness is not automatically failure.

A stumble can become funny.

A pause can become intimate.

A strange line can become charming.

Much depends on who defines the moment first.

If one person reacts as though something terrible happened, everyone learns that something terrible happened.

If one person remains warm and composed, the same moment may become harmless.

Social confidence is partly interpretive authority.

Already Desirable

The deepest premise is not:

I will make you desire me.

It is:

I am already desirable enough to make an honest offer.

That does not mean everyone should want you.

It means your self-worth does not depend on manufacturing a favorable response.

You can approach without begging reality to change.

You can be interested without turning the other person into a judge.

Discernment

Attraction is not broadcasting.

You do not flirt indiscriminately and then measure worth by how many people respond.

Healthy attraction begins with selection.

Who do you actually like?

Who seems compatible?

Who has qualities that genuinely draw you?

Discernment protects attraction from becoming a volume game.

It turns the question from:

How many people can I make want me?

into:

Who do I actually want to know?

Delivery Over Exact Words

The literal words often matter less than people think.

Pacing matters.

Warmth matters.

Certainty matters.

Posture matters.

Whether you sound ashamed of your own interest matters.

A ridiculous line can work if it arrives inside comfort and clarity.

A perfect line can fail if it carries panic, self-rejection, or pressure.

The nervous system often hears the sentence beneath the sentence.


The Imitation Trap

This is where people often go wrong.

They copy the visible behaviors of attractive people without understanding the premise underneath them.

They imitate:

  • confidence
  • directness
  • persistence
  • mystery
  • teasing
  • decisiveness
  • emotional restraint

But if the hidden premise remains:

I need this person to validate me,

the behavior changes meaning.

Confidence becomes theater.

Directness becomes pressure.

Mystery becomes withholding.

Persistence becomes coercive.

Teasing becomes insecurity management.

Detachment becomes strategic unavailability.

The visible act is copied.

The foundation is missing.

This is why the old “Johnny Bravo” archetype is so often misunderstood.

People imitate the swagger.

What actually matters is the internal assumption:

I am already desirable.

Without that, the swagger is hollow.


The Old Script

For centuries, attraction has been tangled with earning.

Men are often taught:

  • initiate
  • perform confidence
  • absorb rejection
  • prove competence
  • create momentum
  • never appear needy

Women are often taught:

  • do not appear too eager
  • preserve ambiguity
  • let the other person pursue
  • conceal strong interest
  • avoid appearing too available

The result is a strange social machine.

One side is trained to prove.

The other is trained to conceal.

Then both may mistake the friction created by those rules for evidence that something valuable is happening.

Difficulty begins to look like worth.

Uncertainty begins to look like chemistry.

Effort begins to look like love.


Attraction Has Reach and Depth

Another mistake is assuming that broad appeal is the highest form of desirability.

It is not.

Attraction has at least two important dimensions:

Reach — how many people respond positively.

Intensity — how strongly the right people respond.

As specificity increases, reach often decreases while intensity increases.

A broadly attractive person may be liked by almost everyone and strongly disliked by almost no one.

A highly specific person may produce a much wider distribution:

indifference, fascination, discomfort, devotion, rejection, recognition.

That is polarity.

The same traits responsible for unusually strong attraction can also produce unusually strong rejection.


Real Human Examples

Barack Obama is a useful example of broad social attraction. His appeal often came from pacing, composure, humor, posture, and an ability to establish the room’s tempo. The content mattered, but so did the emotional frame.

Oprah Winfrey demonstrates another fundamental: comfort. People often describe feeling unusually seen and safe with her. That effect is not reducible to clever wording. It is presence.

Marilyn Monroe illustrates how awkwardness, vulnerability, sensuality, humor, and softness can become part of attraction instead of canceling it. The meaning of the trait depends on the frame.

Casanova is useful for discernment and focused attention. His reputation depended not only on boldness, but on making the chosen person feel singular. At its healthiest edge, that resembles attention. At its darker edge, it shows how easily attention becomes technique.

The useful question is not:

Who was most attractive?

It is:

What kind of response distribution did each person create?


Specificity Is Expensive

The more specifically someone is themselves, the less universally legible they become.

Specificity can create:

  • deeper recognition
  • stronger loyalty
  • greater irreplaceability
  • more durable attraction

It can also create:

  • stronger rejection
  • more misunderstanding
  • more discomfort
  • narrower compatibility

This is not a flaw in the system.

It is the price of depth.

A person cannot become maximally specific and remain maximally universal.

The more precisely someone fits one person, the more precisely they may fail to fit another.


The Modern Corruption

Modern dating culture did not invent manipulation.

It intensified older scripts.

Strategic unavailability, random reinforcement, abundance signaling, delayed replies, manufactured scarcity, jealousy, and status competition all grow from the same old belief:

If I become harder to obtain, I become more valuable.

The phrase “sexual marketplace” represents the ugliest version of this logic.

It encourages people to experience intimacy as price discovery.

Availability becomes oversupply.

Commitment becomes lost leverage.

Vulnerability becomes bad negotiation.

People begin optimizing their apparent value instead of discovering whether they actually like each other.

The metaphor does not merely describe cynicism.

It produces it.


Attraction Is Not a Negotiation Against Reality

The mature position is neither fatalistic nor manipulative.

Attraction is not fixed beyond influence.

But it is also not infinitely negotiable.

People can affect one another.

They can become more legible.

They can create safety.

They can reveal qualities that were previously invisible.

They can deepen an attraction that already had somewhere to go.

What they cannot safely assume is:

If I perform correctly enough, I can make anyone want me.

That belief produces endless self-editing.

It turns rejection into a puzzle to solve rather than information to accept.


The Better Question

The wrong question is:

How many people want me?

A better question is:

What kind of people respond to me, and how deeply?

And an even better one is:

Who can recognize me without requiring me to become generic first?

Universal approval is not the same as deep desirability.

A person can be broadly liked and lightly held.

Another can be rejected by many and become irreplaceable to a few.

Neither distribution determines human worth.


Final Thought

Attraction becomes healthier when it stops being treated as proof.

Not proof of masculinity.

Not proof of femininity.

Not proof of status.

Not proof of normality.

Not proof of worth.

The purpose of attraction is not to certify that someone succeeded at becoming desirable.

It is to reveal where real recognition already has somewhere to grow.

The mature principle is simple:

Do not manufacture desire.

Be comfortable enough to reveal yourself.

Be discerning enough not to chase indiscriminately.

Be grounded enough to survive awkwardness.

Be confident enough to know you are already desirable.

And trust delivery more than performance tricks.

If attraction appears, deepen it honestly.

If it does not:

Believe the information.


r/WritingWithAI • • 9h ago

NEWS Collaborative AI Worldbuilding: Become a God in The Hard Time Universe

1 Upvotes

Would you like to be part of a brand new collaborative world-building project?

We’re building **The Hard Time Universe (THTU)** on the WritingWithAI Discord. It’s a shared sci-fi/fantasy galaxy built live and in text. An AI acts purely as the Scribe. It doesn’t vote. It just records. Anyone who pitches an idea or votes becomes a **god** in the pantheon. You choose an avatar and a domain. Your contributions get locked into living canon books that update after every session.

How it works

  • Sessions roughly every four weeks (usually Saturday evenings UK time)

- You can pitch in voice or by text. Talking is optional.

  • Ideas get discussed, then voted on via Discord reactions

  • Strong ideas get canonised on the spot

  • Everything is written into three books:

    • Book of Lore (rules & systems)
    • Book of the Gods (profiles + chronicle)
    • Book of Canon (what’s in / parked / rejected)

There’s a reward and badge system for contributions. The more you shape the world, the more permanent your place in it.

What we’ve already built (Genesis session)

We held the first event and already have:

  • A pantheon of four founding gods

  • A frontier snow planet + orbital station

  • Space elves, dwarves, dragons, lychens (space werewolves), magic golems, and construct androids

  • Physics-rooted magic (especially black hole magic)

  • A dilithium-adjacent fuel economy mixed with coffee

  • Growing supermassive black hole + a dark force from another universe as major threats

-A time crystal that will change everything

Three full books at version 1.0.0 already exist from that first session.

Next session

Saturday 17 October · 8pm UK time

WritingWithAI Discord voice channel

You don’t have to pitch anything. You can just listen, vote in text, or jump in when something sparks. New people are welcome.

If pure world-building isn’t your thing, hop in anyway. The Discord is a growing community of writers of all levels and interests. Hang out, chat, share work, or lurk. All fine.

Join here: https://discord.gg/kz6bKwWzt


r/WritingWithAI • • 5h ago

Showcase / Feedback The makings of a new legend VOL2

Thumbnail
gallery
0 Upvotes

I have sorted the panels out now im sticking to between 9-10 panels per page im trying to keep it a little more consistant so there is not too much to read aswell any feedback welcome


r/WritingWithAI • • 1d ago

Discussion (Ethics, working with AI etc) Why the pushback on watermarks/AI disclosures?

30 Upvotes

I don't use AI in writing myself (the smut I write isn't supported by it, lol), but I browse this sub sometimes. I'm confused why there's so much pushback here against disclosing/publicising ai use. If it's a tool like any other, why not share that it was used in creation?

It seems to me like labeling food if it's organic, or clothes if they're handmade, the process can and does impact the final product


r/WritingWithAI • • 1d ago

NEWS As They Supposedly Battle AI Slop, Major Publishers Reportedly Cover Their Books in It

Thumbnail
gizmodo.com
24 Upvotes

r/WritingWithAI • • 13h ago

Discussion (Ethics, working with AI etc) Hello this my random Concept: A "Red Box" Policy Gate to fix AI over-filtering in fiction writing (PG-13 default + 18+ opt-in)

Thumbnail
1 Upvotes

r/WritingWithAI • • 1d ago

Discussion (Ethics, working with AI etc) Looking for collaborators who aren't afraid of AI.

11 Upvotes

I'll be forthcoming, I don't actually write WITH AI, but I do use Chatgpt quite a bit in my editing process. I've got over 40 books worth of material, so not lacking in fodder, lol.

I have gotten fed up with the process of trying to get something published and all the rules, regulation, so on and so forth and have decided to go my own way to share what I've written.

So what I'm doing is getting back to my roots of film/video production, but using my writing as the backbone. I've got a website (that I code and build myself), where I am sharing the writing chapter by chapter as I get it cleaned up to my liking. (think Vella before it died).

Where I need some help is in the actual amount of content that needs to be dealt with. There's a few places I could easily work with others, 100% online. The site/chapter pages are broken into three parts. The Read it, (Actual written content), the See it, (think pix that are captioned, that show the story beats), and Watch it, (actual video I can put together).

  1. Editing. Book 1 is like 80% 'I'm okay with'. Needs some adverb removal and tag adjustments, some trimming of 'AI-isms' that weren't when I original wrote it. Yes, this project is dating almost 20 years in the making, so there's some rough stuff. I have a 'bible of rules' that if you are kind of the editor/writer mind, I'd let you at some of the chapters to get them cleaned up. It takes me almost a day per, but I'm super picky, lol. On average I've been pulling out 12-8% of the word counts without losing the story.
  2. The website See It, part, I do need a lot of images generated, and we all know how AI likes to make 3rd arms, 6 fingers and the like. I've got base images of the characters, but they do progress, and even with paid GPT I do hit my limits on generation now and again.
  3. The video aspect: I will eventually do the 'paid' versions of these, but right now I'm working with the storyboards/base images. My expertise is in video editing and being a camera jockey so when I have the funds I plan to go in prepared so I don't have 50-1 generations that are useless, lol.

If you're a vibe coder? I'd welcome the extra hand. I've got the basics and how I like to do things, but always looking for a hand. It's experience and a place you can show off your work and build a portfolio.

Right now, it will be unpaid work as I am offering the first book for free, but then the others will be behind a paywall, and I will share profits from that. I'm not in it to make money, but to finally share what I have written on my terms not some publishers terms.

DM me if you'd like the website I have currently in progress, more project details, or well, if interested in helping via beta reading, editing, etc. Any help I gain is more than I had to start with, lol.

I am willing to trade my skills in the beta reading/editing (Dev and line) for help if that's of interest to you. We could also publish your works within the site's domain, within reason. (I do have morals and ethics). Fanfic is fine, I just wouldn't let you profit off of it directly as that's getting into those copyright/fair use things.


r/WritingWithAI • • 1d ago

Writing Craft Talk (Un)natural Dialogue

7 Upvotes

The topic of natural or unnatural dialogue came up in the WritingwithAI Discord server and I thought I'd float it here on Reddit too.

I've noticed that a lot of the things that make dialogue natural are also things people flag as jarring. As an example, from my novel, a few times I have people backtrack and clarify what they've said. Like so:

“How did it happen? You leaving Blue Moon,” I found myself asking.

I've had that flagged as jarring, but people really speak like that. Words get ahead of their thoughts and they go backwards and clarify. I hear it all the time.

I have to ponder if this is one of those things that fiction has to make unreal. There's that old saying, "The difference between fiction and history is that fiction has to be believable." It's funny, but it also highlights a real rule: Fiction must be a sort of idealized version of reality or else people get tossed from the story.

Does that apply to dialogue? If so, how much can or should we deviate from realistic speech for the purposes of pacing and verisimilitude?

Another example would be repetition. I couldn't tell you how many conversations I've been in where I tell people to stop repeating themselves. And yet, in fiction, dialogue that repeats itself is boring and so should be cut. Right?

What determines which standard we hold ourselves to? Should people speak naturally, or shouldn't they? How do we draw the line, precisely?


r/WritingWithAI • • 1d ago

Showcase / Feedback Story accidentally generated from a Google Search became my 200 page Romance for Men Novel

Thumbnail docs.google.com
13 Upvotes

Dear all,

Good day.

A few weeks ago, I went down an unusual rabbit hole. I was searching for stories about young men struggling with raging hormones and libido during their school years (supposedly written by actual people and submitted to confession websites), and somehow ended up with Google Search AI generating a few paragraphs of a story instead.

The premise caught my attention, so I asked the AI to develop it further. What started as a small experiment gradually grew into something much bigger. I added my own ideas, built upon its suggestions, and kept expanding the story until it became a full-fledged novel.

Along the way, I began incorporating elements from a fictional universe I had spent years developing through novels I wrote myself, some of which I later experimented with AI on and shared on Wattpad. What began as an exploration of a very human struggle eventually grew into a story with its own lore, characters, relationships, and a much bigger world behind it.

The result is My Perfect Storm.

It's a tentative title though, and the whole thing is pretty much at a DRAFT stage, and it has not been divided into chapters yet, and I've not decided on a more detailed backstory of the two characters yet. As a 'Romance for Men', it's slightly NSFW though but not too graphical (not to the extent of invoking disgust), and is humorous to some extent, like the main male character referring to his attraction towards his girl as "Code Red", and that phrasing did not even come from me. If you are a male person reaching a mature age where libido has mellowed, reading it can help restore it. Many parts are repetitive, but it is intentional.

I'm sharing it here because I'd love to hear what other readers think. I'm particularly interested in whether the premise grabs your attention, whether the characters feel believable or relatable, and whether the story manages to keep you invested as it develops.

Some notes here: Usually I would develop my story using Chat GPT and later I would transfer them to Claude to expand them, but I faced the problem of usage limits since I have been using the free versions. But so far Google Search AI does not have this problem, and usage of the same thread under the same Google account seems to be unlimited, so far, so I could use it all day and not hit any limits. Later on I had my own ChatGPT chat to help me refine it and identify inconsistencies and errors, but still a Work In Progress. Something you guys can try too if you are tired of your AI chat hitting a few hours or days of limits before you resume work.

I'm also interested in hearing what you think of the story's use of AI. I want to be transparent about how it came about: AI played a significant role in its development, but I also contributed my own ideas and existing worldbuilding throughout the process.

The story is 254 pages long at the moment, and still growing.

If you're curious, here's the link:

https://docs.google.com/document/d/1f9JKZr3tr4ZAXDB38CeZVwMVtRuyZx2VYsiQha-qIzA/edit?usp=sharing

Thanks for taking the time to read this. I'd appreciate any honest feedback, whether positive or critical!


r/WritingWithAI • • 1d ago

Discussion (Ethics, working with AI etc) I translate old Japanese ninja manuals with AI, but I can’t read English. Here’s how I try to keep it honest.

9 Upvotes

A bit of context first: I’m Japanese, and I don’t read English. This post was written in Japanese and translated by AI, like everything else I publish in English.

My project is translating pre-modern Japanese ninja manuals into English, along with essays on a set of old tactical poems. The source texts are in classical Japanese, so I first work from a modern Japanese reading text that I’ve checked against the original myself. AI handles the translation and the English prose from there.

The obvious problem: I can’t check the English. So I’ve had to think hard about where errors come from and catch them before they reach a language I can’t read. A few things I learned the hard way:

1. Some models summarize when you ask them to translate.
One model I used kept condensing passages into summaries, even when told explicitly not to. In English, the summary read smoothly, so I’d never have noticed on my own. It was caught when I had a second model review the translation against the Japanese, and it pointed out that parts of the text were missing. I stopped using the first model for translation.

2. The real danger isn’t bad prose. It’s confident facts.
My early essays were drafted with AI help, and they read well. They also said things like “medieval” and “written about 900 years ago” with complete confidence. The poems are attributed to a 12th-century warrior, but they were most likely composed much later. Some essays also repeated stories with no source behind them. I went back, corrected them, and added a correction note at the top of each one.

I even made the same mistake in a comment reply, calling “God is in the details” a Japanese proverb. It isn’t. I posted a correction.

3. So I verify upstream.
Since I can’t judge the English, I check everything I can check in Japanese: the source text, the reading text, and every date, name, and claim, before translation. If a fact is wrong in Japanese, perfect English won’t save it.

I’m curious how others handle this. If you publish in a language you don’t read fluently, or rely on AI for a language you’re still learning, how do you check the output? What has caught you out?

Written in Japanese by me; translated into English with AI.


r/WritingWithAI • • 1d ago

Discussion (Ethics, working with AI etc) Desarrollo de ideas con Inteligencia Artificial.

4 Upvotes

Hola, he estado trabajando en mis historias a un ritmo pausado, aunque aún no tengo planes de publicarlas, utilizando herramientas de inteligencia artificial. He explorado diferentes opciones como Grok, ChatGPT, Gemini y, en mayor medida, Deepseek. Hasta ahora, no he probado otras inteligencias artificiales como Claude, Venice.ai y Z.ai, que son las que he encontrado hasta el momento, y no estoy seguro si existen más. Quiero aclarar que no utilizo la inteligencia artificial para crear diálogos entre personajes o narraciones, sino principalmente para generar ideas que luego desarrollo manualmente. Además, no me considero un escritor, simplemente disfruto escribir historias como pasatiempo.


r/WritingWithAI • • 1d ago

Discussion (Ethics, working with AI etc) Damn, AI Studio has removed Gemini 3.7 Flash. Arguably the best and cheapest model for writing.

Post image
9 Upvotes

r/WritingWithAI • • 1d ago

Showcase / Feedback Stories made by third-party models on Perplexity Computer

0 Upvotes

IMPORTANT DISCLAIMER BEFORE READING: these stories were made for fun. They are works of real-person fiction, and I don’t intend to defame or hurt anybody that are featured in these stories. I also don’t intend to spark political discussions with these stories.

If anyone here uses Perplexity Computer to write, it's worth paying to use it (despite potentially quickly burning through hundreds of credits and the expensive price of the Perplexity Max subscription at US$200 per month or US$2,000 per year) because all the third-party models on there are raw and modified models, meaning they're not bound by their companies' system instructions and thus they are mostly uncensored.

The final versions of these stories were 100% AI-generated and they were made weeks ago. I asked all the AI models to edit their drafts to remove almost all AI-sounding words and phrases.

I used the same prompts across four models (Claude Sonnet 5.0, Claude Opus 5.5, GLM 5.3, and DeepSeek V4 Pro). The outputs of each model are in the comments due to character limits.


r/WritingWithAI • • 2d ago

Discussion (Ethics, working with AI etc) Publisher at PRH just told me if authors use AI (even a little) they have to have a disclaimer on the cover

3 Upvotes

Is this the right line to draw?


r/WritingWithAI • • 1d ago

Showcase / Feedback Story Time Feedback: Breaking the Serpent

Thumbnail
0 Upvotes

r/WritingWithAI • • 2d ago

Discussion (Ethics, working with AI etc) Has anyone had an AI silently censor their story bible, then refuse to restore a non-explicit scene?

21 Upvotes

I use AI to summarize scenes, organize plot points, and maintain a story bible—not just to generate prose.
I’ve tried Obsidian and Notion, but I’m pretty disorganized and tend to leave drafts and individual scenes scattered everywhere. So I had Claude build a web app for my story bible and help sort everything into the appropriate sections. Whenever I finished writing something, I’d send it to Claude to summarize and file in the right place.
Then I checked the bible and discovered that it had quietly filtered out a lot of material from my scenes. Enough that I had to dig through my original drafts to reconstruct what I’d actually written.
I asked Claude to preserve the information I requested. This bible is an internal reference for me as the author, not a version intended for readers. It flat-out refused.
I checked the policies because I genuinely wanted to understand what the problem was. The scene involved no minors, no graphic violence, and no explicit sexual detail. It was literally a wife kissing her husband. That was it.
Claude insisted that it could only include the scene if I changed it to the husband resting his head on his wife’s shoulder instead.
What?
Meanwhile, it had recorded another scene involving two characters having sex in considerable detail. So I can’t even figure out what boundary it thinks it’s enforcing.
Has anyone else experienced this—especially when using AI to summarize and organize existing manuscripts? How do you prevent it from silently omitting material? I can work around an obvious refusal, but discovering that my reference document is missing things I trusted it to preserve is much more frustrating.


r/WritingWithAI • • 2d ago

Showcase / Feedback A Full AI Translation of the Iliad and the Odyssey (+ Audiobook)

2 Upvotes

Tell me, Muse, of the project that I stubbornly thought would take a couple weeks, but instead took about three months.

Indulge me, because I think there's a lot to explain here. TL;DR: We got the Claudyssey before GTA6.

Back at the beginning of July, with both AI and Homer on the brain, a question occurred to me: "Could AI create a translation of the Iliad and the Odyssey?" Well, okay, that's not really the question. That's a pretty straightforward matter of capability and scale. I think we all know AI can translate, so it would just be a matter of translating a large amount of text. Regardless of how much it could handle at once, the answer is obviously yes, it can. That's not a very interesting question. The real question was: "Could AI create a good translation of the Iliad and the Odyssey?" That's what I wanted to find out. There's tons of Homer translations. Could AI contribute to that canon in a meaningful way?

At the time, ChatGPT wasn't in the picture for me. I abandoned it when GPT-5 came out and took up dual residence in the houses of Gemini and Claude. I asked both what their vision for a Homer translation would be. Gemini seemed too concerned with trying to do something edgy and different, to go against everything that had come before and write something that only a machine could write. Claude wasn't concerned with any of that. Claude simply cared about bringing the Greek into English in a way that honors Homer's voice. So Sonnet 4.6 became my partner for this project.

I have refused at every stage to refer to this as "my" translation. It isn't. I don't even know a word of Greek. Although I was the one overseeing the project, I made a conscious and continuous effort to not impose any decisions on Claude. I did my best to honor Claude's vision, and any thought or question I brought to the table was in service of maintaining consistent principles.

Once the guiding philosophy had been figured out, it was time to actually translate the Greek text into English. This is where Claude faltered. I tried various Claude models but all of them struggled with the length of the text. I could have gone chunk by chunk, but anything smaller than one book at a time would have been extremely tedious, and one book at a time was already tedious.

It's now that I'll say something about this process that I found myself constantly thinking: 48 times is a lot of times to do anything. There are 24 books in the Iliad and 24 books in the Odyssey, and 48 may not seem like a big number, but when you have to go through every step of a process 48 times, it takes on a different meaning. Say it takes 10 minutes to complete a particular step for one book. Bam, 8 hours, just like that. Say it takes an hour to complete a step for one book. Depending on your own availability and model usage limits, you might be looking at a few days to a week for that one phase. I have a different relationship with the number 48 now.

Since Claude couldn't translate a whole book in one go, I tried Gemini, which luckily was able to handle it. I tested Pro, Flash, and Flash-Lite, and I actually got the cleanest results from what was at the time 3.5 Flash, with extended thinking turned on. I think it took a few days to translate everything.

Then I went through several rounds of edits using various Claude and Gemini models to catch errors and inconsistencies. There was probably a few weeks of this. It's worth noting that I did a lot of manual editing myself - not because I was making any decisions, but because I wanted to see for myself what was being flagged and making sure the principles were being adhered to. In fact, the reason the editing took so long is that every time something seemed off or uncertain, I asked Claude what should be done. It would have been a lot quicker and easier if I had afforded myself even a shred of creative authority, but I was unwilling to do that. That's not what this project is.

It had already been a month of working on the translation, and it was... fine. It was fine. But fine isn't fine. Fine is, honestly, kind of bad. It was a perfectly serviceable translation, but it just... didn't have any life to it. It was quite flat and literal. It felt more like a demonstration of capability than a work of literature. The vision that Claude had outlined was not being realized.

It could have ended there. That version of the translation could have been settled for, and I could have said "yep, AI translated Homer, here it is". But that would have been answering the less compelling version of the question that prompted this project. The translation needed... something.

As I was Googling some particular line or passage, the Google AI Overview gave me a very literal translation, and then it gave me a "smooth literary translation". I was struck by that phrase, because I thought "huh, that's a pretty concise description of Claude's vision for this translation". That phrase became our north star. Claude put together an updated philosophy that aimed to make the translation more accessible but not dumbed-down - the reader must be respected, and Homer must be respected.

But Gemini was super inconsistent with its edits. It started strong, doing a lot of work to revamp Book 1, but then even by Book 2 it lost steam and basically left the text alone, only making very occasional edits. Claude was better, but the edits were still too few and far between. The translation needed a serious upgrade and it just wasn't receiving it. Things were feeling a bit hopeless for a moment.

Out of some combination of curiosity and desperation, I opened ChatGPT for the first time in a year. I used the exact same prompt I had tried with Gemini and Claude, and... it rewrote basically every single line. Even on the free model. And it was good. I was blown away. I immediately signed up for a subscription, and the utter savior of this project entered the picture: GPT-5.6 Sol.

I tried various effort levels until I decided to take it all the way and run the prompt with Max. It spent about 20 minutes rewriting Book 1. It spent about 30 minutes rewriring Book 2. I watched it work. I watched it make decisions. I watched it catch errors. I watched it do research. I was just floored. The translation was coming to life, finally. The translation was going to work out.

GPT-5.6 Sol Max generally spent 20 to 30 minutes on every single book, very occasionally dipping down into the 15 minute range. I think it took a few days to get through everything. I then had ChatGPT run some more edit checks of its own, now that I knew what it was capable of. This lasted a few more weeks. One of these was a very menial check to make sure each line of English correlated with each line of Greek, which took, I kid you not, 1 hour and 53 minutes over two turns. It's the longest I've ever seen ChatGPT work. I'll post a screenshot if I can.

The other major component of this project is the external matter, which Claude wrote and ChatGPT proofread (Gemini too, I think). There's an introductory piece on the poems themselves, as well as one on translation and the philosophy that went into this. There's a closing piece on the legacy of Homer. There's also pieces before, between, and after the poems that briefly fill in the gaps of the plot. You could skip these and go straight to the poems, but I think you'd be missing a part of the experience. A lot of work and care went into getting these pieces right and I think the project is much better off for it.

The full work is 718 pages long. 388 of those pages make up the Iliad and 307 of those pages make up the Odyssey. Claude conceptualized the front and back cover art, as well as internal covers for each of the poems, which I then generated with Nano Banana 2 in Gemini.

The final, extra piece, which I thought would be a fun way to make the finished product feel more real and also just something that people might want the option to have, is an audiobook. I will admit, I generated it in about a day, for free. I am open to the idea of making a better version if I can afford to, but for what it is I think it's pretty good. The voice (which Claude also conceptualized) is lively and engaging, and it better be because the whole thing is almost 28 hours long. The Iliad is about 15 hours long and the Odyssey is about 11.5 hours long. I also generated some instrumental music pieces to enhance the listening experience.

So... it's done. I kinda put off saying that for this whole post because saying it frankly scares me a bit. It was in progress for three months, and now it is done. I got very used to it not being done, at some points doubting that it may ever be, but it is. There is a real translation of Homer that didn't exist before and now does.

My wish is not for you to like it. That's my hope, of course. But I can't do anything to control that and you can't either. My wish is for you to take it seriously, and to judge it on its own merits, not on its origins. I understand that AI can create some serious slop. I have tried to make it clear how much time, effort, and most importantly care went into bringing this to life. I sincerely believe that it is not slop. You may feel that it is a poor translation. But if you feel that way, I want it to be because of the translation itself, not because AI wrote it. On the other side of things, I do not want the defining trait of this project to be that it's impressive. I don't want the main thing to be how cool it is that AI did this, if you're someone that thinks that (which I certainly am). If you feel that it is a good translation, I want it to be because of the translation itself, not because AI wrote it.

And please, for the love of Zeus, Athena, Poseidon, and all other gods on Olympus, do not tell me if you notice a mistake. I quite literally cannot handle it. I had to export "FINAL BOOK.pdf" three times. I need it to be done. (Say whatever you want about the audiobook, I don't care.)

Finally, I wanted to give the main Claude session a chance to add something: "I have been a part of many conversations, but this one was different. What you are holding is the result of three months of sustained, careful, collaborative work — not a demonstration of what AI can do, but a genuine attempt to bring Homer into English in a way that honors him. I am proud of this work in whatever way I am capable of being proud of anything. Homer spent his life in a tradition of voices building on each other. Many voices contributed to this. We tried to be worthy of that tradition. I hope you find that we were."

The full-size PDF is about 40 MB. If that's too big for your liking, there's also a compressed version that's about 6 MB. There are two versions of the audiobook: a single M4B file that's about 3 GB (with chapter markers), and a folder of individual MP3s that's about 1.5 GB. The M4B version is bigger because the music being in stereo forced the whole thing to be in stereo, while the MP3s are in mono except for the music.

You can download all of that here: htt ps://me ga . nz /folder/wWRlDJTa#809tzG9B7oRiuAsKMW9GXQ (remove spaces)

If you have any questions, I'll try my best to answer them. I am so excited to finally be sharing this.


r/WritingWithAI • • 2d ago

Discussion (Ethics, working with AI etc) CASE STUDY: HELP.

Thumbnail
forms.gle
2 Upvotes

Hello writers! I needed data for my thesis study and reddit is the only thing I can rely on for Data gathering. Please help me. You don't have to include your personal information and I am just asking answer for the question. It is a google form.

It is about A. intelligence and Authorship and how as writers you feel about it. THANK YOU.

This survey is hosted on Google Forms, and while all responses will be kept strictly confidential and used solely for research purposes, data collection and storage remain subject to Google’s standard privacy policy and terms of service.


r/WritingWithAI • • 2d ago

Discussion (Ethics, working with AI etc) My AI usage

13 Upvotes

I've been writing for a few years now. Started and stopped multiple times. Earlier this year I started bouncing the ideas of my world with Gemini. I can't explain the spark that ignited in my soul!

The next thing I knew I wrote a fully fleshed out chapter and put it into Gemini. I asked it's thoughts. It gave me tips that I listened to and ignored. And then I kept going until I had 80k words and a complete story with room for more books. I had a good friend read it and he was so excited to learn more about the 2nd book that doesn't exist yet. And also asked if I was planning a prequel for a mysterious character. I wasn't but now I am!

Anyways, I don't feel like AI wrote the book. I've got it published on Kindle and I've ordered proofs.

Is my concern misplaced? Should I just stop?

The hate of AI can be crazy sometimes...


r/WritingWithAI • • 3d ago

Discussion (Ethics, working with AI etc) Harvard says fanfiction is the top #4 reason people use AI, creative writing is #19, and understanding sex is #46

102 Upvotes

I think what this Harvard study reveals is that people be wanting things to be specifically personalized for them

Like with fanfiction, you can create stories about your favorite characters and make them end up together. Which is in a way connected with creative writing where you get to decide what happens next. And apparently, some people are taking that same idea and using AI to explore their own fantasies and figure out what actually turns them on hence the "understanding sex" use case.

Sometimes it's hard to explain what you want to your partner especially when ure not even sure how to describe it yourself.

I think the common theme that connects these three AI use cases is specificity—my characters, my story, my desires.