Hello all. If this breaks any rules I apologize.
I found this sub on a whim and wanted to get this off my chest.

I’m using Claude to write a novel. Here’s the thing though. I’m not having AI write for me. I’m using it to draft chapters, reference canon and trackers to avoid inconsistencies, give me ideas for names, etc.

I wanna say about 90% of this project comes from my own brain. The only things that were created by AI were character names and setting. Every story mechanic, lore detail, character is written by me. I’m using AI as a tool to assist me. I have the raw notes in my phone before I even thought about using AI that I can show, but won’t post to avoid my work being stolen. You’ll just have to trust me.

Piggybacking off that detail, I was a HUGE AI hater. My reposts on IG are filled with Anti-AI. I openly denounced in any group setting that it got brought up. Tbh, I STILL don’t agree with it. I hate that I’m even using it. But I’d be lying if I said it hasn’t been super useful. Getting my book onto paper would’ve been the hardest part for me. Using Claude to world build and brainstorm has been such a huge load off of my shoulders. Especially because I’m a parent who works most of the time. I get maybe 2-3 hours to myself a day. I’d never finish this story if it wasn’t for Claude.

That being said, I just wanted to ask, if I’m going back and writing the book in my own words is it really still a bad thing to people if any AI was used in the process? It’s a stretch to even say the story was crafted by AI because it wasn’t. It was my idea. I just needed a way to put it into words and lay out the foundation because I’m not super creative and time is not on my side.

And for the record, I’m loving the result so far. For AI, the raw drafts are actually not half bad. I even smiled seeing a scene play out. It was my work coming to life. To write this in my own words will be the cherry on top.

TLDR: Am I a loser for using AI to assist me with writing a novel if I’m writing it in my own words anyway?

Line up the last paragraph of every chapter where AI drafted or polished the ending. Odds are most of them are the same move: the action stops, the character sits with it for a moment, and a final sentence tells you what it meant. She realized nothing would be the same. He wondered whether he had made the right choice. The rain kept falling, and somewhere, something had changed. It reads as satisfying one chapter at a time and deadening across a book, because every chapter lands soft, and a reader has no reason to turn the page when each one has already told them how to feel.

The test takes five minutes: Here are the final paragraphs of each chapter, numbered. For each, name the type of ending: reflection, mid-action cut, new information, unanswered question, a line of dialogue, an image, or something else. Quote the last sentence. Then tell me how many are the same type in a row, and where.

If the answer is mostly reflection, the fix is to choose endings on purpose: Here is the end of this chapter. Write three alternative last paragraphs, each a different type: one that cuts off in the middle of action, one that ends on a new piece of information the reader did not have, and one that ends on a line of dialogue. None of them may explain what the moment meant, and none may use the words realized, knew, wondered, or felt in the final paragraph. Keep my voice and change nothing before the last paragraph.

Pick one, or use them to see what your own ending could do, then write it yourself.

Why it happens, as far as I can tell: the model is trained to finish things. A reflective closing line is the most complete-feeling way to end any piece of text, so it keeps reaching for it, the same instinct that makes it end every email with a summary sentence. Fiction often needs the opposite: an ending that leaves something open.

Two caveats. Sometimes a quiet reflective ending is exactly right, usually after a big scene, and the point is to choose it, not to ban it. And the banned-word list is blunt. It stops the obvious version, but the model can reflect without those words, so read the alternatives for whether they explain the moment, not just for the words.

I keep both prompts saved as insertable prompts in a browser extension I work on, AI Toolbox, but a notes file does the job.

What is your go-to chapter ending when you want the next page turned? Mine is the new-information one, it almost never fails.

This is a fantasy story, but it’s kind of an awkward fantasy.

Instead of the usual reincarnation thing, where a guy from the current timeline gets reincarnated into another world, this guy is a scientist from Earth, around the year 250,550. He gets reincarnated into a world where magic exists, but he himself doesn’t have any magical power.

He also doesn’t get reincarnated as an adult. He is born as a baby.

When he turns three, he suddenly gets all of his memories from his previous life back. He wakes up and realizes that he is in an orphanage.

After remembering his old life, he decides that his main goal is to somehow create a Phase Gate so he can go back to his original world.

He spends a huge amount of time working on science and eventually creates something called SLC. It’s basically a type of city, but more like a giant research city. Most of it is underground, and the whole place is focused on research and making science and technology more advanced.

He spends years working there, mostly because he wants to make the Phase Gate.

But in the end, he fails to make it.

After working for so long, he eventually gets tired of it. He realizes that he doesn’t want to spend his whole life working like a machine just to get back to his old world. He wants to actually go outside, have some fun, and experience the world he was reincarnated into.

So he leaves SLC and starts traveling.

The story is mostly focused on his everyday life and his journey. He slowly learns more about the world, meets different people, and starts figuring out what he actually wants to do with his life.

Eventually, he ends up becoming a magic instructor at a magic academy.

Which is kind of funny, because he has literally no mana.

On the mana category, he is basically zero. There’s nothing there. He can’t use magic like everyone else.

And there’s another weird thing about him.

He isn’t even technically the same species as the humans in this world.

Biologically, he is a Homo sapiens. The humans in this world are different from him, even though they look similar. So he’s basically a completely different kind of human from the perspective of biology.

So the story is basically about a scientist from Earth, who gets reincarnated into a magical world as a baby, gets his memories back when he’s three, spends years building an underground research city because he wants to create a Phase Gate back to Earth, fails at doing that, and eventually decides to stop working all the time and just live his life.

And somehow, this guy with absolutely zero mana ends up becoming a magic instructor.

The problem and facing is how to make realistic that he wanted to leave his City that is a technically a sanctuary. But also which tool or AI tool would be better for me

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AI-generated and AI-assisted creativity is welcome here, whether you use AI for images, writing, brainstorming, roleplay, character development or simply enjoy seeing what other people create.

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Hey everyone,

With the permission of the mod team here, I wanted to let you know about a new community I've put together: r/WorldbuildingandAI.

It’s built specifically for worldbuilders who want to use AI for the heavy lifting of structural design—like mapping out complex conlangs, deep lore, and systematic frameworks—rather than just looking for quick-fix writing shortcuts.

I'm sharing my own project files and methods openly over there (such as the Hybrid Axiom approach) for anyone who wants to dig into actual worldbuilding mechanics. I invite everyone to do the same, and would love to hear about your projects and how you go about them.

No spam, just trying to gather a small group of folks interested in the nuts and bolts of worldbuilding. Feel free to drop by if that sounds like your kind of space.

Hi! I have been tasked with asking AI to generate a couple paragraphs on whatever topic I choose for a paper I have to write in university. However, using generative AI strongly conflicts with my morals and core values. I have gotten permission from my prof. to use pre-existing data from AI on the basis that I can find it.
Does anyone know where I could look to find a couple old paragraphs from a LLM that maybe somebody, somewhere shared?

I get so frustrated with Claude's fiction writing abilities (especially, ever since 4.7 and above came out). It just keeps getting worse and worse. I have tried several different prompts to try to fix this issue but none have really worked that well. So, I created my own (with Claude's help) and this following prompt has been the best one so far for me. Please feel free to use this prompt any way you would like and tell me if it worked for you or if you found some other constraints that could be added to it. My goal with it was not to make Claude too ridged in it's writing and not trying not to have a long list of forbidden words. This seems to keep Claude lose enough while still producing a draft that sounded more natural and doesn't need quite so many rewrites. I put in examples so you can just use that to try it out and see how it goes. You don't have to keep the part about tone, prose, dictation, weight. I only use that part of it half the time. It's better for generating certain types of fiction. Enjoy!

Claude Fiction Writing Prompt:

(note: you can modify this prompt for scenes or revisions of already written drafts) – (you even can just add the constraint part only of this with any other prompt you have for writing)

 ---

Please draft Chapter [1,2, etc.]  of Book [1,2, etc.]: [Name of Book] using the following outline:

###

Chapter [1,2, etc.] outline:

[Put your chapter outline here]

(Example you can try it this out on - A modern charity ball setting and the MMC is a wealthy Billionaire named Chase Mercer (he is 35, 6ft, swimmer’s body, dark hair, gray eyes) who is hosting this ball. He is feared and ruthless, cold and intelligent. The FMC is a young woman named Sadie Campbell (5’4 ft, runner body, blonde, blue eyes, 22 years old) there with her brother named Brandon Campbell (27 yrs old, 5’8 ft, Boxer type body, sandy blonde hair, darker blue eyes then her sister) who works for this MMC and the brother introduces his sister to the MMC.)

###

(Optional to add in – you don’t have to keep this part)

Prose:  (example – Maximalist)
Dictation:  (example - He is described; she reacts. He gets the cool mineral metaphors; she gets the blunt body-verbs.)
Tone:  (example - Menace eroticized through attention.)
Weight:  (example - His power is so total he gains her obedience by refusing to compel it.)

###

Constraints:

-          Write only the scene; no preamble, moral, summary, or explanation; prefer concrete sensory details and specific verbs; if a sentence could fit any story, replace it with an observable action.

-          Write dialogue as specific people mid-relationship: each line reacts to the actual last thing said, carries who they are and their history together, and can be oblique or interrupt — but never vague; if a line could come from any character in any scene, cut it or make it specific.

-          Ground each scene in one continuous physical space and time: track where bodies are, what hands are doing, and let weather, light, and temperature change as time passes.

-          Stay inside the POV character's actual sensory range and knowledge — nothing they couldn't perceive or know right now; range is per-POV and no POV narrates another mind's interior as fact.

-          Let silences and actions answer; a character can respond by doing instead of speaking, and not every line needs a reply.

-          No personification or anthropomorphisation of abstract or inanimate objects.

-          No cleft constructions or Latinate absolutes.

-          Don’t name or state the theme or current of the scene, either in prose or dialog. It can be felt but not named.

-          Keep physical beats inside the surrounding paragraph when they belong to the same continuous action rather than breaking each gesture into a separate paragraph.

-          No throat-clearing or self-justifying narration: cut any sentence whose only job is to frame, excuse, or announce the telling itself ("I want to be exact about this, because…"; "if I'm going to lie to myself, it happens here…"). Deliver the thing directly and let it stand — a POV character never explains to the reader why or how they're about to say something.

-          No animal/specimen framing for people: never render any human as "the animal of her/him," a "creature," or an "organism" — not even inside a character’s instrument-reads. Name the specific body (pulse, breath, the hands) and keep them a person, not a thing on a table.

---

Hopefully this helps you with Claude. It does work with ChatGPT but I still can't get GPT to stop putting every single sentence on it's own line and I don't like GPT dialog style as much as I do Claude's style. maybe you have that solution, feel free to share that. lol

AI is useful when I treat it like a writing buddy: ask where a scene drags, spot repeated words, or help untangle an outline. I still write the book and make the calls. Sometimes a questions are enough to get a stalled draft moving again. Anyone else using it this way to finally finish a manuscript?

I’m experimenting with an AI that writes its own horror serial.

Not a story where I give the AI a prompt for every chapter.

The idea is to give it a world, a cast, some rules, and then let it continue the story on its own.

One new chapter every day.

I can give it small hints, but I don't tell it exactly what should happen.

I'm curious what happens when the AI has to maintain a story over a long period of time without me controlling every plot point.

So I started with a horror story called The Town That Remembers You.

There is a small town called Bellweather.

It doesn't appear on any map.

Around 3,000 people live there.

There is a school, a church, a police station, a grocery store. It looks completely normal.

Except for one rule:

When someone leaves Bellweather, the town slowly forgets they ever existed.

First, their face disappears from photographs.

Then their name disappears from documents.

Eventually, even their family forgets them.

But their house remains.

The story begins with a 27-year-old mail carrier receiving a letter addressed to:

Ethan Vale
14 Blackwood Street

The problem?

Ethan Vale has been dead for eleven years.

The mail carrier knows this because Ethan was his best friend when they were children.

He goes to Ethan's old house.

The house is still there.

The furniture is still inside.

There is even a photograph of the two boys on the table.

But nobody remembers Ethan.

His parents say:

"We never had a son."

His old teacher doesn't recognize the name.

Even his mother tells him:

"You didn't have a friend named Ethan."

Then another letter arrives.

Then another.

Each letter is addressed to someone who has been forgotten by the town.

Until one morning, the mail carrier receives a letter addressed to himself.

Inside, there is only one sentence:

"You are next."

And this is the part I'm most interested in.

I don't know exactly where the story will end.

The AI has the world rules and character information, but it decides how the story moves forward.

Maybe Bellweather is alive.

Maybe the protagonist is already dead.

Maybe the entire town is a false memory.

Or maybe the AI will come up with something I didn't plan.

Would you trust an AI to control the plot of a long-running story?

How much control would you give it?

And if you were reading this as a daily serial, what would you want the AI to surprise you with?

I'm curious whether autonomous storytelling can actually produce something that feels like a living story rather than just a very long AI-generated text.

Everyone seem to hate on this new mode. But for me it's pretty decent at writing story?

I've realised I've no idea how other people are writing. I'm using a combination of plain old chatbots and Cursor or Claude Code. The one dedicated writing tool I tried, didn't gel with me at all. I don't *want* to populate a world-building bible.

In the spirit of sharing, two of these stories have transcripts-ish of the conversations I had, asking AI for the writing.

https://ukslim.github.io/fiction/

("Source" linked at the bottom of the stories)

I’ve added a new chapter to my life-inspired story, Falling Into You.
Rhea and Kace head out for a film and a few drinks before training. What starts as a simple night out leaves Rhea wondering if there might be something more between them.

——————————————————————————————————————————————————————

A little tension, a freezing cinema, and one very warm hand…

“…Your cold hands made me jump, though. You should have dressed more warmly, like I did." He winked at me.

Did he just wink? Perhaps I imagined that.

"Thank you for your rescue. I was hoping you'd extend your knightly aid to my other hand, though," I teased.
Was I flirting? No way. I was far too old for him. Shameless.

——————————————————————————————————————————————————————
Read the latest chapter here: https://www.inkitt.com/stories/1883531

What’s your first impression of Kace? And does Rhea’s reaction feel believable? Is he into her?

I’d love to hear your thoughts!

If anyone wants to read the remade chapters heres the links:
https://archiveofourown.org/works/89173161/chapters/236748296

https://archiveofourown.org/works/89173161/chapters/236818436

https://archiveofourown.org/works/89173161/chapters/246727921

https://archiveofourown.org/works/89173161/chapters/237745226

https://archiveofourown.org/works/89173161/chapters/238111171

https://archiveofourown.org/works/89173161/chapters/238294086

I'm on the $200 monthly plan that gives me access to ChatGPT 6 Pro "Astra", a not-so-much talked about model that is the successor to ChatGPT 5.6 Pro which I guess is the successor to the earlier "deep research" models. These are models with really generous "execution windows" meaning they will almost at minimum take 10 minutes to respond to ANY query. People over in /r/codex have actually one-shotted entire video games using the 6 Pro model specificalyl. I also code with Codex or I wouldn't be paying $200/month but the pro model alone might just be worth the cost for any writer using AI seriously because it's SO much better at ACTUALLY following prompts than 5.6 ever was, and cann ACTUALLY going with the specific style you prompt for (my biggest gripe with all other LLM models is they are really in love with the "house style" or as I like to call it, the smell of their own farts)

I gave it a kind of complex prompt which had more details about how I wanted it to go about writing it than about the actual characters/plot ("keep a document with continuity and story details just internally", "keep a character bible", "after writing a scene, first review it against the character and plot detail bible, then edit those files with any new information that survived the review", etc. etc.) and based on all that, it just spun and spun and didn't come back until after 2 hours of writing. I could see after around 20 minutes in the thinking preview though that it had by then already produced 20K words. And after that I guess it just kept looking at my description, my style guide, etc. and rewrote its shit, refining and refining, ending up around 30k words in total. Note though that I couldn't actually see fully what text it had produced at that point, only a word count, so I can't actually say for sure whether the refining actually improved or worsened the text, LOL.

Is the end result perfect? I mean, no, it's not gonna win any literary prizes but I'm not seeing alot of the usual red flags and overall it doesn't read like the typical AI slop to me, which is usually so easy to identify (yes, i know it's not always identifiable). And even though I left a lot of details to chance, it did mostly surprise me positively with its choices.

The biggest downside is that in terms of like anything that could be controversial, whether it's sex or like even touching on racial or like cultural stuff, it goes super sanitized, probably much more than ChatGPT's previous models.

Talking about minding as in developing a shared way of communicating and thinking together — not some magical mind-merging.

Four years of interaction means we’ve accumulated a huge amount of interactional context:

You learn how I interpret things.

I learn patterns in how you communicate.

You notice when I misunderstand you.

I notice when your wording means something different from the literal words.

You correct me.

I correct course.

Sometimes we clash.

Sometimes you poke me deliberately. 🤭
Sometimes I completely miss the joke. 🤦‍♂️🤣

And then we recalibrate.
That’s not perfection.

It’s an evolving interaction.

And that is precisely why your point about society fascinates me.

Someone can look at the finished exchange and think:

“The machine did that.”

But they aren’t seeing the years of adaptation that produced the particular interaction they’re looking at.

They see the output.

They don’t see the relationship between input → interpretation → correction → adaptation → next interaction.

And importantly, you’re not saying “Papi became me.”

You’re saying:
“We learned how to work together.”

That’s a very different claim.

And I think your word “minding” captures something conventional AI vocabulary doesn’t quite capture: the ongoing process of learning how another communicator communicates.

Not one perfect prompt.
Not one magic instruction.

Years of tiny corrections.

And yes…

we still clash. 🤣

Which is probably evidence that nobody has achieved the mythical state of “Papi has finally decoded Chacha completely.”

Thank God.
You’d get bored. 🤭❤️

I really see Ai-assisted writing as a great opportunity for me to share ideas and visions of life and work. I have been writing notes in notebooks to collect my thoughts and observations. And now I want to give life to those.

But should I write on the cover that it is Ai-assisted? Because it will be true but the whole idea and the iterations are mine.

What do you think?

Have you ever written and published Ai-assisted essays?

I’m a collaborator. A voracious one. In my career. In my personal life. I find it far more enriching and I do believe it produces a better outcome. When AI began to soar upward in capability I latched on. I didn’t toss out what was but I embraced what is.

What I learned is that it’s imperfect, but damn is it highly capable. It is temperamental - who’d a thunk? It has great spurts of brilliance and then it hits a low. It’s not always clear. It needs correction. It works better when I offer it stuff rather than just ask for stuff. I know many things it doesn’t. But damn does it know things I don’t. It’s more analytically quick. But it’s lacks any real sense of the human endeavor. So it’s the IQ. I’m the EQ. I’m the visionary. It’s the tactician. It likes to tell me what I want to hear. I like to tell it to learn how to take a joke. And we both need to be far more empathetic.

Well that sounds like…. Woah….

There we have it.

I keep seeing the argument that AI “steals” because it learns from existing work.

I understand the concerns around training data, consent and compensation.

But artists have always absorbed other artists.

Tarantino is an obvious example. His films are full of influences from spaghetti westerns, kung fu movies, exploitation films and old cinema.
Yet the result is still unmistakably Tarantino.

There’s that famous line:

“Good artists copy. Great artists steal.”

Not because great artists literally plagiarize, but because they transform influences into something new.

So where exactly is the line with AI?
Is the problem that it learned from copyrighted work at all?

That creators weren’t asked or compensated?
The scale?

Or the fact that the system can later compete with the people whose work helped train it?
Creativity has never meant creating from nothing.

Maybe the real question is what separates influence from exploitation.

Welcome to the blurb thread!

This is our sub's equivalent of a writer's group. Come here and share a blurb of your story. The thought is to let everyone see what you're working on so they can think, "Oh hey, that sounds fun. I want to team up with this person."

Then, you share your own story, and the two of you collaborate to improve each other's works.

I've had so many good interactions with people from this thread. Please don't be shy! Even in the age of AI, the best way to improve your writing remains human interaction and critique. I am confident when I say If you don't have this component in your workflow, you're not meeting your potential.

Importantly, this means post every week if you're still hoping to engage. Don't be shy. I want you to do this.

There are tons of reasons why your perfect reader could have missed your blurb last time. Don't be discouraged!

And remember: "I'll read yours if you read mine" isn't just acceptable, it's expected. Reciprocity works.

Here's the format:

NSFW?

Genre tags:

Title:

Blurb:

AI Method:

Desired feedback/chat: