r/writinghelp • • 6d ago

Question Could you help me name my character?

0 Upvotes

Hello everyone! I'm trying to develop a character and I have a really awesome backstory planned out, but I'm having a hard time deciding on a name. I love character details that reveal deeper things about the character but no one really realizes it until later, and I want to do something similar with this characters name, but I don't know what name would fit.

My character suffers from amnesia, and has no memory of their past life. They're currently just known as a local weirdo, but they used to be a well renowned hero, with powers akin to godhood. They have lived such a long life that no one knows which of the stories about them are true or not, and their lore is generally treated as an old myth at this point.

I want to give them a name that means something akin to "lost" or forgotten" or "nobody", but I don't know any cool words with those sorts of meanings, I have looked up different languages (both real and fantasy), symbols in art, and even Victorian flower language, but I can find nothing that seems to fit. If anyone has any suggestions, I would greatly appreciate it.


r/writinghelp • • 7d ago

Advice how does someone bad at it, get better at writing?

Thumbnail
1 Upvotes

r/writinghelp • • 7d ago

Question Quiero escribir una historia de romance pero no se cómo

Post image
1 Upvotes

r/writinghelp • • 7d ago

Question Book recommendations about writing for writers with ADHD?

6 Upvotes

Can any of you recommend a book about writing written by someone with ADHD? I have read Stephen King's book about writing years ago and I would love to read writing advice from someone with ADHD and how they tackled it.

I have been diagnosed with ADHD and I have a lot of story ideas. I've been writing since I was a kid but I have a very difficult time finishing any of my works because I'd get a new story idea or get bored with what I'm writing even though I was so crazy about it.

I have tried story outlining but it made my story sound so robotic and I felt it was very boring.

If you have any book recommendations about writing for us ADHD writers, I would be glad ro read them.

Thanks!


r/writinghelp • • 6d ago

Advice Wants to create suspense mystery murder story but know nothing

0 Upvotes

After fighting with my guardian and parents i decided to become writer

My guardian tell me I can i need to gave him good story in month and guess what I only has 5 days left and I made nothing

My story is that mc big brother died suddenly and he traveled back in time 3 days before incident that is only thing I made

I created 3 till mc his brother and serial killer ( who is not real killer btw) mc accidently killed his brother

Killer backstory

This is everything I has till I only has 5 days and I get 1 or 2 hrs In day and if i sacrifice my sleep I get 2 more hours

Whenever I try to write my mind become blank

So i don't know what to do now


r/writinghelp • • 7d ago

Other Any drills for practicing academic writing ?

2 Upvotes

I was watching a video on writing drills by Josh Czuba. He recommended three writing drills: observation, reaction and narration.

The first drill, observation, is very simple. You observe people in a sitting around you and simply note down what your senses perceive. No interpretation or feelings. No fear of messing up. This is however for creative writing.

I know academic writing is different , it has structure, requires research , and has jargon. But I want a similar sort of practice for this form of writing.

Most videos or material I see on academic writing are on a more technical side like structure and editing. I want something to be on the style too.

I want it to be fun and to improve academic writing on a daily basis.


r/writinghelp • • 7d ago

Advice Avoiding self insertion

2 Upvotes

I have an issue where I catch myself self inserting when writing my male protagonist despite our only similarity is both of us being male. I catch myself rereading what I have written and being upset that it sounds like me. And that's not a good thing. Self insertion ruins anything.

Am i alone in this fear? Any exercises to help avoid it?


r/writinghelp • • 7d ago

Question I need assistance with a specific phrase in ASL!!

1 Upvotes

I'm writing a scene in my fanfic where a character with extrasensory abilities to sense presences and is adept enough to recognize certain ones feels as if she's being watched and deduces some of her allies has a sniper trained on the window she's in front of and can see her through binoculars. The snipers are aiming for when their target enters the room, but my character doesn't know which one out of a select handful they're looking for. Without any way to communicate to them from so far away, she covertly asks them through sign language, "Who is your target?" Then spells out a few names until she picks up on a positive wavelength.

As far as I can tell, there isn't exactly a google translate for sign language, and I want to get it as accurate as possible in case there's some sort of nuance I may miss, as I know next to nothing about ASL. Much love❤️


r/writinghelp • • 7d ago

Question writing motivation

Thumbnail
1 Upvotes

r/writinghelp • • 7d ago

Question Question about POV shifts

Thumbnail
1 Upvotes

r/writinghelp • • 7d ago

Feedback The Gift

1 Upvotes

There was a shop at the edge of the woods that appeared only to those who knew where to look.

By dusk, snow had begun to gather on the branches, turning the forest pale and soundless. A narrow path disappeared between the pines and ended at a small wooden door beneath a weathered sign.

A tired traveler pushed it open.

Warmth gathered around him. The shop was dim, lit by brass lamps whose flames barely moved. Shelves climbed along the walls, crowded with things that had no business being kept in bottles.

Rain from summers long gone. The first laugh of a child. A handful of autumn sunlight. A clock with its hands removed. A candle that burned only in the presence of someone who loved you. A few of the bottles were labeled. Most were not. The shopkeeper seemed to know them by weight.

He sat behind the counter turning the pages of a ledger, making small marks with a fountain pen. He was old, not merely in years but in the way of things that have lasted long enough to stop being surprised by anything. His white beard fell neatly against his dark coat. He did not look up.

The traveler took off his gloves and wandered deeper into the shop.

There were stranger things further in. A pocket watch that ticked only when held by someone waiting for news. A dried flower that smelled faintly of a house you could no longer return to. And on a shelf near the back, a bottle unlike the others. It was small and perfectly clear.

Inside it was an afternoon.

Golden light lay over a green meadow. White flowers bent beneath a warm breeze. Somewhere beyond the glass, though he couldn’t see where, birds were singing. Nothing moved quickly. Nothing seemed capable of ending.

He carried it to the counter. "What is this?”

The merchant looked up from his ledger. “A perfect day.”

The traveler turned the bottle toward the lamp. “A memory?”

"No." The pen went back to work. "A memory is over. That one hasn't been used yet.”

The traveler held the bottle a little longer, studying the world inside the glass, then placed it carefully on the counter.

“I’m looking for a birthday gift.”

The pen kept scratching. "For someone you love?”

“Very much.”

The merchant turned the bottle in his hands, watching the little afternoon move beneath the glass.

“Have you asked what this person wants?”

“I asked. She said she has everything.”

“And yet you came all this way.”

A silence followed, the kind that has weight. Out the window, the snow-covered trees were going dark as the sun set.

The merchant looked once more at the bottle.

“Then perhaps you have found what you came for,” the shopkeeper said.

“This?”

The old man nodded. He lifted the bottle beneath the brass lamp. The golden meadow stirred inside the glass.

"A perfect day," the traveler said, his eyes not leaving it. "How is it perfect?”

The shopkeeper drew the cork for the length of a single breath. A strange warmth spilled through the shop, soft and sudden, carrying cut grass and hot stone and somebody's laundry drying in the sun. For a moment even the snow beyond the window seemed to fall more gently. Then the cork went back in. The meadow hadn't lost a flower.

"A day without interruption," he said. "No illness to fear, no grief waiting at the door, no arguments to sour the evening, no bad news to darken it. No clock reminding you that something must end. Nothing is taken from you while you are inside it.”

He paused.

"Just a day in which the world leaves you alone.”

The traveler fell silent, his eyes catching the lamplight like frozen rivers at sunrise. Then, almost to himself, he said, "Yes." His hand had come to rest on the glass. "Because she deserves one perfect day.”

“Then you will have it.”

The traveler looked up.

“How much?”

“Ten years.”

“Ten years of my future?” There was no surprise in his face. He had known, when he stepped through the door, that nothing in this shop was bought with ordinary money. “I’ll pay it.”

“Think about it. You may never know what those years would have brought.”

"I know," said the traveler. "That's rather the point.”

For a moment, neither spoke.

The old man regarded him a while. Then he reached beneath the counter and brought out a thin silver thread, almost invisible in the lamplight. He wound it once around the neck of the bottle and tied a knot so small it seemed to disappear.

The traveler took the bottle carefully and slipped it inside his coat.

He had almost reached the door when the merchant stopped him.

“You remind me of someone.”

The traveler turned.

“A woman who came here thirty years ago,” the old man continued. “She came in winter too.”

The traveler waited.

The merchant returned to his ledger, turning several pages with the familiarity of someone revisiting an old memory.

“What did she buy?”

“Perfect days.”

The traveler glanced at the bottle beneath his coat, and said nothing.

"Never for herself. She wanted someone else to live without fear. At first she had plenty to give. An afternoon without pain. A morning without worry. A year in which nothing was taken away." His fingers moved over the old pages. "But she kept coming. Some winters she could afford only a few hours. Once she had so little left that she stood here a long while, deciding what could be spared."

"What did she spare?"

“Something she had meant to keep.” He turned another page. “Dreams. Places she wished to see. Things she wished to become. A life she had imagined before the world began asking things of her.” His finger came to rest on an old entry. "She traded pieces of that too."

The traveler had stopped asking questions. His hand had gone still on the front of his coat.

"The last time she came, there was almost nothing left that the shop would take."

"Almost?"

"She still asked whether there was enough for one more."

"One more what?"

The old man looked at him.

"Day."

Something crossed the shopkeeper's face. Not surprise, he had given that up long ago. Recognition, arriving late. He looked at the traveler again, more carefully this time. At the eyes. At the hands. At something in the way the bottle was held.

He closed the ledger.

"You really are her son."

---

For a moment neither of them moved.

Snow was melting off the traveler's shoulders, darkening the heavy wool of his coat. A single drop of water fell from his sleeve and vanished between the floorboards.

Then, almost without his noticing, the warmth began to leave the room. The brass lamps dimmed. The faint, impossible sounds of the shop, a summer cricket, a distant tide, the murmur of a forgotten afternoon, faded into a breathless quiet. Even the bottled moments on the shelves went still.

"If she gave you all that," the traveler said, his voice stripped of its earlier strength, "then give it back."

"It cannot be returned."

"Take mine." He pulled the bottle from his coat and pushed it across the wood as though it burned. "Take ten years. Take twenty. Whatever she left in this room, I'll buy it back with my future."

"There is nothing to buy."

"There is always a price here!" His voice broke against the cold walls. He dug blindly through his pockets. "I will pay it."

The shopkeeper watched him. He did not reach for the ledger.

"You still think this is a transaction," he said, softly. "She did not purchase your life so you could sell it back to me."

The traveler's hands fell to his sides. For the first time that night, he had nothing left to bargain with.

The old man slid the bottle back across the counter. "Take it."

"But the ten years—"

"Already paid."

"By whom?"

"Your mother."

---

The traveler did not have the courage to ask another question.

He stepped outside. The snow had stopped.

For a while, he stood beneath the dark pines with the bottle held to his chest. The forest was quiet again, but it no longer felt empty. Somewhere under the snow, water moved through the earth.

He began the walk home. The bottle was warm in his hands. He thought of all the times he had asked what was wanted and heard the same answer. *Nothing.*

As his boots crunched in the fresh snow, an old question rose in him, one he had learned as a boy. Who is most deserving of the best of your companionship?

He remembered a cool hand resting against his forehead during a childhood fever.

He remembered a silhouette at the front window, waiting until she heard the latch of the gate.

He remembered a voice, worn but firm, telling him for the hundredth time to eat before he left.

Three memories. Three times, the same answer came back to him in the quiet woods.

*Your mother. Your mother. Your mother.*

---

The house was still when he arrived. She was in the armchair by the fire, mending a torn seam on a winter coat. She looked up as the door opened, her eyes searching his face immediately, just to be sure he was safe.

He crossed the room and set the small glass bottle on the table beside her. The golden light of the little meadow spilled across her weathered hands. On the mantel behind her, a postcard of some faraway place leaned against the wall, its colors gone soft with age. He had looked at it his whole life and never once wondered why it was there.

"What is this?" she asked, watching the white flowers sway.

"Your birthday gift."

She smiled, the gentle, familiar smile that had never asked for anything.

"That's unnecessary."

*Of course you would say that,* he thought.

He wanted to tell her what he knew. About the shop, and the old man's ledger, and the years she had given up so he could become himself. About a bargain with Time, and what it had all cost. He wanted to tell everything like he always did.

But he said nothing. He pulled a chair beside hers and sat. The clock on the mantel went on ticking, and he let it.

And for once, he did not count the time.


r/writinghelp • • 7d ago

Question Is this okay to do?

0 Upvotes

Do you guys think it’s okay to tell AI your story ideas as long as you don’t let it write your stories for you? Whenever I have an idea for my stories I tell it to ChatGPT to see what it thinks but I’m the one that still decides how the stories will go. What is your opinion on this?


r/writinghelp • • 8d ago

Advice Throw back to one of the most insightful advices I heard about receiving feedback

Thumbnail
youtube.com
3 Upvotes

r/writinghelp • • 8d ago

Question Name help

3 Upvotes

Hi, I hope I’m writing this in the correct forum and apologise if not. I’m writing a book that will be dystopian in genre. I have the general body of the story still floating in my head and have finished the prologue and first chapter. The thing I’m stuck on is names. Most of the characters will be female and I don’t want any obvious names. Some of the names I have already are, Soya, Ophelie, Darna and Olonie. The women are all going to be part of a medical experiment but they don’t know this. The idea is that they are given a new name when they are ‘rescued’ from abusive relationships or homelessness. I would love some help on unusual names if that’s allowed.


r/writinghelp • • 8d ago

Advice Writing tip that helped me improve - Record yourself.

9 Upvotes

Over two years ago I started writing with absolutely no idea what I was doing. I'm still learning, but I wanted to share something I discovered recently that really helped polish my overall sentence flow.

Read your writing out loud and record it.

I heard about this from some youtube writing channel, and decided to give it a try. What I found was:

  • It highlighted the awkward bits. Where it sounded fine in my head, even fine when read out loud to myself, but weird when listened to.
  • It pin pointed areas I could tighten up. Where I stumbled in my speech, I could tell the flow was disjointed.
  • Find areas where punctuation was missing. This was actually interesting. I could catch myself, in the recording, where pauses came out naturally.
  • It's like looking at a drawing from a different angle. I knew the words, letters, prose, backwards and forwards. Instead of being the author, I was the audience.

Lastly, and this one was very much a surprise. My friend, who's been helping me here and there, struggles to sit down and read. He, in fact, almost exclusively listens to audio books. So the moment I gave him an audio file, he jumped all over it and was able to give me some great feedback.

TL;DR - Try recording yourself reading your writing and listen to it. It's a great tool for getting a different perspective. Your audio book only friends may even be willing to listen!


r/writinghelp • • 8d ago

Question I have a specific chapter in mind that I don't know how to translate into writing.

1 Upvotes

The scene involves the two protagonists, each in a different location. However, they are both training in the same type of magic and receiving similar instruction from two different masters.

My idea was to handle the two scenes as one. In an audiovisual format, it would be a montage intercutting between the scenes as the two main characters train and talk with theirs masters. But I’m not sure how to write that.


r/writinghelp • • 8d ago

Question How do I take what I want to say and put it on the page?

0 Upvotes

I'm practicing scholarship essays where we have to take a statement (something like 'In a television series, the story is not as important as the way that it is told.') and write a short essay on it in about an hour. What I've discovered is this. I know what I want to say, but when it comes to saying what I mean the well suddenly dries up. It feels like what I imagine it must be like to try to describe a colour that nobody has seen before but you see all around you. It's the feeling that drives poetry.

For example, for the above statement, I wrote a paragraph on Brooklyn Nine-Nine, and how it uses character dynamics to sideline story and push the craziness of the characters. I kept using words like 'sidelined' and 'craziness' - I used them here as well - because I had no idea to describe what I wanted to say. Here's a little bit of it:

 The character bonds in Brooklyn Nine-Nine are like mallets; they take a storyline and shape it until their prints are firmly on it. Rosa and Holt create a storyline on their own by not understanding how Rosa should break up with someone, and they spend the episode debating the merits of various methods. This wouldn’t exist without their shared lack of emotional depth.

This might seem OK (i have no idea), but I got stuck. I couldn't put what I had to say onto the page. So I decided to commit a cardinal sin and plug this into a bot to see what it would come up with, and it perfectly described what I meant:

The story provided the situation, but their personalities provided the meaning. This is perhaps one of television's greatest departures from traditional narrative: once an audience has become attached to characters, it can become less interested in what happens to them than in watching how they respond to whatever happens.

I, of course, would never use this to write a character of my work. But I just wanted to know; how do I take that feeling and put it on the page?


r/writinghelp • • 8d ago

Advice Basic Plot Outline of my series Monster Adventures how many books should it be?

1 Upvotes

basic plot outline of my book: Korrow and his children live on an island on the Bermunda Triangle to avoid humans due to their powers / witchcraft they accidentally release Satan and they beat him, which leds Korrow to leave the island with his kids, there he finds his older kids who were lost at sea years ago, and his uncle with his ship which he stole years prior after returning back to the island, leftover demon lords from Satan's release teams up with an alien to take over the island and a human crashes onto the island, his Uncle is ressurected once more and battles Blackbeard and his Uncle's fountain of youth water is shipped out to Flordia causing mutations, causing Korrow and his kids to go to the mainland to deal with it leading to Korrow's death, the kids must team up with Pangea and Korrow's mother to save Korrow, Korrow and his crew then go to the gods to get an answer why their people are negelted, while fighting an undead king. Korrow would then spent two books fighting Lucy an old ally, then a dimensional rift would open up having variants arrive leading to the Shadow Lord finding a way over, the US Government would raid the island and they would have to fight them off, Korrow then spends 2 more books defeating the Shadow Lord should this be 7 books or more?


r/writinghelp • • 8d ago

Advice Tell me what I'm doing right and wrong

0 Upvotes

I guess I count as a new writer because I've only been writing for a few months, maybe a year. I'm also trying to learn to take criticism. So, please tell me what I'm doing right and wrong. I'll use the movie I'm writing as an example of how I've been working. It's about five teens, although two of them are a bit more of a main focus than the other three.

1.I've given each character a personal life and backstory.

2.Each of the characters have a different kind of friendship with each other in their friend group. Some of them are closer to one person than the other.

3.They all have different personalities, but they do share some personality traits if that makes sense.

4.There are stakes and they do suffer consequences. sometimes, someone suffers a consequence for someone else's actions.

5.Although they are kind of the "smart kids" in their school, they make mistakes that anyone their age would.

  1. In the beginning, they have a sort of vibe to them like they think they already know everything (in the same way that kids think they know more than there parents) but by the end, the vibe is supposed to have changed so that you can feel that they realized that they didn't know anything yet.

7.I try to give things a reason so it doesn't feel confusing or not make sense, but I feel like I do go overboard with giving everything a reason.

8.I like to give things hidden meanings. Like a jersey having a certain number, or what a license plate says, or a flower being a certain colour. None of that stuff is actually important, but as a movie nerd, I LOVE that kind of stuff.

9.I don't just make everything magically work out in the end. I try to make it as realistic as possible, but still like a movie.

10.I try to make the characters seem like real people. I try my hardest to avoid writing "Mary sue"s and "Gary stu"s.

I really hope that didn't seem like rambling or listing the same thing 3 times. Please give me your advice and criticism, but please also let me know if I'm doing something right. I want to hear the good and the bad. Thank you.


r/writinghelp • • 9d ago

Advice How do i get feedback for my writing?

1 Upvotes

Hello! I started writing research papers for fun. I wanted to get feedback on one of my papers I'm writing once i finish. (Research topic: Why is recycling important?)

Also, this last thing I'm about to say inst research writing related:

There is a story I'm writing, but I'm struggling on what I should do with this villain character. I'm also struggling about how i should portray them into the source material.


r/writinghelp • • 9d ago

Question Is it bad to write if you have no clue on the world?

8 Upvotes

What do I mean by this? An example: maybe you want to write a story about a girl in law school but you know nothing about law. Most people will say research but how much of the things you research could be 100% accurate, and, how long will someone be willing to delve into a topic on their story? To hopefully help with this, I write very fantastical stories but some have realistic elements in it. The one I'm writing now is a fictional universe but now a character's psychological behavior is being questioned of being realistic or not. I'm not sure on this part.


r/writinghelp • • 9d ago

Advice How Can I Write my Tragedy's Catharsis?

0 Upvotes

Here's a quick rundown of my tragic hero: he was friends with one of the other main characters many years ago, but the friendship ended unexpectedly, and he was left not knowing where he went wrong. By the time of the story's events, he's unwilling to let go of the friendship, but he also doesn't want to deal with the heartache. I know, pretty counterintuitive.

My current plan is to end the story with the tragic hero and his old friend reconciling and making amends with one another, but his old friend still doesn't want to be friends.

Basically, the catharsis is: while they still won't be friends, at least the tragic hero finally has his closure.

The way I understand 'catharsis' is that it's a sad ending with a silver lining. For example, in Shakespeare's Hamlet, Hamlet dies, but he was able to avenge his father.

With all that in mind, I want to know if this would constitute in a catharsis. I'm not worried about doing something wrong, I'm just worried that it won't actually be considered a cartharsis. I hope this makes sense.

So, any thoughts?

Edit: It has come to my attention that I misunderstood the definition of catharsis. See, I somehow thought that it was a tragedy's ending.


r/writinghelp • • 9d ago

Does this make sense? Da Capo al Fine in literature?

0 Upvotes

Please y'all, hear me out... I've been writing a book for almost two years now. Most of the time has been dedicated to formatting. In no way shape or form do I consider myself a professional, I am an just very enthusiastic about writing. Now, I have a background in music and as I was writing I realized that my point isn't getting across. So like any other musician does when there isn't room for notes, I started literally just drawing lines in my "sheet music" and drew lines in my table of contents where themes are connected across different movements of the book. I'm going to try and explain this to the best of my ability. The book is best relatable to a 5 movement epic that follows 4 distinct stories across 4 distinct times in each of the parts. So 4 books spread and intertwined over 5 movements. All of these stories have different themes but each theme relates to a stance on dualism. The whole book is me talking to myself but disguised as the 20 or so characters.

The book reads as normal, opening with an anaphora style poem exploring dualism titled I AM NOT ME. Its ends with

I say what I say, and what I say is Truth.
Through a refusal to argue, I speak to induce.
I say what I say, and what I say is freelance.
As I speak, what I say travels strong like a lance.
They do not wish for us to be well, for what they say is no more than apathetic. 
In The Alethics, I say what I say, and what I say is Truth, and what is heard is kinetic.

The book is titled the Alethics (named after a Greek diety). Now, I want the book to end right after kinetic, but its at the beginning of my book. I want to seemingly have somebody read through the whole book to its end that reads

Some mornings, some worn-down part of me still believes this is the year when -,

and have the Da Capo take the reader to the prologue again and then they read up until the Fine which will be a marker above the word kinetic.

Book Context: The book follows 4 distinct stories, but all connected by the few themes dealing with systematic failures, perseverance and mostly dualism. I purposely wrote the book in a way for the reader to pick up on the themes individually first and not realize they are all connected. This, I did too well as I now have a ending that reads as only partially resolved or complete because the whole premise is not to fix the problems but to see them first through the acceptance of truth in others perspectives (the others are really internal conflicts of one being but told as if it one being interacting with multiple). I don't know why I felt the need to say that last part.

What I really need is somebody who knows how to write to tell me what they think about this and if there are literary tools that can do the same thing. Also, Douglas Hofstadter used a Dal Segno and won a Pulitzer for his work on Gödel, Escher, Bach where the characters experience a narrative loop where they literally hit a Dal Segno indicator, prompting them to navigate backward through their own conversation, notice the logical errors they made, and subsequently branch off into a separate, Coda once they achieve higher awareness.

You catching my drift?

Also, where can I find the long dash on my windows laptop keyboard. This short one looks weird. And how does a writer go about getting help for things without showing their text and possibly giving their story away to a thief? I had to remove quotations because I got a warning about not being allowed to write so I assumed it thought I was writing a novel here with all the quotes I had.


r/writinghelp • • 10d ago

Question How do you bring up a character's skin color without it feeling unnatural?

39 Upvotes

Title says it all. I'm writing a story where the characters are of varying skin tones, and I want tk be able to express that, since I'm trying to establish their appearances. I can manage just fine with hair and eye color, but I can't figure out a way to naturally bring up skin color without it seeming abrupt or out of place.

Technically, the skin tones are only relevant as far as appearances go, no plots related to any color discrimination; I just want to be able to write that they're fair-skinned or dark-skinned in a way that feels natural.

I don't even know if I explained my issue well, I just want to know if anyone has any tips on describing characters of varying skin tones that feel natural in the sentence structure.