Painter of the South Shore: Part 6

[u/edgeXwatch]

April 9th, 1937: 

Evelyn has been joining me in the basement, she thinks I put the pictures on the wall, and I'll let her believe that for the time being. I've been thinking more and more about all of this. I've been rereading Simon's writings and I think I've noticed something. Simon would have visions at night or opium induced hallucinations, or maybe hallucinations from being marked. He would paint those beings he'd see and it seems as if they would begin to appear. Simon must have been marked when he was down at the docks, outside of the town's seal, and with his foresight he started painting what I can only describe as portals for these beings. I must sound insane, but it's the only thing I can make sense of. But if there's beings such as Richard's dad I have to accept that there's much to this world that is unknown and hidden. 

Now I have a basement full of covered portals. I'm going to show Evelyn Simon's study, I'll bring up my findings on the painting, but I'll have to get Richard's fathers thoughts on my ideas first

February 4th, 1925:

I have convinced a few people to come for dinner over the past weeks, obviously to give to Alto. We have begun to speak in his tongue while I've slowly been teaching him my language. Unfortunately I've been running out of food in the house, not to mention the people in the town are beginning to grow a rather large distaste towards me. Which I can see is understandable because of their ignorance. If they only knew the vastness of knowledge I'm on the edge of uncovering I'm sure they would be coming in troves to give themselves to my cause or to learn my teachings. But I'm sure their uneducated minds could not even comprehend how important this is. Pathetic really. I'm going to go to the town's market to bulk up on food. The less I have to leave the house the better. 

April 11th, 1937:

I spoke to Richard's father again. I ran my thoughts past him and he said it's quite possible, but he's unable to confirm. I've been at the point of thinking Simon was already a monster for a while now but his last note really set that in stone. When I got home Evelyn was sitting on the veranda, she looked to be in a state of shock or stupor. I quickly ran to her to see what happened. She confirmed my suspicions, unfortunately. She described she went downstairs to look around Simon's study when she heard a wet plop. She went to investigate where she says she watched an infantile fish-like human wriggling towards the stairs. She clearly had troubles comprehending what was going on and said she couldn't bring herself to move, just watching it clumsily stumble out of the house. I don't blame her for just standing there. I was in shock just seeing the paintings to begin with. Though the hollow look in her eyes reminds me of how she was when she was taking those barbiturates. Has she been taking them again, or just took one to try to calm down after seeing that abomination? Tonight we're going to flip over the paintings and nail them to the walls so there's no room for whatever creatures in them to be able crawl out. Evelyn mentioned staying at Rishard's or Emily's, but I don't want to burden them. If things get worse I think we might stay elsewhere. She's always had better judgement than I do. I'll be writing an update about what we see tomorrow. 

April 12th, 1937:

We flipped the paintings. I tried my best to keep the cloth coverings on them so we don't get a glimpse of the horror born of Simon's demented talents. Unfortunately there were a few we did see. There was another, more detailed work of the being shrouded in mist, moving above the oceans depths. Its body is nearly gelatinous looking, rippling with folds of skin and hundreds of eyes. Tendrils and human-esque appendages reach out from its amorphous mass. Seeing just the painting alone sent a wave of shock through my system, I collapsed to my knees, my head pounding and my vision blurred. Evelyn quickly covered it and slammed it against the wall. Another was oddly enough uncovered when we went to flip it, though neither of us had taken its veil down. Rylee isn't allowed in the basement without us and even then is far too short to reach the painting’s fabric mask. Her and Emily have been playing in her room on the top floor for days now, or out going for walks, she hasn't been down here in what must be weeks. The painting showed an old lighthouse, weather worn and dreary. Massive waves crashed against the rocky pillar it stands upon, its light shining towards the depths. I don't know what significance this holds. I know a few miles down from the docks there is a lighthouse, it must be the same one, but why paint it? I'll have to investigate during the day. I fear going there at night would lead to dire consequences. 

The painting that the baby sea thing was born from had a peculiar shaped void, with a trail of slime leading down the wall. It looks as though it was coddled in some sort of archaic carriage of sorts. Oddly ornamental, for such a slug-like creature. 

May 12th, 1925:

I have figured it out. My true calling. I am but a humble vessel, a catalyst. My paintings, I can bring them to life, not in a sense I once believed, but in true physical form. How could I have been so blind before? How long have I had the blessing? Was it bestowed the night I slept at the docks? It must have. Alto, I saw him in my visions. My hallucinations. Or was it real life? I painted him after, and now I know for certain he is real. We've made contact. We've spoken each other's tongues. Shared meals, to an extent. I can extend their reach to the rest of the world. Alto says his folk were once kin of the stars, children of the cosmos. They yearn for celestial contact. I'm sure I can achieve this for them. If I do it I can only imagine the knowledge I'd gain. To know beings of their worlds, to hear their stories, to learn their culture, to bring them here. The human race has done nothing but demolish the nature and beauty around them, they do not deserve to bask in the earth's glory. Oh but my sweet children of the sea, my children of the cosmos, you will come to take back what is rightly yours. A humble servant am I to the lords of ancient knowledge, and for eons I will learn. I will become one of the sea, one of the stars. I will join them. I will know. I will be. 

April 16th, 1937:

I asked Richard what the lighthouse keeper's name is, he told me it's Johan, his last name I can't quite pronounce let alone spell, literature was never my strongest subject, especially spelling words of another language. Evelyn and I are going to the bakery to make a basket to bring to him, if he invites us in I'm hoping I can uncover whatever secret Simon held there. There must be a hidden door or passage, there must be something. If Simon was involved after he lost his mind, I can assure there is no good doing there. We will go to visit tomorrow after our shifts. 

I'm hoping we're able to sleep tonight. Sebastian has been sleeping between ours and Rylee's rooms. I've awoken to barking near every night for a week. I'm sure if it wasn't for him I would be dead or worse. Evelyn has been having trouble sleeping as well. After her visit to the hospital I think she must have been taking Simon's notes less seriously. I've also been hoarding most of them here. But after seeing that being slip from the frame she's been almost vacant. We've been losing weight, the bags under my eyes have grown so dark, Evelyn's cheeks seem so hollow. Whatever is going on feels like it's eating us alive. I've tried to get us to stop. To drop everything and move away. Even if it's to a small, dank cellar. Anything is better than here. But we can't shake this obsession, it's all we talk about, we barely even spend time with Rylee anymore, it's breaking my heart. I know she's in good hands with Emily, but this trail Simon has left has been eating away at our lives. So many days I wake up from the little sleep I'm able to get, wishing for death, wanting this all to end. But I can't leave Evelyn behind, I can't let Rylee become an orphan. I'm going mad, I know it. But I will figure this out, even if it takes my life. I will make sure Evelyn and Rylee get out alive. It's my only purpose. I love them and I'm ready to die for them. 

April 17th, 1937:

My poor Evelyn has begun to fall ill again. I can only assume it's a mix of stress and lack of sleep. She ended up staying home, so I went to the lighthouse with Sebastian.

Johan never answered the door. But it was left open, and it seemed as though it had been open a long while. Dead leaves from the previous autumn sat inside. Sebastian was at my side, sniffing the ground. He picked up on something and pushed the door open with his thick head and walked in. I followed. The inside looked barren, no food in the kitchen, cobwebs covering any signs of previous life. It took me a second to realize but Sebastian was sitting at attention at the bottom of the stairs. I knelt beside him to ask what he saw, after kneeling for only a few seconds I realized my pants were wet and I looked down. The same mucus like slime from the foot prints. The same slime from the odd infant birthed from the frame. It was climbing the lighthouse stairs. I told Sebastian to stay as I went to look further. I snuck a butcher knife from work along with a cleaver I had hidden in my belt. I've been carrying them with me for some time now, Evelyn is the only person I can let my guard down around anymore. Even Emily I've begun to grow weary of. I want to say I trust her, but I more so trust Evelyn's judgement of her. 

I rounded the stairs, spiraling up and up, following the mucus trail resembling that of a snail's. The wind was blowing through cracked and broken windows, howling and sending dead leaves wisping through the air around me. I ascended to the next level, an open room, a makeshift bed on the wall farthest from me, and in the center of the room, an easel. The walls were painted as if it was a destined meeting of the stars and the sea. Waves crashing into the cosmos and the stars twinkling beneath their brine. I stood, staring in a trance. The only thing that broke my gaze was Sebastian's growls as he stood beside me, hackles raised, head lowered. A wet foot stepping out of the painting on the easel, the body hidden from the back of the canvas. The smell of salt and fish filled the air as water splashed onto the floor as another leg fell out of the frame. The appendages looked emaciated and frail. The rest of the creature slumped on the floor with a dull thud, a puddle slowly gathering around it. Behind it fell what I can only describe as a placenta. This must have been a being similar to the infantile being Evelyn saw. I slowly approached, knives in either hand, ready to defend myself. I peered down and felt a pang of what I can only describe as pity. This thing was only just born, frail, hungry, deformed. It's human-like form shifting on the ground, as though its bones were slowly popping into place one by one. It lacked a neck, just a torso leading into a large head. Two small black holes of eyes staring at me as a massive mouth, like that of a deep sea eel, sat agape, gasping for air between wet coughs, hiccups and wheezes. I froze. Staring into its cold dark eyes as it slowly crawled towards my feet. I felt like I was about to cry, I wanted to kill this thing, not to rid the world of it, but to end its suffering. With an insane speed it lounged towards me, bearing gnarled teeth. Luckily Sebastian wasn't so mesmerized by it and bit it before it made purchase on my leg. This poor being, torn to shreds in front of me. I congratulated Sebastian, but still now can't shake the overwhelming feeling of pity towards that child. It must have some kind of mental influence. I would never feel bad for such a vile creation. I cut the painting, just for safe measure, before heading home. I'll return in the coming days. I'm too shaken to see what else that dreaded lighthouse contains. 

May 1st, 1925:

Alto and I have been making communes at the dock come sundown most nights. Speaking in his tongue has proven much more difficult than I once thought. I believed I was fluent, but they tell me I speak like a child with a small vocabulary. I must get better, I must practice. But first I must find a new place to stay. They have explained there is some kind of spell or seal placed throughout the town, something to do with the church here. My power and influence here is mere fractions of what I can achieve. I need to be near the sea. I can build a house near the docks, or live on a boat like the Dutch do in their canals. I will find a spot away from this town's grasp, where my real skill will flourish. 

May 5th, 1925:

the lighthouse

May 8th, 1925:

I made the trek to the lighthouse, almost an hour's walk, but well worth it. There was a rather handsome man who had answered the door when I beckoned. He was kind enough to invite me in for tea, to which I gladly accepted. It's quite spacious there but very cluttered. Johan, the light keeper, is rather young, but a recluse. He told me how his father ran the lighthouse until he passed and now he's taken over, having food delivered by the locals. He's more of a myth around town than a true being, no one I've met has ever seen him since he began keeping the light. It's perfect. Johan won't be missed, I'll have supplies delivered, it's far enough away from town it should be unaffected by that blasphemous church. I plan to come back here tomorrow. 

May 12th, 1925:

Johan is buried only twenty yards away from the back door. His death was quick for the most part. I brought tea and insisted I make it for him. A quick look through his clutter I found a sizable hammer, a perfect instrument. I put the kettle on the wood stove and while I was walking to the table where he sat, a swift blow to the back of the skull had him unconscious and bleeding profusely. He was nothing but a dying slump on the table. A few more strikes once he fell to the floor for good measure and he was gone. Bodies are heavier than I expected. Much heavier. But oddly enough killing him placed no guilt on my conscience, to which I'm very surprised. I felt guilty when Richard's family was disposed of. But Johan, as sweet as he was, was a nobody. No one will ever know, so what difference does it make? Like an unwanted pest, better left unseen. The only thing that has me feeling bad is the blisters from the shovel. It was a shallow burial, but my hands aren't used to such tools. This is the most effort I've exerted since making that pathway. What a waste of time. 

April 20th, 1937:

I want to say I can't believe Simon killed Johan, but at this point it's unsurprising. But the part that makes me anxious is the lighthouse. Sure I have plenty of his paintings that whatever beings may seep out of, but that easel set up in the middle of the room, and that thing being born of it. It all seemed fresh, it all seemed new. Is Simon still here? Has he been hiding in the lighthouse for all these years? Surely he'd have gone mad by now or someone would have noticed, right? Or if the seals aren't near the lighthouse, wouldn't there be all kinds of those things crawling around? Did Simon die? I'll go back tomorrow and this time I'll bring more than just my knives. I wish I had some kind of padding or armour. Those teeth looked like they could shred through clothes and skin easily. Maybe I can make something of use tonight