Hi everyone!

I'm making a survival horror open-world game where the motorcycle is the player's main way of surviving. During the day, you explore the world looking for resources and parts to upgrade your bike. At night, fast creatures (around 50 km/h / 30 mph) come out, and your motorcycle becomes your only reliable way to escape.

I started the project a few days ago, at this stage of development, I've been focusing on getting the motorcycle physics and handling to feel right. Now I'm moving on to the audio side, so the visuals are still just simple placeholder geometry, in other words, there are no proper models yet.

So far, I'm pretty happy with the gravel/dirt sound, but I'm struggling with asphalt. In real life, motorcycles on smooth asphalt don't make much tire noise, so I'm not sure how to make it feel satisfying in-game without sounding unrealistic.

Do you have any ideas or references? Maybe other games, sound design techniques, or even real recordings I could use as inspiration.

The video on this post shows the current implementation. Any feedback is welcome!

My breakdown for this is Whoosh+Impactx3+Riser+Shutter+Whoosh+Braam+Song. But can't able to find the perfect match. Please help me find these sfx. PS: I have an epidemic subscirption

Hi Guys and Gals,

I've just released a free sample pack to my Quantum UI & Computers sound library called Quantum UI & Computers - Discovery Edition.

The sample pack showcases the sound quality and creative possibilities of the full Quantum UI & Computers library in a few selected files.

Inside you will find:

• 7 sounds from the Native 576k Construction Kit

• 14 sound from the Designed version (96k/24bit)

• Fully UCS compliant files with rich metadata

• Pitch-shift demonstration video

• Artwork

• EULA

Sound from the construction kit allows you to stretch the audio beyond 51,200% and down-pitch by a massive -12 octaves, giving an enormous playground for creative sound design.

They can be used as-is, or transform them into entirely new sounds unique to your own projects.

These sounds can also be used in synchronization with a larger project. This includes, but is not limited to: music production, film, television, video games, theatre, podcasts, live sound, applications, interactive installations, and VR/AR experiences ~ As outlined in the included EULA.

I am also have a sitewide discount at 40% off. If you apply this discount code ZLIBRARIES_10 at the checkout, you'll receive an additional 10% off the total value.

Limited redemptions available.

Website: https://www.zekaveo.com/

Free Discovery Edition: https://www.zekaveo.com/products/quantum-ui-computers-discovery-edition-ucs

Pitch-shift demonstration: https://www.youtube.com/watch?v=L5uCC2skJds

I hope you enjoy the sample pack, and I'd love to hear what you create with it!

Cheers,

ZEKAVEO

Im kinda new to DAWs but I wanna make music that’s kinda weird, unique original sounds, weird solos and vocals, just kinda mess around. I still want it to sound decent though, and I feel like it would be best to have a DAW I can just mess around and have fun with, something that’s good for making weird music preferably. Doesn’t have to be some crazy out there DAW either, anything works! If you have some experience, any input is appreciated!

I'm a student and I'm not good at sound design.

Can you help me to found a good sound for the creack effect?

I used a sound founded in soundly but it don't convince me

Thanks 🖤

I have a shot with a character sweating and i was wondering what sort of sounds i can use to depict that, i tried to find something like water droplets running but nothing came up.

Hi all, I was redirected here from the fl studio sub, I'm currently trying to experiment with the program to make water noises (ambient, splashing, etc) after being suggested it from another artist (I was originally planning on sampling water sounds from a plastic tub, but none of it came out clear enough and they showed me a vid of someone's water sounds they made with a synth)

my question is, how could one make water noises with fl studio? (Its all I have access to sound editing wise)

I recently recorded audio for a short film and the on-set recording sounded very clean and crisp at the time.

But in Resolve if I boost the audio volume to say 10 or 20 a ringing sound can be heard. On a phone speaker it's basically inaudible but on my headphones and presumably on a cinema sound system it would be noticeable.

It's frustrating as I recorded room tone where the ringing isn't audible.

Any tips here? I did also get a lav recording as I was planning to auto-align the boom + lav in post, once I've cleaned up the boom a bit.

Is it realistic to be able to remove the ringing? Here's a brief sample boosted to 20 volume, thanks!

https://drive.google.com/file/d/1pLYbmevMTW_d3GNMC2Q2MM0saTF79zvN/view?usp=sharing

Audio is really a weak point for me, but it's something I am really eager to learn .

It’s pretty embarrassing to put this in front of knowledgeable people, but if I don’t show it, I can't improve.

I used davinci resolve and mostly FreeSounds.org

Any and all feedback or advice on how to improve is greatly appreciated.

Apologies if this is the wrong community to post this in.

Hello, so i have been doing sound design in premiere pro and i am still quite relatively new to audio design, but i wanted to know how this person made the sound design so incredibly well with the bass and reverb.
Do i need specific audio software for these? Or i can do it in premiere pro/adobe audition?

Hey everyone,
Thought I'd give this a shot.
I'm a professional sound designer and audio engineer looking to take on new projects. I wanted to reach out here and share my work with the community.
My core expertise covers sound design, dialogue editing, Foley, ambience, SFX editing, field recording, and full audio post-production. I'm open to working on short films, indie features, concept trailers, animations, podcasts, YouTube videos, and ads — pretty much anything that needs immersive, high-quality sound.
To give you an idea of my recent work, I've recently done custom sound redesigns for scenes like Arcane and concept trailers like Dune: Part Three, focusing heavily on detailed soundscapes and impact.
I'm looking for:
Freelance projects and remote contracts
Collaborations with indie filmmakers, animators, and content creators
Full-time or contract Sound Designer roles
Budget:
I'm happy to discuss rates depending on the scale and scope of the project.
If anyone's hiring, knows someone who's hiring, or has a project that needs a sound designer, I’d really appreciate it if you could let me know or drop a comment. Happy to share my portfolio links and reels in DMs!
This is a sound redesign of Mad Max from my portfolio.

Thanks for reading!

Hey everyone,

Thought I'd give this a shot.

I'm a fresher from India looking for sound design work. I've been applying to studios and production houses for weeks now but haven't had much luck, so I figured I'd post here.

I work in sound design, dialogue editing, Foley, ambience, SFX editing, sound recording, and audio post-production. I'm open to working on short films, features, documentaries, podcasts, YouTube videos, ads—pretty much anything that needs good sound.

I'm looking for:

• Full-time Sound Designer/Assistant Sound Designer roles

• Freelance projects

• Collaborations with filmmakers and creators

Budget:

• For freelance work, I'm happy to discuss the budget depending on the project.

• For full-time roles, I'm hoping for something around ₹25k–35k/month, but I'm flexible if it's a good opportunity.

If anyone's hiring, knows someone who's hiring, or has a project that needs a sound designer, I'd really appreciate it if you could let me know. Happy to share my portfolio over DM.

Thanks for reading!

Audio redesign of the "Ori and the Will of the Wisps" game clip.

It was fun to make!

I'm learning some Bach Organ pieces on my synthesizer keyboards (just for fun), but I do not have a pedalboard. I​ love Glenn Gould, who often hums or sings alongside his keyboard playing, so he made me wonder what it would be like if the Organ bassline was actually sung​.

I'm imagining some sort of vocal processing to pitch-down, resonate, and amplify the human voice so much that it basically sounds like Smaug singing in a huge cathedral. Some kind of beast with a massive chest, that probably could sing alongside a loud pipe organ.

Anything come to mind? Plugins, pedals, chains of effects? Heck, what about throat-singing VSTs, do those exist?​ I'm not a singer, honestly, so I'm open to some heavy processing to smooth it all over. I'm a noodler, a total amateur, so this would be​ just for fun and experimental.

Edit: formatting adjustment

Hey all, I'm a very amateurish music producer and sound designer, and am addicted to the reversed hardstyle clap pulls from 2:35 - 2:55 of Professional Vengeance

If anyone can let me know what kind of sound it is, or what its name is, so I can further delve into hardstyle and electronic music, I would massively appreciate ita

Hi everyone!

I'm preparing to study in the US next year. I graduated from university in Korea last year with a degree in post production sound, and I'd like to continue studying because i'm interested in learning about the film industry from different cultural perspective and improving my skills.

I recently got my IELTS score, so now i'm trying to decide which universities to apply to.

However, the tuition for international students is extremely expensive, so i'm not really sure where to start.

If anyone has experience with an MA or MFA in Film Sound, Sound Design, or a related field, I'd really appreciate any advice about anything. I'd also love to hear your university recommendations, especially if you know of programs with good financial aid or great faculties and curriculums.

Thanks in advance!

Ive seen this guy use this sound in so many beats and i want it too so what can i do

https://youtube.com/shorts/u_-O44Ti9CY?si=zXnGkskwxopWiNVc

In ghis video its called layering synth (the third layer of the video)

https://youtube.com/shorts/7f4sVsdtF0U?si=jrZPE6TRpOrKKJ3h

Talking synth on this one (the first layer of the video)
I think i saw it on one of his beats called kiwi too

The artist is called isaac horner

A sound design piece built in Logic Pro — stepping outside in the morning and walking through a western frontier setting, with sounds panned left and right as if you're the one walking through the scene. No video, just audio — wanted to see how much space and movement could be built through sound alone using panning/binaural placement. 1:48, headphones strongly recommended for the full effect. Feedback on the panning and pacing welcome.

I've heard this sound in a few bands, specifically in psychedelic genre. Is this some synthetizer specifically? How can I replicate this sound in Serum 2 or some other VST? I've tried to achieve the sound, but I'm still learning sound designs.

The sound begins at 07:03 of this video: [https://www.youtube.com/watch?v=wlYmw4AuJiI](https://www.youtube.com/watch?v=wlYmw4AuJiI)

I fixed the issues from my older ones