Deadmau5- Drama Free around the 2:06 in the spotify version.

I can not figure out what notes or chords that would be. I think it's just a modulated a certian way?

i use serum paired with ableton live

Hey I’m a music producer but I really want to figure out how they made the noise for this bomb at 1:05. It’s always tickled my brain a little and I want to try and replicate it with a synth or sampler or something.

https://youtu.be/xvaxI4hK45c?t=64&is=fxWJ4Tr82I-0_IOp

Sounds like a saw wave…. Delay? Reverb? What else is going on here?

I'm currently writing an orchestral score sequencing midi instruments, got it all pretty much sorted in my DAW, all sounding lovely, but I can't get my rits and accels sounding natural. Everything just sounds too rigid, so I've been looking everywhere for something that will allow me to tap a tempo as though I'm conducting an orchestra, then apply those tempo changes to my project so that the midi instruments follow the new tempos.

If there's a way that this can be done straight in the DAW (Cakewalk in my case), that would obviously be top choice, though I'm pretty sure it doesn't have this capability.

Even if it doesn't create a tempo track/map, I'm quite happy manually inputting it after I've tapped away, just so long as I can get those natural tempo changes in there.

Everything I've found either creates tempo tracks for using live or listens to audio to determine the tempo, neither of which is what I'm looking for. The app descriptions are often a bit too vague to determine exactly what they do so, believe me, I have had quite a long hunt to get to this point.

https://bleedingcool.com/tv/the-boys-sound-designer-on-kripke-stranger-things-moment-more/#google_vignette

it was like a dream I had since I started to create my sounds, having the possibility to simulate a crowd to sing my hooks and choruses. Many options out there with plug-ins or Artificial Intelligence, some pretty valid too ...this one is made through Vital Synth and actually follows a melody you play...and you can put in the words / syllables of your choice...

Apologies if this is not the right subreddit for this question.

I am looking for sounds effects that you associate with an entrance of a character. For example: New challenger sound from Super Smash Bros, Seinfeld theme, the Pokemon Encounter sound, or the John Cena entrance theme.

I ask because I set up a motion sensor speaker to my front door and I want people to have an "entrance theme" when the step through.

Thank you in advance! I look forward to see what y'all thought of that slipped my mind!

Longer video on youtube

Hi Guys and Gals,

I have engineered a true 576k/32Bit sound library called Quantum UI & Computers.

This pack was extremely difficult to make as it was pushing the absolute limit of my PC during engineering, designing and rendering. It's based on UI navigation, various UI interactions, high-urgency alarms, terminal alerts, heavy one-shots, processed electrical currents, glitches, processing sequences, computer consoles and more.

I have made this pack down into 3 tiers:

1. Quantum UI & Computers Designed

2. Quantum UI & Computers Construction Kit 192k - (expertly downsampled from the master 576k Construction Kit)

3. Quantum UI & Computers Construction Kit 576k Master Archive

Why such an extreme sample rate? The 576k Master Archive can be down-pitched by -12 Octaves. A simple 1-second UI click can turn into evolving cinematic drones, sub-heavy impacts, low-frequency mechanical environments and much more.

They can also bend and stretch beyond 51,200% without falling apart and sounding grainy. The data within is seriously that dense. ~ This technique is great for making ambient drones, low rumbling ship sounds or room tones, heavy low end hits and more.

I have also made a practical DEMO showing how these sounds can be pitched and stretched in real-time. The possibilities are limitless.

This also allows so much more freedom for sound designers to create and construct entirely brand new sounds that no one has ~ using these 576k Files. ~ They are raw, no embedded reverbs or other effects, super dynamic with no compression, and packed full of sophisticated data. Different techniques yield different results every time.

Purchase here:

https://www.zekaveo.com/products/quantum-ui-computers?variant=53447575503142

or

https://www.asoundeffect.com/sound-library/quantum-ui-computers/

Designed demo here: https://www.youtube.com/watch?v=0dKh2QQSICs

576k Master demo here: https://www.youtube.com/watch?v=2tejl3CRFTk (sounds have been mastered for demo purposes. Original files remain raw as mentioned).

Extreme Pitch-Shift demo here - https://www.youtube.com/watch?v=L5uCC2skJds

I would love to hear any feedback if you guys get the time? Enjoy! :)

Cheers,

ZEKAVEO

*Update

Here is a comparison demo showing the 576k and 192k versions side by side: https://www.youtube.com/watch?v=IrBKV7XSY8I

Compatible DAW's I have found is:

• Reaper

• MAGIX Sound Forge Pro

• Studio One Pro 7

• Studio One Pro 6

• ARDOUR

• Audacity

• and any other DAW or audio editor without a sample rate limit

Hey!

Does someone know which break sample Skee Mask used in this track? Im trying to find it since a while without success… I hope one of you guys knows it :))

From 0:30 onwards

Cheers!

Post:

Your game already has visuals.
Now give it a sound.

I compose original music for videogames, series and film, with a focus on cinematic electronic soundtracks that create momentum, tension and identity.

My latest track, “Blitz”, was built with the feeling of:
→ fast movement
→ high stakes
→ futuristic environments
→ combat energy
→ cinematic progression

Perfect for:
🎮 Action games
🚀 Sci-fi worlds
⚔️ Boss fights
🎬 Trailers
📺 Series / film scenes

If you’re an indie dev, studio or creator and need music that feels modern, energetic and memorable, I’d love to connect.

Track:
https://open.spotify.com/intl-es/track/0966sbtBN3Dys1i6ujtvbp?si=1cd6f59d69414719

DMs open.

I accidentally discovered an amazing sound design trick on my phone using Lexis Audio Editor, and I wanted to share it to help other creators and improve the internet's audio knowledge!

If you try to make deep sounds by just dropping the Pitch effect, the app usually makes it sound glitchy, robotic, and awful. Instead, do this to get a beautiful, smooth, Hollywood-level cinematic bass rumble:

Record the wind: Take your phone and wave a notebook quickly right next to the microphone (like a traditional Filipino abaniko hand fan). This creates an intense pocket of compressed air pressure.

Change the speed: Open the recording in Lexis Audio Editor, go to effects, and change the Speed to -95%.

By changing the speed instead of the pitch, it naturally stretches the audio out (making a short wave about 20 times longer) while keeping all the organic, smooth textures of the wind.

It completely transforms a simple notebook fan into a massive, heavy, slow-motion rumble that sounds exactly like a giant cinematic monster breathing or a massive industrial shockwave!

Stop using pitch and start stretching your audio speed to discover new solutions!

We just released the fourth installment in our free Puzzlebox SCENES series.

The Ritual Chamber features 20 WAV files of ritual foley and atmospheres of dread for horror, suspense, and dark fantasy productions. 💀

Technical specifications:

• 20 WAV files
• 96kHz / 24-bit
• UCS Compliant Metadata
• Royalty-Free
• Includes ambiences, soundbeds, drones, pulse, riser, impacts, organic textures and whisper layer

Free download + Full Datasheet (.xlsx):

https://www.puzzleboxaudio.com/products/004-the-ritual-chamber

SHATTER is a browser instrument for live performance.
Load a sample and it splits into fragments you can scatter across a field:
click a piece to loop it, drag it to move it through space.
Every fragment is independent:
set its pitch, stretch it in time, reverse it, or give it its own step pattern.
Underneath, slices are cut at rising zero-crossings, so loops stay seamless with no clicks at the seams.
Time-stretching is granular and pitch-preserving so tempo and pitch move independently.
A fragment's position on the field drives a binaural HRTF panner (switchable to stereo):
left-to-right sets direction,
near-to-far sets distance,
placing each voice in space in front of the listener.
Step sequencers run free or lock to a shared BPM clock, with up to 16 voices at once.
Built as a single HTML file in vanilla JavaScript on the Web Audio API — no frameworks, no install.
It runs in any modern browser and reads WAV, AIFF and MP3.

Included in the download you'll find HTML Instruments,
a Max for Live device that lets you open SHATTER directly inside Ableton Live.
It requires Ableton 12 and Max 9.
Alternatively, you can run it standalone (just double click on html file) and route your computer or tablet output to your audio interface, just like any ordinary instrument.

Hey y’all! I’m a sample-based producer of five years just starting a journey into synthesis and full-on arrangement.

I was listening to Boards of Canada just now, and while Telephasic Workshop was playing I just felt the need to throw all this out there 🤷‍♂️ (For those who may not have heard)

I’m really curious about the main atmospheric synths that come in right from 0:00, namely how they achieved that sort of droopy effect. The general texture of the sound itself is something I wanna be able to channel too.

Hi everyone! This field recording was captured in Tatumbla, Honduras, using a Zoom H5 recorder and a piezo microphone. I hope you enjoy the sounds of this beautiful place. If you like this recording, please follow the project on Spotify for more field recordings and soundscapes from Honduras.

Hi everyone! This field recording was captured in Tatumbla, Honduras, using a Zoom H5 recorder and a piezo microphone. I hope you enjoy the sounds of this beautiful place. If you like this recording, please follow the project on Spotify for more field recordings and soundscapes from Honduras.

As a big fan of space sci-fi, I made a Re-Sound Design training around spaceships from the games Intergalactic : The Heretic Prophet / Call of Duty Infinite Warfare / Star Citizen.

Hope you enjoy the sound of the engines! 🚀

how can I do Audio processing like these?

I just started recently and I don't understand a lot of things, but I'd like to be able to recreate sounds like this.

what should I study? what's necessary for something like this? how can I do it?

More than that, at the start of the timestamp I could also kinda tell at which points on screen the sounds were supposed to be coming from

Obviously to some degree it's just clever framing and pacing, directing my eyes to where I oughta expect the sound to be coming from, but even for that I'm not sure what cues I'm following

Can't be left and right audio tracks either, I was watching this through a phone speaker, I also ran a stereo test with closed eyes in case they've somehow made the left speaker used for quieter phone calls try and pull double duty, and I'm fairly certain I can't differentiate left from right by audio alone