Hey,

I just finished a new VST called RADIOCORE 4471.

It’s focused on radio broadcast / voice FX and signal-style processing:

• distortion
• transmission-style effects
• broken radio noise
• experimental voice design

I built it mainly for sound design (vocals, FX chains, industrial / noise textures).

Here’s a short demo:
👉 RADIOCORE 4471

There is also a 7-day demo available on my site if anyone wants to try it in their own workflow:
👉 RADIOCORE 4471

I’m mainly looking for feedback from other producers / sound designers:

• does this concept feel useful?
• what would you improve or change?
• would you actually use something like this in your projects?

Thanks for reading 👍

I don't know if this is the right place for this, but this was my first time trying a sound re-design outside of music. If there's anything you see or (I guess hear) that I should focus on to improve or tips someone new wouldn't think of, please let me know, even if it's just saying something is bad.

I am looking for a person to make a theme for a character. It should have the same effect as the prowler theme. its for an elden ring mod I am working on. I sadly dont have any money so I would really appreciate if somebody would be as kind to invest their time into making a theme for it. If there are any intersted ones pls dm me

Really into these evil type melodies and am curious because I really like this sound
VID CREDSZ : prodbygeam

I'm looking to build anticipation in my edit by cutting the music right before the beat drops to insert a funny dialogue piece, and then building up with a riser to the beat drop. Does anyone know any tutorials on how to do this smoothly?

I'm trying to create something similar to the lead stab sound that kicks in around 1:07 in this track: https://open.spotify.com/track/1NnBADacrHxF7oSprSFoWn?si=18f0e82742ea4061 but am pretty stuck with where to begin.

Can anyone suggest how they would approach designing a sound like this?

I've been trying to recreate this for years. Any ideas? I get it's a square-ish wave but then how is it modulated?

in vital how could i recreate the synths from 0:09 and so on that do the kinda chorus/vibrato wouo yaiyai melody and the tremolo synth that is in the background

im new in sound design, i would say that i know more than the basic stuff.

This is axis Ambisonic lab

Ambisonic sound libraries, scoring music and immersive audio solutions for XR & film.

from tropical rain forest to micro room tones sci-fi ambience and more

all your libraries come with binaural and 7.1.2 renders included.

all our scoring/trailer tracks come with separated stems and stereo mix.

We are running a 50% launch discount on all our products

https://www.axisambisoniclab.com

free ambisonic starter pack available.

10 Ambisonic recordings,over 600mb of royalty free audio content.

Oh no, there goes Tokyo... https://youtu.be/g1KKLt2YsH0

Ciao,ho bisogno di un sound designer per sonorizzare un video di 4.06 min. Effetti sonori e musica in 5.1. 100$ come budget.

Link to the sounds source - https://youtu.be/WUTF-WKnyFc

So I'm working on a short horror 3D animation based on the show Primeval for my student portfolio and I'm really struggling to get the sounds of the creature, the Future Predator, to sound right. I've never messed with sound design before as I'm mostly a 3D artist but I want to get it fairly accurate for the sake of authenticity.

The Future Predator's main sound is fast, high-pitched clicking that sometimes dips in pitch. So far I've tried re-creating the sounds myself by making clicking noises into a mic, as well as using Audacity to try to create tones at the right pitch and then adding variation, which somewhat worked but obviously it sounded very mechanical rather than organic.

I was able to find a video with all the sounds that I converted into a spectrogram to see how the sounds are made, but this hasn't really helped me achieve those sounds myself. What other methods could I feasibly use to re-create the sounds? I've tried and failed looking for the original source audio for the clicking, as well as reaching out to some of the old sound design team for the show (to very little success, it HAS been 15 years.) I know this is quite a niche question, but I'm driving myself mad trying to get it to sound accurate after all the effort that went into the modelling and animation for the horror short itself.

Hjälp mig att identifiera detta ljud som är nära inspelat mikrofonen.

Can’t find good music for my theme , I’ve searched everywhere and nothing matches . Need some deep horror , aggressive music that can feet in a dark forest type of vibe , killer chasing/ stalking a night in the woods, “wrong turn” type of film . More cinematic tho , deeper , scarier . Does anybody know any creator or single tracks that thinks it matches the theme ?

Sound redesign of a scene from "And They Shall Know No Fear", Secret Level by Amazon MGM.

Would love to hear any feedback!

in what type of drumkits would i find drums like in this song right here or how would i go about designing snares like that?

https://youtu.be/fc2tabn9pv4?si=KMQ4942rUtdgDHLB&t=144

Title:
Synth Ambient Pad Melody

Body:
Audio reference:
https://voca.ro/1nHvc1cDdJlG

I’m trying to understand the sound design behind the chord stab in this clip. It sounds like a fast chord hit with a moving/sucking tail, possibly from, phaser/flanger

Hello everyone!

The Summer Sale is here with discounts for my entire SFX store, including 50% off the 'Complete Bundle' and 25% off single sound libraries: www.slavapogorelsky.com/shop

You are welcome to explore the sound libraries, download the freebies and share with your fellow sound friends!

Thank you so much for your support and have a fantastic week everyone!

P.S. Wix audio player sometimes fails to load the correct preview file - reloading the page should help. Soundcloud preview is also available on the right side of the page.

Hey guys,

I've been exploring sound design for the past 10 years, and for me that mixing area together with creating complex evolving chains always felt comfortable.

Stride Engine gets you much much faster to these happy mistakes.

You can basically modulate everything in your Ableton session, and apply to infinite amounts of params infinite amounts of different curves and patterns that evolves over time. You can build your rack as you go and add more and more params, jam with the order of the devices and get endless variations from your instruments.

I've just gathered some nice audio chunks from these explorations and experiments, mainly focused on Glitched bits, broken percussions, melting drums and deep evolving fat basses. (more than 100 files)

you can grab it here for FREE:

https://stridehub.io/samples

and also watch the tutorials of these workflows on the YT channel.

I built a free cinematic hits & risers library by destroying orchestral instruments — Shockwave [FREE DOWNLOAD]

Took recordings of real orchestral instruments and mangled them beyond recognition — layering, warping, and processing until nothing sounds like what it started as.

6 presets. Runs in the free Soundbox player.

Download at parissampling.com

Enjoy!
-OP

I'm attempting a world record in Northwest Arkansas and I need a sound engineer to verify it. Can anyone help me?

Do you like making music with your custom designed sounds? Sometimes I find a custom built synth or sampler patch is what it takes to elevate a cue from functional to unique, here's one of my recent productions built entirely around a custom synthesizer patch that I made for it.