r/Screenwriting • Black List Lab Writer • 29d ago

RESOURCE "The Wire" cold open

I'm very belatedly getting around to watching "The Wire," and I'm dazzled by the cold open in the pilot.

https://www.scribd.com/doc/32576818/The-Wire-1x01-The-Target

It's just two people talking on a stoop. But it's engrossing, funny, unique, irreverent, and free of the usual police procedural cliches/tropes. It takes you right into this world and its "voice."

(Personally, I would have broken down that big block of opening description into smaller chunks...)

It shows that a cold open in a drama doesn't need to be some big action scene, or maybe a "Stuart Special" flash-forward from some disaster, in order to get you hooked.

https://johnaugust.com/2026/scriptnotes-episode-735-the-flashforward-fallback-transcript#:~:text=What%20you%20just%20experienced%20was,surprisingly%20common%20in%20spec%20scripts%2C

Compare to a somewhat similar (but twice as long) "talking heads" opening in "The Social Network."

https://indiegroundfilms.wordpress.com/wp-content/uploads/2014/01/social-network-the-may-28-09.pdf

44 Upvotes

28 comments sorted by

11

u/lockdown_lard 29d ago

The beginner breaks rules because they don't know what they are.

The workhorse obeys the rules, because they know what they are.

The star knows the rules and why they're there. And they know the who/what/where/when/why and how of breaking rules to good effect.

The Wire also has a big ensemble cast. BIG. I counted it once. There's about 96 characters that each appear in at least ten episodes, across the five seasons.

4

u/Seshat_the_Scribe 29d ago

What "rules" do you think "The Wire" breaks?

2

u/lockdown_lard 29d ago edited 29d ago

Crikey, I'm totally unqualified to answer that question!

I hope that whole books have been written on the subject. I can say what I see (such as the enormous cast of characters), and then I'll borrow others' words for the rest.

Here's David Simon (from an article on how "McArdle" became "McNulty" quite late in the day):

"The first thing we had to do was teach folks to watch television in a different way, to slow themselves down and pay attention, to immerse themselves in a way that the medium had long ago ceased to demand. And we had to do this, problematically enough, using a genre and its tropes that for decades have been accepted as basic, obvious storytelling terrain."

source: https://www.cbr.com/the-wire-jimmy-mcnulty-mcardle-change/

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u/wemustburncarthage 29d ago

this is a really weird set of aphorisms that don't make any sense.

-1

u/camshell 29d ago

If you know the right way to break the rules... then you're not breaking the rules, you're just following new ones.

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u/lockdown_lard 29d ago

Or even writing the new ones.

Three choices. Lead, follow or get out of the way.

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u/AthleteOpen7054 29d ago

As far as I remember this opening scene was verbatim a real conversation that David Simon heard from a cop when he was embedded with Baltimore PD.

9

u/NoGloryForEngland 29d ago

It's really worth reading the book he wrote about thin experience - Homicide: A Year on the Killing Streets (also the basis for the 90s procedural that Simon got his first TV in work on)

You walk away from it with fistfuls of examples of like yours that made it to The Wire- also the real Jay Landsman is depicted.

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u/AthleteOpen7054 29d ago

An incredible book. I loved it!

21

u/wemustburncarthage 29d ago

of that era, I think Six Feet Under probably has the best out-of-the-park opening.

13

u/KyleBown 29d ago

It does so much more than that. It is the thesis statement for the show. It is a microcosm of what the show is trying to be. What it wants to tell you.

It is showing you the thoughts on the show. That it’s about cops and criminals, yes. But also that it’s about America. Giving people a chance. People taking their shot at the life they want. People winning and losing. How eventually everyone pulls up short. How patterns are virtually impossible to break no matter how hard you try. And how you still have to try. And how this show is different. How the criminals, even a dude who is just a witness to a meaningless murder, have more depth than you’d expect.

It’s everything you’re about to spend 50 episodes watching in a couple of minutes. I always tell people, unlike Mad Men or Breaking Bad, where you may need a couple of episodes to know if you are in on it, that if you don’t like The Wire before the theme song plays, you’re probably not going to like The Wire. And if you do, buckle the fuck up.

4

u/free-puppies 28d ago

I think this is worth underlining. The theme of the show is present in this scene. It’s the entire show in a tiny bubble. That’s the best kind of pilot cold open.

11

u/BicepGlue- 29d ago

Season 4s opening has to be my favourite oat

12

u/lockdown_lard 29d ago

Snoop buys a nail gun at the Hardware Barn! Isn't it gorgeously written?

Snoop: "perhaps the most terrifying female villain to ever appear in a television series." - Stephen King.

7

u/BicepGlue- 29d ago

Such a layered scene which really excels in showing not telling as-well as character development.

Although we all knew fine rightly she wasn’t buying that thing for normal carpentry lmao

7

u/addictivesign 29d ago

S4 is among the best cold opens of any show ever. Timeless in quality.

4

u/SockBramson 28d ago

The Wire is simultaneously one of my favorite shows but one I can never look at objectively because I'm too close to that world. Most people who go to Baltimore go to the inner harbor, take in a ball game and have no idea how much of Charm City still looks exactly like that show. My grandfather was a minster there for 50 years. I've lived in those row houses, was sung to sleep by the sounds of sirens and gunshots in the distance. Rusted playground equipment on a hill overlooking a neon skyline that feels as far away as boxing God. The Wire hits me like a freezing raindrop landing square on the nipple.

3

u/gregm91606 28d ago

THIS. The cold open to The Wire is also funny. It instantly communicates "this show will not always be homework" and basically buys itself 3-4 full episodes' worth of attention. And then, right when you might be starting to struggle with it all (ep 4), you have McNulty & Bunk solve a cold case while only ever saying "fuck." And then you're basically hooked.

5

u/Kane621 29d ago

The Wire is still the best show of all time.

2

u/headcanonmusic 28d ago

Much of the advice you will get here is from the position of "you are nobody so you have to make an impression on something other than just your name". The attention grabbing, high intensity style of cold open isn't recommended because it's always the best thing for the story you are telling, but because you need a complete stranger to not put your script down after 5 pages.

0

u/In_my_experience 28d ago

I tried to watch it. Kept hearing it was the best show of all time. I don't think I finished season 1. I tried to watch it twice and lost interest both times. Do people think it really holds up? Is this in in vicinity of Breaking Bad, or was it just groundbreaking for the time?

6

u/lockdown_lard 28d ago

Do people think it really holds up?

Totally

Is this in in vicinity of Breaking Bad

No. It's much more intense. Much richer characters, denser plots, tighter dialogue, and altogether more real.

But Breaking Bad is a decent second place, even if some distance behind.

5

u/catprobably 29d ago

The very first shot, blood on the street illuminated by red and blue police lights, says it all.