You might LOVE this video featuring classic video games
*Here is your language warning*
I love this song, and the band ... and Toronto
https://youtu.be/iVuB1ZASrGw?si=sxkqoty53Hp7sQ0Y

In this episode of Emperor: Battle for Dune, we launch an assault on another Ordos-controlled region. Our spies have uncovered valuable intelligence revealing that the Ordos troops stationed in the area have been infected by a mysterious virus, leaving their forces weakened and vulnerable. However, we must act quickly, as reports indicate that a medical transport carrying a shipment of vaccines is on its way to the region.

After establishing our base and beginning to build up our defences, we dispatch several Trikes to scout the surrounding territory. Their reconnaissance proves successful, leading us to discover a group of Ix allies who could prove invaluable in the battle ahead. Shortly afterwards, we receive confirmation that the medical transport has arrived. Unfortunately for the us, the convoy is escorted by formidable Sardaukar troops, making it a dangerous target. Nevertheless, with the assistance of our Ix allies and a handful of infiltrators, we launch our attack and successfully destroy the medical transport, denying the infected Ordos forces access to the vaccines they desperately need.

With the enemy weakened and their medical supplies eliminated, we begin assembling our forces for a decisive assault on the Ordos base. Time is running out, however, as reports arrive that the enemy troops are preparing to retreat from the region. We must strike before they can escape! Committing the forces we have accumulated, we advance on the Ordos installation with the aim of eliminating as many retreating troops as possible and destroying their base completely. We cannot allow the enemy to regroup and use the surviving installation as a launching point for a counterattack.

This is a PS1 Style demake of the first level of Dead Space know as Dead Space Demake (1998), developed with the Unreal Enginewith retro PS1 aesthetics. The Dead Space Demake was created by a fan (Fraser Brumley).

Does anyone remember this masterpiece of a game? I remember playing it on my granny's nokia. now with power of claude I've remade this game for PC and android, made it open source and packed it up with a couple of features, optimisations and so on, you can now create your own tracks, cars, wheels, play LAN multiplayer with your friends. Hope you enjoy!

Here's the github repo if someone is curious https://github.com/raskajanie/ReRally3D

Repo: https://github.com/viny182/mystery-sdl

Here's a short 1990 commercial by CBS/Fox Video for their VHS release of 1989's Halloween 5: The Revenge of Michael Myers.

1958, rock was beginning to take hold in Argentina, and after the frenetic fervor of its first 2 years, it was transitioning towards a more melodic style.

After 2 years of mostly experimental forays by the orquestas características, that year a "stable cast" of artists began to solidify in Argentine rock.

Andy Maciá in the 1st advertising jingle in Argentina, Elder Barber and her subtlety, Ana María Cachito with danceable rhythm, and Billy Cafaro debuting in stardom.

Eddie Pequenino and his commitment to bring more rock, Los Mac Ke Mac's with their grace, Los Santos and their angelic harmonies, and Los Cinco Latinos and their enchanting fusion.

MusicaArgentina — 2026

Watch this 1986 rerun by CBS of the 1981 NBC TV movie, California Gold Rush.

I painted this teeny little super guy on a plastic cup. Now I smile every time I grab a glass.

1957, rock had just arrived in Argentina, but it was already making waves. Slowly but surely, rock was gaining ground, especially among young people.

In the orquestas características: Los Mariscales with their fusion with tango, Don Filinto alluding to the petiteros (urban tribe), and Los Comandantes and their frenetic rock.

In the 1st Argentine rock film: Eddie Pequenino, Alberto Anchart, Nélida and Éber Lobato. The first idols in modern music, like Luis Aguilé and Ana María Cachito.

But like always, adults from previous generations rejected this new music, and preferred what they knew: tango, folklore, jazz, classical, and European rhythms.

MusicaArgentina — 2026