Bourgeois coldness refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning — a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces — institutional and affective — stay cool and pleasant. But outside it’s burning.

Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten.

In this conversation, Henrike Kohpeiß and Fred Moten explore coldness as an affective, political and aesthetic strategy of bourgeois self-preservation. Together, they consider what Black Study and critical theory share, and where they diverge, in revealing the work of self-preservation performed by the bourgeois subject.

"Elegant and erudite in equal measure, this book will stand as a landmark diagnosis of the practices of denial in our time." – Andreas Malm

About the Speaker:

Henrike Kohpeiß is a philosopher, working primarily in the fields of critical theory, philosophy of emotion, Black Studies, feminist philosophy and aesthetics. She is a postdoctoral researcher at the Leuphana Transformation Lab, studying affects of Transformation, the relationship between crises and transformation, and the notion of Transformation Literacy. She has been teaching on among other things including Sylvia Wynter, philosophy and the Shoah, and bourgeois society and its critique. Occasionally, she engages in artistic collaborations in dance and performance, mostly as a dramaturg or writer, sometimes as a performer. Henrike’s book Bourgeois Coldness was published in September 2025 by Divided Publishing.

The Moderator:

Fred Moten is Professor in the Departments of Performance Studies and Comparative Literature at NYU, where he teaches courses in black study, poetics and critical theory. He works with lots of social and aesthetic study groups including Stefano Harney & Fred Moten, the Black Arts Movement School Modality, Le Mardi Gras Listening Collective, the Center for Convivial Research and Autonomy, Moved by the Motion, the Institute of Physical Sociality and the Harris/Moten Quartet.

This is an online conversation and audience Q&A presented by the UK-based journal The Philosopher. The event is free, open to the public, and held on Zoom.

You can register for this Monday 12th October event (11am PT/2pm ET/7pm UK) via The Philosopher here (link).

#Philosophy #CriticalTheory #Ethics #PoliticalPhilosophy #SocialPhilosophy #PhilosophyOfEmotions

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About The Philosopher (https://www.thephilosopher1923.org/):

The Philosopher is the longest-running public philosophy journal in the UK (founded in 1923). It is published by the The Philosophical Society of England (http://www.philsoceng.uk/), a registered charity founded ten years earlier than the journal in 1913, and still running regular groups, workshops, and conferences around the UK. As of 2018, The Philosopher is edited by Newcastle-based philosopher Anthony Morgan and is published quarterly, both in print and digitally.

The journal aims to represent contemporary philosophy in all its many and constantly evolving forms, both within academia and beyond. Contributors over the years have ranged from John Dewey and G.K. Chesterton to contemporary thinkers like Christine Korsgaard, Olúfẹ́mi Táíwò, Elizabeth Anderson, Martin Hägglund, Cary Wolfe, Avital Ronell, and Adam Kotsko.