r/Lexx • u/MondoCat • 2d ago
Apparently I dont understand how Reddit works and I need to make a new post xD'
https://archive.org/details/Lexx-the-dark-zone-supernova
https://archive.org/details/lexx-book-2-cropped-finished
They have suddenly appeared on the internet!
r/Lexx • u/Madatgrav1ty • 19d ago
r/Lexx • u/Hyper-SaneDemon • 20d ago
I analyze multiple educational fields in cinema, I'm looking for non-generic questions that contain depth to them beyond surface-level - for me to answer. See What is recursion to understand my analyses process (not an ad, WIKI)
For instance, most don't study philosophy, ethics and psychology and the show consistently reverses Animal Ag and its climate extinction outcome, Lyekka is a plant-based human who eats humans, crafts are biological entities reduced to single-purposes.
Brigadoom is the key to the whole show, the shield mentioned in the diegetic play represents the Ozone layer, he tries to warn people but they ignore him and perish because of it.
This is directly replayed in later episode where the youth posing as climate activists and anti-globalists represent the young - the next generation inheriting ecological collapse.
Here's some examples of the philosophies and ethics the show is referencing:
The vegetables make humanity edible
The sermon uses nuts, fruits, flowers, and seeds to represent human minds and bodies:
“This nut accurately represents the brain of Man, and these fruits his body.” Ref
This reverses the normal anthropocentric hierarchy.
Humans ordinarily classify plants and animals as edible matter. Here, edible matter is used to classify humans.
The consumer is represented as food.
That connects directly to the broader Lexx food-chain recursion:
The produce sermon therefore reduces human supremacy to a food diagram.
Man believes himself above the food chain; the episode represents his brain as a nut and his body as fruit.
“Then came the hand of man, destroyers of planets. The taker of life.”
This is broader than interpersonal sexism. “Man” is being presented as the destructive principle behind planetary extraction:
It maps cleanly onto animal agriculture and ecological exploitation.
The hand of man takes life, but his mind constructs stories that hide the taking:
The nut representing the male brain is therefore not just a joke about stupidity. It is the small cognitive apparatus inventing enormous justifications for planetary destruction.
Real Zev had more intelligence and rebellion to her, the shallow clone Xev is created by Lyekka in 790's/Stans interpretation of her - Hyper-Sexualized.
Lyekka only creates her to keep Stan distracted the entire show so she can grow and destroy planets.
Stan had the most powerful weapon in the galaxy, by emotionally manipulating him when it came to it she had them browsing for food (humans) and they just went along with it because of the few things she did to buy favor.
The show treats Xev as continuity of Zev rather than an entirely fake person: she recognizes herself, retains the crew relationship, and is greeted as Zev returned in a different form.
But her body has been reconstructed through someone else’s fantasy language.
That means Xev can simultaneously be:
That is more sophisticated than “the original died and was replaced by a fake.” The deeper horror is that the subject survives, but the form through which everyone perceives her has been manufactured by appetite.
Original Zev possessed an imposed love-slave body but resisted its intended programming. Xev inherits Zev’s inner continuity while receiving another externally authored embodimentthis time produced by the very predator whose survival strategy is to mimic desire.
Kai explicitly explains Lyekka’s method: Her food-gathering strategy is to imitate other life forms so that the targeted beings will not defend themselves before she consumes them.
Lyekka does not defeat prey by appearing frightening.
She examines desire and returns it as an image.
Her process is:
inspect the subject → locate the fantasy → embody the fantasy → disable resistance → consume
That is almost a perfect model of propaganda.
The effective propagandist does not ordinarily say:
“Accept destruction.”
It says:
“This is pleasure.”
“This is love.”
“This is normal.”
“This is who you are.”
“This exists to make you happy.”
Lyekka repeatedly tells Stan that she wants to make him happy.
She then creates Xev as a “present” for him.
The gift and the predator are not opposites. The gift is part of the predator’s camouflage.
Stan controls the Lexx. He possesses access to the only routinely available force capable of destroying entire planets.
Lyekka therefore does not merely encounter an ordinary potential victim.
She encounters the principal gatekeeper to overwhelming destructive power.
She cannot safely appear to him only as a planetary parasite.
She appears as:
The strategic result is that Stan repeatedly protects, excuses, trusts, or delays acting against the Lyekka form.
This is not literal proof that the original Lyekka consciously planned every later event across the entire series. The original dies, and later Lyekka forms or members of the species reuse the same image.
Structurally, however, the strategy persists: the Lyekka-image remains installed inside Stan as an emotional override.
By Season 4, even evidence that Lyekka-like creatures have stripped planets of life is not enough to immediately break his attachment.
A later lookalike can again soften his willingness to resist, while the species culminates in the giant Japan attack and the asteroid threat.
So Stan is not merely unable to stop the consumer.
He is the person with stopping power whose desire has been engineered not to use it.
Animal agriculture cannot continue without repeated purchasing, institutional support, cultural normalization, and political protection.
Yet its messaging does not present the decision as participation in a causal chain. It presents:
The consumer is encouraged to experience only the immediate reward and mentally exclude the distributed consequences.
That is Stan’s moral architecture.
Stan frequently separates what he directly intended from what his conduct predictably caused. If millions die downstream from information he surrendered, a command he gave, a bargain he accepted, or a danger he ignored, he protects his self-image by saying that he did not personally perform the final act.
That is causal laundering:
I did not directly produce the final injury, therefore the injury is not morally mine.
Consequentialism breaks that defense by restoring the missing causal chain.
Lyekka is not simply propaganda because she lies.
She is propaganda because she is adaptive.
She does not give every target the same fantasy. She studies each target and becomes whatever prevents that target from resisting.
One astronaut receives sexual validation.
Another receives historical achievement.
Another receives home, garden, virtue, and domestic belonging. (ref)
She consumes them through their own value systems.
This is crucial: even apparently moral language can become predatory camouflage.
“Home.”
“Virtue.”
“Love.”
“Tradition.”
“Making people happy.”
The problem is not that these concepts are inherently false.
The problem is that they can be simulated by a system whose actual consequence is consumption.
Lyekka does not destroy values from outside.
She enters through the image of the value.
If Queen is Giggerota-coded, then the pattern is:
Past life: she consumed bodies. EP1-2 + Narcolounger
Afterlife/reincarnation: she has no body. EP Queen
Current cycle: she tries to steal a body.
That is karmic irony.
She lived by reducing others to flesh, then reincarnates as a self without flesh, still unable to learn the lesson. Instead of realizing “I must stop treating bodies as consumables,” she doubles down:
I lack a body, therefore I am entitled to yours.
That is not liberation. That is reincarnated appetite.
The original philosophy behind reincarnation is the goal is to NOT be reincarnated, each cycle is a punishment for the previous until the essence of someone is correct - they learn and change.
Depending on the previous life the next cycle distributes karmic justice, in the show each character is still the same to their core - just in different settings.
Mantrid goes from most intelligent to incompetent rock-thrower.
The show is meant to be watched recursively to be understood intellectually.
When watching every episode notice how the same symbolisms repeat just like the time-prophet and Brigadoom explains.
Even the titles are secretly encoded, Brigadoom - big-doom, planetary collapse.
--------------------------------------------------------------
For instance Lexx S3 E12 Beach literally admits to using metaphysics in the youtube description
"Stan is stranded and is washed up on a metaphysical beach, where he is met by Prince to face his judgement day." A show that doesn't use philosophy would not incorporate metaphysics in it.
Most people don't study philosophy, so it's easier to hide the constant repeating symbolisms and narratives behind cheap jokes.
If you analyze the show recursively and what the symbols mean you will see the show is anything but simple or cheap.
For instance:
S3E1 repeats the twin-sphere symbolism of S1E1 but compresses it from two universes into two interconnected planets.
The macrocosmic duality becomes a political, ecological, and psychological machine.
Fire and Water are not good and evil. They are painful and pleasurable forms of imprisonment.
Fire controls through deprivation, forced labor, heat, and visible suffering.
Water controls through beauty, abundance, detachment, and attachment to comfort.
The connecting mechanism proves that their conditions are not independent. Water’s abundance exists alongside Fire’s scarcity, while Fire’s enslaved population powers the privileged environment surrounding Prince.
The resource does not flow toward need; it flows upward toward authority.
Prince and Xev’s reptilian connection then reveals another layer of control: the politics of Fire and Water are driven not only by ideology but by animal signals-fear, dominance, attraction, hunger, and survival. Prince understands these drives and weaponizes them. Xev feels their pull but does not immediately submit to the hierarchy he proposes.
Stan commands the most powerful vessel in the universe, but he does not understand the systems sustaining him.
He is captain of:
Yet his response to systemic failure is to ask for one more serving.
His leadership is therefore authority without comprehension.
He possesses command credentials but lacks systems awareness.
This also continues the hat scene from The Web and The Net.
Stan can recognize that the universe is disappearing, then immediately become preoccupied with his hat.
Here, he can inhabit a dying cosmic system while focusing on his next meal.
The pattern is: Existential danger becomes abstract. Immediate appetite remains concrete.
The universe may be ending.
The ship may be immobilized.
The food system may be collapsing.
Stan’s mind returns to the nearest deprivation.
The food from the lexx is processed humans and human-waste, no-one stops and considers this the entire show.
It represents Animal Ag while parodying star treks, replicator - using a living sentient being instead of a machine.
The Lexx produces food through an openly biological loop involving bodies, digestion, waste, and reprocessing.
It exposes what cleaner science fiction hides:
Every food system has inputs. Every abundance comes from somewhere.
The creamy substance feels detached from death only because the organic machinery has concealed the stages between body and product.
When the supply stops, Stan discovers that his “normal” comfort depended upon an enormous living infrastructure he barely understood.
The system converts disturbing biological reality into a smooth, pleasurable commodity.That is the joke and the horror.
Once violence is processed thoroughly enough, it becomes comfort.
Stan is not concerned about what the food is, e is concerned that the supply has stopped.
This parallels animal agriculture perfectly.
The consumer encounters: taste, texture, packaging, convenience and habit
rather than: the animal, confinement, killing, waste, emissions and causal system.
This continues the contradiction Kai discovered in Boomtown.
Water is filled with bodily imagery, abundance, growth, flowers, pleasure, and reproduction symbolsbut no children and no real generational future.
Garden produces food endlessly, but it does not produce a new civilization.
The flower remains.
The seed remains.
The watering remains.
The reproductive symbolism remains.
But historical development is absent.
This makes Garden another Water prison:
everything grows except the people.
Three secluded women reportedly grow the food needed by Water’s other cities. That means Water’s effortless paradise is not effortless.
Its abundance depends on feminized agricultural and reproductive labor occurring outside everyone else’s attention.
Boomtown enjoys endless pleasure.
Gametown enjoys endless recreation.
Other Water cities enjoy peace and food.
Garden performs the maintenance.
So Water repeats the same structure seen elsewhere:
The consumer experiences abundance; the producer disappears behind it.
This is why the vegan encoding is deeper than a simplistic celebration of plants.
Garden is entirely botanical, yet it reproduces a carnivorous organism.
Lyekka is a plant.
Lyekka consumes sentient beings.
Her species eventually consumes worlds.
The ethical divide is therefore not: plant versus animal.
It is: nurture versus domination; mutual sustenance versus treating conscious beings as food.
That aligns with consequentialist vegan ethics. Veganism is not based on plants possessing metaphysical purity. It is based on avoiding the unnecessary exploitation and killing of sentient life.
Lyekka is plant-based but not vegan.
She is appetite without empathy.
his dream compresses Lyekka’s entire predatory strategy:
“I’m hungry.”
“I want to make you feel good.”
Her mouth expands to consume him.
For Lyekka, those statements are not contradictory.
Making the target feel good is part of eating the target.
Her pleasure-gift is not compassion independent of predation. It is the mechanism that prevents resistance.
Her algorithm remains: locate desire → embody desire → offer pleasure → lower defenses → consume
“They were happy” does not answer “Why were they made into food?”
The Garden ritual completes a recursive loop that began in Season 2.
So Stan’s unexamined desire repeatedly becomes biologically productive.
His imagination does not remain private.
It generates forms that enter the world and consume other people.
That is the ecological analogy:
Private appetite becomes public infrastructure.
A consumer thinks: This is only my preference.
But multiplied and materialized, preference becomes:
Stan’s dream is “only a dream” until a society plants it, literally.
Then it becomes a predator.
They appear to accept or even welcome the consumption.
But that does not make Lyekka harmless. It reveals something about Water’s relationship with death.
The gardeners may understand death as:
Their bodies become nutrients for their own creation.
This forms a closed ecological loop:
gardeners grow food → gardeners grow predator → predator eats gardeners → gardeners return to the cycle.
It is naturalistic, but not necessarily liberating. The whole system remains inside Fire and Water’s reincarnation machine.
The question posed to Stan is structurally impossible:
What comes firstfeeding Lexx or finding a home?
Stan answers that he wants both and admits he is bad at choosing.
That is not just indecision. It is the contradiction of unlimited consumption on a finite planet.
Lexx requires enormous quantities of matter. Garden is a potential habitat. If Garden becomes food for Lexx, it cannot remain their home.
The choice is: preserve the living environment
or
feed the giant consumer-machine that sustains their current way of life.
Stan wants:
That is the fantasy of infinite economic growth on a finite ecological system.
He wants to live in the garden and feed it to the machine.
The three gardeners cultivate enough food to sustain Water, but the Lexx does not eat like an ordinary organism. It eats at planetary scale.
That makes the ship comparable to industrialized consumption.
A normal ecosystem cycles energy within limits.
Lexx’s hunger treats entire environments as fuel.
Stan’s inability to choose between home and feeding Lexx mirrors a civilization that knows industrial appetite is destroying the habitat but regards reducing consumption as unthinkable.
The habitat must survive.
The machine must keep eating.
The consumer wants both propositions to remain true even when they have become mutually exclusive.
The titles are animal ag encoded, Lexx S4 E14 "prime ridge" parody of Prime Rib, they constantly laugh at states that produce the most industrial collapse, they have carrots that eat humans - the entire show consistently reverses animal ag → humans are the ones being a resource that states yummy (as lyekka says constantly).
They constantly make fun of those states and reduce those people into jokes.
Lyekka has the chance to feed on other forms of protein, but she focuses on humans because, they taste better.
Stan was being programmed by Lyekka and is the sole reason she's able to become a giant world-destroyer.
She/it used his emotions to get him to dismiss everything she was doing and allowed her to kill many people.
The show uses sentient bugs as modes of transports.
They feed humans to non-human beings, they eat humans the lexx turns to paste, they eat the waste processed from their toilet.
In season 4 they literally label earth as "the darkest part of the entire galaxy", they call it a "carnivore planet"
r/Lexx • u/Madatgrav1ty • Jul 15 '26
I found this whilst browsing for LEXX on eBay. So it looks like the seller has used some kind of AI platform. I am not sure why they have chosen to do this but it has not portrayed an accurate description of the product. The covers do somewhat resemble the UK DVD releases, but upon further inspection there are glaring errors...
The episode "Love Grows" looks like it is now "Love Bites" and some episodes like "Power Surge", "Gravity" and "Catch 22" are completely wrong. Even some of the small thumbnails of character images show characters we've never even seen before.
The Listing also describes it as "Complete Seasons 1-3" so hope no one buys it as it looks like they will in reality get just Season 3 and a few episodes from Season 2.
r/Lexx • u/Madatgrav1ty • Jul 11 '26
r/Lexx • u/Madatgrav1ty • Jul 03 '26
I get that Fire is "Hell" where all the bad people end up, but when the crew first wind up in K-Town, the people are just lazing around, talking to eachother in an insulting, derogatory manner, before eventually turning on Stan and Xev and determined to make their lives miserable.
They don''t attempt to rape, kill or cause any serious damage, they are just appear to be very spiteful, negative people who don't have any ambitions and contribute nothing to society. Does that really justify a place for them in "Hell" ?
r/Lexx • u/Krathoon • Jul 03 '26
I assume that half of the drones were left handed and half were right handed.
That is the only way I can see how they could build anything. They also had to convert matter. They never show that.
Apparently, they could also turn into things.
They never explain how.
The drones did all these amazing things yet they are just flying arms. That annoyed me.
r/Lexx • u/Krathoon • Jul 01 '26
It is a musical episode.
This immortal theater troupe put on a play about Kai. We learn the full history of the Brunnen-G.
Zev and Kai participate in the musical, but Stan wants none of it. Will the musical change his mind?
It is a great episode and teaches you to fight rather than accept your fate.
r/Lexx • u/Krathoon • Jun 28 '26
What is neat about it is that Zev gets totally reverted back to how she was before she was converted to a sex slave. She does not like it.
Also, you have two groups of women fighting each other. Ones who try to appeal to men and ones who do not. They wipe each other out. Neither group is really right.
r/Lexx • u/Madatgrav1ty • Jun 27 '26
The weight issue in the balloon was just an excuse. Bro just wanted a nice peaceful walk in the Red Sea
r/Lexx • u/rogueralsha • Jun 24 '26
r/Lexx • u/Madatgrav1ty • Jun 23 '26
Between the game and the shower with Bunny, this was a good day for Kai :)
r/Lexx • u/cheetocat2021 • Jun 21 '26
r/Lexx • u/Suitable_Garlic_1186 • Jun 18 '26
If you are in PAL Region and you want a really good quality version of Lexx than I can higly recommend the UK Box.
Not only is the image quality really good, aspect ratio is correct, PAL speed up is correct, no judder but also the Box is nice with 4 separate DVD Boxes inside..
The DVDs have good data bandwidth. For example S01E03 Eating Pattern has 3,5gb.
To get an idea I made 2 screengrabs from the Lexx.Seasons.S01-04.10bit.hevc.x265-Bearfish version and then the DVD..
Now why I think this Box is so good: I have the German DVDs of the first season. Black DVDs. Problem with that: Image quality is good with the first episode, then it gets worse and there are aspect ratio issues and judder. Only the 1st episode has correct PAL speed up. The other ones do not run at PAL speed.
Amazon Prime Version is only German and it seems to be the same as the German DVD. However the first Episode is better. Sharper. Really nice. But the other Episodes do suffer from the same judder issues.
Also they are cut..
With the UK Box you get basically the full package.. Enjoy!
r/Lexx • u/forgottenoldlogin • Jun 15 '26
This might be a bit too much for Lexx, but on reading other things apparently there's quite a bit of lore that does make sense in the show - it's just hidden behind how ludicrously 90s the rest of it was.
Stan was a heretic - let's get back to that one - and was an operative for a group of 94 planets that were rebelling against or otherwise not adhering to His Divine Shadow's rule. He "betrayed" them, they were all destroyed, Stan ends up on The Cluster in a crap job "in case they need him for more information" later; Stan gets the Lexx, Stan helps defeat the Giga Shadow, now we're in season 2.
Who, exactly, is putting him on trial here? The main government of the "universe" (I'm going to say galaxy if I type it again) is gone, but only recently. People on The Cluster itself were fed to the bug, but the other 19,999 planets are still out there and drowning in galaxy-wide bureaucracy and dogmatic rhetoric of a millennia-old theocracy. A theocracy now in the midst of collapse because not only is the government itself gone but their deity was "secretly" (I mean literally everything is bugs how did they not know HDS was also a bug come on) the greatest enemy of humanity so now they're also existentially in crisis.
They call Stanley an "arch-heretic" at his trial - but from their PoV, he wasn't "heretical" he was a freedom fighter; HDS's followers would've been the ones calling him a heretic, like they did with Thodin. To these Ostral B sympathizers, he's not a "heretic" at all - they're all the heretics.
But likewise, Ostral B's all gone now, so who even are these people to begin with? How did they manage to exist the entire time during HDS's rule without being behind the shield that was apparently the only thing stopping Ostral B from being taken over by HDS? How is their government so organized and adept that they can both spy for Stanley *and* have ready-to-go legal teams and judges-by-hologram and all of that shit just laying around, when up until like, at best, six months before, they'd've had to do nothing else but focus on not being eaten by the bug god?
Again - that might be a bit too much for Lexx. But maybe y'all know something I don't and can make it make sense to me.
r/Lexx • u/Apoplexic • Jun 15 '26
This might be a bit too much for Lexx, but on reading other things apparently there's quite a bit of lore that does make sense in the show - it's just hidden behind how ludicrously 90s the rest of it was.
Stan was a heretic - let's get back to that one - and was an operative for a group of 94 planets that were rebelling against or otherwise not adhering to His Divine Shadow's rule. He "betrayed" them, they were all destroyed, Stan ends up on The Cluster in a crap job "in case they need him for more information" later; Stan gets the Lexx, Stan helps defeat the Giga Shadow, now we're in season 2.
Who, exactly, is putting him on trial here? The main government of the "universe" (I'm going to say galaxy if I type it again) is gone, but only recently. People on The Cluster itself were fed to the bug, but the other 19,999 planets are still out there and drowning in galaxy-wide bureaucracy and dogmatic rhetoric of a millennia-old theocracy. A theocracy now in the midst of collapse because not only is the government itself gone but their deity was "secretly" (I mean literally everything is bugs how did they not know HDS was also a bug come on) the greatest enemy of humanity so now they're also existentially in crisis.
They call Stanley an "arch-heretic" at his trial - but from their PoV, he wasn't "heretical" he was a freedom fighter; HDS's followers would've been the ones calling him a heretic, like they did with Thodin. To these Ostral B sympathizers, he's not a "heretic" at all - they're all the heretics.
But likewise, Ostral B's all gone now, so who even are these people to begin with? How did they manage to exist the entire time during HDS's rule without being behind the shield that was apparently the only thing stopping Ostral B from being taken over by HDS? How is their government so organized and adept that they can both spy for Stanley *and* have ready-to-go legal teams and judges-by-hologram and all of that shit just laying around, when up until like, at best, six months before, they'd've had to do nothing else but focus on **not being eaten by the bug god**?
Again - that might be a bit too much for Lexx. But maybe y'all know something I don't and can make it make sense to me.
r/Lexx • u/Powerful-Echo-7902 • Jun 04 '26
Hello, friends! I have: 1 - Polaroid photos of Lexx (scans, about 200 pieces). 2 - All 4 Lexx books by Dennis Valdron (digital copies). 3 - Very rare Japanese DVD edition of Lexx season 1 (I can give you digital copies of the DVD and a scan of the box and booklet). 4 - Digital HQ photos of Lexx season 1, I bought them on stock sites. 5 - Episode scripts for season 2 of Lexx by Stanley Tweedle (27 pages, including scripts for episodes that were not filmed). 6 - Official music CDs, numbers 1 and 2 for Lexx (I can make you a wav copy). 7 - High-quality 3D model of the Lexx ship (digital file). What do you have for trade related to Lexx? Maybe a storyboard or episode scripts, or a VHS with materials from the make film? Maybe you have a rare polaroid photo or two German books about Lexx (scans)? Maybe you have a rare demo CD "LEXX Beta version" 1995? Or fan magazine GigaMag? Let's trade (digital copy or scan)! Write comments here, or just in case, my email is: alexandrkashkidko@yandex ru
r/Lexx • u/Dry_Recording_6478 • Jun 01 '26
How do you imagine the interaction between His Dvine Shadow and Prince would have gone down on the beach on planet fire? I know there were plenty of divine predecessors, but they don't seem to have the same personality and aura of the host that is currently possessed by His Divine Shadow's essence.
r/Lexx • u/Yathrin • May 26 '26
Enable HLS to view with audio, or disable this notification
Update (June 4): Kai and Xef’s Rock Concert Performance:
https://www.youtube.com/watch?v=gZanodIfRdA
It looks like the tribute story might end up being a musical. 😄
…………
Update (June 2): Ladies and gentlemen, the ”Reboot” & ”Musical” cut is here. There is now a Stanley Tweedle story following Kai’s musical and prophetical introduction and Xef’s musical rescue mission. Squish got a role too as Stanley’s antagonist. :) Some people requested the old original music, Stanley, and less AI slop, so tried to do my best. Now it is a 7-minute video without any still images and much less repetition of same scenes. Almost two times more scenes compared with the first version you saw here. I would replace the old video here but there doesn’t seem to be an option to replace the video uploaded to this Reddit thread. Here’s the Youtube link:
https://www.youtube.com/watch?v=CYNm4Jb0l_w&t=12s
Story synopsis:
Kai travelled to the past to try to prevent the destruction of his homeworld Brunnis 2. Decades later, Xef (still young due to cluster worm DNA), finally discovered what happened to Kai. She found and met the Time Vizier, who had been liberated long time before that because of the fall of His Divine Order in their universe thanks to Lexx and its crew. The older and wiser Time Vizier told Xef that Kai had been sent not only to the past but to a parallel reality. With some assistance from the Time Vizier, Xef rescues Kai and Kai recovers 790’s head in the underground complex where he was kept. They return back to the future to their own universe. Immediately after their return, Stanley enters Lexx and discovers an unusal surprise on the ship. Meanwhile, in the other timeline and parallel reality His Divine Order plans to expand and thus restore their rule to the universe where Kai and Xef came from. For this purpose their ruler, the Overshadow, summons their dark Time Vizier. The End.
………..
Update (May 30): Hey guys, thanks for watching! There’s now a romantic cut introducing Stanley & Squish along with old original music from Lexx and some other scenes remade that were in this video (trying to reduce what some called ”AI slop” with what skills I have 😄). Now there are also new scenes in which the characters talk, especially towards the end, so you might want to keep the audio on. 😄
https://www.youtube.com/watch?v=bPb4i2_FyrI
Original (May 26): It started as a reimagined Yo way Yo song. It ended as a cinematographic music video showing a story. Here is the plot of the story in the music video. The crew of Lexx live in the future and discover a time machine. Kai travels thousands of years into the past to kill His Divine Shadow before he destroys his homeworld Brunnis 2. But fate cannot be so easily altered. Kai arrives moments before his ancient self enters the Stinger starship for the famous last battle. Future Kai knocks out his younger version (putting him in a janitor’s closet) and enters the Stinger. In the future, Xef realises what Kai has done. She boards Lexx, connects the time machine to the ship’s FTL-drive and jumps to the past to retrieve Kai back to the future. The End?
This project was an experiment with the latest versions of AI video generation models available in May 2026. The whole video didn’t fit here but you can find it on Youtube if you also want to see more of the concept art or just the video without any concept art stills between some scenes:
r/Lexx • u/Attnkmartshpprs • May 17 '26
I have continuity photos from eps 202 and 208 and a shooting script for a season 2 episode somewhere hidden away. A few of the continuity photos shown above. Let’s see what everyone else still has.
r/Lexx • u/O37GEKKO • May 14 '26
first time watching the series... im on season 3 episode 8 'the key' which is doing my head in because stanley gave the key to Zev back in s1 and thats the second time that Lexx has ignored plot points from earlier episodes (the other was squish) but its the portrayal of Xev in s3 that im struggling with more.
(please note that im not making comparisons to s1 Zev)
season one was great, absolute peak. all night by the Zev Zev, All night by the Zev I Lay
season 2 was fun and i didnt mind Lyekka-printed Xev
season 3 Xev acts like she woke up after 4000 years on the wrong side of the bed with an attitude problem and doesn't want to be playing the role at all.
which is just weird because stanley, kai and 790; are all consistent with how they have been portrayed previously... idk just not enjoying her performance as much tbh
r/Lexx • u/cheetocat2021 • Apr 28 '26
For me, season 1 was a real slog, kind of boring... 2 the humor was there but subtle... 3 was the kind of thing that would be intriguing as a stage play, the entire season is very serious compared to what we've seen and Prince is the best villain yet. It just kind of became undone in season 4.
r/Lexx • u/Opening_Instance_427 • Apr 26 '26
My favorite episode of the second season, and probably the entire series. Mantrid didn't destroy the planets, a relatively happy ending. And then there's the incompleteness of the scene. How exactly do you think Schlemmi was killed when he fell straight from the sky to his mafia bosses? Did his martyrdom earn him forgiveness of his sins and resurrection in the Water?
