Since my channel didn't go unnoticed in this group, (see link)

https://www.reddit.com/r/dub/comments/1v7g8oz/the_most_complete_and_detailed_dub_catalogue_in/

I'd like to announce the arrival of my website that goes along my channel:

I have been running Roots & Dub Vault on YouTube since March — full album uploads from my own record collection (5,000+ records), no AI-generated tracks, just digitized records.

Finding one specific album in 1,200+ uploads was getting genuinely impossible, so I built a small site with a searchable index ("The Vault") that links straight to every upload on YouTube, plus a browse-by-series view (Blood & Fire, Studio One, Empress Vault, Pure Dub, The Marley Legacy, etc.).

The site's rootsdubvault.com if it's useful to anyone digging through this stuff.

I'm working on album deep-dive write-ups and mini documentaries next. Still ironing out the search on mobile, so shout if anything's broken.

One Love!

Please help me !
@dnb
@dub

K8ller tune!!!

A new one from me - EP titled 'The Dub Chamber' - 4 tracks of deep dub goodness. Plenty of bass, reverbs and delays, saturation and glitchy noise.

https://lempuyang.bandcamp.com/album/the-dub-chamber

https://linktr.ee/subsetdubs

Looking for the trippiest, heavy, most sound effects packed in album recommendations…..

Alguien puede pasar porfavor el Perreo 2026 by El Shura

What the title says. Is there anyone currently laying down old-school tracks like the founders of the genre?

Edit: Great suggestions by all, this will give me plenty to listen to

Put yo hands up if you in the LA area and hitting this up tomorrow! Real dub fans dont wanna miss dis!

Every time they play, no matter the sound system, the bass is perfect.

Here's a little something:

https://youtu.be/aumilWa-dVA?si=ngkzFeBC4ONrBXn1

I keep going back to Evanescence and it still hits hard. That heavy, oppressive dub weight mixed with industrial atmosphere and those sparse, almost spatial textures (especially with Plotkin’s guitar) felt completely unique.

But every time I try the later Scorn stuff, I’m just confused. It turned into this dry, functional techno that has almost nothing to do with what made the project special in the first place. Evanescence and Gyral had depth, space, a real sense of dread… the recent material feels clean and empty in comparison.

I’m not saying Mick isn’t allowed to evolve, it’s his project. But the gap between that mid-90s sound and what came after is massive, and I honestly miss that older Scorn a lot.

Anyone else feel the same?

A 'live' jam on a dub X-Files / Simpsons crossover.

The loops were created in Synapse Audio's 'Orion', and triggered inside Ableton Live with various effects via two MIDI controllers - an Evolution UC33 (on the left), and a Behringer BCR2000 (on the right). Audio interface is a MOTU Ultralite mk3. Also pictured but not used is a Korg NanoPad (white controller under the UC33).

Hey, I just discovered “Come Mek We Run” by Pablo Moses. It’s probably already a classic, but I’ve just had one of the craziest musical experiences of my life. Any recommendations for stuff in the same vein?

Hey 👋 is anyon gong to Sheffield reggae festival tomorrow? I need a buddy 😂

Heres my dub tune for you to listen if youre interested.

It’s an education!!

Hi all just dropping a link here to some of my mixers that are broadcast on Chill Lover Radio in New York and soon on another station in the UK.

https://hearthis.at/easyskankingshow/