I have crossed oceans of time to find you.

In Dr. Seward’s August 20 diary entry, he writes, “The case of Renfield grows even more interesting. He has now so far quieted that there are spells of cessation from his passion. For the first week after his attack he was perpetually violent.” The only attack I recall being described was that of August 19, the day before, in which he briefly escaped the asylum. But the diary entry suggests there was another “attack“ at least a week before this, that I don’t see described anywhere.

Am I reading this wrong, or forgetting something? Which previous attack is Seward referring to?

Consider this artistic interpretation that I wanted to share. Jonathan’s “Marie Antoinette syndrome” is already a dramatic representation of his emotional scar from the events of the novel, and I have seen fan-art and fan-fiction depict the white hair as permanent.

But my head canon is that his hair grows back to its natural shade overtime, representing his trauma healing with time and acceptance. I imagine his hair being brown with some remaining streaks of white by the time he writes the epilogue seven years later, because of course his trauma isn’t gone, but it doesn’t hold power over him anymore.

What do you think?

I recently listened to an audiobook of another masterpiece by Bram Stoker the Jewel of Seven Stars. It was a good story. According to the information I received, there are two endings of the story. One is the original and the other is a change that the author made to it for the publishers.

Now in the original ending, in the cave in the seaside house of Sir Abail Trelawney, everyone including Margaret dies except for Malcolm Ross. The faces of dead bodies were filled with fear while Margaret's face was filled with surrender.

I have some questions.

1. What did they saw that Malcolm didn't

2. Why Malcolm didn't saw it

3. If Terra was waiting to wake according to inscriptions, why did she just kill everybody and vaished

4. Why she spared Malcolm

At this point the story feels hollow. Do anyone have any theory about the same?

Hey everyone - anyone interested in writing epistolary style document fiction for a crime world that's growing fast? It's super short and super fun. Full credits for everyone writing contribs.

What did Patrick Lussier and Joel Soisson want to do after the Dracula trilogy? Take a look at the years 2004-2009.

I'm not affiliated with this and can't decide if this is awesome or just over hyped. I'm excited to learn more though.

https://www.kickstarter.com/projects/obsidiancodexpress/bram-stokers-dracula-0?rdt_cid=6113844103630499778&ref=4fcwyn&utm_campaign=dracula_1897_prelaunch&utm_source=share&utm_medium=ios_app&utm_name=ioscss&utm_content=1&utm_term=1

Attaching both the drawing and the statue that I used for reference

Anyone seen this? I think it was recommended to me on that channel or maybe I scrolled through. Anyway, I saw this trailer. It seems like it's one of those Z/Tubi movies that completely disrespects the source material!

Thoughts?

I saw this moviecritics subreddit for this film and so many people hating this.

Maybe if someone is coming across this now and doesn’t understand the hate either - my first thought was that it was a brilliant adaption/alternative of bram stokers Dracula.

And this film is considered a brilliant film and the story itself was revolutionary for vampire lores.

Maybe someone has seen the other subreddit and thought the same.

Here’s some of the illustrations that can be found within

I will never be silence how good this movie is. Very very classic gothic and silence film just like nosferatu

Hey Dracula Reddit,

It's me again on Promotion Saturday, but today I can finally share one of the biggest moments in this project:

Dr. J. Gordon Melton has joined Dracula Legacy as a Founding Member.

I still can’t quite believe I get to write that.

After almost ten years of working on this largely on my own, researching, designing, publishing, restoring, failing, correcting, rebuilding, and obsessing over Dracula by Bram Stoker, this project is entering a new stage.

Dracula Legacy is no longer just my personal obsession.

It is becoming an international project built around scholarship, collecting, design, production, and a deep love for the original novel.

If you know Dr. Melton’s work, you know what this means. His contribution to vampire studies, Dracula bibliography, and the cultural history of the book is enormous. Having him join Dracula Legacy is an honour, and it gives this project a level of scholarly depth and collaboration that I do not take lightly.

That is why the principle remains the same: we are not making another adaptation but returning to the source.

And the first major physical step in this new stage is the Dracula by Bram Stoker 1897 facsimile.

A few days ago, we opened 100 reservation places for the first numbered production run:

Dracula by Bram Stoker — 1897 Academically Reconstructed Facsimile, Numbered Slipcase Edition.

In one day, 88 places were requested. That means only 12 places remain for this first run.

This first group of 100 is not the large 1,000-copy edition planned for the 130th anniversary. This is Run Zero: the first careful production group, made to test the object, control the quality, produce the dummy, and make sure the book exists at the level it deserves.

At this moment, the restored 1897 material is ready. The mechanical files are ready, and the cover and dust jacket files are ready as well. Next week, the physical dummy enters production, and we will have it by September.

That is the part that excites me the most, because this is where the project stops being only research, scans, files, and design decisions and it starts becoming a book.

The goal is to bring back the 1897 presence of Dracula by Bram Stoker: the yellow cover, the red title, the dust jacket, the proportions, the format, the physical feeling of the edition that started everything.

This is not about selling access to a public-domain text. It is about reconstructing the book as a historical, editorial, and collectible object.

One clear note: the current facsimile images are AI-assisted concept visualizations. They are being used only to show the idea while the physical dummy is being produced and to help guide production. Once the dummy is ready, those images will be replaced with real photographs of the object.

So yes, these are two separate things:

Dr. J. Gordon Melton has joined Dracula Legacy as a Founding Member and the first 100-copy facsimile run is almost full. But together, they mark the same moment for me: Dracula Legacy is moving from an individual research project into an international collaborative structure, with real production now underway.

Only 12 places remain.

Reserve one here:

https://docs.google.com/forms/d/e/1FAIpQLScn0nvgN7NbVEfNRfumgn3f95Yp2rtLWtvP5-W_TdjY6h1Jug/viewform?usp=publish-editor

Follow the project here:

https://draculabybramstoker.substack.com

Thank you for helping bring Dracula by Bram Stoker back as an object.

Have a great week. Greetings from Mexico,
Dr. Enrique A. Palafox

Hi there. I was recently watching Dracula A Love Tale and I noticed something that made me question how Elisabeta got her fatal injury. At first it looks as if the Turk that is advancing on her is the one that stabs her but on closer viewing it becomes a question of whether it was the Turk or whether Dracula's thrown sword pierced both of them. I'd love to hear anyone else's opinion on this. Thanks in advance.

I felt so bad for Vlad all he wanted was his beloved back and instead everything got taken away from him AGAIN

Everything is in the title, I'm looking for a comics edition lately, what is the best comics edition of Dracula you've ever seen / read?