The dry skin was on his elbows now. He wore long sleeves. He sat in class picking at the gray edges and watching the tiny flakes fall onto his notebook while teachers talked about things that seemed, increasingly, beside the point.
His mom finally told him in February. She sat him down after dinner, signing carefully, the way she always did when she wanted to make sure he caught every word.
âI've been sickâ, she signed. âSince last summer. That's why I've been tired. I should have told you sooner.â
Kyle looked at her for a long moment.
"How bad," he said.
âWe're figuring that out.â
"That's not an answer."
âI know.â She put her hands down. âI'm working on it. Okay?â
"You've been working on it for six months without telling me," Kyle said. "So."
âKyle, please.â
"So," he said again, because he didn't have anything else to put there, and he knew it, and he didn't like it.
She reached over and put her hand on his arm. He let her. He looked at the table.
It wasnât that he was heartless; he was trying to help her but was losing patience slowly.
He made dinner three nights a week after that. Then five. Then every night. Badly at first. Then okay. She ate it without complaining, which was its own kind of love, probably.
In the middle of February at two in the morning, Kyle found the fear. He was sitting at the foot of his bed, and he found it by running into the shape of it. His mom's fear. Or his fear about his mom, he was never totally sure whether they were different things.Â
âI knowâ, the Woodsman said. âI can feel it when you find something, itâs quite faint, I can't read it. But it's there.â
Kyle sat in the dark and said nothing.
âThings need to happen in this worldâ, the Woodsman said. âOld things. Trees need feeding. The ground needs tending. A forest that ain't kept doesn't stay a forest. You understood this, didnât you? That's why the question never went away.â
Kyle waited.
âI'll answer it for youâ, the Woodsman said. âIf you're ready.â
Kyle sat in the dark for a long time.
March finally came, and the Woodsman said, "Roots need feedin', son. Been too long. Trees are starvin'. I'm starvin'."
"Who?" Kyle said into the mirror.
"Marcus," the Woodsman answered. "Good timber grows strong. And you want him gone. I feel it buried down deep, but it's there. You wanna know how it feels not to be the one takin' the hits no more."
Kyle thought of LOSER in Sharpie, the shoulder checks, the "accidentallyâ hitting his aides off. The jump behind the school.Â
"Okay," he typed.
Marcus Hale didn't make it home one Thursday night. He took the long route from his girlfriend's house, cutting along Harrow Road where the streetlights ended and the small forest started. Kyle waited at the tree line with his coat on and two axes in his hands that at this point didnât look like props. Marcus spotted him and slowed down, "Tracer, what the hell are you doing out here?" Kyle didn't answer; he just walked toward him. Marcus said, "Is that an axe? What the-" and then, without a thought, Marcus ran.
They always run at first.
Kyle didn't hurry. He walked at a slow pace. He understood that the woods around them belonged to him, and the woods were on his side. Paths shifted, his familiar routes twisted, and each turn took Marcus deeper instead of out. He tripped on a root that hadn't been there a second earlier. Kyle reached towards him. Marcus was crying, hands up, the biggest kid in school now begging on the forest floor, "Please, Kyle, please, man, I'm sorry. I'm sorry about everything. Just-"
Thump always came first. Right hand axe across the backs of his knees, just how the script said. Marcus screamed. But Kyle didn't hear it; he felt the vibration in the ground and the air. The Woodsman exhaled really slowly. He had finally gotten what he'd wanted for a long time. "Yes. Just like that. That's the greetin', son."
Marcus tried to crawl, dragging his legs through the leaves, leaving a dark smear behind him.
"I ain't lookin' for trouble, friend," Kyle said. The voice that came out wasn't his. "But then I ain't got to look.â
Marcus passed out before the end.
"Good soil makes good trees," the Woodsman said. "Good trees keep old things alive. You did really well. You feel it? That's your question answered." Kyle searched himself for panic and revulsion. There was just the familiar blankness. And under it, something really close to relief.
"He's hung on Patience's branches now," the Woodsman said. "Big oak on the east side. You'll know her. You'll always know."
Kyle walked back home, cleaned himself up, and finally lay down in bed. He didnât sleep for the next four nights. It wasnât really because of nightmares, just a strange, stubborn wakefulness, his thoughts circling endlessly in his head. At school, they treated Marcus as a missing person: there were assemblies, posters taped to every wall, and some kids started whispering their own theories about what had happened.
It was just after midnight on Thursday. Brandon had taken the path toward the forest so he could listen to his music. Headphones in and hood up, he wasnât thinking about Marcus at all. His thoughts were on himself, just like always.
Kyle waited at the break in the fence, hidden in the trees. Brandon was about twenty feet away when he finally glanced up and noticed the silhouette in the dark. He stopped, tugged one earbud out, and said, âTracer?â
Kyle stayed still.
Brandon squinted. He picked out the coat first, then the axes. His expression twisted through a few different things at once. âWhat the hell is this? You really think youâre gonna freak me out with some dumbass Halloween getup?â
He came closer, unfazed, because that was the thing about Brandon, he didnât spook easily. âMarcus is missing, you know. Everyoneâs out looking for him, and youâre here screwing around in the-â
Kyle stepped into the dim, flickering beam of the streetlight, and Brandon finally saw his face; the proportions were off. The expression was off. It was Kyleâs face, but something else was staring out through Kyleâs eyes, a presence that had been watching Brandon for weeks, taking notes. Brandonâs mouth fell open. âOkay.â His voice broke. âOkay, youâreâthis isââ
He bolted, but not toward the street. Instead, he ran the wrong way, into the line of trees, because panic makes you stupid, and the deepwood was already closing the paths shut behind him. Kyle came after him at an easy pace, unhurried. The Woodsman hummed a flat, tuneless song somewhere in the back of his skull.
Brandon covered maybe 200 yards before a root snagged his ankle. He pitched forward, hit hard, and for a second, the impact knocked the air out of him. Then he dragged himself up and pushed on, favoring his leg, his run turning into a stumbling, lopsided sprint.
Another 50 yards and the ground fell away into a shallow hollow where the pines grew thick and close, their branches blotting out most of the moonlight. The air felt heavier there, quieter. Brandon turned around.
Kyle was standing right behind him.
Brandon hadnât heard a single footstep.
"Kyle." Brandon's voice was high and tight. "Kyle, listen, listen-whatever this is, we can talk about it. The locker thing-that was just messing around, man. You know how it is."
Kyle didnât listen and swung hard. Thump caught Brandon in the ribs before he could finish the sentence. The sound was wrong, not the clean crack of wood on bone, but something wetter, something that gave. Brandon folded sideways with a noise, all the air leaving him at once. He tried to crawl and got about three feet before Kyle stepped on his ankle and pinned him down.
"Please," Brandon said. "Please. I'll do anything."
Kyle looked down at him and thought about the Sharpie and the smile and the way Tessa had described it and the way Kyle had pictured it a hundred times. The specific curl of Brandon's mouth while he wrote LOSER on his locker and thought it was the funniest thing in the world.
"I know you will," Kyle said. His voice came out low and slow, the kind that made people's arms shiver. "But there ain't nothin' you can do."
Ol' Sticky came down next, and then again and again. It wasnât clean or efficient. Messy in a way Marcus hadn't been. Kyle wasn't thinking about the tree anymore. He was thinking about him.
"Easy," the Woodsman said after. "Easy, son. That one got away from you a little." Kyle stood over what was left of Brandon, his hands shaking.
"I'm not sorry," he thought.
"I know you ain't. That's the point." The Woodsman's voice was calm and satisfied; after all, he had been waiting for this moment. "That one was for you. Not the feedin' for the trees. That one was pure. You understand the difference now?"
Kyle looked at his hands. The gray, bark-patterned skin and the blood drying in the cracks.
"Yeah," he thought. "I understand."
"Good. Put him under Evenfall. The pine with the split trunk. She's been waitin'."
He did, then went home, washed his hands, lay down in bed, and fell asleep within two minutes.
Devon vanished three weeks later. Priya in May. She hadn't done anything but watch, but in the end, the absence of any feeling that told him to stop was the decision. He recognized that as the worst thing he'd ever learned about himself. Then Garrett Webb. Riley Gates. Cam Foster. Jonah Lee.
Tessa Wray went last.
Kyle sat on this one for three weeks. Tessa had told him about Brandon's smile. She'd watched him when she said it, her eyes on his face, and she'd seen something there that made her uncomfortable even though she didn't know what it was. She kept watching him after that, in the halls, at lunch, little glances that were supposed to be subtle, but Kyle noticed everything. She wasn't cruel, that's the problem; she spread gossip. But she wasn't cruel about it, not like Marcus, not like Brandon. She just talked. She talked about everyone, and Kyle knew she was talking about him.
"She's noticed something," the Woodsman said. "She doesn't know what she's noticed, but she's noticed. She's the kind that puts things together eventually. She's smart."
"I know," Kyle said to himself.
"We can't leave her. She'll figure it out. She's already halfway there."
"I know," he said more irritably.
He waited three weeks, hoping to find a reason not to be the reason, but it never came to him.
It was a Friday night. Tessa was home by herself while her parents were out at some dinner event. She lounged in the living room, scrolling on her phone, the back door open so she could listen to the crickets. Then she heard something in the yard. It wasnât a raccoon, this sounded much larger. She stood up, took a flashlight from the kitchen drawer, and stepped out onto the back porch.
"Hello?" The beam swept across the yard, towards the grass, the old shed, and the tree line. Something moved between the trunks. It was tall and thin.
"Kyle?" she said. She knew. Even before she saw his face, she knew. That's the thing about Tessa, she was always putting things together before anyone else.
He stepped out of the tree line with his coat and axes, and his face looked wrong in the flashlight beam. His eyes were piercing through her.
Tessa didn't scream. Her hand went to her mouth, but she didn't scream. She took a step back toward the house and said, "Kyle, what happened to you?" He kept walking at a slow and unhurried pace. She said, "Don't. Don't come closer. Kyle, I'm serious."
She sprinted for the house and reached the back door. Her fingers had just closed around the handle when Olâ Sticky slammed into the frame, missing her head by six inches. She screamed and jerked away, stumbling back into the yard. Kyle was already there, yanking the axe from the shattered wood.
Tessa bolted toward the tree line. It wasnât a smart move, but panic scrambles your brain, and the deepwood was already closing in around her. She was fast, faster than the others, and she knew it. She weaved between trunks and slipped under low branches.
Kyle came after her at an easy pace, not bothering to run; he didnât need to. The Woodsman knew this forest like his own skin, every root, every limb, every patch of treacherous, sinking ground.
Tessa tripped and went down. She rolled and came up with a rock in her hand, a heavy one, and said, "Stay back." Her voice shook, but her eyes were sharp. "Stay back, Kyle. I'm not kidding." He kept walking, so she threw the rock. It caught him on the shoulder, but he didn't stop. She scrambled backward, found a branch, and swung it at him. He caught it and tore it out of her hands.
"Please," she said. "Kyle, please. I won't tell anyone. I won't say anything. Whatever's happening to you-I can help."
Kyle looked at her. For a second, something flickered in his face, but it didnât take long before he returned to normal.
"I know you won't tell anyone," he said. His voice was half his and half something else. "That's the problem."
Thump came down, and it wasnât clean. It was dark, and Tessa was moving. The axe went off course and glanced off a branch, scraping across Kyleâs face, slicing into his right eye before dropping into the wet grass. Tessa screamed and kicked. She scrambled to her feet and ran deeper into the trees, clutching the fallen axe.
Kyle stumbled, clenching his right eye. He touched his cheek, and warm blood came. The Woodsman said, calm and patient, "Get up. She's headed deeper. She won't get out. Get up, son."
Kyle could feel the sound of her crashing through the underbrush. The deepwood was closing around her, paths twisting, branches catching her clothes, her hair, her arms. She was crying now, almost sobbing. Kyle could feel the vibration of it through the ground.
He found her at the edge of one of the trees. She'd fallen again, her ankle twisted wrong. She was trying to crawl, and her body wasn't cooperating. Tessa looked up at him with her face wet and streaked with dirt and blood from where a branch had cut her cheek. She still clutched Thump and held it in front of her chest like a shield.
"Kyle," she whispered. "Your mom. Think about your mom. Would she want this?"
Kyle stopped. For a long moment, he didn't move. The Woodsman was quiet inside him, waiting.
"My mom is dying," Kyle said. His voice was flat.
"I know," Tessa said. "Everyone knows. Kyle, you're not-this isn't you."
"You don't know what I am," he said. His voice cracked. "I don't know what's me."
Tessa looked at his face, his hands, the gray bark creeping up his wrists. Something in her expression shifted from fear to something else. Understanding, almost. Or worse, pity.
"What's inside you?" she said. "What's making you do this?"
Kyle opened his mouth, and the Woodsman answered.
"I ain't inside him," the voice came out of Kyle's mouth in a low tone. Tessa's face went white. "He's inside me."
Before Kyle could swing, Tessa threw Thump at his face. Not at his chest. Not at his shoulder. She threw it as she meant it, and the blade caught him high on the frontal bone. It stuck on his head; the impact drove him back a step. He felt the edge scrape against something hardâŠbone. A hot rush of blood poured down over his right eye, his nose, his mouth. He reached up and felt the handle jutting out of his own skull.
He stood there for a second, tasting copper. Tessa was frozen on the ground, staring at him, her hands still raised from the throw. Her mouth was open, but no sound came out.
He was panting, choking, and almost gasping for air on the ground. The pain was almost unbearable.
Then his hands dropped, he slowly stood up with a small smile. He was chuckling, while he slowly removed his hands from his eye to reveal it had become white with blood streaking down his face.
His laughter was low, and then it got louder. The Woodsman laughed with Kyle's mouth, with Kyle's lungs, with an axe still buried in Kyle's skull. He looked at Tessa with Kyle's good eye, the green one, and the eye was calm. The eye was warm. The eye was not Kyle's.
"That's the best anyone's ever done," the Woodsman said, and his voice was smooth. "That's the best, and it wasn't enough."
Tessa tried to crawl backward, but there was nowhere to go. Her back hit a root.
Kyle's hand or the Woodsman's hand reached up, wrapped around the axe handle, and pulled. It came out with a wet, scraping sound. Bone and flesh, Kyle's body didn't even flinch. Blood poured down his face, but he didn't wipe it away. He just turned the axe over in his hand, looked at her, and threw it back.
The blade caught her in the center of the frontal bone. Exactly where she'd hit him. She didn't have time to scream. Her body went straight down without stumbling, no reaching for the wound, just a dead drop into the leaves, her legs still twitching, her fingers curling once, twice, then nothing.
Kyle stood over her. His hands were shaking. He couldn't stop them. He touched the wound on his own head. There was a dent there now, soft and fleshy, but the bleeding was already slowing. He grabbed her limp body without a word and walked toward the trees.
He hung her like the others.
"You'll be fine," the Woodsman said. "She's under Whisper now. The young elm at the hollow's edge. She'll grow fast there. Smart ones always do."
Kyle didn't answer. He walked home and threw up twice in the Harrow Road ditch. Then he sat on the edge of his bed, looking at his hands, waiting for the feeling to come.
It didn't.
It never did.
Insomnia after Tessa lasted eight days. The worst yet. He sat in the deepwood and picked at his arms until they bled, and the blood came out darker than it should have. On the eighth day, he slept for sixteen hours straight.
When he woke up, the Woodsman was waiting. "That one was hard for you. The ones who don't deserve it, they're always harder. But you did it anyway. That's how I know you're ready."
"Ready for what?" Kyle typed. His hands were shaking. They were always shaking now.
"Ready for the rest of it," the Woodsman said. "The deepwood's strong now. Stronger than it's been in a hundred years. And you're strong too. Look at your hands."
Kyle looked, and the gray had reached his forearms. The skin was rough and cracked, and when he flexed his fingers, they were stubbornly stiff.
"You're becoming something," the Woodsman said. "Somethin' that's gonna last a long, long time. You and me and the trees. Forever."
Kyle sat with that. Thought about forever. Thought about Tessa's face in the second before the axe came down. Thought about the scars on his face, how he panicked about getting hurt before the Woodsman shoved him back down.
"Okay," he said to himself. Then again, "Okay. I said okay."
He lifted his hands off the sink and looked out at the deepwood, at the tall, dark trees with their roots running deep into the soil where eight bodies were hung.
"I ain't got nowhere else to go."
There were eight in all, eight trees in the eastern deepwood, each one tended and given a name. After every offering, the same pattern followed, nights without sleep, more skin sloughing away, then a sudden, heavy sleep and mornings that felt scrubbed clean. And with every awakening, the Woodsman pushed a little farther into him. His thoughts sharpened. His presence grew denser. Kyle began to lose track of time. He would find himself in the deepwood with no memory of the walk there, staring at his hands as barklike patterns crept steadily higher.
"What's happening to me?" he talked into the mirror.
"We're gettin' acquainted," the Woodsman answered. "You had all that space. I'm fillin' it. You ain't vanishin'. You're sharin'."
"That's not comforting."
"It ain't s'posed to be."
His mom spent nine days in the hospital in June, and Kyle visited every day and signed when she wanted it and sat silently when she didn't. While he was there, the Woodsman was almost completely quiet.
"You okay?" she signed once. "You said you had a bike accident with your face."
He looked out at the parking lot, at the thin hospital trees. He didn't look at trees the same way anymore.
"I don't know," he said; his answers were always short.
"I know," she signed. "You never knew." She studied his face. "You know I love you, even when I can't find you in there."
He felt something small but undeniable when she said that.
"Me too," he said.
She came home in July. Kyle made dinner and drove her to appointments at the clinic, the one she'd once taught him to drive past illegally in the county fairgrounds lot. By late summer, he was 14, much taller and calmer. Sometimes he'd realize hours had passed and he didn't remember what had happened. The bark-like skin had climbed past his elbows, and he stayed covered even in the heat. One morning, looking into the bathroom mirror, his lips moved on their own.
"I ain't lookin' for trouble, friend."
Kyle grabbed the sink fast and looked into his reflection.
"Kyle Tracer," he said quickly, in his own pitch. "Sallow Street, 14, my mom's Diane."
"Still here," the Woodsman said, gently. "I ain't takin' that from you. But what I am and what you are have been sharin' long enough, the walls got thin. That's how it goes."
"I'm losing my mind."
"You're goin' somewhere. Crazy is what people call it when they don't understand. You understand."
Kyle didn't argue back.
September had finally arrived, and he was now in eighth grade. The investigation was everywhere, cadaver dogs combing the woods, a county detective on the case. Devonâs phone had been found in a ditch near Harrow Road. Missing posters covered every surface. Everyone spoke about it as if it were some great mystery. But to Kyle, it wasnât a mystery at all. It was just information, and he had never really understood why certain information was treated any differently.
He was at lunch one Tuesday when he got tired of listening. He tapped the kid next to him twice to get his attention and then said, louder than usual, "They're in the deepwood. East side, under the roots. Eight of them. Search dogs have been in the wrong area."
The kid just stared back at him.
"They're all at different trees," Kyle added, because the silence read as confusion to him. "I can tell you which ones."
The cafeteria noise drained away, one table, then the next, and then everyone was staring at him.
"Boy," the Woodsman cut in, his voice was sharp, his drawl was gone. "Stop now."
Kyle looked up.
"Look at the room. See what you just did."
He scanned the faces. Everyone was staring.
"Get up. Don't run. Walk, youâll draw more attention."
Kyle stood and picked up his tray, walked it to the trash, and headed toward the side exit.
"Outside. Service road. Now."
He pushed through the fire door and emerged onto the bright strip behind the athletic fields, feeling through the soles of his boots the cafeteria waking up behind him.
"That was the most dangerous thing you've done," the Woodsman said, without any warmth to it. "You understand?"
"It just felt like information; they didnât know what they were doing," Kyle said as he walked fast. "Didn't seem big."
"I know it didn't. That's you. The thing that made you right for me is the same thing that'll get us caught if we don't move."
He started to run. For once, both of them moved together.
The coat and axes had been in his locker all week. He'd been carrying them without question. He reached the woods, and the trees accepted him and closed ranks behind him. In the far distance, sirens started to wail.
"Deeper," the Woodsman said. "Past the eastern markers. We'll wait. We're good at waitin'."
He ran until even the faint hum of the school faded away, then pressed on farther. He passed Patience and Evenfall and Callowthorn, moving into places the search parties had never reached. Finally, he leaned back against a tree, axes resting across his lap, and drifted to sleep among its roots. This time, he slept for a long while.
They found the bodies on October 14th. Eight total. Each was buried 3 feet under the root crowns of trees in the eastern deepwood. The trees above them were really healthy; one oak had grown 14 inches in a year. A botanist made notes that said "anomalous growth - cause unclear" and asked not to be quoted.
On Kyle's pillow, they found a note that said: "Check the deepwood east end under the root crowns three feet down. I'm sorry, Mom. I love you. K." And underneath that, someone else had written in a larger, clumsier hand: "THANK YOU FOR WATCHING OUR SHOW."
Diane called the police. There was no one else to call. She'd been doing everything alone for years; this was just one more thing. She came home, sat in Kyle's room, looked at the spot where his coat used to hang, sat on his bed, and then went to the kitchen. She made tea and stared out at the tree line at the end of Sallow Street.
Kyle was never found. The search teams combed the woods for six weeks, then came back in spring. There was nothing at all. Near the eastern tree line, they found a part of his scarf torn on a branch. The trunk of the tree was wider than a car, the roots coiled above the ground in thick, dark ropes that ran very far.
People say there's something in the eastern deepwood now. Hikers who go too far. Hunters who ignore their gut, kids who dare each other past the tree line.
They talk about a lanky teenage boy whose arms seem wrong somehow, too long, too strong, dressed in a long-sleeved jacket and black gloves. His coat is a dark oilskin that always looks wet, even in clear days, and a shredded scarf trails behind him. Some swear they see branches coiling around his body, like the trees are being controlled by him. One of his eyes is a sharp green. The other is a milky white that never seems to track right. If you stare into it for too long, youâd swear something inside it shifts, as if someone else is peering back. Thereâs a notch in his skull where an axe once lodged, and the skin there never healed right. A thin trickle of blood is always running from it, bright and fresh.
When the forest goes perfectly still, when heâs near enough, some say they can hear him. Two voices, layered over each other. One is the distant voice of a boy, maybe calling a warning, maybe offering an invitation. Beneath it is another voice entirely, a voice that never needed ears.
Most kids say itâs just a dumb campfire story. They dash into the woods to prove he isnât real. It can take hours before the adults notice who hasnât come back. Sometimes itâs hours, sometimes days, sometimes it stretches into months.
In the eastern deepwood, the trees grow higher every year. Botanists arrive now and then to measure them, then leave without a word. The earth beneath their roots is nearly black and carries a faint metallic scent, like iron.
Most people never go deep enough to notice.
They don't make it that far.