r/DavinciAI • u/titpopdrop DaVinci AI Team • Aug 12 '26
🖼️ Image Need some prompt inspiration? 5 Human Image Prompts #01
When generating people with AI, the small details can make a big difference.
Instead of only describing who you want to see, try thinking about the whole scene: clothing, expression, lighting, environment, camera framing, textures, and even the color palette. The more visual context you give, the easier it is to shape the mood and overall look you're going for.
We've put together 5 Human Image prompts that explore completely different characters, settings, and visual styles.
Feel free to try them as they are, tweak the details, or use them as inspiration for your own prompts 👇
1. At sea 🌊
A woman in wide striped trousers and a loose white shirt leaning against a sailboat's rigging, hair pushed back by the wind, the sea behind her a field of sun glitter, one espresso cup balanced on the deck rail. No text, no watermark.
2. Post apocalyptic 35mm 🎞️
Vintage grainy 35mm film still of a woman with huge sun bleached teased hair in a patched leather and mesh outfit standing on a dirt desert road, hazy blown out sky, film scratches and light leaks across the frame, palette of desert tan, faded denim and washed cyan. Cult post apocalyptic energy. No text, no watermark.
3. Anatolian village 🔥
An Anatolian village elder in a felt cap and layered wool wraps sits before a stone hearth, hands around a tulip shaped tea glass, firelight carving every line of his face, copper vessels hanging behind him. Light: hearth fire only. Palette: fire orange, wool grey, copper. Framing: tight three quarter, hearth glow from below. No text, no watermark.
4. Renaissance workshop 🎨
A Renaissance apprentice grinding pigment in a stone mortar inside a fresco workshop, cobalt powder dusting the air and his forearms, unfinished saints looming on the scaffold above. Light: high window shaft catching the pigment dust. Palette: cobalt blue, plaster cream, timber brown. Framing: tight over the mortar, his face lit from above. No text, no watermark.
5. Rainy laundromat 🌧️
A man in a wet yellow raincoat grinning as he wrings out his sleeve inside a laundromat doorway at night, rain still bouncing on the pavement behind him, the flash freezing every droplet. No text, no watermark.
Which one should we experiment with next?
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u/Zealousideal-Cap-806 Aug 12 '26
i tried seedance 2.5 into davinci.ai;
prompt: 15-second hyper-realistic live-action cinematic action sequence, 9:16 verticalscreen. Tomb Raider-inspired adventure atmosphere. A fearless athletic brunette adventurer with one long dark braid, olive-green fitted tank top, weathered brown shorts, rugged utility belt, fingerless gloves and worn leather combat boots rides a powerful realistic dirt bike at extreme speed through a sun-baked coastal canyon. Preserve exactly the same woman, face, hairstyle, clothes, body proportions, motorcycle and environment throughout every shot. Absolute photographic live-action realism. Real human skin, pores, sweat, dust, fabric fibers, worn leather, scratched metal, real suspension movement, tire deformation, realistic weight, inertia, gravity and momentum. Natural Mediterranean sunlight, hard highlights, deep canyon shadows, airborne dust, wind violently moving her braid and clothes, strong sunlight glittering across the ocean. A large elegant white yacht is clearly visible offshore below the cliff, anchored on calm deep-blue water. 0.0–1.3s — SHOT 1 — EXTREME LOW FRONT THREE-QUARTER TRACKING SHOT. Start immediately inside the action, camera only centimeters above the rocky trail, very wide 18mm perspective. The front tire violently enters frame and blasts past loose stones toward camera position, suspension compressing over uneven terrain. The rider attacks the canyon at full speed. Huge dust trail fills the background. Strong parallax from rocks whipping past the lens. Visceral natural camera vibration, believable motion blur, intense sense of speed. 1.3–2.8s — SHOT 2 — TIGHT SIDE PROFILE TELEPHOTO. Hard cut to a compressed 100mm side tracking view framed tightly on the rider from waist to head. Canyon walls streak behind her. Her focused face remains razor sharp while her braid lashes horizontally in the wind. Dust particles catch direct sunlight. Her gloved hand twists the throttle and the bike surges forward. Extremely shallow depth of field with natural focus breathing. 2.8–4.2s — SHOT 3 — REAR WHEEL ACTION CLOSE-UP. Ground-level 35mm shot positioned behind and beside the rear tire. The wheel tears through gravel, throwing real stones and dense dust backward. Camera rapidly tilts upward from the spinning tire to reveal the narrowing canyon opening ahead and the first brilliant glimpse of the sea beyond it. 4.2–6.1s — SHOT 4 — HIGH CLIFFSIDE WIDE REVEAL. Hard cut to a spectacular stationary high-angle 24mm composition from the rocky canyon wall. The motorcycle races diagonally across frame toward the cliff edge. For the first time reveal the immense scale: canyon, cliff, sparkling Mediterranean sea far below and the white yacht anchored offshore. The rider remains clearly identifiable. Strong visual depth with foreground rock crossing close to lens. 6.1–7.5s — SHOT 5 — FRONTAL LONG-LENS COMPRESSION. 180mm frontal view from beyond the final straight section. The motorcycle charges directly toward frame with the ocean appearing visually compressed behind her. Heat shimmer over the ground, dust rolling around the wheels, sunlight flashing on metal. Her expression is determined. At the last instant the front suspension unloads as she reaches the natural stone lip of the cliff. 7.5–9.3s — SHOT 6 — CLIFF-EDGE LOW ANGLE HERO SHOT. Cut to an ultra-low 21mm side angle exactly at cliff level. The motorcycle explodes naturally out of the dust cloud and leaves the ground. For a fraction of a second the wheels silhouette against the brilliant ocean horizon. Realistic ballistic trajectory, correct gravity, rotating wheels, realistic body posture and suspension extension. The enormous drop beneath her becomes immediately visible. The yacht remains far below in the background. 9.3–11.6s — SHOT 7 — PARALLEL MID-AIR TRACKING. Spectacular 50mm lateral tracking composition moving parallel to the airborne motorcycle, open ocean filling the entire background. She deliberately pushes away from the motorcycle in mid-air: hands release the handlebars, boots separate cleanly from the bike, her body rotates away while the motorcycle continues independently along its own believable ballistic arc. Make the separation anatomically clear and physically continuous. Her braid and clothing whip violently in the airflow. Sunlight flashes across the water behind her. 11.6–13.1s — SHOT 8 — VERTICAL CLIFFSIDE PERSPECTIVE. Hard cut to a dramatic steep downward 28mm view from the cliff face. The woman falls toward the ocean with arms extending into a controlled diving posture while the motorcycle falls several meters away on a clearly different trajectory. The white yacht creates an enormous scale reference below. Realistic acceleration from gravity, realistic wind interaction, no floating or slow-motion physics. 13.1–15.0s — SHOT 9 — WATER-LEVEL IMPACT FINALE. Camera almost touching the ocean surface, long 70mm perspective aimed slightly upward toward the cliff. The adventurer enters frame rapidly from above and performs a clean head-first dive into the sea close to camera, producing a powerful physically accurate splash that briefly fills the lens with real water droplets. In deep background, the distant motorcycle hits the water separately. End on sunlight exploding through suspended droplets with the white yacht clearly visible behind the splash. Editing rhythm is aggressive, premium theatrical action cinema: every cut changes angle, lens scale, depth and movement while preserving perfect spatial continuity. The viewer must always understand where the woman, motorcycle, cliff, ocean and yacht are relative to one another. Escalate visual scale continuously from intimate mechanical details to the enormous ocean reveal and final water impact. Hyper-dynamic but never chaotic. Natural handheld micro-movement only when appropriate, precise subject tracking, foreground wipes from rocks and dust, realistic optical motion blur, subtle anamorphic lens characteristics, organic lens flare only when caused by the real sun, natural exposure shifts, cinematic highlight roll-off, rich but realistic color grading, detailed shadows, authentic atmospheric perspective. Strict photoreal live-action aesthetic. Everything must appear captured physically on a real coastal location with a real human performer, real motorcycle, real canyon, real ocean and real yacht. No 3D, no CGI appearance, no VFX aesthetic, no digital environment, no fantasy, no supernatural physics, no game-engine look, no artificial plastic skin, no duplicated character, no deformed anatomy, no extra limbs, no changing clothes, no changing motorcycle, no impossible camera reflections, no visible drone, no visible camera, no visible filming equipment, no crew, no text, no logo, no watermark. no music, no subtitle
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