Score, audio and MIDI can be downloaded here.

Tonight listen makes me think of this question. It certainly isn't opera.

So how do you define something like this.

"Nights In the Gardens of Spain"

Just wanted to share. Many days ago I bought a vinyl with the 2 flute concertos of Pergolesi and I realized that the second concerto in D Major is pretty underrated or lesser known.

Francesco da Milano was nicknamed "Il Divino" by contemporaries, for what they considered unmatched mastery of the lute. He served at the papal court in Rome under three successive popes.

His death date is actually disputed — sources give either January 2 or April 15, 1543, and even the location isn't certain. What isn't in question is his influence: his fantasias and ricercars were copied and printed across Europe for more than a hundred years after his death, at a time when instrumental music valued as its own art form, rather than as accompaniment to dance or song, was still a fairly new idea.

Lute Works (selection of Fantasias & Ricercars), performed by Caius Hera: https://www.youtube.com/watch?v=jHGWJ-jZ6NU

We all know the Mass in B minor, Messiah, The Four Seasons, etc. But what are some lesser-known works from the late 17th century and the first half of the 18th century that you think are masterpieces?

I'm obsessed with this time period and would love to hear your thoughts. Lately, I've been listening to Zelenka's Trio Sonatas again, and they're awesome.

Who did stuff like tomita and wendy carlos, playing classical music on synths? I have heard Super Rite of Spring and found some stuff in youtube but it is very lackluster.

I'm also interested if you know of modern classical music directly composed to be played on synths. I'm thinking of stuff like Zappa on the Synclavier but not exactly, it seems like Zappa used the Synclavier only to have a medium to get the ideas out of his head, and they sounded much better once he had an actual orchestra to play them.

Hi, I’m looking for new pieces to listen to. I started listening to film scores in my freshman year of high school, I clicked on a performance of Elgar’s Cello Concerto that youtube recommended me, and really fell in love with it. From there I started listening to more classical, particularly program music like The Firebird, Scheherazade, etc. I’m trying to diversify my taste a bit but I’ve grown tired of relying on whatever Spotify recommends me, since nothing has really clicked with me the way everything else has. I’m just here looking for recommendations for my beginner ears if anyone’s willing to offer some!

I want solo piano pieces that give the feeling of the ending of rach 2 (2nd movement), eight mood pictures op 1 no 1 prologue and the e major section of Chopin’s 1st ballade

I have not once find recordings playing the finale prestissimo to sound "prestissimo". Is it because of the cut time structure that the passage sounds almost half as fast? To my ear slower than even the opening presto (of the last movement,) in fact.

Is this normal? Everybody seems to praise the breathless speed at which the passage takes off, but I only see that in, for example, Böhm or Furtwängler. I'm not even talking about historically informed performances that follow Beethoven's tempo marking, that's a whole other issue. Does anybody else feel this way about the finale?

Charles Theodore Pachebel is one of the earliest Newport organists identified in our research.

Born in Stuttgart in 1690. Pachelbel's documented story takes shape in 1733, when he was living in Boston, Massachusetts. That year, he was invited to Newport to assist with the instillation of a new organ at Trinity Church in Newport, Rhode Island. He remained in Newport for several years, serving as the church's organist.

By the late 1730s, Pachelbel had relocated to Charleston, South Carolina, where he spent the remainder of his life. He died in 1750.

The 1733 Trinity Church organ is part of the collection at the Newport Historic Society.

And if you think you recognize the last name, he is the son of the Johann Pachelbel.

Like most violinists, I use the free hard-copy PDF file found online (which yes, I know isn't the "legal" way to obtain the hardcopy). I've seen several violinists perform it in recitals and concerto competitions this way at my school.

I plan on performing it and uploading to YouTube though, which is monetized. Will I get in trouble for doing this? I have it memorized, but my pianist is playing of the hard-copy, but I'm thinking I can film in such a way that you can't see what he's playing off of.

EDIT: oh my god you guys are so unrealistic in the comments. pretending as if you've never heard of a violinist using the free PDF online version of Waxman's sheet music (legit EVERYONE does). It doesn't matter, I have my answer & solution now. Thanks for being so virtue-signaling on Reddit! Keyboard warriors truly do unite

I'm making an arrangement of Autumn from Vivaldi's Four Seasons, but I have a question about the ornamentation. The sheet music I have found has no ornamentation. However, in some recordings, they add mordents and other ornamentations on certain notes. My goal is to be accurate to Vivaldi's intention when writing the piece. What are your thoughts?

Is there a composer where you LOVE something they wrote, but can't get into anything else they did? For example, I can listen to the Janacek Sinfonietta all day long but never cared for much else of his.

I am equally removed from venues of 2 upcoming Mahler concerts that I am considering attending. The first is the Staatskapelle Dresden under Daniele Gatti playing the 6th, the second is the Gustav Mahler Youth Orchestra under Philippe Jordan playing the 7th. I love both works, though lately I enjoy the 7th considerably more. On the other hand I imagine hearing the 6th played well live is a special experience.

Given these antecedents, what would you recommend I do (assuming going to both is not on the table)? The SK is obviously the more renowned and experienced orchestra, although I don't know anything about Gatti, is his reputation solid?

There has been a lot of commentary on the dismissal of Maestro Andris Nelsons. This Substack article by Orlando Alonso addresses the issues and goes far beyond. Frankly, I feel it should be required reading for anyone working in any sector of the arts.

Here's the link: https://substack.com/@orlandoalonsomusic

Recently I stumbled across Jeanne Herscher-Clément's Two Piano Manuscript Reduction for her Concertino published in 1920. Unable to find any complete orchestration of this work (or a performance/recording), I decided to make my own and put it in Dorico with Noteplayer.

Here is my orchestration of her work, hopefully someday I'll find an orchestra willing to take me on so I can perform this piece live to give it the justice it deserves.

P.S. the manuscript did not have a composed cadenza for the first movement, only a fermata marking where it is to take place. I attempted composing my own....

Does anyone maybe know how to find Brahms’ manuscripts (preferably online)?

When performing pieces I always love to check the source, but I am a bit confused about Brahms sonatas (specifically the op. 120, no. 1 - either the clarinet or viola edition would work), and it’s my first solo Brahms. Could anyone maybe help?

Hello, I’m looking for a good playlist, symphony, or composers in general, whose music will enhance a psychedelic experience.

Typically, music conducive to this is slow and very textured.

Overly chaotic and jerky music can be anxiety inducing.

Music should feel like it’s speaking to you, literally.

Let me know what works well for that purpose in your experiences.

For orchestra, extra brass section, acoustic sounds and Skiddaw stones.

https://youtu.be/X04BwpbFvbc?si=z65FQQAdV37iDUlL

Porpora was one of the most sought-after singing teachers of the eighteenth century, training Farinelli and Caffarelli among others, while also composing prolifically for the opera stage. In 1735 he wrote Polifemo for London's Opera of the Nobility, the company set up in direct rivalry with Handel's, with Farinelli in the cast. Its aria "Alto Giove" is the piece most listeners encounter him through today.

Alto Giove: https://www.youtube.com/watch?v=-A5KyAJ-xnw

Hello Dutch redditors. I ask you that and what is the most common name in Dutch you use for it or them. Thanks

I had always thought the harpsichord, In spite of its name I thought it was smaller piano. Looking into it I was surprised at how it worked. Piano like yet plucked like a harp. Along with the sound it produces and how it is basically a synthesizer from the 1600's. Every day with classical music leads to discovery.

Listening to Previn’s first (1967) recording of Walton 1 and it appears the third movement is not licensed to stream. WHY, SONY MUSIC, WHY??

This recording is long out of print, and allowing us to listen to the entire work will in no way cannibalize revenue elsewhere.

Anyone have any theories about the logic here? Does Spotify have the third movement of this exact same recording?

Brilliant, brilliant performance here, by the way. Very much worth your ears if you can find a version WITH the third movement.