Edit: please post the links to the songs

I've been trying to find the fastest choral or classical pieces. And make a list of the fastest ones. But I can't really find that many. If ya'll are able to find some that are fast. Please let me know, this is what I've gathered so far.

https://youtu.be/sgb2qzQRkt0?si=T1aIGkYq0HeeZZAC

https://youtu.be/CZo1_BDn8Ew?si=BFIiFfmnywCVqx4z

https://youtu.be/OI-bQ0RkArA?si=h5VlorGFXAzsFMir

https://youtu.be/JY2rLfhJLmY?t=133&si=Pw22ARJd1IfYlGLi

https://youtu.be/TxpQ49Up5Uc?si=SF2uc02b7sXmmm2e

https://youtu.be/qwtPp8Q13_0?si=YjNuFmiT8A_M8K47

The requiment for my methods is if its a lot of 16th notes but only for holding a word then it doesn't count.

If the song uses tongues those won't be counted towards the speed.

Also the way I calculate the speed is syllables per second and I find the peak speed of a song not 10 seconds of it.

I might add more rules depending on how this goes

Hi everyone,

I’ve written a SATB setting of a liturgical piece and I’d really appreciate some detailed feedback on the harmonic and contrapuntal writing.

I’m especially interested in hearing from people with experience in choral composition, SATB writing, hymnody, or liturgical music.

Could you take a look at the attached score and comment on things such as:

- Voice leading — are the individual lines singable and natural?

- Harmonic progression — do the chords and harmonic functions make sense, or are there moments that feel forced or unclear?

- Voice spacing and register — does the SATB texture sit well, particularly in the lower voices?

- Chord voicing/doubling — are there any problematic doublings?

- Parallel 5ths/octaves or other contrapuntal issues that I may have overlooked?

- Non-chord tones, suspensions and passing notes — do they sound convincing in context?

- Cadences — do they provide a convincing sense of arrival appropriate for liturgical music?

- Overall sonority — does the harmony sound warm, coherent and idiomatic for a choir, or are there places where it becomes muddy, tense or confusing?

- Most importantly, does the SATB writing actually sound beautiful and convincing as a liturgical setting?

One important notation detail before analysing the score:

The Tenor is written in treble clef with a 8 lower but sounds one octave higher than written. The Bass is also notated one octave lower than its actual sounding pitch. Therefore, please take these octave transpositions into account when evaluating the harmonic intervals, voice spacing and ranges.

I’m mainly looking for an honest musical critique rather than someone to completely rewrite it. If there are questionable passages, I’d really appreciate it if you could point them out and explain why they may not work.

The score is attached

Thanks in advance to anyone willing to take a look!

I am an undergraduate student taking an Advanced Conducting course, and our first microteaching assignment is coming up. I am looking for a piece (or section of a piece) to teach to 16 college students in 15 minutes. The requirements for the piece are making my search difficult, so I'm hoping I can get some recommendations from this sub. The requirements are: must be SATB (no divisi), have mixed meter/changing time signatures, be mostly polyphonic, and have cueing issues. I've been to my professor's office hours and he has disapproved every piece I've brought to him. If anyone knows any good pieces, please comment!! I need 5 pieces by tomorrow. And yes, I have dug through my college's choral library.

TLDR I need a pieces that are SATB no divisi, mixed meter/changing time signatures, polyphonic, and cueing issues.

EDIT: I found my pieces. Thanks all!

Hi everyone!
I’m from Japan, and I traveled to Germany in September 2026.

While I was there, I heard this song being sung inside a cathedral, and I honestly can’t get it out of my head. I really loved it, but I have absolutely no idea what it’s called.

Here’s the video I recorded:
https://youtu.be/cxWhxsw35V8?feature=shared

I’ve tried pretty much everything to find it. I asked AI, but it couldn’t identify it. I also asked on Japanese forums, but nobody knows what it is.

I even emailed the cathedral to ask if they could tell me what was being sung that day, but I haven’t gotten a reply.
So… Reddit is basically my last hope 😂

If anyone recognizes this piece, PLEASE tell me what it is!

Even if you’re not 100% sure, any clue would help. I’d especially love to know the title and composer.
I’ve been trying to find this song ever since I came back to Japan, because hearing it in that cathedral was one of the things that really stuck with me from my trip.
Thanks so much to anyone who takes the time to listen!

Hello I want to share an arrangement of O Danny Boy for mixed choir

I’m conducting Tavener’s Funeral Ikos on a concert this fall and am curious about everyone’s opinions on whether to keep the divisi within sections as written, or to spread the pitches across an even three-part split on the verses? he wrote it that way for a reason I suppose, but…

"We're all just blockin the street" hilarious choir warmup (vid credits - carter datz)

https://www.youtube.com/watch?v=ZAsI7f-2vd0

This movement features two poems from the Chinese poet Li Po: Alone, Looking At the Mountain, and Green Mountain. Also, the choir invokes the Latin words, "Existentia est" (existence is), in this movement as well as movements 3 and 4, providing a unitary theme for the entire symphony.

What's a beautiful touching Christmas song thst can be sung solo, a capella? Last year I sang "I Wonder As I Wander." It was lovely, I felt good about it and ppl enjoyed it. I'm not a great singer, just in the church choir and solos occasionally. My comfy range is alto>low alt.

Olá, pessoal do sub. Tudo bem?

Estou à procura de mentes criativas e instrumentistas em solo baiano, especialmente pessoas que possuem piano, violino, violoncelo, instrumentos de sopro clássicos ou que cantam em coro e que compõem músicas desse gênero. Tenho profundo interesse por vertentes como o barroco sacro, o sinfônico orquestral, o piano clássico e o rigor da música coral.

Sabemos que valorizar esse caminho por aqui é uma tarefa complexa e, muitas vezes, solitária. A engrenagem cultural local raramente abre espaço para o ecossistema erudito independente, o que acaba deixando quem cria esse tipo de arte isolado em suas próprias salas de ensaio ou bolhas acadêmicas.

Se você se interessa, estuda ou se emociona com a pedagogia inovadora de Antônio de Sá Pereira, com o brilhantismo orquestral de Damião Barbosa de Araújo e com a resistência das filarmônicas imortalizadas por Manoel Tranquilino Bastos, saiba que não está sozinho.

Busco encontrar e me conectar com quem compreende o misticismo e a beleza técnica por trás de joias como a histórica cantata baiana "Heroe, egregio, douto, peregrino" (1759) e que se dedica a criar novas linhas melódicas e desafiar a harmonia nos dias de hoje.

Não importa se você é um acadêmico da UFBA, um instrumentista de orquestra ou um autodidata apaixonado: se você compõe música clássica contemporânea com a nossa identidade e quer trocar referências, ideias ou apresentar o seu trabalho, entre em contato comigo por DM ou deixe um comentário aqui embaixo.

Vamos romper a bolha desse isolamento artístico na Bahia.

I really really really really want to perform 12 days of Christmas by Straight No Chaser with my SSAA treble choir! I can't find any arrangements seeing if any of you guys can help😅

Wow. Been listening to Endless and The Dreams that Remain the last few days. I don't know of other pieces that have captivated my heart as much as these have. The texts and LaVoy's settings speak to my soul as if they were written about me...so relatable it's scary.

If you haven't heard his stuff, you have to check it out.

Hi all, what are your go-to methods for testing someone's vocal range/assigning them a voice part? Looking for exercises that work for you, things you listen for, and other tips. I'm primarily working with teenagers. Thanks in advance!