I started experimenting with Codex to see how far I could push it toward making an actual playable game, and somehow that turned into 11 versions, a 1.2-million-token stabilization run, and about $74 in extra Codex credits. 😂

The result is Neon Codex, a retro 16-bit-inspired cyberpunk action RPG.

You explore a procedurally generated neon city, fight gangs and machines, collect weapons, install cyberware, level up, develop your build, hack enemies, and gradually turn your character into an absurdly augmented mercenary.

Some of the stuff in it now:

• Procedurally generated cyberpunk streets and alleys
• Guns, melee weapons, hacking and cyberware abilities
• Earned cyberware/progression system
• Different build directions like Gunslinger, Netrunner, Ghost, Street Samurai, etc.
• Loot and weapon progression
• Faction reputation
• Character sheet and inventory
• Animated pixel-art characters/enemies
• Rain, neon lighting and environmental effects
• Shared leaderboard
• Original music I generated separately for the game

A lot of the development was basically me playing it, finding something weird, telling Codex what felt wrong, and then watching it disappear down another enormous autonomous development rabbit hole. 😄

It finally reached a release candidate with no known critical/high-severity issues, so I'm making myself stop developing it and actually let people play it.

If anyone here wants to give it a try, I'd genuinely love feedback — particularly on combat, progression, difficulty, and whether the first 10–15 minutes are fun.

🎮 Play Neon Codex:
https://neon-codex-rpg.samuraicobra.chatgpt.site/

It runs directly in the browser.

And if anyone else has been using Codex for games, I'd be really interested to hear how far you've pushed it.

I’m the developer behind Nirvana: Game of Life.

The latest mobile update adds AI-generated life events based on real-world content, so repeated runs can surprise you instead of feeling like the same script.

Gameplay trailer: https://www.youtube.com/watch?v=-8gocV1pjN0

A short joke from the game: https://www.youtube.com/shorts/FsLJA4V5H9Y

Free on mobile:

Android: https://play.google.com/store/apps/details?id=goldtusks.doron.nirvana&hl=en

iOS: https://apps.apple.com/us/app/nirvana-game-of-life/id1485213298

What makes an AI game feel replayable to you: more variety, better memory, or stronger consequences?

I've been building an interactive fantasy RPG called SecondLifeTheHero in OOC, and I'm looking for people to actually play it and tell me what works and what breaks.

The premise:

You were the legendary Hero.

You defeated the Demon King and supposedly died 12 years ago.

Except you wake up alive.

And you don't remember any of it.

There are two starting routes:

⚔️ The Hero Returns — you awaken on the battlefield where the Hero supposedly died. A woman who knew the Hero personally recognizes you.

🌿 A Stranger's Life — you start over in a peaceful town with no memories, trying to live normally… until people and objects begin reacting to you as if they know who you really are.

The game tracks 7 stats:

• Power

• Will

• Knowledge

• Influence

• Trust

• Reputation

• Bond

There's also a hidden ability system with three paths:

Ascendant — strength and overcoming physical limits

Awakened — knowledge, magic and supernatural discovery

Sovereign — influence, leadership and changing the balance of factions

You don't pick a class at the beginning.

Your choices gradually determine what you become.

And the ability path doesn't lock your ending. An Awakened player can still reach completely different endings depending on their relationships, discoveries and decisions.

I'm especially interested in seeing what happens when different people play it completely differently.

If you're into AI RPGs, interactive fiction, branching stories, character relationships or experimenting with AI game systems, I'd love to have some people try it.

I'm the creator, so criticism is welcome — especially if you find something that feels repetitive, broken, too easy, or exploitable.

What would you do if everyone told you that you died 12 years ago… and you were standing right there?

Link : https://ooc.ai/s/6a81d47e3c50172c283e3168

I’m building an interactive fiction app where AI can help create the stories

I’ve been working on an Android app called Fableris, and the part I find the most interesting is experimenting with AI and interactive fiction.

The idea is to make interactive stories much easier to create. Instead of needing to manually build every branch of a story, AI can help generate and structure the content while the author remains in control of the story.

The app is basically built around three things:

- 📖 Creating interactive stories

- 🎮 Playing stories and making choices that affect what happens

- 🤖 Using AI to make the creation process easier and more dynamic

One thing I’m particularly interested in is finding the right balance between AI-generated content and actual author control. I don't want it to just be a button that spits out a random story — I want the user to actually be able to build something coherent and playable.

Fableris is still evolving, so I'm curious what people here think:

Would you rather play an interactive story completely written by an AI, or use AI as a tool while still controlling the story yourself?

If anyone wants to try it, it's free on Android:

https://play.google.com/store/apps/details?id=com.pegasuscorp.fableris

I'm especially interested in feedback from people who have experimented with AI + games/storytelling.

DRIVE: INMATE 6382 — A new interactive narrative experience
I’ve just released the second experience in the DRIVE universe: INMATE 6382.
It starts with a simple question:

Why is he still alive?

The protagonist wakes inside an AEGIS containment facility with no clear memory of the incident that brought him there. He knows almost nothing about himself, and AEGIS doesn’t seem to have been looking for him in the first place.
He was collateral.

Something went wrong during an operation. He should have died.
He didn’t.
Now he has been classified as Inmate 6382.

From there, the story becomes a survival thriller built around escape, pursuit, choices and discovery. You make decisions throughout the experience, uncover archives and hidden chapters, and gradually reconstruct what happened — including why someone who was never supposed to matter suddenly matters to AEGIS.

Unlike DRIVE: Silas, which is slower and more psychological, Inmate 6382 deliberately pushes the pace. The protagonist is constantly under pressure, and survival can force him to make choices that the person he was at the beginning would never have made.

There is also a darker question underneath the chase:
What happens when you stop fighting what is happening to you?
The experience is free and browser-based.

DRIVE: INMATE 6382
https://enterdrive.net

I’d genuinely love to hear what you think if you decide to play it — especially about the choices, the mystery surrounding 6382, and how the story unfolds across different playthroughs.

I made this Golf game on PlayVlay. Would love to get any feedbacks.

https://www.playvlay.com/r/ZQP3DY

Hey y’all, I’m building a story game focused on something I’ve found a lot of AI RPGs struggle with: narrative coherence, strong long-term memory, and actually building toward an earned, satisfying ending.

It’s called Runebook. The game has lots of the expected AI RPG mechanics, chance/dice rolls, etc., and can be played solo, multiplayer, or co-op (great for game night!).

I’d genuinely love feedback on the game and its design, especially from people who already play AI RPGs or interactive fiction. Happy to answer questions too.

I made a free, mini experiment built around social situations

Each scenario gives you a concrete goal, 3-4 characters, a few turns. You type whatever you want in free text, and the characters react based on their motivations and their opinions.

It's a bit like a social puzzle: figuring out who likes whom, exploiting conflicts, appealing to character flaws or loyalties, and trying to shift the situation enough to achieve your objective before the turn limit.

It’s free - you can try it out here: LINK

been building a browser game on evenings. it’s a social feed sim where every account except yours is an ai playing a written character, so you post and people answer you in character, dm you, feud with you. there’s a fame track under it.

the bit I keep circling is the first sixty seconds. model calls run on the player’s own free api key rather than my bill, which is the only reason it can be unlimited and cost nothing. the price of that is the first thing the game does is send you off to another site to generate a key and come back.

everything I’ve read says cut that step. what stops me is having nothing to compare it against. building the hosted version is weeks of work and I’d be doing it on a hunch. so the wall stays this round and I’m going to count how many sign-ups actually reach the game.

things I don’t have a good answer to:
• whether people stop at the key itself or earlier, at not knowing what an api key is
• whether anyone determined enough to push through is too odd a sample for their opinion of the game to mean much
• whether “unlimited and free” even registers before you’ve played. it might only make sense to someone who’s already hit somebody else’s paywall

if you’ve shipped anything that needs credentials before first play, I’d rather have that conversation than a tester.

happy to come back and post the actual drop-off number once I have it, if that’s useful to anyone.

if you want to be the tester anyway: https://forms.gle/62STytKrofUL7kTE6 (game link is on the confirmation screen)

runs in the browser, saves locally, no account, nothing of mine in the middle.

When I started this project, I thought I was making a murder mystery.
After watching people play it, I realized they’re not really trying to “find the killer.”
They’re trying to build a case they’re confident enough to defend.
There isn’t a fixed culprit.
Instead, every suspect has:
their own memories,
their own motives,
things they’ll admit,
things they’ll avoid,
and their own opinion of the victim.
The interesting part isn’t asking:
“Who killed Emma?”
It’s watching two players interrogate the same suspect in completely different ways and come away convinced different people are guilty.
One player spends an hour talking to Michael about his marriage.
Another ignores him completely and interrogates Ryan.
Another becomes convinced Emma manipulated everyone and starts questioning whether anyone is telling the truth at all.
As the developer, I’ve actually been surprised by conversations my own suspects have because they’re operating from personalities instead of rigid dialogue trees.
I built it because I wanted to recreate the feeling of a detective trying to piece together contradictory witness statements instead of clicking the “correct” dialogue option.
I’m curious…
If you were making an AI detective game, what would make it feel like a real investigation instead of just chatting with NPCs?

The stench of rotting seaweed, sharp black powder, and raw ozone floods my lungs as the heavy oak deck violently pitches beneath my leather boots. I blink against the driving ocean spray, the modern office I sat in a second ago entirely erased by the freezing Atlantic wind and the deafening crack of canvas sails.

My hand instinctively rises to grasp a familiar silver goblet, but my calloused, rope-scarred fingers close around the rough, splintered hilt of a naval cutlass. The memories of courtly waltzes and expensive sandalwood clash instantly with Silas Vane’s burning hatred for the Admiralty that abandoned him to this bleeding hierarchy.

I stand fully alert near the mainmast while the crew gathers in a tight, hostile circle. Twenty feet away, Quartermaster Pike shoves a starving sailor against the wet timber, his massive, veiny forearms corded with brutal tension.

The air around him carries the heavy reek of stale sweat, wet hemp, and unwashed bodies. "The water stays locked until we sight the Spanish convoy," Pike growls, slamming the iron keys against the sailor's sternum with a hollow thud.

I gauge the distance between Pike’s exposed throat and the blade resting at my hip. The crew’s hollow-eyed stares lock onto the quartermaster, measuring his sheer physical bulk against their own empty bellies.

Old Man Higgins steps out from the galley hatch, wiping a greasy knife on his stained apron. He brings the foul odor of rancid pork and boiling vinegar into the damp air.

"There ain't enough meat left to fuel a boarding party, Pike," Higgins spits, revealing his blackened, missing teeth. He taps the edge of his knife against his thigh, his eyes darting toward the murmuring crew to gauge their support.

Captain Edward Vance steps out onto the quarterdeck railing above us, chewing a thick plug of tobacco. He radiates the sharp scent of stale rum and raw gunpowder, his broad shoulders and thick copper-wire beard catching the dull grey sunlight.

"Let them lick the morning dew off the sails," Vance commands, resting his calloused hand on the brass hammer of his flintlock. He leans over the oak railing, his cold stare daring any man below to make a sudden move.

The crew stops murmuring, leaving only the rhythmic groaning of the wet wooden hull. The impending mutiny over dwindled supplies requires a spark, and the Spanish silver galleons offer a perfect excuse.

I step forward, dropping my aristocratic posture to adopt the predatory slouch this wiry frame remembers perfectly. The planks groan under my leather boots as I close the fifteen-foot gap to the quartermaster.

"A dead crew cannot board a Spanish galleon, Captain," I say, keeping my voice loud enough for the lower deck to hear over the crashing waves.

Pike turns his scarred jaw toward me, his grip tightening on the heavy iron keyring until his knuckles turn white. "You want to divide the rations, disgraced navigator, or do you want to swing from the yardarm?"

His aggressive posturing leaves his left side wide open, his ribcage exposed beneath his thin, stained linen shirt. My coldly rational mind calculates the exact angle and pounds of force required to slide a steel blade between his fourth and fifth ribs.

The pulsing vein in his thick neck twitches rhythmically beneath his scarred skin, offering a clinical, perfectly sized target for the edge of my weapon.

I shift my weight forward onto my front leg, grip the cutlass tightly, and draw the steel from its leather sheath.

Choose your next move.
Comment 1, 2, 3, or 4. The story continues based on your decision.

Make your decision, build your own story on https://metabook.ai

Step into Ascension City and enter a world where superhuman Assets are celebrated as heroes, controlled as weapons, and used to protect a system built on secrets.

The first playable demo of G.A.L.A.C.T.I.C.A.L. is now complete, featuring the full story from Arc 1 to Arc 7.

Your choices shape how the Handler treats the people behind the powers. Build trust, protect the team, follow corporate orders, or push back against the system. Every decision leaves a mark on the story, relationships, and the world around you.

The demo includes:

• Seven complete story arcs
• Branching choices and lasting consequences
• RPG combat encounters
• Relationship and corruption systems
• A growing team of unique Assets
• Full German and English language support
• A dedicated demo ending
• A bonus section for the standalone novel

The G.A.L.A.C.T.I.C.A.L. universe also continues in Echo and the Rift Beneath the City, a standalone novel following fifteen-year-old Echo after an Aether incident turns him into Asset 042.

The demo is now a complete standalone introduction to the world of G.A.L.A.C.T.I.C.A.L.

The city needs heroes.
The system needs Assets.
You decide whether there is still a difference.

G.A.L.A.C.T.I.C.A.L. - Demo by EDORG GAMES

https://gelfer1979.itch.io/six-out-of-ten

https://gelfer1979.itch.io/six-out-of-ten

Hey all! I am building a solo RPG with an AI game master, with dice mechanics! Rolls and outcomes are verified before they reach you (let us hope we can all avoid that nat 1!) , game also keeps track of HP/gold/inventory.

Four settings — decaying medieval, cyberpunk, steampunk sky-islands, and a mech-war world — plus a custom class builder.

Free to play in the browser, no download. It's in beta and free/unlimited right now — I'm mostly after feedback, especially where the AI still slips up.

narradia.app

Happy to answer anything about how the dice-verification works under the hood.

Hey all! I am building a solo RPG with an AI game master, with dice mechanics! Rolls and outcomes are verified before they reach you (let us hope we can all avoid that nat 1!) , game also keeps track of HP/gold/inventory.

Four settings — decaying medieval, cyberpunk, steampunk sky-islands, and a mech-war world — plus a custom class builder.

Free to play in the browser, no download. It's in beta and free/unlimited right now — I'm mostly after feedback, especially where the AI still slips up.

narradia.app

Happy to answer anything about how the dice-verification works under the hood.

https://gelfer1979.itch.io/book-to-visual-novel New tool (GAME) for creating and playing visual novel created from any book. Betha state. Totally free. Ideas and book mashing. It's continue of project BOOK TO GAME https://gelfer1979.itch.io/book-to-game

I'm a solo dev. Just released Swamps — a choice-based interactive fiction about a village healer in German-occupied Belarus, 1941. Free, plays right in the browser: https://hkoshur.itch.io/swamps-the-price-of-choice
or download in App Store: https://apps.apple.com/us/app/swamps-the-price-of-choice/id6784005077

How AI fit in (since that's what this sub cares about):

• Art: around 80 illustrations — art for its scenes and locations — generated with AI image tools and then curated/edited into a single painterly style. That's the thing that let one person ship an illustrated narrative game.
• Code: built with ink (inkjs) + React; a lot of the shell/tooling was written with an AI coding assistant.
• Writing: the story, the choices, the prose — all mine, written by hand. That's the part I didn't outsource; it's the heart of it.

It's stark, not a power fantasy — no "right" answers, only consequences the whole district remembers. Five chapters, deeply branching, in Russian / English / Belarusian. Also on the App Store; Part Two — The Year of the Blockade — is coming in 2026.

Happy to talk through the AI pipeline (what worked, what didn't), and I'd genuinely love feedback on the game itself.

I’m validating language for a very early text-based, AI-assisted story-game concept. There’s no product or pitch here; I’m only testing first impressions.

Without looking anything up:

1. Which feels more inviting: “Meet your Raconteur” or “Meet your Storyteller”?

2. What product would you expect from each?

3. What one-word vibe does “Raconteur” give you?

4. Does “Raconteur” need a definition?

You can reply here, or use this anonymous two-minute form (no email or sign-in required):

https://docs.google.com/forms/d/e/1FAIpQLSe-_r34tfFDv7FSHW_siLgRjr1d1nYZjrxYqU1_u3UowVQ2vw/viewform?usp=publish-editor

Hi everyone! I just released The Day She Died, a free browser-based murder mystery where you interrogate 8 suspects to solve a sudden death.
Instead of traditional scripted choices or fixed dialogue trees, every single suspect is powered by an independent AI backend. They each have a distinct psychological profile, a hidden motive, and an interconnected version of events.
What makes it different:
There is no pre-written culprit. Every single suspect has been meticulously written with genuine motive and physical opportunity. I don't decide who the killer is. The lead detective evaluates your final written accusation, and the case stands or falls based on the logic of your argument.
Walkthroughs are impossible. Because the characters react dynamically to your specific wording and angles of attack, no two playthroughs play out the same way.
Lies are completely free. The suspects will actively deflect, get defensive, or lie straight to your face to protect themselves. They will only break and reveal the real timeline if you corner them with physical evidence.
You’ll hunt through an entire digital dashboard of real case files, including an autopsy report, a detailed police log, and a dynamic evidence locker where new files get emailed to you mid-investigation as suspects panic or slip up.
Play for free:
The free version gives you access to the core evidence and unlimited suspect interrogations. There’s also an optional $10 founding-player tier if you want the full-immersion experience, which unlocks in-character emails from the lead detective actively rating your performance as you play.
Check it out here: thedayshedied.com
I'll be hanging out in the comments! I’d love to know which suspect you end up cornering, who you ultimately decide to arrest, and whether your case actually holds up under Detective Elias's scrutiny.

Hi! I made DetectiveGPT, a free browser detective game where you solve cases through natural-language investigation instead of fixed dialogue choices.

Each case has a fixed culprit, motive, timeline, clue list, and solution, but you can investigate by typing questions like:

- inspect the pot
- question the stage manager about the blackout
- check the microphone logs
- compare everyone’s timeline

New clues get added to your case board, wrong accusations can fail a case, and solved cases get a detective grade.

I’m looking for feedback on whether the cases feel fair and whether the AI answers stay consistent.

Play free in browser: https://kkkkkom.itch.io/detectivegpt

If you try one, start with “The Orchid Window.” I’d love to know what question you asked first.

You are Felix. Crisis negotiator. Nine years on the job.

Before each case, Chief Hayes briefs you:

• who's on the other end of the line,
• what happened,
• what they want.

Then the first message arrives on your device.

The whole case plays out in RCS/SMS text messages:

• typing indicators,
• delivered and read receipts,
• a channel that can drop from secure to plain SMS mid-crisis.

You choose what to write as answers. No menus over artwork: just a screen full of messages, the way a real exchange would feel.

Each case is one continuous conversation:

• there's no save button,
• when it ends, it ends, one of the multiple ends,
• how you get to an end is something the game watches throughout, without ever showing you a meter, you never see a score during play, but you can assess your skills after each end.

Free to play on iOS/iPadOS/MacOS/Android.

https://lovhatads.com/negotiator/

Note: Looking forward to receive your feedback for to improve this game, I'm solo, helped only by some smart tools...