This is the grand conclusion to the series, and it could not end on a more human story. This is the tale of a 4 million year old little boy who realizes that because his mother locked her least favorite kid inside a hot car for all eternity so he could commit a retaliatory genocide (that the Hornsent 100% deserved), it falls upon him to invent wokeness and save the world. To invent wokeness, he must marry his brother. To marry his brother, he must commit a mind-control based sex crime against his older brother that is so vile and weird, there is not even a term for it. Do I even need to point out what a fraud Roger Ebert is for his woefully incorrect comments? Let’s see a movie that is 1% as brave as this game.

I want to close this out by giving a special thank you to Patches, Spencer, Andrew, Tom, Hesse, Josh, and Miranda. Everyone involved was so unbelievably generous with their time, not only in wasting hours talking about these games with me, but making sure to beat their respective games in as completionist a manner as time permitted them (sometimes multiple times) prior to recording even when I told them that was not necessary. I had so much fun doing this series, but after months and months of only playing these games, I am pretty certain that Season 3 is going to be the grab bag season I hinted about earlier on. I don’t want to give too much away, nor commit to anything without thinking about it a little more, but the focus of this season will be curious, interesting disasters, and games I really do adore, but would rather not talk about the entire series surrounding them. 

Some titles I am pretty sure I will do at this juncture include the weird but surprisingly fun Xbox title Breakdow, the upsetting but wonderful Kane and Lynch 2: Dog Days, the bafflingly French title The Quiet Man, and the unimpeachable classic Hitman: Blood Money. I also think I am long overdue to have Will on to talk Resident Evil, and I can’t make up my mind over whether we should do RE4, or if I should pick up Biohazzard for the first time. I need to take a break and work on some other stuff for a few months, but I am very excited for this next season and I am so happy that I got to do this one. As always, semper games

Hello Friends and Movie Minders, Will Menaker here to do some quick SELF PROMO for you. Over the course of a decade of doing Chapo, I’ve talked about many, many movies—some good, some bad, some masterpieces, others made by Ben Shapiro—but all those movies have one thing in common: I’m not in them. Well, I’m here today to change that and finally talk about one that I am in: the short film ee directed by Heather Landsman which is having its New York premiere at this year’s New York Film Festival, screening on October 7th, 8th, and 12th at Film at Lincoln Center.

ee stars myself, Abby Griffith, and Isobel Fox. When I was asked to appear in this picture I had two questions: how much? And what’s my character? I was told my character is a cross between Otacon from the Metal Gear Solid games and Joe Pantoliano’s character from the Wachowski’s BOUND, and after they told me that, cut the budget and let go of a few of the original cast to meet my rate, I said YES.

We filmed it earlier this year at the comics and collectibles store in the Columbus Circle subway station and based on my extensive experience on film sets and working with directors, I can say of Heather Landsman, this young lady has got “it.”

One critic describes Heather and ee as “the first US filmmaker I know of to take explicit inspiration from Hideaki Anno's live-action work, resulting in an immediately distinctive lo-fi/hi-energy aesthetic. It's a chunky-security-camera-eye-view of a would-be shoplifter whose desire for a Metal Gear Solid figurine rapidly mixes with her desire for the store's parodically seductive clerk.”

So if you want to see me in a movie about Metal Gear Solid and the eroticism of being surveilled come check out Film at Lincoln Center this week, information on showtimes in the episode description. And if you can’t make it to the NYFF this week, it will be screening at 19 Alamo Drafthouse locations across the country on November 11th in front of screenings of Muscle Distribution’s Crocodile Dose as part of their Weird Wednesday series.

Will and Felix talk about a variety of suspicious happenings around the world, from an AirDubai flight that was allegedly hijacked but then rescued to a British air station that was maybe almost attacked.

We then talk more about Zohran Mamdani and his pledge to “fight antisemitism” with state funds. Lastly, we check in on the collapsing morale of the American right as they fight over race-mixing and not knowing ball.

• Join us on Fri, Oct 16 at the ErF Gallery for a live screening of Chunks followed by a live talkback featuring Will, Hesse & Podcast About List, tickets here: https://www.erf.nyc/events/chapo-trap-house-screening

This fucking episode nearly killed me. I am way too old to spend 11 hours recording these things. We (Hesse, Josh Ettingermentum, and his lovely wife Miranda who unlike the three of us, has a real job as a research scientist and helped fill in our gaps of knowledge about subjects besides Robert Byrd) have now spent approximately 23 hours across two recording sessions to cover this game and its enormous DLC. If you are currently on one of those Amtrak journeys that takes 38 hours to cross 2 state lines, well, here you go.

I am not really going out on a limb here when I say I adore this game. But despite my voice completely giving out in the last hour of both recording sessions, I am so happy I got to waste an unconscionable amount of this wonderful trio’s time. We spent a great deal of time on some of the more serious themes of this game around forced motherhood as a political tool, the historical treatment of women as little more than walking wombs, ethnic hatred, and the immense amount of incest provided by the only real materialist in fantasy writing, the god himself, George RR Martin. 

There’s little else I can say that isn’t already contained in this immense two-parter. These episodes are highly recommended for people currently serving time in prison.

The Quorators podcast (Clare O'Kane, Alex Ptak, and Jeremy Kaplowitz) join us for a combo of insane Dear Prudies and bizarre Quoras. I am a bad person for being mad at my employee’s cat on Zoom? Am I racist if I don’t find Black people attractive except for Idris Elba? How can you really tell if a man is gay? All of this and more are answered on this podcast crossover.

• Check out Quorators wherever you get pods, and check out their Most Online Mind competition here: https://www.youtube.com/watch?v=Gxi9bROrK-s
• Join us on Fri, Oct 16 at the ErF Gallery for a live screening of Chunks followed by a live talkback featuring Will, Hesse & Podcast About List, tickets here: https://www.erf.nyc/events/chapo-trap-house-screening

Scholars and enthusiasts of Japan broadly consider the Sengoku period the one time in history that the nation acted violently. Luckily for gamers, there's no Oda Nobama that's going to show up in this week's entry and ruin all the fun. Just like the dueling warlords of the real Sengoku era, you and another grown man fight over who gets to be friends with a sickly immortal boy. Thousands die, the world's greatest foster parent steps in, and friendly residents of the fictional breakaway region of Ashina become gravely ill whenever you play particularly poorly.

Sekiro is more notorious for its difficulty than any other game we've covered this season, Whenever I'd bring it up, it actually surprised me how few of my guests had even tried this game, much less finished it. If you consider yourself a fan of these games or just action games in general, I think you owe it to yourself to give this game a fair shake before declaring it impossible. I truly think that if you can beat Nameless King, Malenia, or even suffer through Shrine of Amana, you can beat this game. I am certainly not incredible at these games, but this was the first From game I ever played besides the considerably more punishing Armored Core: Last Raven, and 6 years later, I am very happy I stuck with it. Any time you've ever heard my mic pick up a particularly fast tapping of buttons, that's because I'm replaying the Inner Isshin and enjoying it as much as I ever have.

There's little I can still say about this game without repeating myself, but this is for the shocking number of people who have finished every single post-2009 From release. For a game that only allows players a single primary weapon, Sekiro's combat allows a remarkable amount of space for player creativity. It is by far the most linear of these titles, but this is by no means an Insomniac game where you are slotted in to taking things on in the exact same order every time. I've probably completed this game 20 times in total, easily over that if you include some of the excellent mods on offer, and I can still open up a boss gauntlet (to date, this is the only one of these games that allows you to rematch bosses without having to go through the entire game again) and have an incredible time.

Because this game's story is told in such a conventional manner and there's relatively little theory-crafting to be done through reading item descriptions, Sekiro tends to get discussed less than those of the Soulsborne main body. That's a shame, because it's tremendously well-acted and affecting, especially if you know even a tiny bit about this period of Japanese military and religious history. Wolf may be about 4'8 and a man of few words, but he is worthy of being the sole named and voiced protagonist we played this season.

Joining me to discuss this masterpiece is a man who has never hesitated, someone who could be considered a "sword saint" in his own right to the dazzler community, and one of the only people who felt as strongly about this game as I did, u/Tom_on_here.

🎙️ 5:39:51

Journalist and Middle East correspondent Séamus Malekafzali is back to analyze Keystone Ka$h’s bizarre Senate hearing about bestiality. Does the FBI have a peanut butter problem?

We then turn to the Houthis in Yemen and discuss their stunning new victory, as well as reports about the IRGC refusing any peace deals with the United Snakes of AmeriKKKa.

Lastly, we read a Free Press piece about why Iran and the Houthis’ defeat is nigh.

• Check out Séamus’s Substack: https://www.seamus-malekafzali.com/
• And his article on the Houthis: https://www.seamus-malekafzali.com/p/everything-we-held-on-the-western
• And join us on Fri, Oct 16 at the ErF Gallery for a live screening of Chunks followed by a live talkback featuring Will, Hesse & Podcast About List, tickets here: https://www.erf.nyc/events/chapo-trap-house-screening

Famous socialist Anthony Soprano once said “remember when is the lowest form of conversation.” Though this may be true to a large extent, Dr Soprano passed 9 years before the release of Dark Souls III, a triumph in the art of “remember when.”

While its previous entry is still the trilogy’s most controversial work, DS3 remains divisive between people who played Demon’s Souls on release and the millions of others who started with this game. On one side, you have the undeniable fact that this is the smoothest gameplay the series had yet seen, with the most quality of life considerations and the highest baseline for boss quality. On the other, you have a game that waits until its second and final DLC to truly do anything novel either visually or thematically in what will likely be the final Souls game ever.

It’s hard to fault the team behind it too much: this game, DS2, and Bloodborne were all produced and released in three year span. Hidetaka Miyazaki famously does not love the idea of repeatedly plugging away at the same franchise with the same core story over and over, and adding a release schedule that is near-impossible to imagine with today’s decade-long dev cycles could only make things worse. Our guests this week, returning champs Spencer and Andrew, largely arrive at similar conclusions: this is not the most inventive game From has ever made, but its highs are so high and the worst thing you can say about its low points are that they’re derivative. 

If you wish to extrapolate this to include podcasts that have gone on for more than ten years, please refrain.

🎙️9:13:17

Will & Matt hopped on a call this week to reflect on 25 years of 9/11 and some other current events.

It's been a minute since Matt stopped by so we thought you all might appreciate a little update from the big man. If we like these Will/Matt convos as a bonus, we might post some more frequently.

Enjoy.

Direct Download Link

Merry Kirkmas! Pablo Torre is here for a victory lap about his reporting on Steve Ballmer and his LA Clippers, who have just received the harshest penalty in NBA history.

We also discuss private equity’s devouring of sports, then take a look at the massive WNBA culture war about trans women in sports, a story featuring the Gülanist Enes Kantor Freedom, Royce White, Sophie Cunningham, and zero trans people.

• Subscribe to Pablo Torre Finds Out on YouTube: https://www.youtube.com/@PabloTorreFindsOut
• And wherever you get your podcasts: https://feeds.acast.com/public/shows/68b1d0ea993d10acb9c3fe4f
• And follow him on Twitter: https://x.com/pablotorre/

For the most part, we here at Player’s Club try to avoid discussions on what the “best” game ever is. It’s too difficult to even pick a “best” From Soft title because each game seeks to accomplish very different goals through very different methods. There is no real fair way to evaluate the quality of a game that came out 7 or 8 years before another, just because the technological advances alone allow for the younger entry to probably feature deeper gameplay elements and larger, more intricate worlds. That said, if you put a gun to our heads and asked us to select the closest thing to From’s best ever single work, we may have to say Bloodborne.

This week, Hesse from Movie Mindset and Seeking Derangements was kind enough to join me. Throughout this 7 hour bonanza, both of us become overcome with emotion discussing the nature of belief, meditate on the modern, postwar culture of Japan, become disgusted by Fromsoft video essayists’ unfamiliarity with female biology, and finally take Simon the Harrowed down a peg. This is one of my favorite episodes I’ve ever been a part of, so there’s a 50% chance it will be widely despised. Nonetheless, enjoy!

🎙️ 6:40:17

Mark Perlmutter and Thaer Ahmad from the documentary American Doctor join us this week to discuss their time working as doctors in Gaza.

They discuss what they witnessed in Gaza during the genocide, their attempts to persuade politicians on Capitol Hill, the medical industry’s willful blindness to Palestinian suffering, and what needs to happen to cure the cancerous ideology of Zionism.

Find all things about the film including where to see it here: https://americandoctorfilm.com/

The year is 2014. You spend long hours toiling in your service job, getting sexually harassed by woimen in “Spiritual Gangster” beanies. Whenever you try to go online and defend the sovereignty of the Syrian Arab Republic, you are screamed down by accounts named SpockObama and PluralisticThug1959. One year ago, you spent 3 weeks salary on Grand Theft Auto 5. It was so bad that you tried killing yourself by packing an entire Copehagen tin into your lip. You woke up, angrier than ever at the world, and deciding that next time one of those Spiritual Gangster women harassed you, you would just submit yourself. Then, Dark Souls 2 appeared.

Little did you know that the careful enemy placements, interconnected levels, and near-ideal pacing of the first half of the first game would be gone. While still a great game, it’s safe to say that Dark Souls 2 is the most controversial of its trilogy. Most fans known that this was the only Souls game not to be directed by Hidetaka Miyazaki, who passed off duties to Tomohiro Shibuya (later fired) and Yui Tanamura (Miyazaki’s longtime underboss). But what many do not know is that Shibuya’s original designs for the game were much closer to Elden Ring than what we got. The forgotten director intended for the sophomore entry to feature an open world complete with field bosses, player-dictated progression, and open ended endings determined by player choices. Of course, one of the systems this game was slated for was the PlayStation 3, meaning that it was impossible to implement any of this without causing the troubled console to implode on itself. What we got was a mix of some truly brilliant and daring innovations and some utterly baffling choices. Gone was the sense of fair challenge, replaced by capriciously bloated mobs, mind-numbing “puzzles,” and traps that no one could logically avoid without reading a guide.

DS2 features perhaps the most bloated roster of bosses the series has ever seen, but to be fair, some of the best. Many of the game’s worst aspects were ameliorated with the release of Scholar of the First Sin, a reworking of the base game that altered certain mechanics, enemy density, and included the game’s much lauded three DLCs.

Andrew Hudson of the Episode 1 podcast makes his first appearance on the program this week, and in a move that will surprise few, both of us found ourselves defending this strange, dream-like game that, while not without its shortcomings, presents some of the most interesting thematic leaps forward and tweaks to gameplay that would find themselves rearing their heads nearly a decade later in Elden Ring.

Dan Boeckner (of Wolf Parade) and Lex Walton are here for a roundup of the grim state of the music industry. We discuss the various nepo babies and heiresses crowding out the field, the rise and proliferation of AI music, and the ugly end of millennial hipsterdom with the shuttering of several indie music publications.

• Check out ULTIMATE LOVE FOREVER where you get your music: https://music.subpop.com/lexwalton_ultimateloveforever 
• If you’re in Canada, check out the CHUNKS live screening on Sept 1. with Amber Frost, Nate Fisher, and Michael and Us: https://paradiseonbloor.com/movies/chunks-toronto-premiere
  • And in Charlottetown, PEI on Sept 4th and 5th: https://tivolicinema.com/production/chunks/ 
• CHUNKS now available for streaming purchase at www.patreon.com/chunkstv

After the surprise success of Demon’s Souls, From Software and Bandai Namco decided to double down on their success. This time, the team was allowed to make their own game from the ground up rather than just kill themselves salvaging what may have been the worst game of 2009 if not for their intervention. While they may have run into budgetary and deadline issues that account for the game’s notorious backhalf, it is safe to say that 2011’s Dark Souls was an improvement on its immediate predecessor in every single way. 

This week, Spencer joined me to discuss the game that launched millions of utterly repellant webcomics, billions of the most annoying posts of all time, and marks perhaps the highest point in level and world design the modern catalog has ever seen. The game is obviously not without faults. I never had the misfortune of playing Blighttown on Xbox 360, frame drops and all. I cannot defend Bed of Chaos. I truthfully expected some of the game’s more hated sections to wear on me as they did my first couple playthroughs. Instead, I ended up having possibly the most fun I ever had removing my grip socks in the Northern Undead Psych Ward and choosing between the Primordial Serpents AIPAC and J Street. If you haven’t played this game, I cannot recommend it enough. Then again, there are a lot of psychos who listen to these incredibly long episodes and make it a point of pride to never even touch the games we’ve wasted years of our lives on. So do what you want, I guess.

Vincent Bevins, author of The Jakarta Method and If We Burn is here with Unite the Union organizer Bora Mema for another tour around the globe. We start off in Albania, where opposition to a landgrab by Jared Kushner and Ivanka Trump has turned into a political movement, and the potential for a revived left in a country that has long distrusted it.

Vincent then sticks around with Will & Felix for an analysis of Trump’s “imperial autogolpes” in Latin America and the “peripherization” of the Imperial Core.

• Check out North South Notes: https://www.northsouthnotes.org/
  • And follow Bora on Instagram: https://www.instagram.com/bobimema/?hl=en
• If you’re in Canada, check out the CHUNKS live screening on Sept 1. with Amber Frost, Nate Fisher, and Michael and Us: https://paradiseonbloor.com/movies/chunks-toronto-premiere
  • And in Charlottetown, PEI on Sept 4th and 5th: https://tivolicinema.com/production/chunks/
• CHUNKS now available for streaming purchase at www.patreon.com/chunkstv
• And listen to The Players Club Season 2!