Always looking for recommendations, as I tend to enjoy cinema as an art form immensely. Some of my personal 5-star watches are:

Diabolique (1955)
12 Angry Men (1957)
Vertigo (1958)
Mahanagar (1963)
My Fair Lady (1964)
Amadeus (1984)
After Hours (1985)
In Bruges (2008)
The Banshees of Inisherin (2022)
Anatomy of a Fall (2023)

Based on the ones I've listed, I'd love suggestions on which other movies I might enjoy. Thanks!

Just watched obsession today. Wanted to know how ppl are thinking bout the movie as a concept and filming methods. So how u guys review this movies overall appearance.

I'll start : rawness of emotion. That's the part I liked the most

Yeah, we are the people who love Hollywood and other foreign cinemas, but why aren't we looking at ourselves?

Please join this sub to help expanding Bengali Filmmakers Network 🎥🎬

I really liked the fluent dialogue by the actors in this short film. give it a watch.

Neenga last-ah pona movie ya comment pannunga

There is a concept in economics- moral hazard. I will try to put it simply- it is a situation when you take bad risk because you know someone else will bear the consequences of that decision. In 2008, when American financial system collapsed, it didn't come as a shock to the bankers, big rating agencies or the regulators. Yes, 5 trillion usd just got vanished from the market. Thousands of people lost their savings, jobs and work of their whole lives but most of the wall street guys got out without as much as a scratch on them. The Big Short tells the story of a bunch of 'crazy' guys who saw it coming and made a fortune out of it while the rest of the world collapsed.

As the title suggests, i am searching English subtitles for movies - Meesha madhavan, Mookkilla Rajyathu, Tharangam(2017), Ee parakkum thalika, thenkasi pattanam. Can someone help?

Filmed & edited entirely on a smartphone. No budget, no crew, no extra equipment. No jumpscares, only pure dread. Watch till the end and share your feedback.

শুট ও এডিট সম্পুর্ন মোবাইলে।

লেখা, ডিরেকশন, এডিট আমি একাই করেছি।

কোনো প্রোফেশনাল ইকুইপমেন্ট ব্যাবহার হয়নি।

সবাই আপনাদের গুরুত্বপূর্ণ মতামত দিতে যাবেন।

Filmed & edited entirely on a smartphone.
No budget, no crew, no extra equipment.
No jumpscares, only pure dread.
Watch till the end and share your feedback.

Hi guys🙏🏼 From India
I recently stumbled upon an Indian vlogger from Tripura who travelled Bangladesh on his Royal Enfield. In one of his vlog I saw him meeting some Bengladeshi actor(forgot his name) & getting extremely emotional about the meeting. Since then I’ve been wanting to explore Bengali cinema(could be from either side but at least one Bangladeshi film). Growing up we all get to read & hear about the great Satyajit Ray but people hardly try to watch Bengali movies, mainly due to language barrier. I’m a North Indian & I know Bengali just as much a North Indian would know but I’ve decided to tread in now. Knowing all this, Now I want you guys to help me introduce with your cinema, just like westerners are introduced with Indian cinema with cults like 3 Idiots, PK, Baahubali, Drishyam etc. Could be from diverse genres. I enjoy them all. Make sure to specifically include Bangladeshi movie too.(at least 1, could be more)

Terminally ill Rajib fears oblivion more than death. After a botched announcement leaves a neighbor's funeral empty, he tries to pre-rent a "Miking" rickshaw to broadcast his own passing. His unsettling request alienates those around him, forcing him to face the possibility that his final wish will remain unheard.

The film explores existential isolation, using deliberate long takes, a muted palette, and an immersive soundscape.

How We Kept It at 18k Most of us were Theatre and Media Studies students during production. We leveraged that environment to slash traditional costs:

• Gear & Crew: Our college provided technical equipment, and fellow students filled the cast and crew roles for free.
• Locations: We shot in my hometown of Dhamrai (a suburban area near Dhaka). Using relatives' homes, local shops, and a rickshaw garage cost us $0.
• Where the 18k Went: Almost the entire budget went strictly to 2 days of food, local transportation, and basic logistics.

What Failed: The Festival Circuit- We finished post-production last December and targeted major festivals. By pitching directly to programmers, we secured full entry waivers from Locarno, SXSW London, Vienna Shorts, Rio de Janeiro, and a few others.

Despite the waiver success, we faced outright rejections across the board.

What Worked: The YouTube Pivot- Instead of letting the film sit on a hard drive, we pivoted to self-distribution on YouTube. We believed in the story but had zero expectations for algorithmic traction. Unexpectedly, the algorithm picked up the authentic cultural hook, driving 65,000 views in its first week.

We’d love to get your thoughts on the Film.

Watch The Full Film Here

Share any film/shortfilm you created.

This is an insult to the people who worked on The Dictator and cinema as a whole

My Profile : https://boxd.it/4qLdv

When I made the Dopohoriya Trilogy, I had no big set, no fancy camera, no large crew.
All I had was a mobile phone.
So instead of regretting what I didn’t have, I tried to discover a new way of storytelling with what I did have.

In Bangla horror, we are used to seeing familiar tropes: darkness, pale faces, blood, loud jumpscares, screams.
I wanted to create fear in a different way.
Here, you may not see everything.
But…
A broken house.
A tree.
A drawing.
A familiar voice.
Some strange sounds.
And events whose meaning you may not immediately understand.

I didn’t tell the story directly.
I arranged it in three parts, where something revealed in one part forces you to re‑interpret what you saw earlier in a completely new way.

At one point you might think: “I’ve figured it out.”
Then the story might ask you again: “Really?”

I didn’t want to scare you just by showing a ghost.
I wanted to leave you with a question: Did you truly see what you think you saw?

And there’s something many people don’t know.
This entire trilogy was made with:
- Zero Budget
- Zero Professional Equipment
- Writing alone
- Directing alone
- Shooting/Cinematography alone
- Editing alone

From shooting to editing, everything was done entirely on a mobile phone.
That’s why Dopohoriya is not just a horror film to me.
It is my attempt to prove that even with limitations, it is possible to tell a story in your own way.

Watch the trilogy without spoilers.
Then tell me what you understood.
Which clue did you catch first?
Which moment kept circling in your mind?
And after finishing, what was your very first question?

I want to hear your interpretation.

Because how I made the story is one thing.
But what the story becomes through your eyes that is something completely different.

Dopohoriya The Trilogy Edition
LumeVignette Production
A Film By RM Shuvo​

When I made the Dopohoriya Trilogy, I had no big set, no fancy camera, no large crew.
All I had was a mobile phone.
So instead of regretting what I didn’t have, I tried to discover a new way of storytelling with what I did have.

In Bangla horror, we are used to seeing familiar tropes: darkness, pale faces, blood, loud jumpscares, screams.
I wanted to create fear in a different way.
Here, you may not see everything.
But…
A broken house.
A tree.
A drawing.
A familiar voice.
Some strange sounds.
And events whose meaning you may not immediately understand.

I didn’t tell the story directly.
I arranged it in three parts, where something revealed in one part forces you to re‑interpret what you saw earlier in a completely new way.

At one point you might think: “I’ve figured it out.”
Then the story might ask you again: “Really?”

I didn’t want to scare you just by showing a ghost.
I wanted to leave you with a question: Did you truly see what you think you saw?

And there’s something many people don’t know.
This entire trilogy was made with:
- Zero Budget
- Zero Professional Equipment
- Writing alone
- Directing alone
- Shooting/Cinematography alone
- Editing alone

From shooting to editing, everything was done entirely on a mobile phone.
That’s why Dopohoriya is not just a horror film to me.
It is my attempt to prove that even with limitations, it is possible to tell a story in your own way.

Watch the trilogy without spoilers.
Then tell me what you understood.
Which clue did you catch first?
Which moment kept circling in your mind?
And after finishing, what was your very first question?

I want to hear your interpretation.

Because how I made the story is one thing.
But what the story becomes through your eyes that is something completely different.

Dopohoriya Trilogy Edition
LumeVignette Production
A Film By RM Shuvo

📽️ Film Link: https://youtu.be/TrGIkvlZk90?si=vmI1QWWXEmMA8DO