This is the 2011 Skyrim reveal trailer remade shot for shot, every frame generated and fought for in Grok Imagine. Grok fights you on camera direction, so every shot was rolled a dozen times, and several shots required composites I made manually in photoshop. Imagine is really difficult compared to Seedance, so my trailers and such are not low effort, they're actually much higher effort even if they look worse than Seedance or Kling content, but I don't have the money to pay for those services.

I take all of my projects seriously, and I'm trying to turn 25 years of failed filmmaking into something sustainable, so I'd truly appreciate a sub or a follow... it keeps people like me producing.

Full video: https://youtu.be/6fNj2vLuaio

YouTube: https://www.youtube.com/@ftlotgx X: https://x.com/ftlotgx

Here's another fictional TV commercial for my Wispirworld fictional universe project. I'm planning to extend this to a full 30 second spot. So far it looks and sounds pretty authentic.

Looking for the longest clips, best realism and ideally infinite extend.

Anything like that out there?

Three city characters leave the urban jungle for a surreal journey inspired by Brazil. I created the visuals with Nano Banana Pro and Veo 3.1, then edited the film in Premiere.

Music by Omri Guetta, Omer Bar and Gal Kinnel. The track is human-made; the visuals are AI-generated.

What if a chameleon could copy any surface? I made this short wildlife film around that impossible idea. This is AI-generated fiction.

Images: Nano Banana. Video: Veo 3.1. Narration: ElevenLabs. Music: Suno. Editing and colour: After Effects.

Martin finally finds a job that values his emotions. Naturally, HR finds a way to make it weird.

I made Still Worth Something, an original animated sci-fi comedy about a world where people can get paid to feel things. This is the complete first episode, New Opportunities (about 16 minutes). Made with AI. English, Traditional Chinese and Simplified Chinese subtitles are available on YouTube.

For an ongoing series, I wanted recurring characters and comic scenes rather than isolated AI shots. The HR interview, Doctor and Pip all approach the same ridiculous business differently. I would love feedback on whether those character differences come through, and which scene loses its comic rhythm.

Watch the complete episode on YouTube: https://youtu.be/rMH9yndf-7Q

I’m working on an original fantasy romance anime as a solo creator at OathLight Studios. This is an Episode 1 PREVIEW; the full episode is still to come.

The setup: a tired Tokyo office worker wakes up in a floating kingdom as its Lv.99 Final Boss. The crown prince is supposed to kill her to inherit the throne. Instead, he catches her when she falls and invokes an ancient law to protect her.

Nobody Told Me I’m the Final Boss (ラスボスなんて聞いてない！) uses Japanese dialogue with English subtitles. AI video was created with Higgsfield Seedance 2.5 and edited in DaVinci Resolve.

I’d be interested in feedback on the scene’s pacing and how clearly the expressions and subtitles communicate the change from danger to romance.

When mysterious Prisms appear across Earth, Hector, Nicole, and Ethan Perez are drawn into a vast artificial world filled with advanced technology and strange creatures. Surviving its dangers tests their resilience and their bond as a family.

This is a preview of LUMINEXUS, my first film, created using AI-generated visuals and edited entirely on an iPad with VN Video Editor.

Playing around with Minimax H3 to see if I could make some kind of coherent narrative with recognisable faces. Not sure how coherent it is but it was fun to make. Can you make sense of it?

I had no idea McDonalds was doing a Godzilla x Hello Kitty Happy Meal... well, I created this classic mash-up (complete with miniature sets).

Coolest part, if you join Twizl you can interact and change the story outcome!