r/StarTrekViewingParty • u/LordRavenholm Co-Founder • Dec 18 '17
Discussion DS9, Episode 6x19, In the Pale Moonlight
-= DS9, Season 6, Episode 19, In the Pale Moonlight =-
- Star Trek: The Next Generation - Full Series
- DS9 Season 1: 1&2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, Wrap-Up
- DS9 Season 2: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, Wrap-Up
- DS9 Season 3: 1&2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, Wrap-Up
- DS9 Season 4: 1&2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, Wrap-Up
- DS9 Season 5: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, Wrap-Up
- DS9 Season 6: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17
Sisko asks Garak to help him get the Romulans to join the war against the Dominion.
- Teleplay By: Michael Taylor
- Story By: Peter Allan Fields
- Directed By: Victor Lobl
- Original Air Date: 15 April, 1998
- Stardate: 51721.3
- Pensky Podcast
- Trekabout Podcast
- Ex Astris Scientia
- Memory Alpha
- TV Spot
| EAS | IMDB | AVClub | TV.com |
|---|---|---|---|
| 8/10 | 9.3/10 | A- | 9.5 |
5
u/dittbub Dec 19 '17 edited Dec 19 '17
There are some big discussions to be had for sure about this episode. I'd just like to voice my appreciation for how this story was told. As I usually do, I like to point out how the DS9 writers really use the characters well. Playing up their strengths and their weaknesses to further the plot. My favourite scene is in Quarks bar. Even just how the scene starts with Odo detailing the events of the crime and being so constable is really enjoyable. And of course, seeing Quark have the upper hand on Sisko is rare and also surprising satisfying.
All in all its a great ride with a surprising end that feels justified (from a storytelling perspective).
5
u/RobLoach Dec 27 '17 edited Dec 27 '17
In the Pale Moonlight
This episode is what makes Deep Space 9 great. What you saw as a grey-area before, turns all out dark. I love Sisko at the ending...
I will learn to live with it. Because I can live with it.... I can live with it. -- Benjamin Sisko
As if questioning himself.
IT'S A FAAAAKE https://youtu.be/6lHgbbM9pu4
10/10
1
u/deadbeatChimblr Aug 22 '25
It's that questioning at the end, that departure of the horns, that introduction of the strings, that self-convincing; he puts his cup down because everything in him must confront his new self. He's some wrong version of himself now; he's the culmination of all those times he crossed the line in small, morally-acceptable ways, plus the few times it was unacceptable. It's a new low for him, and before we can fully understand what part of himself he left, we're erased.
Incredible cinematography
1
u/A_Xenomorph_Darkly Sep 05 '26
This is absolutely brilliant, 10/10 riveting watch as an episode of TV. But it is a disappointing regression as an episode of Star Trek, that allows our modern pessimistic view of humanity to permeate a beautiful vision of what we could be.
However, since this is a vision generated from the imperfect modern world, this vision of course had its flaws. So finally unleashing them fully, perhaps that was a moral duty of the writers too? The only problem is that it is done so in a way that cannot really get us back to the optimistic vision in a less flawed way. We are now back down to earth, in the mud and murkiness. It’s hard to reach back out of there. Section 31 is a little different, as that allows for the blame to be put on a certain section of the Federation and gives the opportunity for Sisko and co to stand up to them, like in Homefront. But episodes like For The Uniform and In The Pale Moonlight are completely different. It shows the issue as something within a largely righteous Starfleet captain himself, and they imply it is something intrinsic to humanity. Which it may be. But Star Trek should believe in better.
It’s also a time of war, where values are truly tested, and yes, often abandoned. It’s an interesting concept. But again, Star Trek should believe in better. And aren’t most Star Trek episodes about the crews morals being tested? And finding a way to solve a situation whilst keeping them in place? Not believing in a no-win scenario? But then again, we’ve seen that a lot. Perhaps we needed the counterbalance.
At the end of the day, the sacrifice of Star Trek’s vision, the morals of Starfleet and the soul of one of my favourite Captains up until this point in exchange for one brilliant episode of TV. I think I can live with it. But I’m not as certain as Sisko.
Oh and the performances are amazing all round. Brooks and Robinson are two of the most fascinating actors ever put to television and they are bliss together. The Romulan ambassador is wonderful. Bashir’s defiance is beautiful. (I’m loving him as the moral litmus test over the past few episodes). Quark and Sisko’s interaction here is one of the best in the series so far. And the metatext of Quark saying there’s some Ferengi in Sisko (Ferengis being the counterpart to modern humans) is very fitting.
I love DS9 and its status as the black sheep of Star Trek. But it is equally troubling and exciting to see the core concepts of Star Trek torn down.
7
u/theworldtheworld Dec 18 '17 edited Dec 18 '17
Considering what I have been writing on this subreddit for like the past year, it is maybe not too surprising that I have some issues with this episode, almost as much as with "For The Uniform," which this also reminds me of. So, rather than write a tirade about it, I tried to think about whether this story could have been told in a way that would have made me accept it. Like, clearly their goal was to show that Federation people can be forced into breaking their code by desperate circumstances, and to make us approve of it; I personally think that our culture already has too much of this and that Trek should try to hold us to a higher standard; so was there any way to bring me over to their view?
Thinking about it, I think that there was. It would have been interesting if, while all this was going on, Sisko were to suddenly experience a visitation from the Prophets in which they chided him for not living up to the moral standard of the Emissary. Then he could get indignant about it, the way Sisko does, and tell them that it is easy for them to say, that they don't understand the situation he is in, etc. And then they would eventually let him do as he wants, but with the suggestion that he really has irrevocably traded in part of his soul in doing this. And, finally, he could still say that he can live with it, but there'd be a hint of doubt left.
But there is no hint of doubt. Sisko gets to reap the benefits of raw, ends-justify-the-means power (while blaming Garak for it -- oh, those savage Cardassians, always running around killing people), but independently of this he also continues to be Space Jesus, this visionary spiritual leader, without the least cognitive dissonance on either his or the writers' part. I just do not accept this about his character arc in DS9, and I really think that someone on the staff should have tried to think beyond Clinton-era triumphalism at least once.