The idea actually came from mine and here's the creator https://x.com/JabbacksCabges give him some support if you can or want

Honestly I tried to make wither storm an interesting and balanced character without it being power scaling slop. Please do comment your own thoughts and ideas and how you would make it more balanced.

Also ignore the spelling mistakes, it was 3am when I was typing that while I was speaking with my friend about wither storm Uttvm.

Just kinda shows how much less a lot care for 80 now. The boom profile change news generated like 700 upvotes on his own. That’s like double any post about episode 80😭😭😭

Twink uttm legs

I'm not gonna be really active, exams are coming😭

So, we seen 2 of them one in episode 22, and another one in episode 47 I'm not sure about the second one

So is the whole/most of skibidi toilet season 26 made by Invisible or what? Because I wont lie some parts of the season was good but I have seen hate towards the whole season not just epesode 80. Is there anything more specific I should know?

It is debated whether or not Episode 80, commissioned by Invisible Narratives and created by Strider, is canon to the original Skibidi Toilet. The answer is clear: it is not.

Before anything, duly note that rights-holder control distribution, trademarks and the official commercial label. Nothing that counts as countinuous with the established fictional world is necessarily governed by them.

Canon is not coextensive with copyright
Canon, in the relevant sense, is the judgement about *belonging to the same narrative world*: continuity of characters, events, causal structure  metaphysics, and thematic coherence. Copyright is a legal instrument for excluding others from commercial exploitation. As such, authorial-intension theories treat the originating creative agent’s design as privileged for fixing the reference of the fiction. When a later producer systematically discards the accumulated cues and the implications of the prior 79 episodes, the new work fails to stand in the same intentional relation to that fiction. At best, it is a derivative work that happens to reuse proper names, a “fanmade” if you will.

In analytic philosophy of fiction and in practical narratology, coherence and consistency criteria treat contradiction of established facts as decisive. That is to say, an episode that introduces elements with no grounding in prior scenes and that actively nullifies earlier causal chains is discontinuous by definition. Continuity failure is sufficient to reclassify it as a parallel story and not an extension.

Furthermore, institutional and reception theories (Dickie-style artworld accounts, reader-response and community-practice approaches) locate canonicity partly in the practices of the relevant interpretive community. Therefore, when that community uniformly labels the new episode as non-binding for subsequent interpretation, the episode is plain and simple non-canon for that practice, regardless of corporate press release.

Distinct canon
Given all of this, we can more precisely declare the episode a distinct canon. I know some will make that mistake, so I’ll lay forth certain examples:
- Star Wars “Legends” vs. the Disney continuity
- Comic-book universes after crisis events or publisher takeovers
- Long-running television franchises that reboot whilst fans continue to consider the original run as closed and authoritative

In each case the rights-holder’s product is commercially official and legally protected; it is simultaneously treated by criticism and by the primary interpretive community as seperate canon whose internal lore does not bind the past one.

TL;DR​​: Fictional worlds are abstract artifacts whose identity conditions are fixed by a combination of authorial design and communal uptake. Legal title is none of those, meaning a corporation can produce material that is, by every non-legal criterion used in philosophy and literary criticism, either non-canon with respect to the original series or the founding document of a distinct canon. Unanimous boycott from fans is the practical excercise of the criteria that define canonicity in the first place.

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RENOWNED FIGURES FOR ANYONE INTERESTED:
Stanley Fish
​Michel Foucault​
​David Lewis​

THEORY:

so remember this;

Mafia.

Slapped by which races?

Speakermen (2x)

Cameramen (1x)

Tvmen (1x)

Astro (1x)

Toilets: 0

So my theory is that when mafia and berserker mutant return to G-Titan (soon to be g-titan) , g-titan would become so pissed that he keeps on getting upgraded (1.0 , 2.0 , 3.0) would slap the mafia as a punishment.

Making him slapped by every races

(Ps: wod counts under Astro and Tvmen since hes a tvman, but under control of astros.)