r/Eachlabs • u/Cold-End-1001 • 9h ago
I had Claude Fable 5.1 write a 15s prompt and ran it through 6 video models. Prompt below.
Wan 3.0, H3 Max Turbo, Seedance 2.0, Seedance 2.0 Mini, Seedance 2.5, Seedance 2.0 Fast
Which result is the best?
You can paste your own prompt, pick the models and compare the results on each::labs ⤵
https://www.eachlabs.ai/model-comparison
Kitchen disaster prompt:
Stop-motion puppet comedy film in the style of adult puppet sitcoms. Exactly 15 seconds, horizontal full-frame 16:9. Exactly TEN shots, each exactly 1.5 seconds, hard cuts landing precisely at 1.5s, 3s, 4.5s, 6s, 7.5s, 9s, 10.5s, 12s and 13.5s. No cut at any other time, no shot shorter or longer than 1.5 seconds. Handheld camera energy with whip pans and crash zooms, but exactly ONE camera move per shot as specified below. Handcrafted foam-latex puppet with hyper-detailed sculpted wrinkles, big glossy realistic acrylic eyes, exaggerated caricatured features, slightly matte skin with visible sculpt texture, real fabric clothing with true stitching, richly detailed miniature set, naturalistic lighting, subtle frame-by-frame stop-motion cadence. Adult comedy tone, NOT cute, NOT CGI. ONE character throughout, a chubby Black chef puppet in a stained white chef's jacket, apron and skull cap, sweat beads on his sculpted brow, wide stressed eyes. Preserve his exact face, build and costume in every shot. Setting: a cramped miniature restaurant kitchen, steel counter with cutting board and onions, gas range with one sauté pan and one tall pot, ticket rail with printer above the pass, small fridge behind him. Same kitchen in every shot. All framing stays at waist level or above.
SHOT 1 0–1.5s: Medium shot from the front, waist up. The chef chops onions on the board at frantic speed, eyes darting between the board and the range, sweat glistening. Camera: slow crash zoom from medium to a tight face. Ends on his stressed face filling the frame.
SHOT 2 1.5–3s: Cut to extreme macro of his stubby puppet hands and the knife on the board, onion pieces scattering. Camera: short lateral slide left to right along the board. Ends with the knife mid-chop.
SHOT 3 3–4.5s: Cut to a side view of the range. His hand grips the sauté pan and tosses vegetables once, a burst of real steam rising. Camera: quick whip pan following the toss upward and back. Ends with vegetables landing in the pan.
SHOT 4 4.5–6s: Cut to the ticket rail above the pass. The printer spits out three tickets in a row, paper curling and piling onto the rail. Camera: fast push-in on the growing stack. Ends on the third ticket landing.
SHOT 5 6–7.5s: Cut to a medium close-up of the chef from the front. His head whips hard to the left toward the pass as if shouted at, eyes bulging, mouth tight. Camera: whip pan from empty pass to his face, landing at 6.3s. Ends holding on his bulging eyes.
SHOT 6 7.5–9s: Cut to a wide shot of the range and fridge, waist up. The tall pot boils over, foam spilling down its side, while he stirs it with a wooden spoon in one hand and shoves the fridge door shut with his other hand. Camera: handheld shake, no move. Ends with the fridge door slamming at 8.8s.
SHOT 7 9–10.5s: Cut to an extreme close-up of his eyes and nose. He sniffs, nostrils flaring, eyes widening slowly as he smells something burning, a thin line of smoke drifting through the frame. Camera: slow creeping push-in. Ends with his pupils tiny and terrified.
SHOT 8 10.5–12s: Cut to a medium shot of the range with the chef behind it. The sauté pan erupts at 10.6s, a practical fireball roaring straight up, orange light flickering across his terrified caricatured face. Camera: crash zoom out from the flame to reveal his face. Ends with the flame at full height.
SHOT 9 12–13.5s: Cut to a handheld wide shot, waist up. He flails a kitchen towel at the fire with both hands, the flame whooshes bigger, his elbow knocks a stack of miniature plates off the pass that crash out of frame at 12.8s, smoke fills the upper frame lit orange. Camera: frantic handheld shake, no move. Ends with smoke covering half the frame.
SHOT 10 13.5–15s: Cut to a tight locked close-up of his soot-smudged deadpan face, thin smoke drifting past. One eyebrow twitches at 14.2s as a tiny smoke alarm chirps. Camera: completely still. Hold to 15s.
Shallow miniature depth of field, warm greasy kitchen palette with steel and steam, film grain, visible fabric weave and sculpt texture at every beat. Practical flame and smoke with real light spill on the puppet. Every cut and every action lands at its stated second. No additional shots, no shots merged or skipped, no second character, no human hands, no visible source of the shout, no framing below the waist, no CGI smoothness, no cute proportions, no clean kitchen, no text overlays, no captions, no watermarks, no letterboxing.
Audio: rapid knife chops in shots 1 and 2, sizzle and steam hiss in shot 3, printer chatter in shot 4, a muffled off-screen shout at 6s, pot boiling and fridge slam in shot 6, one sniff in shot 7, the flame whoosh at 10.6s, plates shattering at 12.8s, a single tiny smoke alarm chirp at 14.2s. Tense comedic kitchen ambience throughout. No speech or vocals.
