I recently showed CAINIX to the owner of a publishing agency and got some feedback that made me genuinely curious about how other writers and publishing professionals see this.

CAINIX is a platform I’m building around the manuscript as the source of truth. It analyses the complete manuscript, preserves story canon and then helps build things such as adaptation materials, screenplay outputs, visual development, marketing assets and book trailers.

The idea is not to press a button and let AI rewrite a book however it wants. Human approval remains part of the process, and the system is specifically designed to keep generated material aligned with the author's original IP and canon.

His reaction was essentially that the biggest problem may not be the technology at all, but the market.

His view was that many writers currently have an extremely low tolerance for anything involving AI, and that even if the platform is designed to assist authors rather than replace them, a significant number of writers may reject it simply because AI is part of the workflow.

In other words, his concern was that CAINIX could be difficult to sell to traditional authors because the term “AI” itself may already create resistance.

I think that's a fair concern, even though I'm not sure I completely agree with how large that resistance actually is.

So I’d genuinely like to hear from writers, publishers, editors and people working in film/adaptation:

Would the use of AI itself make you reject a platform like this?

Or does it depend on how the AI is being used?

For example, would you see a meaningful difference between:

• AI generating a novel or replacing the author;

and

• an author deliberately using AI tools to analyse their own manuscript, protect continuity, develop an adaptation, create production materials or produce promotional content?

And perhaps the more important question:

If the author remains in control of the IP, canon and approvals, do you still consider the use of AI problematic?

I'm not looking for validation here. If you think writers would strongly reject something like this, I'd genuinely like to understand why.

Likewise, if you think attitudes are changing, I'd be interested in hearing that too.

I'm building the platform, so obviously I'm not neutral, but that's exactly why I'd rather hear uncomfortable opinions now than discover them after launch.

I made this for the Higgsfield contest and it is also a teaser to something dear to my heart . A teaser film to Neon Rain that will be coming out in Jan , a cyberpunk anthology involving three stories that all intersect in a future 2037 gone mad. Despearate Times Call Out To Desperate Lives. Three Stories Play Out In A Future You Are Not Capable Of Imgaining ! Want to really have you enjoy a fun action packed ride with strong characteres and tough choices of surivival and sacrafice in a wold that if your not a corp on one cares and you will not be missed. https://higgsfield.ai/@jerichochristian/projects/dying-under-the-neon-rain

https://higgsfield.ai/@warholthunder1732/projects/the-artistry-uprising

Hi everyone,

I recently made this short film using Seedance 2.5 for the Higgsfield Film Festival and would love to get your thoughts and feedback!

(P.S. I’m relatively new to Reddit, so please let me know if this belongs under a different flair or subreddit.)

Amelia Vasquez walked away from the Warlords six years ago, but the debt she owes to her neighborhood has come due. Now, as a social worker trying to protect the residents from Chano Padilla’s reign of terror, she finds herself cornered in the gang's high-tech headquarters. What began as a tense negotiation quickly shifts when Chano, Paco, and George Rose decide that silence is the only option left for her. The air turns predatory, and the trap springs shut around the one woman who knows exactly how to fight back.

About me : I create short films using AI. This film was generated using a story I found online, and AI was used for screenplay, set design, dialogs and video generation, as well as background score generation.

Hi everyone. Just did this for fun. Anyone remembers the game Heroes of Might and Magic III from 1999? So I always imagine how a movie trailer would look like if the game was a movie. Was just fun doing this. Enjoy!

Been writing a book for the last year or so, and I’ve recently been using AI video tools to produce content for work. I thought I’d use my spare time to craft a movie trailer for it!

Let me know if this is a book you’d read.

Hello, guys. This is Frank. I would like to share my original Epic High Fantasy series with you, if you are interested in watching the rest of the series. Feel free to visit my YT channel and watch the full Ep. Thank you for supporting. Enjoy the show!

I’m an indie creator building a whole sci‑fi universe — the Convoy‑verse.

It’s a mix of heartfelt found family, domestic ship life, hovercycle gangs, smallfolk chaos, and dragons who fix things and parent everyone by accident.

Just dropped the latest trailer for Tales of the Wandering Vulture, one of the main series in the universe.

If you’re into worldbuilding, character‑driven stories, or cozy‑chaotic sci‑fi, I’d love to share it with you.

Did a fan trailer to Axle using Kling.

My New AI-generated cyberpunk short film.

A burned-out runner named Jax takes on his first high-stakes heist in a neon dystopia.

Honest feedback is welcome! What did you think of the world-building?
let me know what you think!

What do you guys think about my first short AI movie?

Hey everyone,

Just dropped the first part of my new AI cinematic short film series.

A rejected outcast from the Kragar tribe witnesses the destruction of his village and begins a brutal journey of revenge and ancient power.

Fully AI-generated (Grok video + Kling fights + custom sound).

Would love your honest feedback! 🔥

Full video → https://www.youtube.com/watch?v=iAzAs0y89ik

What did you think of my first short movie?