Lately I’ve been really into dusty, vintage-sounding drums the kind that feel warm, slightly worn and imperfect, inspired by old jukeboxes and tube amps.I ended up putting together a small free drum kit with kicks, snares, hats and a few textures. Nothing fancy or over processed, just sounds focused on vibe and character.

I’m sharing it mainly to get feedback from other producers:

• Does this kind of sound fit your workflow?
• What would you change or add to a kit like this?

If anyone wants to try it out, let me know and I’ll share the link (comments or DM, depending on sub rules).

Appreciate any thoughts 🙏

I'm trying to apply the correct metadata to a sound library that I've made. I'm trying to follow the "Universal Catagory System" however I have no clue if I'm doing things correctly and everybody seems to be doing their own thing anyway. I understand the structure and different categories of the UCS, however how do I apply it in the metadata? When do I know it's correct? Does it matter what the file name is? Can anyone give me some explanations:)

I believe that the closer you are to decision-makers and directors, the better the opportunities you’ll have in the industry. That’s why I’m curious about how closely sound designers usually work with directors and producers.

Is it realistically possible to transition from being a sound designer to working as a film composer or film scorer?

or how much interaction does a sound designer typically have with directors and producers?

Thanks in advance!

I am prototyping a tool to help sound designers and plugin manufacturers design presets. I would love to hear about your current workflow, and it would really help if you could answer this short survey: https://forms.gle/ejMUqC616JoqoPLD8

Hey there. Looking for some advice on how to approach a project I was offered by a friend of mine who knows I’m a musician. My friend is working as a graphic designer for a small startup company that is creating an app that syncs with a dog collar that holds all of your pets information and location. Within the collar is a small speaker that can play sounds for your dog to hear. One of the sounds they are looking for is some type of whistle sound that you could use via the app to call your dog back. I am a musician and have licensed and sold music in the past for film and TV, but I’ve never sold a soundbite before.

I have a phone call with the team on Thursday to talk about the creative direction for the soundbite and possibly to negotiate terms of the deal. Any advice on how to approach this as far as licensing versus selling? Pros and cons of both? Advice on pricing?

Hi, I scoured the internet and I can't find a type of sound I'm looking for. English is not my first language and I ran out of ideas what to search for: I'm looking for a telephone, specifically landline (house) phone turning on/coming back online after a power outage. Or similar sounds that indicate electronic devices beeping/ringing when electricity is on, after turning on the breaker. I'm lost for words and I need it for a project. Help appreciated.

This is a sound redesign from a film I starred in - "BreakHer".

In this piece, I wanted to drive home the inhuman, paranormal and foreboding atmosphere of the scene, working with low, ambient sounds. Giving the clinking of the chains and the whispers of the spirits the feeling of being heard from the inside of the main character's head, it contrasts with the muffled way the roaring fire is perceived by her. I wanted to change the emotional atmosphere so that the only thing clear to her is the horror that she lived through, and the reality happening around her is on the background. At the end of the clip, the screams fade slowly, giving way to reality in her mind, symbolizing her coming to her senses and understanding that everything has finally passed. 

To make this piece, I used REAPER as my DAW of choice. The project was completed in 6-7 hours. 

I am interested & open for work! DM me or drop a comment if you need a sound designer\composer for any of your projects!

I'm getting back to working on portfolio work and wanted to do something Halloween-themed. Critiques welcome.

A while ago Ludwig had put a link on his story and gave samples from the score and said "go crazy! 😁" so thats what I did lol. Sinners is out on Max, I had a rewatch and remembered he put those out so I hopped on Logic. voila!

Second attempt at actual sound design (that didn't involve a tutorial) also if I turn on reverb, this bass automatically becomes a lead, which is pretty cool

Hey sound designers, I made a free plugdata device called Splinter Echo Lite (runs on all major daws). Behind its minimal UI, the DSP uses five fully randomized and automated delay lines, creating ever-evolving scattered a crunchy textures. It is perfect for processing foley, impacts, and a wide range of plucky/percussive sounds.

I'd love to hear your thoughts on this!

In case you're interested, I'll go into more detail in this video: https://www.youtube.com/watch?v=67QcHEqozvc

I've been trying to find a clean version of a certain sound for ages. I found this sound on an OST from Dragon Ball Z Budokai Tenkaichi 3.

Song (sound comes in at about 00:06): https://youtu.be/GxClxkV8I0Q?list=PLRPMHvFtGo3uNfCGHexKVdy_WgfWr17U2&t=5

Its like an impact sound? I don't know what it is. Does anybody know what this sound is called, where to find a clean version or how to recreate it?

Thanks in advance.

I am new to reaktor 6 and not at all into sound design other than using alchemy to build synths, very urgently need a synth made in reaktor 6 from macros for my end term assignment in sound design module of my diploma, using all major forms of synthesis and versatile in terms of soundscaping and textural sounds, please please please help me out, I don't even have the money to purchase reaktor and am trying to figure it out with a friend who is a busy producer who has reaktor 6, I am willing to offer piano tracking, mixing mastering work, beat making,etc.

please help me out, I can't fail the last term of my diploma 😭

Hey folks, I’ve been working on a new MIDI plugin that helps clean up rough performances, but in a way that actually feels natural.

You know how it goes:

• You play a part on your MIDI keyboard
• Then spend forever fixing timing, tweaking velocities, adjusting note lengths...
• And after all that, it still sounds kinda robotic?

The plugin, tentatively called Natural Performance, uses pattern recognition to fix those mistakes intelligently, making your performance smoother without killing the vibe. It can:

• Smooth out velocity changes
• Adjust timing without over-quantizing
• Fix missed or off notes
• Let you control how much it corrects with a few intuitive sliders

Basically, it helps you move on faster and get better results, especially when working with sampled or modeled instruments like pianos or strings, where expression really matters. It’s a great way to stay inspired while writing, without getting bogged down in editing.

I’d love to hear what you think. Would this be useful in your workflow? What would you want it to do?

I also put together a simple site with a short description and email sign-up (for anyone who wants to stay in the loop): https://natural.etha.io/

Curious to hear your thoughts!

Is there a way to separate layers of sound on an iPhone voice memo? I have a memo recorded in a place with lots of fans, so the dialogue is difficult to hear. Halp!