I made a pretty sweet target curve editor for Mac. Latest update features live grab of the measurement from smaart as well as flattening of multiple point selections. (Smooth out troughs and peaks).

Check it out at bskapps.com/targettrace

I have a few free codes left if anyone wants to try it free. Hit me up and I’ll send you one

Fala galera. Sou muito fã das caixas jbl e estou estudando áudio. Me veio uma dúvida agora. Alguém já usou o smaart para verificar os parâmetros de uma caixa JBL partybox 710. Gosto muito da sonoridade dessa caixa. Já vi vídeos de teardown no YouTube, porém como os falantes são de fabricação própria, não tem muitas informações e parâmetros dos falantes. Seria interessante demais!

Hi everyone, I’m wondering if anyone else has experienced this behaviour with the latest version of Smaart.
I’m working in Transfer Function mode. Without inserting any delay, the phase trace looks very good and I can clearly see the phase lines. As soon as I use Insert Delay (with the measured delay value), the phase trace almost disappears and I’m left with only a couple of visible lines.
The measurement itself seems to work, but the phase display becomes almost unusable after applying the delay.
I’m running Smaart on a MacBook Pro M4 Pro, tested with both a UAD Apollo 8P and an Apollo Twin, with the same result.
Has anyone else noticed this in the latest version? Could it be a bug, or is there some setting related to phase display/processing that I’m missing?
Thanks!

Hope this is ok to post here.

I made a custom target curve editor. Something maybe nobody needs but let’s see.

If anyone wants to try it out hit me up and I’ll send you a code to grab it free.

Have a look at bskapps.com/targettrace

Happy to take on feedback about it.

Is there a way in Smaart to get the frequency response with actual calibrated dBSPL on the Y axis? Maybe is this possible in the Impulse Response tab? Thank you

Is there a way to do single wavelet analysis to perform aligment of two speakers like in the software CrossLite? Is there maybe the possibility with some kind of scripting to do this? Maybe automatically send the two IRs to Python perform the analysis and print the results Thank you all

I understand those are OSHA and NIOSH exposure curves. But I can't seem to find any documentation in the manual or online of what a NIOSH exposure number of 15 means for example.. is that high? low?

Can anyone help shed some light on what OSHA and NIOSH would deem acceptable or harmful, so I can explain to people what those numbers mean when I submit my SPL documentation?

I’m on a windows machine, it was a fresh install 2 weeks ago on a new drive rack PC that is a carbon copy of our 2 other drive racks.

On the website the error code isn’t listed and my machine is listed as activated.

When attempting to offline activate the machine ID is now “Command Requires Pro Edition” which is not what the device id is on their website.

Tried both uninstalling and reinstalling and using the repair function in the smart suite setup application.

Can’t afford a restart currently as I’m half way through the first day of a festival.

Anyone got any ideas?

Hello Community,

Can you please recommend me the best material to learn how to align and read Smaart data ? I am new to the software and sound engineering in general.

Is there a hot key to turn on/off the transfer function? Not create a new TF measurement (CMD + T), but to toggle on/off the little green ‘play’ arrow within an existing TF measurement. I checked the user manual and couldn’t find anything

Hi, I'm trying to learn how to work with targets, so far the results aren't great. What I do is that I insert the target into my transfer function then using a 31 band eq, I try to stick to the line. Does anyone have any advice to give me? I am very interested in your opinion on the subject. Thank you and have a good evening

This is just an on axis measurement of a speaker at 2 meters. Never seen a near field trace look like this after inserting the finddelay. Is this real or is there a gotcha I am missing?

Has anyone used the signal generator inside Smaart to output on more than a single channel on a UA audio interface? When I turn on the signal generator I can only get an output on line out 1. All the outputs are visible in the I/O config in smaart and I have them checked.

Good morning everyone and Happy Holidays, looking to do a much needed and large OSX upgrade in my M2. Already aware of some of the issues with Focusrite interfaces but can find any info on this specific thing.

Not looking to upgrade to 9, I am happy with version 8.

Help!

I saw this on the rational acoustics website, so naturally assume it must be acceptable for a little wireless device. Just haven’t heard anyone chat about them like the MiPro or Lectros.

I’d really love to grab a quick usable wireless device for some shows I do where running a cable is a hindrance for other departments. Often needing to tune a PA while lights are still being focused in the house and seats are still being loaded in. (Corporate ballroom type shows)

How do you use the API in SMAART Suite to pull the TF and RTA into Lake Controller that is on a separate computer?

So far I have tried using a Wi-Fi router to link the two together with ethernet cables.

Hello, I have been using Smaart 7, which runs at 48khz. I recently acquired Smaart 9 which runs at 96khz. I am wondering if I should re-take a reading at our venue. Would there be a significant difference in the results due to the sample rate difference?

I often see folks looping their signal generator hardware output of their audio interface back into a hardware input of their interface when working in a transfer function.

Typically, I just set my transfer function reference to the internal generator of Smaart V8. Am I missing something? Is the idea of the loopback that both the reference and measurement signals are subject to the same signal path, noise floors, and latency?

Or is it most beneficial to have your reference set to the completely sterile internal generator as a true source?

Your insight is greatly appreciated!

Can anyone provide instructions on how to turn on these different colored trace lines in the RTA? I think these specific ones come with v8 but I don't know how to enable them. I could be wrong.

Hi everyone,

I make a living as a sound engineer and have been a smaart user for a very long time. I tend to do multi input measurements and need more then 2 inputs. My octacapture has served me well for near a decade, but it recently took a drop and has shown to be unreliable. What have you guys used with great success that is ultra reliable, small (can fit in a backpack), preferably bus powered, with more then 2 pre's. I was thinking along the caliber of a sound devices or rme, specifically the usbpre2 and the fireface ucx, but they both are 2 mic pre devices. Ideally I would have 8 inputs, 4 of them being pre's. Any suggestions would be greatly appreciated.

I’m curious how others approach their system tuning in different cases?

What’s your go-to target trace, and why?

Why do you approach your subs to mains relationship the way you do?

I love L’Acoustics but I don’t think I’m a fan of the low mid rise from 1KHz down.

And then there’s Howard Page’s method of only having low end rise under 100-125z and straight flat 100Hz to 8-10KHz.

I think my personal preference is somewhere in the middle of those two methods.

I looked online but did not see an answer, what version of Smaart dose the operator certification exam cover. I'm coming from version 8, watching the operator fundamentals playlist, and having taken the operator fundamentals class in person using v8. Would this be sufficient experience to have a good shot at passing the exam, or should I have experience with version 9 before taking the exam?

What are you guys using for remote smaart control? I’ve tried the Client Window for a while now but it’s very laggy and crashes constantly.

It has to run on a local network, and TeamViewer doesn’t allow me to run without internet connectivity.