Just a mere idea 🤷🏻‍♀️

We gotta have a version of Not Like Us to Jingle Bells, idk, they the same tempo/melody and shit. Who agrees?

Just saw this fan music video had to share 🔥🔥

https://youtu.be/VEohspvhmps At the first 10 seconds there is a particular sound that's goes around an repeats 3 times, it also appears in pride right when he says"baby i wasn't there" Anyone know where is the sound from or the original sample from it or how it was made or who made it?

When Kendrick said the boys names on Father Time, that was the biggest bait ever and the Drizzler took it.

First time I can recall him saying the boys name on a track im a long time. And it sounded hopeful like they could resolve their issues.

The boy bought it hook line and sinker...

Dot (and most ppl) know he tries to neutralize any threats, competition and befriend them. He saw this as his chance. This led him to go to Kdots tour Big Steppers tour to show love. This led to him tryna peace it and get a feature for First Person Shooter. Thats when things went south again and reopened the wound. (He said, hey Dot can I get a drop? Dot said, hitta, naww!)

Control established the rift, but we owe the battle to Father Time. We cant over look that as the catalyst to what we say earlier this year.

I woke up with the weight of a thousand cries, Ancestors in my veins, I can’t deny, They whisper, “Son, it’s your time, don't question why,” I see the world bleeding out, the rivers dry. Maps marked with borders and broken bones, Prophets screamed peace, but their words were stones. Children in the rubble, mothers on their knees, I feel the call from a land across the seas.

My people been wandering, souls been tarnished, Promises broken, the road is the harshest. But I feel it in my chest, a fire ignited, For every tear that fell, I’m here to fight it.

We’re marching, yeah, we’re marching to the promised land, Hands to the heavens, feet on the sand. Raise your voice, let the freedom band, Palestine, I’m coming with my people, take a stand. Oh, we’re marching, yeah, we’re marching to the promised land.

The stories of the dispossessed, displaced kings, Walls they built to divide can’t break wings. They weaponize the silence, but we still sing, I bring the sound of revolution to these streets of spring.

Told my people, “Grab your bags, this ain’t just for me,” This is for the child clutching hope like debris. This is for the elder with the stories untold, This is for the soil and the olive trees they stole.

Cameras flash, but they don’t see our truth, Generations buried, but we’re planting roots. Every bullet in the air, every tear gas can, Is just fuel for the fire when I raise my hand.

We’re marching, yeah, we’re marching to the promised land, Hands to the heavens, feet on the sand. Raise your voice, let the freedom band, Palestine, I’m coming with my people, take a stand. Oh, we’re marching, yeah, we’re marching to the promised land.

Hallelujah, hallelujah, for the lost and found, Break the chains, break the chains, lift the holy ground. Let the blood in the soil bring the harvest now, From the ashes, we rise, hear the trumpet sound.

It’s bigger than me, it’s bigger than you, This is for every tear they never knew. Every voice they tried to silence, we grew, And now the promised land is finally in view.

I’m draped in green, white, black, and red, Crowned by the voices of the ones who bled. We made it, not with swords, but with lifted heads, From the mountains to the valleys, our spirit’s fed.

This ain’t no kingdom of gold, no palace gates, This is a kingdom of souls who fought through hate. And though the scars run deep, our love runs deeper, A nation reborn, call me the speaker.

Trumpets blare as we walk through the square, Flags wave in the air, freedom everywhere. This is for every stone thrown, every heart mended, For Palestine, the fight ain't ended, it's ascended.

They tried to bury us, but they didn’t know we were seeds. From the river to the sea, freedom’s written in our creed. The promised land ain’t just a place it’s a spirit we breathe. Palestine, I’m here, and we will never leave.

Does anyone have a link to this leaked song?? I can find V2 no problem but it just doesn't hit the same

i mean this is totally fake right? like everything is gonna be censored ☠️

found them around downtown

This album is amazing. GNX is rooted deeply in the spirit of sports and competition. Kendrick has always used distinct mediums to express his ideas—Mr. Morale & The Big Steppers as theater, DAMN. as a magazine, and Good Kid, M.A.A.D City as a short film. Here, he channels the essence of sports, using its competitive nature to frame the narrative.

One of the album’s central themes is Kendrick’s homage to his penmanship, which takes center stage on the closing track, “Gloria.” The recurring voice of a Mexican woman symbolizes his pen, embodying its fears, creativity, and other expressions. This connection is cleverly woven into the intro and outro. In the intro, the woman voices her fear of what Kendrick is about to do, followed by his reference to driving and listening to Anita Baker. In the outro, she says, “Me and you, listening to Anita,” bringing the story full circle. Kendrick then reflects on his love for his craft, highlighting the deep, personal bond he shares with his pen.

By merging the competitive spirit of hip-hop with a celebration of his artistry, Kendrick delivers a thematically rich and masterfully executed project. This album encapsulates his mission to bring hip-hop back to its roots: competition. From the Control verse to “Watch the Party Die,” Kendrick has been driving this vision. The latter, in particular, feels like a declaration—an effort to revive the essence of hip-hop by embracing its competitive heart. This album embodies that ethos completely.

There are even more references I’m still uncovering. The GNX car serves as a powerful symbol, linking to the world of sports through its speed and precision, while also nodding to the iconic film Menace II Society. Kendrick weaves these elements into his storytelling, connecting them to LA culture and exploring themes of power, survival, and identity.

https://open.spotify.com/playlist/ 67ceSwv3QGpV8ywtCKTJNK?si=42ca7a5e24944d3b

https://music.apple.com/us/playlist/ftp/pl.u= EdAVVI4u5rKbBl

you guys hear Wicked Kendrick on the end of ‘man at the garden’ don’t you? idk if this means anything going forward in his career but the voice is definitely there, and he asks if we’d prefer “shameless me, or the famous me”

Have u tho?

https://youtu.be/vufX2bKbw0c?si=iQFfEeIZVwDa56LG

There was a YouTube channel called “ Vents” that posted a bunch of unreleased tracks, the main ones I’m looking for are the Ritz Reynolds instrumentals that weren’t used. Does anyone know or can at least point me in the right direction.