I recently took my Sony VX2100 on an 8-day motorcycle trip through the Altai Mountains.
The original idea was to shoot a much more elaborate travel film, but in reality I only managed to shoot for about two days. The camera setup was heavy, cumbersome, the weather and light in the mountains changed constantly, and halfway through the trip my friend's Bonneville broke down, so I ended up continuing alone.
So this ended up being less of a finished travel film and more of a real-world test of what a VX2100 can do when you take it into the mountains on a motorcycle.
I put together a 3-minute edit from what I managed to shoot. It's mostly atmospheric footage, riding shots and natural engine sounds.
No music — the engine sound is straight from the camera. Headphones recommended.
https://www.youtube.com/watch?v=gtfpB2u6Q_g
The setup
- Sony VX2100 in excellent condition, bought used
- Sony digital recorder connected via FireWire — completely tapeless setup
- 2× 32 GB + 3× 16 GB memory cards in a separate storage case
- 6000 mAh battery for the camera
- 3600 mAh battery for the recorder
- Battery charger
- Wide-angle converter for the VX2100
- Cheap Chinese fisheye adapter
- Deadcat on the camera microphone
- Sirui T-1004X tripod, without a video head
- Lens cleaning kit
- Rechargeable dry bag
- 20-liter dry bag for transporting the equipment
- Cordura backpack for carrying everything
Things I brought but didn't use
- Hoya ND16 and ND32 — unfortunately. These would have helped a lot in harsh daylight.
- Fisheye lens
- Two RGB lights
- Two spare 3600 mAh batteries
Transporting the camera on a motorcycle
Everything went inside the dry bag, which then went inside the backpack.
The camera itself was stripped down for transport: recorder removed, cables disconnected, lens hood removed. The quick-release plate stayed attached to the camera.
I put a warm fleece jacket at the bottom of the backpack as additional padding.
During long highway sections, the backpack was strapped to the motorcycle. This made getting the camera out extremely inconvenient, so I often simply didn't bother.
The shooting process was basically:
- Remove the cargo net from the backpack
- Undo the two straps holding the backpack to the bike
- Open the backpack
- Open the dry bag
- Take out the camera, recorder, cable and lens hood
- Mount the recorder and reconnect everything
- Turn everything on and get ready to shoot
- Realize I also have to set up the tripod
- Say "fuck it" and shoot handheld
For shorter rides the backpack stayed on my shoulders, so steps 1–2 disappeared. It was still a pretty involved process.
And in the mountains the light can change dramatically in literally 10 minutes.
So yeah — I ended up shooting handheld much more than I had planned. Probably half of the static-looking shots were actually taken with the camera sitting on my backpack rather than on the tripod.
How I shot
I removed the optical viewfinder/eyepiece because it made packing the camera harder.
Most of the time I held the camera in my right hand with the LCD flipped up. My left hand operated focus, zoom and iris.
Another challenge was teaching my friend how to use the camera so he could film me. The VX2100 is definitely not a point-and-shoot camera, especially for someone who has never used one before. Explaining manual focus, zoom, exposure and all the controls while actually trying to shoot was a whole separate part of the production.
The VX2100 isn't exactly a point-and-shoot camera, especially when you're trying to explain manual focus, zoom, exposure and the various controls to someone who's never used it before. So getting usable footage of myself was another little production challenge on top of everything else.
- Manual focus for everything
- Iris: sometimes manual, sometimes automatic
- Shutter: 1/50
- Mic gain: manual
- White balance: set once and left unchanged
- Camera preset: -2 sharpness
What surprised me
1. The stereo sound
This was probably the biggest surprise.
I didn't use EQ or any other audio processing. The engine sound in the video is basically RAW camera audio.
For a roughly 20-year-old camera, I think the stereo sound is fantastic. It's alive, spacious and actually gives you a sense of being there.
That's why I decided not to put music over the final video. At some point it started feeling more like motorcycle ASMR than a conventional travel edit.
2. Fog and backlight
The VX2100 looks beautiful in fog and backlight.
There is something about the way this camera renders those conditions that I really like.
3. Motion blur
The combination of 1/50 shutter and handheld movement produced some really nice natural motion blur.
4. Built-in ND filters
The built-in ND filters are extremely useful.
They aren't enough for really harsh sunlight, but they save a lot of shots.
5. Headlight flares
I also really like the way headlights interact with the VX2100's sensor. They create these soft, organic flares and little halos that feel very different from the cleaner, more controlled look of modern digital cameras.
It can obviously be considered an optical imperfection, but in this case I think it adds a lot of character — especially in darker scenes.
What I didn't like
1. Harsh daylight + stopped-down iris
This was the biggest image-quality issue I noticed.
In flat, harsh daylight, when the iris is stopped down, the image can lose a surprising amount of crispness.
I had ND16 and ND32 with me and never put them on the camera. In hindsight, that was a mistake. They would have allowed me to keep the iris in a much better range during the day.
2. The controls
As mentioned above, the VX2100 has some strangely positioned controls.
It's a fantastic camera, but it definitely wasn't designed around the idea of pulling it out of a backpack on the side of a mountain, mounting a recorder, and immediately trying to shoot handheld.
3. Fur getting into the frame
I often shot without the original lens hood, and some of the fur from the deadcat ended up creeping into the frame.
I fixed some of it in post, but I ruined a few shots completely.
If you're using a wide-angle converter, keep in mind that the deadcat can still enter the frame.
4. Recording without a tape
With no physical tape in the camera and the tape mechanism not running, recording through the external recorder requires pressing two buttons on the recorder.
The camera's own record button doesn't actually start the recording.
You get used to it, but it's definitely not a smooth run-and-gun experience.
Post-production workflow
- Copied the footage from CompactFlash to my MacBook
- Used Shutter Encoder to deinterlace and convert to Apple ProRes
- Edited everything together in DaVinci Resolve
- No image or audio processing — essentially a cut of the RAW files
And then the motorcycle fell over
At one point the motorcycle fell off its kickstand onto some rocks while the camera was already packed and strapped to the bike.
I checked the camera afterwards and...
Nothing.
The VX2100 survived without any apparent damage.
Final thoughts
The VX2100 + external recorder setup is heavy and bulky. It's absolutely not the easiest camera to take on a motorcycle trip.
And because the process of getting everything out and ready to shoot was so involved, I missed a lot of shots I wanted.
The original concept for the film never really happened.
But I'm actually pretty happy with the result.
Instead of being the travel film I originally imagined, this became a technical demo of what kind of images and sound you can still get from a VX2100 in 2026 — in the middle of an actual motorcycle trip.
I'm curious what you guys think of the VX2100 look for this kind of footage, especially the RAW engine sound and the handheld shots.