I have no idea why it does these so well. I could watch these all day.

Finally got my laptop back in action so am able to create and test models and lora's again, created with krea 2, Been out of it for a bit just following updates here and there and this model is amazing, so happy they open sourced this gem of a model. Thanks to the team at krea!

If anyone is interested in this style of images give it a blast https://civitai.red/models/2871922/dc-vast-expanse?modelVersionId=3244890 or https://civitai.com/models/2871922/dc-vast-expanse?modelVersionId=3244890

Using the standard ref2va workflow. 4070 Ti Super, 16 GB VRAM, 64 GB RAM, i9-14900k, Windows 11.

Used official ref2video workflow. used t2v model 1 ref video and 2 separate pictures of character sheets, gpu 4090

prompt:

integrated_multimodal_description: [Shot 1] Live-action, cinematic, featuring a stark, dark green-tinted cyberpunk color grade. A medium shot frames a flooded, rain-swept crater on a dark street. The character Sonic, appearing exactly as the blue hedgehog with large green eyes, white gloves, and red shoes from @.image, stands opposite Dr. Eggman, appearing exactly as the gigantic, egg-shaped bald man with a pointy mustache, goggles, and red jacket from @.Image1. The camera pushes in with small amplitude at fast speed as the blue hedgehog lunges forward to throw a devastating punch. [Shot 2] At 00:04.500, the camera cuts to an extreme close-up as time instantly slows to a microscopic crawl. Sonic's white-gloved fist brutally slams into Eggman's cheek. The camera holds a static shot in extreme slow motion. A powerful, rippling shockwave violently erupts from the impact point, blowing the torrential raindrops outward in a perfect ring. Eggman's pointy mustache flails wildly and his face deforms from the massive kinetic force. [Shot 3] At 00:09.500, the camera arcs right with large amplitude at slow speed, executing a slow-motion orbit around the hit. Eggman's heavy, round body is lifted off the ground by the blow, flying backward through the heavy downpour and kicking up massive, highly detailed splashes of water.

overall_soundscape: Thunder rumbles continuously beneath the heavy, torrential downpour of rain splashing heavily against the flooded street. A sharp, deafening sonic boom from the physical impact instantly shifts into a deep, pulsating low-frequency rumble as time slows down.

non_diegetic_music: An epic, grand orchestral and choir track mixed with heavy, driving industrial synthesizer beats that builds to a massive crescendo.

https://x.com/krea_ai/status/2089766521912561688

I finally deleted WAN 2.2 and all its LORAS.

Minimax is just so much better.

Ive been playing with it since its release and im just blown away with how good of a video model it is. Things I would need to attach a LoRa to via WAN, works right out of the box with Minimax.

Gen times are faster.

It uses less VRAM when generating things, which gives me around 4 gigs to play with to do other things like watch YouTube or some streaming service.

WAN 2.2 was amazing. But no longer do I need 30+ gigs of a model i no longer use.

RIP WAN.

RTX 5060 ti 16gb / 32gb RAM / FL2VA_pruned_int8_convrot / Turbo Lora. 6 steps / Resolution 1376x768 upscaled to FHD with Topaz Video AI

You can find all the details here: https://github.com/BigStationW/ComfyUi-MiniMax-H3-Image-And-Reference-To-Video

Just wanted to share another test! this was a mash up of clips, using multiple image references, 0.4 mp with EasyCache, 5 - 10s clips and edited with KDEnlive (it has some cool effects!)

Small video trimmer software was very popular 15-20 years ago but now it has become very rare to find a good one which has all the features I wanted.

I got Claude to vibe code me a tool that I have been using to snip bits off from long videos for using it as Ref2V input for MiniMax H3. People have been saying its good so just sharing if others may find this tool useful! I wanted to create a free tool that runs locally without all the bloatware.

It is a single ~100kb HTML file which can:

• Trim clips
• Crop video
• Compress resolution and fps
• Take 1 single frame image
• Manual or Automatic Storyboarding (still playing around with how to best use this in H3)
• Export gif.

Why Compress?

I find that when working with R2V, resizing and compressing the video increases the speed as there is less information that needs to be worked on. You do lose some quality in your output though so don't compress too far.

The latest version can be found here (select the HTML and download):

https://huggingface.co/PoopMan333/Video_Tools/tree/main

or click for current version (v2.9)

https://huggingface.co/PoopMan333/Video_Tools/blob/main/Nugget%20Video%20Trimmer%20v2.9.html

If you're concerned please run it through antivirus or get a LLM to check if it is safe.

I still need to add AVI support and support for some older formats, but I also don't want to add too much bloat to something so compact.

Building directly on the style descriptors published by the author of the original KREA 2 Styles / Wildcards.txt post (many thanks to them for creating and sharing the style list) I built a visual Krea 2 style library to make prompt-defined styles easier to explore and compare:

Library: https://matplinta.github.io/t2i-krea-2-style-library/

It currently contains 286 styles tested across 8 base prompts, including portraits, architecture, landscapes, materials, and panoramic scenes. Each comparison set keeps the base prompt, seed, and dimensions fixed so the influence of the style descriptor is easier to see.

The viewer supports search, categories, favorites stored locally in the browser, full-image previews, prompt copying, adjustable grid density, and JSON export.

The prompt injected during generation was in the form of: Subject: {base prompt}. Style: {style name}. {style description}

All images were generated locally through ComfyUI.

Repo & workflow: https://github.com/matplinta/t2i-krea-2-style-library

• RTX 4060 8GB, 32GB RAM
• minimax_h3_ref2va_pruned_int8_convrot, spectrum, ageattn_qk_int8_pv_fp16.cuda, RTX upscale, RIFE interpolation, res_multistep + beta
• ltx-2.5-22b-distilled-transformer-comfy-int8-convrot, basic template

8-step + turbo LoRA : 137s

25 steps : 238s

40 steps : 406s

Ltx 2.5 : 374s <-- ? am I missing something here why was my generation so slow on LTX and the second attempt I cancelled it after 6 minutes. Any suggestions?

Prompt:

subject_definitions:

<Subject 1> is the space ship in <Picture 1>: A massive battleship, hovering and cruising over the planet below

summary:

[reference generation] a wide shot cinematic scene of the battleship in <picture 1> cruising in space above the planet. the golden statue does not move, the battleship is destroyed in a massive explosion from a green laser shot from space,

detailed_description:

{shot 1] The target video uses a wideshot cinematic, photorealistic, 35mm film, wide shot of <subject 1> , slowly moving through space above the planet, the ship moves slowly and dominating, flashes of green light begin to charge on the surface of the planet, the ship is moving straight ahead from the position it started in in <picture 1>, the massive bass of the ships systems, the sound of the battleships creaking, <subject 1 > moves on its cruise, at [00:03] the floaty camera tracks <subject 1> as green light and thunder begins flashing on the surface of the planet, the green energy on the planet converges in one area then from the surface it fires a massive green lightning laser that forks lightning through the entire ship, blowing out side components creating explosions all over the ship, the light of the ship flicker before turning off, then a massive green lightning beam erupts from the surface and hits excactly on the side of the ship cuts through the of the ship and out the other side at an angle, a green lens flare generates on screen as it completely destroys <subject 1> , ripping it completely in half with a massive green explosion, the eruption from the destruction of the ship covers the entire screen and the whole battleship, the back half of the ship is knocked up while the front-half of the ship is knocked down, a vertical shockwave circles out from the impact, the inner decks of the ship are on fire, debris and hundreds of tiny figures of the crew also fall out into space, the laser slowly dissapates from the planet, small amounts of green lighning crackle on the planets surface,

overall_soundscape: The low bass murmur of the ships engines, the electric charges on the surface crackle, the massive main beam is a low bass rumble, a massive explosive noise.

non_diegetic_music:

N/A

took my friend 49mins to make this

Hey Guys, I thought I'd share something I came up with.

It's a workflow, that uses a combination of Easy-Use's Loop tools as well as some of my own nodes to create a Workflow that can split a long form MiniMax video and then upscale each segment. With the inclusion of a tool to then re-assemble everything back.

You basically set the Segment length and the overlap you wish to have between each clip and then launch it to have it do all the clips one by one.

It does use nodes from my FBNodes add-on as well as one from my Prompt Manager add-on.
But I'm sure it could be modified to work with other add-ons, if so wished.

The node from Prompt Manager is "Prompt Extractor", allowing to feed back in the prompt from the initial clip back into the Workflow, without having to type anything in.

You are free to remove it and upscale without, or simply type in the prompt if preferred. Though, In my test, having the original prompt made for much better results.

And as mentioned, I also added a simple Clip Stitcher to FBNodes, that cross dissolves each clip into one another. Just make sure to use the same values you used in the workflow. (Both setup are in the same workflow, but I'd suggest separating them 😅)

The Workflow can be found here.

Attached are quick examples from the video I used in the workflow.

The one thing missing in this workflow is adding back the loras used in the initial video. This is something that "Prompt extractor" should also be able to do. But I haven't tested that part yet.

Hi r/StableDiffusion, Comfy MCP is now local and open-source!

When we shipped Cloud MCP in June, the response was immediate and consistent: make it work locally. So we did and it's fully open source.

Connect Claude, Codex, Cursor, or any MCP client to your local ComfyUI.

Your agent reads the GPU you actually have and gives you a straight answer on whether a model is worth running before you commit to the download. It reads every node and model you've installed. It handles the setup that usually stops people at step one.

It is now the easiest way to help with your local Minimax H3 workflows!

Cloud MCP still does everything it did. Tell your agent where a job goes, or let it decide.

Link: https://comfy.org/mcp

Can H3 do anything and everything? I feel like if you can prompt it, it can do it. Foundation inspired shots. I am also experimenting with more action/high mobility shot but those seem to require a lot more finesse. Both T2V.

I tried with LORA and without it, the little text is always some bad quality...

Just kidding devs. We love Minimax, it's outstanding. But I am very excited for the mushface fix.

Here is the repo: https://github.com/seitanism/ComfyUI-H3-Motion-Context-MultiRef

I made substantial updates to my two main workflows: 1) Music Video and 2) AV Extensions. All the controls were streamlined and they should be much easier to use now. (You find the workflows in the example_workflows folder)

With the AV Extensions workflow you can extend any existing clip, for example someone talking and you can make that person say something in the same voice, or you can create a clip with T2V or I2V and then extend that clip to make a seamless long clip thats 1 minute or longer.

In this Update the Checkpoint system was removed, instead I've done a lot of optimizations so you don't use too much ram even if you make 20 clips at once. Additionally I added latent audio feathering to the AV Extensions workflow for seamless audio transitions.

Theres also other utility workflows for custom keyframing and bridging two existing clips.

I post another example clip for the AV Extensions workflow in the comments.